Feb. 15, 2026
Michael Mann - Miami Vice
Our Denzel and the Mann month moves into the Mann portion as Jeff and Brad go undercover with Michael Mann's 2006 film adaptation of Miami Vice! Smooth. That's how we do it.
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Check out our NEW YouTube Channel and subscribe now! If you're one of the first 100 subscribers, you'll be entered to win a weekend pass for one of several comic cons happening in 2026!
Would you like to hear the show early and ad-free? Head over to our Patreon and get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member!
Subscribe to us on YouTube
Connect with us on social media and our website
WEBVTT
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Heat two is currently in pre production and will be
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Michael Mann's next directorial feature, based off the novel he
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co wrote with the Meg Gardner. At this time, here's
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what we know. Leonardo DiCaprio, Christian Bale, and Nicholas Cage
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are all attached. Brad. The question is where you are
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with this film on a scale of very concerned to
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very excited.
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I I will wrap this up as quick as possible.
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But I was when I was going to be a
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new parent. I figured I need something to read, you know,
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when my newborn is sleeping. So the first book I
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got was the book you see behind me, Heat two.
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I see it.
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I see it there on the shelf, and I got
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through about three chapters because I realized I can't read
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that with the newborn. So now I am very excited
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this for this movie, and I'm waiting to actually start
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it over and read it once I actually hear who
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the cast is going to be, because I had my
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ideas about that cast too.
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Okay, i'll tell you what. You can't see it, but
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it's over on my shelf as well. I just I
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recently got it. Maybe maybe we need to both read
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it like a book club. Type of thing.
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I mean it. I mean I read a good small
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chunk of it and what I did see, you know,
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I liked it.
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Okay, Okay, Yeah, Well we're not going to talk about
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books today. Let's talk about a film by Michael Mann,
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his two thousand and six action packed film adaptation of
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Miami Vice. Hello and welcome back. I'm Jeff Johnson.
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I am Brad Kozo and this is a.
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Film by podcast Brad. This is our third episode talking
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about a Michael Man film special. Shout out to our
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Patreon member Eric Dirth, who joined me last season for
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our Michael Man episode discussing Collateral, which was fantastic, and Brad,
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let's not forget you covered Manhunter way back at the
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beginning of our limited nineteen eighty six series with Dayton Johnson.
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That's right, so funny enough. I actually watched Collateral right
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before I watched Miami Wece, before we got into it.
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Before we get into this one. Michael Mann only nominated
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for four Academy Awards in his career at this point
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with no wins. So I'm talking talking about the Aviator,
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you know, nominated for Best Picture. He was a producer. Yeah,
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and then the Insider nominated for Best Picture, Best Director,
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Best Writing, real real quick. When you look at Man's filmography,
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should he have already had an Oscar?
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The Insider is a fantastic film. I think all the nominations,
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you know that. I mean, nineteen ninety nine was a
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very very tough year. I mean, that's tough year, you know,
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but that is a really good movie, especially the movie
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coming off. I mean, I don't know one guy who
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doesn't have heat as their top you know, ten film.
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You know, it's just like everyone loves heat.
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But I just I don't know. I hope this guy,
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he's a guy that we we should see him with
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an Oscar. I hope at some point we do. That's
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that's why.
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But he is very very well respected, you know, very
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well respected by actors. Actors want to work with Michael Mann.
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And you see it because he he does get some
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good actors, you know, I mean great actors. Yeah. So yeah,
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he's usually anybody that says when they end up working
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with him, I've been dying to work with Michael Mann.
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So a lot of people like to work with him.
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Well, let's talk. I'm gonna tell you three things that
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you may not know now, some of these actors that
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are dying to work with them, they may know these things, Brad,
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But I'm gonna tell you three things you may not know.
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And I'm gonna give you a quote from from Michael
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Mann uh fitting that we're talking about the film adaptation
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of Miami Vice. Uh. He served as an executive producer
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on the Miami Vice television series and was highly responsible
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for the show's stylized look and feel, uh, which when
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you when you think about what he's done on camera,
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it all goes back to Vice. That's that's how I
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look at it. Like there's I mean the connective tissues there.
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Yeah, I mean that look is there in this movie,
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you know, in this movie and Manhunter. In in Heat,
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you know that that beautiful almost it was like blue tone,
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but only a tent, you know, just not Cameron blue,
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you know, just a light blue.
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Yeah. Michael Mann, unlike most directors, likes to operate the
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camera to capture as much of his own photography as possible.
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And you know we mentioned Heat. He shot over sixty
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percent of that himself. Yeah.
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Not a lot of.
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Directors doing that. You know, you usually have a good
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a good director of photography with you. And if I
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guess you're working part time when you're on a Michael Man.
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Film, you need a good backbone.
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Let's just say that. Yeah, do all that, Brad. The
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forty five caliber nineteen eleven pistol is the gun you
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will most often see in his films. The weapon is
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prominently featured in Thief, Heat, The Insider, and Miami Vice,
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among many other Michael Mann films. That's his go to
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that's his go to choice. Thought that was interesting.
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Yeah, even that's so weird that you said that, because yeah,
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even the weapons have a Michael Man look. I don't
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I don't know how to describe it, but anyone that
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if you can understand it, you got it. But yeah,
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even yeah, they're like, oh yeah, that's that's definitely what
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I would expect from Michael Mann.
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Now I got a quote for you. This is, you know,
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when we're talking about him operating the camera, he said this.
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He said this back in nineteen ninety nine. I'm quoting
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him here. The criterion is when I want to see
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what's going on through the lens, usually it comes down
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to performance more than technique. I've also worked with the
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same camera crews, even down to the assistance on the
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last four films. So we've developed a family in camera,
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a family that picks right up where they left off
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every few years. I see the world from the perspective
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of a five foot eight person, not someone who is
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six foot four, So naturally I'm going to choose certain
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lens heights over and over again. Sometimes nature makes choices
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for you' that's I like that.
