Aug. 5, 2026

Phasers Set To Stun: Strange New Worlds S4. E2 The Griffin Incident

Phasers Set To Stun: Strange New Worlds S4. E2 The Griffin Incident

On Phasers Set To Stun, we recognize the popularity of all things Star Trek, with a look at the television shows, animation, movies, and much more!

This week, we're continuing our coverage of the fourth season of Strange New Worlds with the second episode, The Griffin Incident! Prepare yourself for a more horror-centric Trek!

Watch this episode on our YouTube Channel and subscribe now!

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WEBVTT

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Space the Final Frontier. Join us for a bold conversation

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our prime directive to recap our favorite Star Trek shows,

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both new and old, to engage and debate about all

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things Trek. Prepare to energize with Phasers Set to Stunt.

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Hello everyone, and welcome back to Phasers Set to Stun,

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where we continue to show our love for everything Star

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Trek and its ongoing theories from a film by podcast

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which focuses on every quadrant of the expanding universe of

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Trek by covering television, animation, movies, directors, merchandise, and so

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much more, plotting the course as always as your Core Trek.

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I'm David Burns, and I'm Scott Hoffin and I'm Wayne Wall.

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Welcome back to the Bridge. On this episode, we are

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continuing our discussion of season four of Strange New Worlds

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with episode two, The Griffin Incident, written by Robbie Thompson

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and directed by Axel Carolyn. Regular listeners, if you are

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not caught up with the series, please go do so,

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as there are many spoilers ahead. We will be right

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here on the bridge waiting for you. All right, let's

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transport into this episode. Guys, Wayne, why don't you give

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our listeners a brief summary of what this episode is

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all about.

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Spock Lon and James Kerk answer distress call from the

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long lost to USS Griffin, only to discover an abandon

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Federation vessel hiding a terrifying mystery. As a sinister force

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praise on the deepest fears and threatens to consume the

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away team, the mission becomes a desperate fight for survival

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with no easy scientific explanation. Forced to confront their own

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inner demons, the three officers must overcome a darkness aboard

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the Griffin before it claims them as their next victims.

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Thanks Wayne, Well, gentlemen. H First off, I want to

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say I absolutely loved this episode and the fact that

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we're only two episodes into this season and I think

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they are just doing an incredible job already. I cannot

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wait to see what the rest of the season has

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for us. But I have to say this is the scariest,

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the creepiest. It has to be the gloriest Star Trek

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episode we've ever seen. Would you guys agree with that?

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Definitely?

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Yeah, yeah, for sure, Yeah, yeah, I definitely had that. Yeah,

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you want to watch it again, but you're not sure

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when exactly.

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It definitely had a lot of event horizon going with

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it for sure.

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Yeah, I've got the same thing.

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Yeah, I mean it had that kind of vibe. But

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that scene when Sam was getting sucked out and you

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were seeing like his intestines and stuff out in space

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as he was, Oh my god, that was like awful.

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Yeah.

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Yeah, that's about as as horrible as you can get.

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Yeah, Well, tell me what you guys think about this episode.

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Well, I think they did an amazing job at keeping

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you guessing as to what was real and what wasn't. Yeah,

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because I was buying it all the way along, and

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I thought like when Commander Unington Riley kind of slices

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into herself, I was like, is she really there and

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she's being manipulated like Spock is or I don't know.

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I mean, aside from what you just mentioned with Sam

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getting kind of sucked out through the glass, there there

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was a lot of doubt when I was like, I

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don't know if I can tell who is real and

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who is.

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Well, even when the Pike and beamed on board, You're like, oh,

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they're here to rescue it. I mean it felt real right,

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like they were actually beaming on here. Everything was cool,

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and then they were getting involved with the mystery. Everything's

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going on, but then all of a sudden you're like,

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wait a minute, no going on.

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Yeah, and some very creative ways to you know, torture

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or kill people in a Star Trek kind of way,

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like the uh when Ortegas is beamed into herself. Oh yeah,

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what Like I've never thought that they would go to

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that kind of place. So, I mean, if they, if

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they would decide to do anything that division thirteen, I

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think this is a great setup for it, or a

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great case study for doing something like that.

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Way, what'd you think?

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Oh?

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I loved the episode. I thought it was great. I'll

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say this is the first time Star Trek's ever went

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this far into horror. They've kind of touched it a

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little bit, screwed around the edge, but never never this uh,

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you know, full frontal work they did right here.

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But it's they did a fantastic job at it. You know.

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I was totally confused throughout the entire thing, just like

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they wanted. You know, I I couldn't figure out whether

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or not I was what I was seeing was real

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or was or wasn't.

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I was tricked.

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I thought there was a lot of great They had

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some great tension building moments, you know they I'm not

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much of a horror movie fan. Everybody, you know, most

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people know that, but I really like this episode because

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it's it's it really builds at tension rather than just like,

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what do they call that, jump scares, which I don't

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care for, never cared for that. But I think probably

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my favorite part of this is the fact that this

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episode centered around really in depth. You know, got Spot

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and you got Kirk and you got Lawn, and these

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are three characters that you know, we want to see

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more and just separating them from the rest, I think

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is what I enjoyed most about this episode.

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Just good, good haunted ship episode. That's the best way

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to put it.

