Feb. 23, 2025
George A. Romero - Monkey Shines
This week, Jeff and David debate the advantages and life-threatening disadvantages of keeping a service monkey in the house. Ella may be housebroken, but she's also homicidal in George A. Romero's psychological horror film, Monkey Shines!
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So it's helping hands in Monkey College. Two nonprofit organizations
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that actually train monkeys to assist people with disabilities.
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This is a real thing.
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It's a real thing. Yeah, these are these are actual places.
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And you know, because there's all types of service animals,
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but predominantly it's it's dogs. But these two places actually
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train monkeys to be service animals.
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Now interesting.
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I want you to I want you to think about
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think about this. These monkeys because they're known for you know, uh,
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Capuchin monkeys specifically are known for their intelligence and their
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ability to use tools. Here's what they train them to do, Dave.
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They can fetch objects, they can turn switches, they can
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open bottles, open drawers and doors. They can reposition a
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heavy human limb. They can insert straws. Here's and here's
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the one we like. They can operate CDs and DVDs
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and blue roars. They can turn pages of a book,
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and they can they can offer a drink. Now, I
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don't know if that means they're they're buying you a drink,
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they're making you a drink, but you know you're getting
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a drinks one way or the other.
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It sounds like I need one of these around my house.
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I was thinking about that. But here's here's the thing.
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Here's what I need. Here's what I need the service
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monkey to do. I need to make sure that they
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keep my Blu Ray collection in alphabetic order. That's that's
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a challenge. That's that's that's the deal breaker. If you
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can't do it, I don't. I don't want the monkey.
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But you know, the thing is, though the ADA does
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not recognize monkeys as service animals. At one time, I
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think they did, but they it's it's no longer a
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practice because these things can well they can be very
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dangerous when when provoked, and they're known to bite, and
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they're known to spread disease.
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So, oh crap, Okay, never mind that.
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Listen. I want my extensive Blue Rey collection alphaetized, but
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I might have to just do the work myself.
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We don't need to go to that extensive. Good Thanks. Thanks.
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Speaking of capuchin monkeys, let's talk about a film by
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George A. Romero, his nineteen eighty eight underrated psychological horror
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film Monkey Shines. Hello and welcome back. I'm Jeff Johnson.
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I'm David Burns, and this is a film by podcast
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so Dave. Just a few days ago, the Monkey hit theaters.
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Ye didn't we see the trailer for this when we
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went last August to see Last Voyage of the Demeter.
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We sure did, and we were very interested. Then when
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we saw that trailer, we.
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Were very excited. I looked at us and hey, we're
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totally doing Monkey Shines since they're remaking it. Up until
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just now we were like, wait, this is this is
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not a remake.
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A remake, it's you know, it's a you know, you.
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Just assume like you see a creepy little monkey and
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you know. But no. But nevertheless, we decided we're still
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going to talk about Monkey Shines because we haven't. We
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haven't talked about Romero. I mean, you guys were Scott, Yeah,
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you and Scott on our limited series of film at
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forty five, talked about Romero with Dawn of the Dead yep,
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when you did seven. But we haven't covered him on
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a film.
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Buy so, and he just celebrated a birthday too.
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Yeah, his birthday posthumously what the fourth I believe, Yeah,
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I think he would have been eighty five.
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I think I believe he would have been He is fast.
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Yeah, Well, I mean he lived, he lived a great life.
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So he did and gave us a lot of wonderful things.
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Yeah. Absolutely, speaking of giving a lot of wonderful things.
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A reminder to all of those interested in joining our patreon,
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if you have questions about joining our patreon, we are
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still It's February, so we are still giving everyone the option.
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If you sign up for as little as three dollars
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in the month of February, you can put us to
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work on the episode of your choosing. If you got
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a favorite director, you got a favorite movie. We have
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done this, David. We've we've done this several times now.
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We've had We've had a lot of people join the
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Patreon being like, hey can you talk about this guy?
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Or hey, can you talk about this movie? It's one
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of my favorites and we've been doing it.
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So we found some gyms because of that.
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Oh absolutely we have. So head to patreon dot com
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slash a film by podcast and check out all the
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exclusive episodes we have available. Back to Romero, Dave.
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That's right, the Godfather of the Dead.
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The man that made zombies a thing. How about some
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how about a couple of facts in a quote?
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Sure, let's hear it.
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So George A. Romero began his career as an industrial filmmaker,
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directing commercials, promotional featurettes, and industrial training films, and most notably,
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he shot short films that were used on mister rogers
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neighborhood in nineteen sixty eight.
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That's right.
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I want you to think about this, young Georgi Romerow
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in nineteen sixty eight is shooting things that mister Rogers
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is going to promote on his show, and he's creating
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Night of the Living Dead in the same year.
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I like it.
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Wow, Yeah, talk about opposite ends of the spectrum.
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That's right, I love it.
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Discussing his influences, he once said that the universal horror
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classics made a strong impression on him, but his favorite
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horror film was nineteen fifty one's The Thing from Another World?
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Interesting?
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Yeah, Why is that interesting? Dave?
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We just had a conversation with Docking based seventy seven
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Dayton about that, talking about that movie versus The Thing
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from nineteen eighty.
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Two that listeners If you have not listened to that
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episode yet, that was an absolute blast me, David Dayton,
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you know, sizing up fifty one's The Thing from Another
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World against eighty two's The Thing. Yep, I had, I had,
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I had such a fun time on that one.
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I loved it too.
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Yeah, one of my favorite times.
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Yeah.