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He has that look, you know, you know, like I
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don't know if you watched the show Tokyovice on HBO Max,
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I mean, it got canceled, but he directed the very
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first episode, and the first episode is stellar. It looks
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like Michael Mann. And by the second episode they take
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away the the Michael Man filter because he's just a
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you know, producer on the show. But the first episode
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had that, and I was like, this show is amazing.
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You know, this is gonna be a kind of a good,
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you know, underground hit. But it didn't end up, you know,
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getting picked up again. But but he has that kind
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of look. Spielberg has that kind of look, Cameron has
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that Fincher you know. So yeah, he's got his own.
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Let's let's talk about Miami Vice. I'm gonna challenge you
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you you crushed this the last time we did this
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on the on the Rocky Bibo episode. So tell us
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talking about the five words synopsis. Tell us what Miami
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Vice is all about, and you have to use exactly
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five words.
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This one was hard. But the one that I come
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came up with is smooth. That's how we do it.
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My ah, yeah, that you're at six. I'm sorry. It's
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a great it's a great line. You know, it's one
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of the better it's one of the better lines from
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the movie. But I'll help you out. How about we
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go with mine undercover cops infiltrate drug kingpin works. Basically, Yeah,
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to talk about this movie, we gotta talk. We gotta
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go back in time to nineteen eighty four. Michael Mann
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reads the pilot script for the Miami Vice television show
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in nineteen eighty four and immediately moves in on it
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because he wants to turn it into a movie. Unfortunately
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for him, it's already set up at NBC. It is
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locked in. Despite that, though he has always maintained it
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was his intention to direct this as a feature film
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at some point. So did we wait too long or
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was the time right? In two thousand and six. In
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your opinion, I.
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Think that the time was right. I think the way
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they sold it and the way they went with it
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was the wrong way. But okay, you know, the time
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one I think could have worked.
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Okay, I'll tell you what I want to talk about that.
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Let's take a quick break, and then I want to
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talk about that, and then we'll get into the cast
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and crew. Dearly beloved, we are gathered here today to
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celebrate Death Dave's nineteen eighty four, a video podcast that
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will take you through the greatest pop culture year we
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have ever seen. My fellow Americans, Flacks, O Diama, candidates,
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and we'll seek reelection from movies, music, sports, comics, television,
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and more. This show will be a chronological journey through
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every aspect of the year. So Who's going to drive
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you home and not let the glory days pass you by?
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Death Dave's nineteen eighty four. It's a hard habit to break,
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but time after time I'll show you why nineteen eighty
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four was the best year ever. So who you gonna call? Available? Now?
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Subscribe and follow today. I'll be back. Welcome back. We
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are discussing Michael Mann's two thousand and six feature film
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of Miami Vice. It's celebrating its twentieth anniversary this year. Brad,
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you before the break you were talking about how you
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said it wasn't that we waited too long for the
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film adaptation, but we went about it the wrong way.
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Elaborate please, Okay.
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So I see this movie could have went two other
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ways that I think it would have worked. I think
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with something like Heat, you got about a you got
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a three hour movie there that is has no slow
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parts to it whatsoever. But with Miami Vice, you have
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this two fifteen, two twenty movie that feels long but
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doesn't go all the way. And I think if he
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would have went all the way with it, with the
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way he did with Heat, you would have found out
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more about some of the other characters in the movie
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that you don't you only get a tiny piece of.
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And I think we would have been able to see
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more of a relationship between you know, Crockett and Tubs.
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So that was what it was. It was like you
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could have gone full on Michael Mann, you know, and
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go for the three hours and invest invest us in it. Man.
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Another way was I don't know, And I'm surprised that
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they they allowed this were they not thinking a possible
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franchise with this you know, I mean it, it has
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franchise all over it. So this movie would not have
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been the first film. This would have been the second
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film in a three part trilogy. There is so much
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more that I want to know about in you know,
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in a different case. And I think there could have
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been a different case for the first film, this case
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for the second film, because it feels it feels a
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little bit like, oh, you already know these these backstories.
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People are like, no, we don't know a thing.
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Okay.
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So yeah, that's where I think they got it wrong.
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Okay, So I want to kick the franchise thought down
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the road a little bit. I got something for you.
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I know, we have to talk about it. We'll do
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that when as we get closer to wrapping up later.
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I'm pretty sure, however, Yeah, you know what I'm talking about.
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But I gotta tell you so. I was feeling that
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way about how we went about with this film the
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first few times I saw it. Then I listened to
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Michael Mann's audio commentary, which is absolutely fantastic. I can't
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recommend it enough. Brad. You know, some directors give great
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audio commentaries and some don't. Michael Man is one that
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gives a great audio commentary on his film, but it
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was on the audio commentary he actually addressed this what
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you're the brad Cozo criticism were, Yeah, so he said, basically,
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he relied on people's knowledge and history of the show
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in order for him to jump right into the action
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without spending time learning who these guys were. It's Friday
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night at ten o'clock and you're undercover with them at
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the nightclub, and that is how he wanted it done.
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And he just said, hey, you know these you know
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who these guys are, and that's where he's at with it.
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So I agree with you. Like the first time I'm watching,
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I'm like, well, okay, this is the movie version, so
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who are these guys and who are they to each other?
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But in Michael Mann's world, this is Crockett and Tubbs,
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and you know who these guys are. You spent five
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years with them on Friday nights on NBC and we're
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just we're just taking it up a notch. So I
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agree with you, But I also understand where he's coming from,
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because yeah, I would have loved to see a little
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