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I think another thing they did really good with this

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is they took a horror story, a ghost ship, whatever

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you want to call it, and they actually were bringing

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out the ps PTSD with these characters because when they're

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they're back on the ship at the end of this episode,

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you could really see that these people are struggling and

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it seems to be piling and piling and getting worse

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and worse. And I think that's where we're going in

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this season with that kind of especially on I mean,

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where is her character going? I'm we've kind of talked

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about this last episode right where, you know, is she

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going to turn against everybody and turn into that super soldier?

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You know, like han is that where she's going? It

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looks like they're leaning that way, and she's really really

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struggling through this whole episode. Not only was she struggling

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to find an answer to this mystery on the Griffin,

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but you know, she's struggling internally with all the stuff

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that she's gone on mentally, So I mean, I'm really

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worried about her. I am.

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I imagine the reason that we haven't really seen much

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of a ship's counselor is because they're so busy they've

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never leave their office. Like the trauma that we're seeing

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here goes deep and goes far. I'm sure, especially for

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a lo on like you read a good point about

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her facing that kind of imagining that everybody expects her

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to become the next con Right. We've seen her kind

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of turn into a Romulut at one point, or a

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volcan that had more Roman tendency or I guess I

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know how to say that, but it's just interesting that

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she always struggles with that idea of will I become

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that horrible thing that everybody's expecting you to or will

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I become something else that's possibly worse. And for a

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ship security officer to have that sense of self doubt

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and lack of kind of self trust about whether people

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are safe around her has her struggling a lot. So

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I really appreciated the scene with Pike at the end

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where he's counseling her through it and he's like, I

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know what you're talking about. I don't need that in

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the report because I know who you are.

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That's that's another reason why I like Pike so much,

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because he did that very similar thing with being a Remember, yes,

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he's protecting his crew because he knows that they are

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dedicated to that ship, they're dedicated to him, and he

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trusts them completely, and he's protecting them so that Starfleet

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doesn't get involved and remove them from that ship. That's

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another thing I absolutely love about him his career.

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Yeah, I just didn't like in this episode how he

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made finger sandwiches disgusting.

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Yeah.

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Wow, Yeah, he turned his fingers into rollos. That was

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just that good.

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No, thank you, No, there's there's a lot of squeamish

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moments in this episode. There's there's no doubt about that.

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But for them, for them to be able to do

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that in the Star Trek episode really speaks volume they

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were to pull off of this. So it can goes

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to them for that, that's for sure.

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So the go ahead.

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Let me let me just state this the you know,

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we were recording this what like almost a week after

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the episode has been released. But I've been watching the

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the internet's feel about this episode, and it seems to

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be torn half and half. I think a lot of

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people are agreeing that they really like this episode, but

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unfortunately there are a lot of people that don't like

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corr stories of course, and I think that's what's what's

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hitting a lot of people. But Star Trek thrives on

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changing its style, and you know, you can't continuously tell

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the same type of stories week after week after week.

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I think that's really what happened to Star Trek Enterprise

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and why it lost a lot of viewers and why

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it failed is that they didn't change their format. Here,

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Strange New Worlds is doing it almost on a weekly basis,

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and I think that's why it's being so successful as

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of the new Star Trek series, I think is why

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it's thriving. So yeah, a lot of people don't like war.

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I don't like Karr, but I really like this episode

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and I appreciate it, and I think more people should

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do that too.

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Yeah.

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Well, you guys know, I love love horror, so this

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episode was right up my alley. So I was a

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static for it when I heard it was gonna be

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a horror episode, and then when I got to the

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end of this, I was a and that was fantastic,

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So thank you.

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There was a certain point when I was like, you know,

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I mean Star Trek I've always thought of as a

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series that could be shared with different generations, could be

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shared with the family and things like that. There was

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a certain point in this episode when I was like, oh,

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this would be a good, like spooky episode that you know,

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kids can watch with their parents. And then certain things

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started happening. I was like, or not or not at all? Yeah, no,

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I mean I could see where there's maybe a little

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bit of you know, squeamish us around that or saying

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that you know, they need to be careful of that.

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But to me, we've talked about this before, like you're

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by testing other genres, by getting into other places you

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don't necessarily expect, you are also kind of expanding the reach.

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Like Dave to your point, if you've got, you know,

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friends that are fans of horror that are like, oh,

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I don't know about the Star Trek. I don't necessarily

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want to get into that. It's like the Frog Brothers

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and the Lost Boys, right, like, hey man, what's this?

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It's not necessarily a sample of everything you're going to

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get in there, but it does show the range that

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you can get with this franchise.

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Absolutely, I couldn't gree and you know, we need to

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see more of this season. But it could be also

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if you do want younger viewers to see, it could

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be an episode that could be scared.

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I don't know.

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We'll find that out later, but I don't think it

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really should. I don't think there's anything in here that

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younger viewers, and I'm not talking about five or six

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year olds and talking you know, low teenagers, ten year

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olds or so. I don't think there was anything in

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the episode that they couldn't watch. But then you know, hell,

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I went and I was watching horror films when I

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was five years old. My sister was forcing me to

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and they didn't bother me.

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So you know, what do I know?

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There you go exactly and you.

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Turned out right.

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The look, Oh, I was traumatized by the Amityville horror,

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but that's a different story.

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I wasn't going to bring that up. For well done, Wayne,

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I'm impressed you brought that up.

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So it didn't seem like did anybody else get kind

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of a flashback to the VESDA? Yeah, specifically with the glitches,

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like the glitch in the machine kind of things. I'm

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glad it didn't go there.

