Feb. 22, 2026
Michael Mann - Ali

Our Denzel and the Mann month concludes with a look at Michael Mann's 2001 biographical sports drama Ali! Jeff and Garret don't need to tell what you already know... THE CHAMP IS HERE!
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Check out our NEW YouTube Channel and subscribe now! If you're one of the first 100 subscribers, you'll be entered to win a weekend pass for one of several comic cons happening in 2026!
Would you like to hear the show early and ad-free? Head over to our Patreon and get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member!
Subscribe to us on YouTube
Connect with us on social media and our website
For TV and Movie themed Smell-O-Vision candles, check out our friends at The Euphoric TreeFort
WEBVTT
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This episode is brought to you by our friends at
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You will not be disappointed there. Fantastic make the whole
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house smell awesome the u Fort Tree Fort. And now
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we're going to talk about a film by Michael Mann.
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Another film by Michael Mann, his two thousand and one
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biographical sports drama Ali.
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The tamp is here, The tamp is here, The tamp
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is here.
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Hello everybody.
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I'm Jeff Johnson and I'm Gary Gibson.
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And this is a Film by Podcast. We are finishing
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up our Denzel and the Man month with another Michael
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Man film, now our fourth time discussing his work, having
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previously covered Manhunter, Collateral and Miamivice Miami Vice earlier this month. Garrett,
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do you happen to have a favorite Michael Mann film.
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I actually do. You guys have covered it once before. Collateral,
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Absolutely brilliant film.
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I love that one.
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I gotta be honest, man. One of our Patreon supporters,
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Eric Dirth, Yes, he's like, hey, man, can we do
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can we do Collateral? I was like, yeah, why not,
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I'm up for that. He knocked it out of the
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park and then he even came back. He did a
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special Patreon episode for us when we did The Martian
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and this guy, I mean, he goes all out. I
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love when Eric shows up. We have We always have
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a good time talking to him. So now, before we
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climb into the ring with Ali, you know we're talking
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about Patreon. I know we've got listeners out there hearing
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us right now early and AD free because they are
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listening on our Patreon feed. So to our Patreon family,
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we say thank you for what you do to support
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the show. And if you haven't joined us on Patreon,
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you can do so right now for as little as
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three dollars a month. You'll get the show a day
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early without ads, and you'll also have access to all
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of the exclusive episodes we've done there, which has become
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a substantial library so head to www. Patreon dot com
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slash a film by podcast, or just use the link
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in the show notes. Okay, they'll be they'll be down there,
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just like that link to the Fort treefort. So Garrett.
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Three things you may not know about this director. And
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I can be honest, this is the fourth time we're
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talking about Michael Mann.
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Uh.
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If you have been listening to the show all these seasons,
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you you probably know a lot about Michael Mann. At
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this point, I.
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Found, I do.
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I found I've had a few more things to add
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to our our Michael Man study. Here. Let me throwt
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some movies at you. Martin Scorsese's The Aviator and Twine
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Fuqua's Shooter and Oliver Stone's Savages, all three awesome.
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Movies, right, yeah, absolutely, those.
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Are three films Michael Mann turned down in order to
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direct Ali.
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That's actually a pretty impressive lineup of films to turn down,
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especially when you see the success that a lot of
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them faced. And I know we'll get to talking about
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box office and budget here shortly, and it kind of
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it's one of those moments where you wonder if he
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rethinks what his decision was.
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There probably won't be the last time we mentioned the
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name Oliver Stone on this episode, but I gotta be honest,
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looking at those three movies, I don't think Shooter Is
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is better without Antoine Fuquah and you and I talked
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to Fuquah earlier this month on Training Day. The Man
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is a Maverick. Oliver Stone Savages. I don't think Michael
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Man could have made that. He could have, but it
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would have been a lot darker, more would have been
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as funny, wouldn't have been funy at all, I don't think.
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But I'd be curious to watch Michael Mann's The Aviator
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because that doesn't necessarily screams Scorsese.
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It truly doesn't.
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It's a bit al Scorsese's Wheelhouse, which is actually why
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ended up loving.
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The film so much.
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Oh okay, and yeah, so I mean it's a little
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bit outside of that New York Bronx tale things of
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that nature that Martin Scorsese has done for so long
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and has done.
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So well with. So it's ultimately why I ended up
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loving that film.
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Interesting. Now, on the Miami Vice episode last week, Brad
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and I questioned whether he should have won an oscar
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by now, so I will point out that he has
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won two Primetime Emmy Awards and has been nominated for
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four Academy Awards, two Golden Globes, and one BAFTA Award. Okay,
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if you're wondering how Michael Mann first fell in love
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with the movies, it was during his days as a
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college student at the University of Wisconsin Madison, when he
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went to see Stanley Kubrick's Doctor Strangelove.
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That's quite a film, and of course Stanley Kubrick's just
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anything he touched around that era. It was simply amazing
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but also absolutely insane, so I could see how he'd
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fall in love with it.
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I think Strangelove is one of the scripts that Brad
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Kozo is going to cover on his new limited series,
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a script by you know, at least I think it is.
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I hope he does it. I'd love to hear what
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he has to say on that. I'm gonna tell you
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what I'm gonna tie the quote, the Michael Man quote
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to Strangelove. He said this on how Doctor Strangelove affected him. Quote.
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It's said to my whole generation of filmmakers that you
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could make an individual statement of high integrity and have
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the film be successfully seen as a mass audience all
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at the same time. In other words, you didn't have
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to be making seven Brides for seven brothers if you
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wanted to work in the mainstream film industry, or be
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reduced to niche filmmaking, if you wanted to be a
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serious if you wanted to be serious about cinema. So
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that's what Kubrick meant, aside from the fact that Strangelove
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was a revelation.