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Sadly. On July sixteenth, twenty seventeen, George Romero passed away
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peacefully in his sleep.
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Dave hugely.
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He was it was a loss, but uh, I do
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appreciate the fact that it was peaceful for him. He
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was listening to the score of The Quiet Man, which
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was among his all time favorite films.
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Nice.
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Hundreds of years from now, when when Wayne leaves this earth,
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I wonder what film score he'll he'll he'll put on
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on the you know, to listen to.
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That's a good question, you.
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Hey, yeah, it has to be Goldsmith. We'll find out way.
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Wayne's like a cyborg though, he's like data. He's We
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have a lot we have. We have decades left with Wayne,
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So don't don't worry, listeners. We got plenty of Wayne plenty. Uh.
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And I know we, I know, we we pick on
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these these particular people, uh from time to time. But uh, George.
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Dealing with the studios, George said, quote, I'll never get
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sick of zombies. I just get sick of producers. They're
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not all bad. We know that we know, yes, we know,
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we know. But Dave George A Romero, he is, he's
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the godfather of the zombie film. Is he's most synonymous
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with that that sub genre a horror Yep, and we've
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got something different here. This is Monkey Shines. This is
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a psychological horror film. There are no zombies, no, but
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there's something else lurking in the shadows. You want to
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give us a little synopsis about Monkey Shines?
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Yeah? Absolutely. A man trapped within his own body an
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animal train to read and carry out faults, one with
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a mind for revenge, the other with an instinct for
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carrying out that revenge. Alan Mann a very proud athlete
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in law student who seems to have it all. That
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isn't until a freak accident paralyzes him, changing everything he
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knew forever. Every day, normal things become impossible for him.
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That is when his friend Jeffrey, who has been testing monkeys,
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provides him with an animal of his own to help
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him out. Alan and the monkey Ella become very close,
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even to the point a bond that telepathically connects them together,
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which the monkey uses to carry out evil thoughts that
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quickly gets out of control.
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This is Romero's first studio film. But it's a note
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that after O Ryan Pictures recut the film against his wishes,
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he went straight back to independent filmmaking.
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So I don't blame him.
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I don't. I mean, he would he would return years later.
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I think ninety three he came back. Ironically it was
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Ryan again. But it's uh, that's true. That's true. Yeah,
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mess around with great directors.
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And like what happens there you go.
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Executive producer Gerald Ponessa stated that Romero was chosen for
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this project because of his quote, wonderful, dark sense of humor.
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Mm hmm.
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I get that because the zombie films at their core,
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their satire, they are. I mean, I mean and they
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always have like that, that message, that underlying message to him,
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especially Dona.
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The Dead, Donava Dead specific consume. Yeah, yes, and I
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mean you got to think even the famous they're coming
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to get to you, Barbara. So I mean yeah, I
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mean that's the way George Ramro was, and that's why
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we loved him so much, just because the way he
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was able to bring those things to his projects. Yeah.
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Uh, you know, I'm gonna be firm but fair. Mm hmm.
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There's there's one scene in particular, and uh, there's a
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couple of things I do want to ask you, because
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you know you are you are the director. Uh that
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that's typically on this show. But right from the get
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go the accident, I kind of feel like we could
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have it could have been shot a little bit better.
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You know, you talked about, you know, our our main
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character Alan, he's this athlete, he's a he's in law school.
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M hm, he's he's, you know, doing his morning nude
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yoga and then he goes out for a run and
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he's got his Nike track suit on. Dog kind of
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spooks him and he wanders out into the road and
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gets just smacked hard by a pickup truck and.
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The worst shot probably possible of him ying through the air.
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Come on.
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That looks to Georgim, Yeah, I know. I mean, look,
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we're gonna we're gonna call it like we see it.
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The problem is it's a slow motion. Okay, you just
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see like a slow motion close up of the front
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of the truck, and then you see a slow motion
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of Alan who's doing this. It almost looks like an
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Olympic like a.
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I don't know, it looks like a trampoline it's what
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it looks.
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Yeah, yeah, he's doing and he's like he's kind of
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spinning around very gracefully. It does not look like Havoc
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has just been wrecked. You know, It's like it wasn't scary.
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I am I being fair? Am I being over?
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You were being very fair? And okay again, I had
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not seen this in a really long time. So when
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I'm watching this opening and I'm listening to the score here,
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I'm like, this really feels like a lifetime TV movie.
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It did first with that with that that that music,
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with with the way it opens, and then this this
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accident that happens. That's just it kind of almost pulls
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you out of the film a little bit.
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You know you mentioned the music. Now listen, uh at
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this point in the movie, the music is a little
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very horror like it is not. Yeah, I mean it
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gets better. But I called I called up our buddy
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Wayne say if he wanted to do a scoring session
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for David Schier, the composer. His response was, who like,
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all right, all right, Well He's like, I'm not familiar
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with that guy. It's like, okay, Wayne, we'll get you
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next time.
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Yeah.
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I just I just feel like the the scene. You
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don't have to show us the accident, but it could
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have been so much better because have been more traumatic.
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Like think about think about pet Cemetery at the beginning.
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Of that movie, when.
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Pascal or whatever the thing that Victor Pascal, he gets hit.
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We don't necessarily see it. It's just but it's yes,
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it's the sound. I didn't use a lifetime movie sound
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like here.
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Yeah. So, I mean one of the things is audio
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is so important. You know, your your audience can forgive
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you for video mistakes, but your audio is very, very important.
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If they would have used a little bit different audio
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sounds here, it might be different. We might be talking
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