238
00:12:09.159 --> 00:12:09.840
Oh yeah, me too.

239
00:12:10.000 --> 00:12:11.759
It was kind of like flipping that on the head,

240
00:12:11.799 --> 00:12:15.679
like it's not something that's trying to possess somebody to escape,

241
00:12:15.840 --> 00:12:18.919
it's somebody who's trying to kind of basically get somebody

242
00:12:19.000 --> 00:12:23.279
to stay. Very much a haunted chip, a haunted part

243
00:12:23.320 --> 00:12:24.120
of space. I don't know.

244
00:12:24.519 --> 00:12:27.679
Yeah, that one shot where Lawn walks realized surrounded by

245
00:12:27.799 --> 00:12:29.440
all the dead crew, that was kind of cool.

246
00:12:30.320 --> 00:12:33.600
That what was the is it the Andorans?

247
00:12:33.879 --> 00:12:34.320
Yeah?

248
00:12:35.000 --> 00:12:38.440
That was a I assume it was an intentional choice,

249
00:12:38.440 --> 00:12:42.559
but a very scary choice considering who we lost a

250
00:12:42.559 --> 00:12:44.200
couple of seasons, the crew, maybe we lost a couple

251
00:12:44.200 --> 00:12:45.399
of seasons agoing exactly.

252
00:12:45.600 --> 00:12:48.399
Yeah, that was that was That was a creepy touch

253
00:12:48.399 --> 00:12:50.519
for sure, you know. And it's not often I get

254
00:12:50.519 --> 00:12:53.120
to talk about like edits when they're editing an episode

255
00:12:53.159 --> 00:12:56.399
because most of it's cut and dry. This episode has

256
00:12:56.399 --> 00:13:01.000
some really cool editing in this episode. The one scene

257
00:13:01.039 --> 00:13:03.679
where they were walking through the ship is shining the flashlights,

258
00:13:03.679 --> 00:13:06.039
and the flashlight would cross the camera and it would

259
00:13:06.039 --> 00:13:09.919
cut to another shot of them walking around smoothly. Oh,

260
00:13:09.960 --> 00:13:12.399
I love that shot. And then you had another shot

261
00:13:12.440 --> 00:13:16.480
where they were moving from one hallway to another part

262
00:13:16.519 --> 00:13:18.320
of the ship and the camera kind of swiped behind

263
00:13:18.840 --> 00:13:21.919
a bulkhead into the dark and it cut right to

264
00:13:22.000 --> 00:13:24.039
another part of the ship that they're walking towards. Us.

265
00:13:24.559 --> 00:13:26.720
I love the editing in this episode. I thought it

266
00:13:26.759 --> 00:13:27.679
was very well done.

267
00:13:28.039 --> 00:13:31.000
Yeah, very effective for this kind of episode especially.

268
00:13:31.200 --> 00:13:34.159
Yeah. Yeah, but I mean, and I mean, let's talk

269
00:13:34.159 --> 00:13:39.120
about the mentioning of Carol and David. I mean, that's

270
00:13:39.200 --> 00:13:42.120
a lot of building here for this franchise, because we

271
00:13:42.200 --> 00:13:45.639
know who they are. That's bringing back some of the

272
00:13:45.639 --> 00:13:48.360
stuff that we saw, you know, with the Wrath of Khan. Right,

273
00:13:48.879 --> 00:13:51.720
so you know, getting to hear some of that tid

274
00:13:51.799 --> 00:13:54.639
that going on when David was very very little, and

275
00:13:54.679 --> 00:13:57.519
the struggling that they were having, the struggling that Kirk

276
00:13:57.639 --> 00:14:00.639
was having, even his brother was having that at first,

277
00:14:00.639 --> 00:14:02.559
he didn't realize his brother was having until they had

278
00:14:02.559 --> 00:14:05.759
that conversation, even though he really wasn't having conversation with him,

279
00:14:06.159 --> 00:14:08.480
you know, it was all in his head obviously. But

280
00:14:08.519 --> 00:14:11.440
I mean there's a lot there to unpack from Kirk.

281
00:14:12.879 --> 00:14:15.559
Yeah, and and I never realized. I guess this is

282
00:14:15.600 --> 00:14:18.279
just something I never really thought too much. I didn't

283
00:14:18.279 --> 00:14:22.759
realize that Kirk had had a relationship with David that young.

284
00:14:22.879 --> 00:14:26.440
I I didn't even know he had had known him.

285
00:14:26.759 --> 00:14:29.720
I you know, I just assumed that he knew of him,

286
00:14:29.759 --> 00:14:32.000
but never actually you know, got to meet him at

287
00:14:32.039 --> 00:14:35.480
Carol took off before or took off when she was pregnant.

288
00:14:35.480 --> 00:14:37.039
But I looked back.

289
00:14:36.919 --> 00:14:39.159
When I was doing the research for this, and and no,

290
00:14:39.639 --> 00:14:45.240
I'm wrong. You know, he definitely knew David's So it's

291
00:14:45.320 --> 00:14:47.840
it's interesting that they're bringing all this up, you know,

292
00:14:47.919 --> 00:14:50.360
and because it really connects the whole Star Trek universe,

293
00:14:50.360 --> 00:14:53.679
all this continuity, and there's a lot of Easter eggs

294
00:14:53.679 --> 00:14:55.159
in this episode.