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It okay, it is there.
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It is Garrett a five word synopsis. Give me five
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words and tell me exactly in five words what Ali
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is about.
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This is the easiest one that you've given me, Jeff,
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just because five words describe this man completely.
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The greatest of all time. He's the goat.
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He well, okay, I'm not gonna argue with you. He
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is the greatest of all time. That would be a
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tough one. If if we're playing the game, you know,
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the grace of all time? I could I could say
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the Natural, the Ten Commandments. I don't know what. I'm
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gonna make it a little bit easier for you. How
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about how about this one ten years about boxing's greatest.
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I like that, Okay, all right, all right.
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I can honestly say that within the first few minutes
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of the film beginning, and I'm talking about this, you know,
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the scene where Will Smith is as Ali. He's working
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the speedbag in the gym and he is bathed in
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that soft blue light. You know, I'm talking about that
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soft blue light. Immediately tells me I'm watching a Michael
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Mann film. I think Man's use of light is one
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of his calling cards.
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You really do get a lot of that in films
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like Miami, Vice and things of that nature.
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So I can agree with that.
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Yeah. As I alluded to in my five words synopsis,
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the film covers a decade of Muhammad Ali's life from
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nineteen sixty four to nineteen seventy four. We begin with
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a title win against Sonny Listen, and we end with
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a title win against George Foreman. I gotta say that's
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a pretty cool, cool way of doing this movie, because
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every boxing movie we've ever watched, and we've actually we've
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covered two boxing movies already this year, you know, because
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we opened up with Rocky Balboa. We had our special
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Patreon episode with Patreon member Brad Moore, who's a friend
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friend of the show, where we did Ron Howard, Cinderella Man,
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and We're back in the ring again, man, and I'm
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not getting tired of it, honestly.
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No, this is anytime we can watch and talk about
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a great boxing film, I'm all for it, especially one
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that deep dives so much into the personal life of
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Muhammad Ali over that ten year span of time.
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Lots going on this ten years, you know, I mean,
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because we're getting treated to some amazing in ring boxing scenes.
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But we're also we're talking about Malcolm, We're talking about
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Martin Luther King, We're talking about the Vietnam War. There's
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a lot happening in this movie. And I think, Michael Mann,
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it doesn't feel like I feel like I'm watching the
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whole film. I don't feel like I'm missing chunks of
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the movie. So credit to the editor on this one,
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credit to his direction. But most boxing movies, we get
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a contender that has to go win the title, right, Yeah,
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or maybe we get someone that loses their title and
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has to win it. You know, this is like you're
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you're you're opening the movie with him winning the title.
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You're you're closing the movie with him winning the title.
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It's like if you took Rocky two and Rocky three
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and just mashed them together as one big movie. You know,
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Balbo wins the title and then at the end of
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the movie he wins the title like that's that's what
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we're doing here with Ali. But it's it's real life
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and I dig it.
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Man it is And the freeze frame and the pouring
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down rain at the end of the film is.
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Okay, we're going to talk about that. I'm glad. I'm
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glad you mentioned it. Listen. I know we're going to
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talk about a scene later and I was like, look,
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I don't Garrett might talk about this, he might talk
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about this, but we're definitely going to talk about it,
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because uh yeah, I'll just kick that. I'll kick that
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down the road a bit. Meanwhile, we'll take a quick
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break and then we have got to talk about this cast.
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Welcome back. We are discussing Michael Mann's two thousand and
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one biopic Ali. Hard believe it's twenty five years old, Man.
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It really is.
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I remember when this film came out and upon the rewatch,
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I'm like, is it really two thousand and one?
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Has it been twenty five years?
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It's amazing when you look at the cast in this
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movie and then you look at them now and you're like, really,
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twenty five years has gone by because they look great.
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Yeah.
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Like even some of the older actors that are in this,
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like Gina Carlo Esposito or John Voight, like neither one
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of them look like they've aged very much since this role.
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I think. Okay, So with gen Carlo, I think he
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has two ages. He's either twenty five in like he
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is in Maximum Overdrive Yeah, or he's sixty five like
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he is in Everything Yeah, because you gotta think he's
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playing Will Smith's dad in this movie is and in
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real life he's only ten years older than Will Smith, so, which.
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Is hard to believe because he has been around for
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so long.
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Man, I know, I know, but let's let's start with
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Will Smith. He is playing Cassius Clay aka Cassius X
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aka Muhammad Ali aka the Greatest. Smith initially turned the
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role down. Now I can understand that. You know, that's
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got to be a lot for any actor to say, hey,
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we want you to star in this movie. Oh, by
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the way, you're playing this person. So I get it.
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But it was a phone call from the real Muhammad
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Ali that changed his mind. Ali asked him to take
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the role because Smith was the only actor pretty enough
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to play him. How great is that?
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That is a Muhammad Ali answer for sure. I absolutely
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love that.
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If that doesn't boost your confidence immediately, then I don't
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know what would. But to get into shape, can we agree?
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Will looks fantastic in the movie?
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Oh?
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Yeah, I mean his lean frame at I waive he's
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six thirty six y four, but they say he weighs
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in at two hundred and ten pounds.
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He is absolutely huge in this movie. Yeah, he looks amazing.
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Yeah. To get into shape, he moved to Aspen, Colorado
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because he knew the air was a lot thinner. He
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spends about a year training to play Ali, and this
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included routinely waking up at six point thirty every day
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