295
00:14:56.200 --> 00:15:00.240
Yeah, there's a great use of that emotional arc aside

296
00:15:00.279 --> 00:15:04.519
from him, you know, having that concern for his son.

297
00:15:04.799 --> 00:15:08.120
That that phone call toward the end of the episode,

298
00:15:08.240 --> 00:15:13.919
Oh yeah, very emotionally powerful and ambiguous enough to make

299
00:15:13.919 --> 00:15:16.320
you think you're exactly sure where they are in the

300
00:15:16.360 --> 00:15:19.240
relationship is this? It is this where she is has

301
00:15:19.639 --> 00:15:24.519
left or she's starting to leave. And I hope that's

302
00:15:24.519 --> 00:15:27.399
something we can continue to see play out with Kirk

303
00:15:28.240 --> 00:15:30.320
at least through this season, because I think there's a

304
00:15:30.320 --> 00:15:31.200
lot of time back there.

305
00:15:31.519 --> 00:15:33.720
I agree, And I like how they mentioned that Caro

306
00:15:33.840 --> 00:15:35.679
got to prove of her dream project, but I think

307
00:15:35.679 --> 00:15:40.639
we do what that is. Maybe not, Maybe we don't know,

308
00:15:41.559 --> 00:15:43.679
but no, I like how they are touching based on

309
00:15:43.720 --> 00:15:47.679
that already. I know, I thought them comments from people

310
00:15:47.679 --> 00:15:49.320
that were kind of upset that why is Kirk with

311
00:15:49.399 --> 00:15:51.519
them for curring out loud, Well, I mean it makes

312
00:15:51.559 --> 00:15:54.159
sense why he was with them, and they needed that,

313
00:15:54.720 --> 00:15:59.519
I feel, to really carry this episode in my opinion anyway.

314
00:15:59.720 --> 00:16:04.039
So yeah, well, I mean as a as a centric episode,

315
00:16:04.159 --> 00:16:09.399
I argue it's very fitting it is there because she's

316
00:16:09.559 --> 00:16:15.360
already kind of disarmed psychologically and emotionally being around the

317
00:16:15.399 --> 00:16:17.879
two of them on the same shuttle craft. Yeah, let

318
00:16:17.879 --> 00:16:22.720
alone trying to save them and save herself from killing.

319
00:16:22.440 --> 00:16:26.039
Them, right, yeah, no, absolutely, all right.

320
00:16:26.559 --> 00:16:28.679
Last thing Albin on the cover is just Chapel's reaction

321
00:16:29.200 --> 00:16:35.000
to Spock. Oh yeah, so unexpected, but so good. I

322
00:16:35.039 --> 00:16:36.960
feel like Spot could have done a better job at

323
00:16:37.000 --> 00:16:41.279
maybe rationalizing that or explaining that so he doesn't, you know,

324
00:16:41.679 --> 00:16:45.399
continue to chip away at her emotionally unintentionally. Yeah, but

325
00:16:45.440 --> 00:16:47.679
I mean like that was a nice touch. I'm glad

326
00:16:47.720 --> 00:16:48.360
they added that in.

327
00:16:48.519 --> 00:16:50.960
But that was a good scene too, because she could

328
00:16:50.960 --> 00:16:52.919
tell Spock was struggling, which is why he didn't want

329
00:16:52.919 --> 00:16:55.279
to be down in the medical bay, because of what

330
00:16:55.519 --> 00:16:59.639
he experienced PTSC you know, on that ship. And then

331
00:16:59.679 --> 00:17:02.080
she he you know, basically says, well, this is why

332
00:17:02.120 --> 00:17:04.559
I don't like to eat the cafeteria because of what

333
00:17:04.680 --> 00:17:07.200
wasn't the cafeteria, what was it the but you know

334
00:17:07.240 --> 00:17:09.279
what I mean, she was talking about why she doesn't

335
00:17:09.279 --> 00:17:12.359
eat with everybody because of what happens, you know, they're

336
00:17:12.359 --> 00:17:13.960
in the klingon wards and stuff like that, what she

337
00:17:14.000 --> 00:17:15.839
had to do with the wounded in those kind of things.

338
00:17:16.240 --> 00:17:16.440
You know.

339
00:17:16.519 --> 00:17:19.599
So, I mean, I loved that she had that conversation

340
00:17:19.680 --> 00:17:21.720
with him, you know, because obviously he's Spock is back.

341
00:17:21.960 --> 00:17:23.640
You know, he's trying to hold his emotions and those

342
00:17:23.720 --> 00:17:26.480
kinds of things. He's part human, we know, but still

343
00:17:26.640 --> 00:17:29.359
she recognizes that because she had that relationship with him

344
00:17:29.359 --> 00:17:32.599
at one time. So I love that scene. Scott. I'm

345
00:17:32.599 --> 00:17:34.240
glad you brought that up. I thought that was a

346
00:17:34.279 --> 00:17:36.799
fantastic scene between those two characters. All Right, well, let's

347
00:17:37.039 --> 00:17:38.680
let's take a break. We'll come back. We will continue

348
00:17:38.680 --> 00:17:44.680
our discussion of this episode. All right, welcome back, everybody.

349
00:17:44.680 --> 00:17:47.759
We're continuing our discussion of Strange's New Worlds season four,

350
00:17:47.839 --> 00:17:51.799
episode two, the Griffin incident. All Right, guys, wish character

351
00:17:52.119 --> 00:17:55.079
shine the most. Wayne, I'll let you go first.

352
00:17:55.559 --> 00:17:59.400
Oh, it's it's line, without a doubt. She stood out

353
00:18:00.319 --> 00:18:04.599
for me the most because, yeah, everyone's dealing with this

354
00:18:04.799 --> 00:18:07.519
terrifying things, you know, on the US script, but she

355
00:18:07.599 --> 00:18:11.079
seems to be the one that that they centered on,

356
00:18:12.039 --> 00:18:15.319
h that stays focus, you know, really when it mattered.

357
00:18:16.519 --> 00:18:20.319
She's she's also I think the one with the most

358
00:18:22.240 --> 00:18:26.119
how to say that her storyline is really moving forward.

359
00:18:26.160 --> 00:18:29.319
I think this this episode, in my opinion, is probably

360
00:18:29.319 --> 00:18:32.279
going to be pretty important to what's happening to her,

361
00:18:32.319 --> 00:18:34.559
which we really don't know what's going on right now.

362
00:18:34.599 --> 00:18:39.880
But she was definitely affected by everything she saw. But

363
00:18:39.880 --> 00:18:41.960
but then she you know, she didn't let her.

364
00:18:41.799 --> 00:18:44.279
Fear stop her from doing her job. That that's one thing.

365
00:18:44.599 --> 00:18:48.680
But I I just really liked how resilient.

366
00:18:48.319 --> 00:18:48.880
She was.

367
00:18:50.319 --> 00:18:53.359
In this this episode just she just came across really

368
00:18:53.359 --> 00:18:54.799
well better than the others.

369
00:18:55.359 --> 00:18:56.400
So that's why I chose her.

370
00:18:57.000 --> 00:19:02.839
Good Joy Scott, I agree with that completely. However, the

371
00:19:02.880 --> 00:19:06.720
one that I'm going to choose is Spock for one

372
00:19:06.720 --> 00:19:13.000
particular sequence when to Praying first appears. It's the first

373
00:19:13.000 --> 00:19:16.960
time I've ever heard somebody use logical reasoning like that

374
00:19:17.319 --> 00:19:22.400
to basically almost outsmart the ghost, Like when he starts

375
00:19:22.440 --> 00:19:25.079
thinking through like, well, there's no way I can answer,

376
00:19:25.200 --> 00:19:27.119
you know, ask a question, and only to Praging would

377
00:19:27.119 --> 00:19:32.200
know because I already know the answer. So like he

378
00:19:32.279 --> 00:19:34.720
knew that there was nothing that he perceives that could

379
00:19:34.759 --> 00:19:36.240
be able to tell him whether or not she was

380
00:19:36.279 --> 00:19:40.039
really there. And that seems like an interesting angle in

381
00:19:40.079 --> 00:19:43.559
this type of story that you only really get through

382
00:19:44.160 --> 00:19:47.599
the Star Trek lens, So I just appreciated how much

383
00:19:47.640 --> 00:19:50.759
he was trying to use all these techniques. He was

384
00:19:50.799 --> 00:19:53.039
trying to use that meditation, he was trying to use

385
00:19:53.079 --> 00:19:55.400
all these things to kind of rationalize like this is

386
00:19:55.440 --> 00:20:00.920
not real, and had an extraordinarily time a hard time

387
00:20:01.200 --> 00:20:04.200
doing so. So I just thought that was a clever use.

388
00:20:05.359 --> 00:20:06.279
That's a good choice though.

389
00:20:06.440 --> 00:20:06.839
I liked that.

390
00:20:07.000 --> 00:20:09.799
Both both very good picks. I'm gonna go with agree

391
00:20:09.799 --> 00:20:12.680
with Wayne with with law On because I you know,

392
00:20:12.799 --> 00:20:14.960
I kind of touched briefly on this earlier, just the

393
00:20:15.000 --> 00:20:17.160
battle she's having not only she's trying to find a

394
00:20:17.160 --> 00:20:19.319
way to get off the Griffin, but you know, she's

395
00:20:19.359 --> 00:20:22.519
batting those inner demons that she's been struggling with. But

396
00:20:23.319 --> 00:20:25.519
the one shot, the one scene that actually loved that

397
00:20:25.519 --> 00:20:28.680
you could just see all that come to fruition with

398
00:20:28.720 --> 00:20:31.039
her was when they got finally got Bean back on

399
00:20:31.079 --> 00:20:33.400
the Enterprise and Kirk is laying on the ground just

400
00:20:33.519 --> 00:20:36.680
bleeding out, and she's just standing over him with that knife,

401
00:20:37.079 --> 00:20:39.160
and you could just see the reaction in her face

402
00:20:39.200 --> 00:20:42.440
when everybody in there was looking at her just freaked

403
00:20:42.480 --> 00:20:44.720
out that like, uh, what did we just have? What

404
00:20:44.880 --> 00:20:47.160
just happened? You know what was going on in that ship,

405
00:20:47.480 --> 00:20:49.319
but you could see it in her face, the reaction

406
00:20:49.440 --> 00:20:51.880
she got that, like she realized what she had just done. Yeah,

407
00:20:51.880 --> 00:20:54.440
the ship kind of tricked her into that, but she

408
00:20:54.480 --> 00:20:56.400
also knows in her head that you know, things are

409
00:20:56.480 --> 00:20:59.680
changing and it's scaring her. And you could see in

410
00:20:59.720 --> 00:21:01.920
all that reaction and just how frightened she was in

411
00:21:01.960 --> 00:21:05.200
that very few seconds when she finally came back to

412
00:21:05.559 --> 00:21:08.519
So I loved I really did love that in the

413
00:21:08.559 --> 00:21:10.960
whole between her and Pike and stuff like that. At

414
00:21:11.000 --> 00:21:14.279
the end, it's just again, I'll say it, I don't

415
00:21:14.279 --> 00:21:16.279
know where they're going with it. I'm worried we're going

416
00:21:16.319 --> 00:21:18.319
to lose her. I don't know if it would be

417
00:21:18.359 --> 00:21:20.079
this season, but it seems like that's where they're heading.

418
00:21:20.400 --> 00:21:23.920
So I hope not. I hope not. I love Christina

419
00:21:23.960 --> 00:21:24.960
Seng I think I do too.

420
00:21:25.799 --> 00:21:29.240
Yeah, I agree, I agree, she's she's incredible. But I mean,

421
00:21:29.279 --> 00:21:31.319
some of these characters have to go somewhere because they're

422
00:21:31.319 --> 00:21:33.000
not going to be on the Enterprise. We know who's

423
00:21:33.039 --> 00:21:36.519
on the Enterprise when Cork's the captain, so some of

424
00:21:36.559 --> 00:21:38.359
them have to go somewhere. Doesn't mean they have to die.

425
00:21:38.400 --> 00:21:39.480
I'm not saying that, but.

426
00:21:40.119 --> 00:21:41.440
They had to go. We don't know.

427
00:21:41.480 --> 00:21:43.359
We're gonna find out very soon in the next year,

428
00:21:43.400 --> 00:21:45.559
but we don't know what's gonna happen with these characters.

429
00:21:45.799 --> 00:21:46.160
Yeah.

430
00:21:46.160 --> 00:21:49.880
Absolutely, But quick side note, Yeah, while you're on this scene,

431
00:21:50.440 --> 00:21:53.920
hats off to Paul Wesley in that specific scene on

432
00:21:54.000 --> 00:21:59.319
the pad. I loved how he was in that. He's

433
00:21:59.319 --> 00:22:03.160
at a defensive position at first, like, please don't stab me,

434
00:22:03.279 --> 00:22:07.319
it's okay, and he's trying to calm her down more

435
00:22:07.359 --> 00:22:09.359
than he's trying to like fight her off or anything

436
00:22:09.359 --> 00:22:12.599
else like that. But as soon as that kind of

437
00:22:12.640 --> 00:22:17.480
situation is disarmed, the way he holds himself kind of

438
00:22:18.079 --> 00:22:20.359
in kind of a half crunch, a half sit up,

439
00:22:21.359 --> 00:22:24.799
and he's like, my brother, my brother, Sam, is he okay?

440
00:22:24.839 --> 00:22:27.240
And it's almost like you could see the way he

441
00:22:27.319 --> 00:22:30.279
was acting made it seem like he was physically and

442
00:22:30.359 --> 00:22:34.119
mentally like holding himself together until he knew that Sam

443
00:22:34.240 --> 00:22:37.519
was okay, and then he kind of let go. I

444
00:22:37.599 --> 00:22:39.119
just thought that was it. I don't know, there was

445
00:22:39.160 --> 00:22:41.680
a little moment, but it gave me chills.

446
00:22:42.079 --> 00:22:45.480
Is just a powerful performance he did absolutely all right.

447
00:22:45.519 --> 00:22:47.359
If you could be any character in this episode. I

448
00:22:47.359 --> 00:22:49.039
don't know why you'd want to be any beyond the Griffin,

449
00:22:49.160 --> 00:22:51.200
but that's besides the point. Who would have been? And

450
00:22:51.279 --> 00:22:53.759
why scott I'll let you go first.

451
00:22:54.240 --> 00:22:56.839
Sample answer is Scottie because he's far far away from

452
00:22:56.880 --> 00:22:59.559
all the scariness. I can't I can't imagine anybody else

453
00:22:59.559 --> 00:23:01.279
i'd choose to be. But Wayne, what about you?

454
00:23:02.480 --> 00:23:02.799
Well?

455
00:23:03.119 --> 00:23:05.920
Along the same lines, I chose Captain Pike because he

456
00:23:05.960 --> 00:23:09.160
never went aboard the Griff and he stayed calm, and.

457
00:23:09.559 --> 00:23:12.720
He just he turned everything over to Division.

458
00:23:12.440 --> 00:23:15.480
Twelve at the end and let them worry about it. Yeah, him,

459
00:23:15.599 --> 00:23:18.640
either either him or Number one. I think she just

460
00:23:18.720 --> 00:23:20.440
kind of said nope, not doing that and stayed in

461
00:23:20.480 --> 00:23:22.400
her quarters for the entire episodes. I'll be one of

462
00:23:22.400 --> 00:23:22.720
those two.

463
00:23:23.799 --> 00:23:25.839
I love how every one of us went this way.

464
00:23:26.200 --> 00:23:28.200
I just went with anybody that's on the Enterprise that's

465
00:23:28.200 --> 00:23:32.759
not on the Griffin. Right, easy enough?

466
00:23:35.319 --> 00:23:35.640
All right?

467
00:23:35.640 --> 00:23:37.519
He chooses Lieutenant Cookie in the kitchen.

468
00:23:37.680 --> 00:23:38.079
That's right.

469
00:23:38.880 --> 00:23:41.119
I don't care what their job function is. As long

470
00:23:41.119 --> 00:23:43.200
as I'm on the Enterprise and not the Griffin, I'm

471
00:23:43.200 --> 00:23:45.160
good to go. So I will clean the toilets for

472
00:23:45.200 --> 00:23:47.880
car if I have to, so we're good, all right,

473
00:23:47.960 --> 00:23:50.319
So we were gonna move on to Wayne's favorite part

474
00:23:50.359 --> 00:23:54.200
of the episode, the Easter eggs. Wayne, go ahead, let Scott,

475
00:23:54.200 --> 00:23:56.480
do you have any that you would like to talk about? Nope, Wayne,

476
00:23:56.559 --> 00:23:56.960
have fun.

477
00:23:57.920 --> 00:24:01.359
One of the things there really wasn't very men visual

478
00:24:02.240 --> 00:24:04.720
Easter eggs, so but there were a lot of throwaway lines,

479
00:24:04.759 --> 00:24:07.599
So I'll go over a few of those, starting off

480
00:24:07.640 --> 00:24:11.599
when Kirk tells Lawn that Carol worries that he would

481
00:24:11.640 --> 00:24:15.839
die alone somewhere in unknown space. This match is exactly

482
00:24:15.880 --> 00:24:18.079
how Kirk thought he'd die in Star Trek five the

483
00:24:18.079 --> 00:24:22.000
Final Frontier, when he said I always know I'll die alone.

484
00:24:22.240 --> 00:24:24.480
Of course he's wrong, because when he did die in

485
00:24:24.519 --> 00:24:27.720
Star Trek Generations, Captain John Wick McCard was with him.

486
00:24:28.079 --> 00:24:31.119
In Star Trek two, they're at the con Carol Marcus

487
00:24:31.119 --> 00:24:34.079
tells David that Jim Kirk was many things, but he

488
00:24:34.200 --> 00:24:37.359
was never a Boy Scout. Well, turns out, according to

489
00:24:37.359 --> 00:24:40.519
this episode, she was wrong as well, because Kirk states

490
00:24:40.519 --> 00:24:44.319
he was actually in the Boy Scouts. But now again

491
00:24:44.480 --> 00:24:48.319
here Lawn predicts that Kirk's son David would die at

492
00:24:48.319 --> 00:24:51.000
the end of a blade bleeding out in a dark

493
00:24:51.039 --> 00:24:54.720
corner of space. Now she was right because exactly how

494
00:24:54.839 --> 00:24:57.480
David dies. In Star Trek three the Search for Spock,

495
00:24:58.440 --> 00:25:01.279
and speaking of children, it's also brought up that George

496
00:25:01.319 --> 00:25:05.000
Kirk is already the parent of three boys. This match

497
00:25:05.079 --> 00:25:07.799
is exactly what was told in the original series episode

498
00:25:08.240 --> 00:25:10.920
What Are Little Girls Made Of, where it's said that

499
00:25:10.960 --> 00:25:13.799
George is married and the father of three sons by

500
00:25:13.799 --> 00:25:17.359
the time that Kirk took command of the Enterprise. Also,

501
00:25:18.160 --> 00:25:20.000
George states that he hears the voice of his son

502
00:25:20.079 --> 00:25:23.559
Peter aboard the Griffin. Peter Griffin, I justgot that.

503
00:25:24.400 --> 00:25:25.680
I'd never mind, but.

504
00:25:28.079 --> 00:25:31.559
Peter Kirk would appear in the original episode Operation Annihilate.

505
00:25:32.440 --> 00:25:35.799
Now to Pring brings up a trip that Spock surprised

506
00:25:35.839 --> 00:25:39.640
her with to the planet Recall recalls a planet with

507
00:25:39.680 --> 00:25:43.799
three moons that by the twenty fourth century is happens

508
00:25:43.839 --> 00:25:46.880
to be to fall behind Cardassian borders and was mentioned

509
00:25:46.920 --> 00:25:51.119
in the Deep Space nine episode Returned to Grace. The

510
00:25:51.200 --> 00:25:54.000
scene where they're trying to beam or take us off

511
00:25:54.039 --> 00:25:56.640
the Griffin reminds me a lot of that scene from

512
00:25:56.720 --> 00:26:00.400
Star Trek the motion picture where the ship's news science

513
00:26:00.480 --> 00:26:02.960
officer and there was one other that was beamed over

514
00:26:03.000 --> 00:26:05.240
and ended up getting turned inside out due to a

515
00:26:05.279 --> 00:26:08.119
transform and malfunction. That just reminded me a lot of that.

516
00:26:08.200 --> 00:26:09.559
I don't know if it was at Easter Egg, but

517
00:26:09.640 --> 00:26:13.079
that's the first thing I thought of. Now, David, you

518
00:26:13.119 --> 00:26:15.519
brought this up, and I want to debate this a

519
00:26:15.559 --> 00:26:18.799
little bit because Kirk mentioned that Carol was just approved

520
00:26:18.839 --> 00:26:22.000
for a certain dream project. And I know it's easy

521
00:26:22.039 --> 00:26:24.960
to assume that we're talking about the Genesis Project project,

522
00:26:25.480 --> 00:26:29.079
but if you remember in the Ratha Kan, David was

523
00:26:29.160 --> 00:26:31.480
also working on that project and he was about twenty

524
00:26:31.480 --> 00:26:34.359
five years old according to the star dates mentioned. So

525
00:26:35.000 --> 00:26:37.960
I'm not entirely certain that's what he's talking about. Unless

526
00:26:38.039 --> 00:26:40.440
it took them twenty five years to create and build

527
00:26:40.440 --> 00:26:41.000
the product up.

528
00:26:41.000 --> 00:26:42.319
I don't know. I mean, I'm not sure what what

529
00:26:42.319 --> 00:26:46.440
do you think? But I think that literally, but I

530
00:26:46.519 --> 00:26:48.039
think it could be. It could be.

531
00:26:48.160 --> 00:26:49.720
I mean, now I think about it. You know, the

532
00:26:49.759 --> 00:26:52.119
Genesis project, that's a major thing. Maybe it did take

533
00:26:52.160 --> 00:26:55.680
him twenty five years. And then finally we got another

534
00:26:55.799 --> 00:27:00.400
mention of Section twelve. It's a rather mysterious vision of

535
00:27:00.440 --> 00:27:05.240
Starfleet to sign to investigate unexplained phenomena. It was first

536
00:27:05.240 --> 00:27:07.799
brought up last season in the second to the last

537
00:27:07.839 --> 00:27:12.119
episode Geranium, and I refuse to believe that these these

538
00:27:12.160 --> 00:27:15.119
throwaway lines with them are just passing references. I have

539
00:27:15.160 --> 00:27:18.680
a feeling that they're going to pop up again later,

540
00:27:18.720 --> 00:27:20.720
maybe this season or next season. But it kind of

541
00:27:20.720 --> 00:27:24.480
reminds me. I wonder if they're the X Files version Starfleet.

542
00:27:24.839 --> 00:27:25.480
I'm curious.

543
00:27:25.599 --> 00:27:27.440
Could we have that the X Files and Star Trek.

544
00:27:27.480 --> 00:27:28.119
That'd be awesome.

545
00:27:28.880 --> 00:27:30.720
Oh yeah, that would be cool.

546
00:27:31.000 --> 00:27:35.039
Yeah, all right, thanks Wayne, appreciate it. You always bring

547
00:27:35.160 --> 00:27:37.559
up the wonderful either egg that some of us miss

548
00:27:37.599 --> 00:27:41.559
out on. All right, well, let's thank you listeners for

549
00:27:41.720 --> 00:27:45.440
joining us for this episode. We were looking forward to

550
00:27:45.480 --> 00:27:48.400
discussing the next eight very excited to see where they're

551
00:27:48.400 --> 00:27:52.519
possibly going because these first two episodes were out standing.

552
00:27:53.480 --> 00:27:55.480
And the third episode. Let me bring this up.

553
00:27:55.480 --> 00:27:59.400
The third episode is titled Human's Best Friend, and the

554
00:27:59.480 --> 00:28:03.759
official paramount teases sure leave on a pleasure planet turns

555
00:28:03.839 --> 00:28:08.680
dangerous when the crew promise escape stops behaving like fun.

556
00:28:09.119 --> 00:28:10.960
I had to bring this up because it sounds just

557
00:28:11.039 --> 00:28:14.279
like the urb for a original series episode. It's called

558
00:28:15.039 --> 00:28:18.119
Suore Leaves, so yeah, I really hope we don't have

559
00:28:18.160 --> 00:28:19.240
any giant white.

560
00:28:19.160 --> 00:28:22.160
Rabbit rabbits next episode, but who knows.

561
00:28:22.519 --> 00:28:25.720
Well, we're due for a comedy because they need to

562
00:28:25.720 --> 00:28:28.160
bring the tension down a little bit. So I have

563
00:28:28.200 --> 00:28:29.640
a feeling we're gonna get a little bit of a

564
00:28:29.720 --> 00:28:33.000
laugh in this next episode because we needed after the

565
00:28:33.039 --> 00:28:35.559
Griffin incident, because whoof I think so that was a

566
00:28:35.559 --> 00:28:38.279
real all right, well, thank you listeners for joining us.

567
00:28:38.400 --> 00:28:41.119
We look forward to discussing what else coming. Wayne Scott,

568
00:28:41.240 --> 00:28:43.839
it is always a pleasure joining on the bridge. Thank you,

569
00:28:44.480 --> 00:28:47.920
thank you, thank you. You're welcome. Check out a www.

570
00:28:48.079 --> 00:28:50.759
I'm going to start that over again. Jeff's laughing right

571
00:28:50.799 --> 00:28:54.400
now because I messed that up. Check out www dot

572
00:28:54.519 --> 00:28:57.599
film by podcast dot com for film and TV articles

573
00:28:57.640 --> 00:29:00.440
and our entire library streaming free right to us a

574
00:29:00.440 --> 00:29:04.240
film by Podcast at gmail dot Comedy questions, comments and concerns.

575
00:29:04.359 --> 00:29:06.240
We may just read your response to the show and

576
00:29:06.400 --> 00:29:09.160
just send you some of a film by swag. And

577
00:29:09.200 --> 00:29:10.720
to all your listening to the show, following us on

578
00:29:10.799 --> 00:29:13.720
social media and subscribing to our Patreon. We thank you,

579
00:29:14.039 --> 00:29:16.640
See you next time for another episode of Phasers. Set

580
00:29:16.640 --> 00:29:18.559
the Stunt let's boldly go