WEBVTT
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You get more out of life when you go out
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to a movie. I know on with the show.
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People once believe that when someone dies, a crow carries
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their soul to the land of the dead. But sometimes
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something so bad happens that a terrible sadness is carried
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with it and the soul can't rest, and sometimes, just sometimes,
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the crow can bring that soul back to put the
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wrong things right. Let's talk about the latest version of
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the Crow.
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Don't want to talk, customer, I'll talk Jolly. She's dead,
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isn't she. You can save her if you put the
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wrong things right. I'm going to.
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Do.
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You have no idea what hell awaits you? No, I
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don't want the Crow. August twenty third.
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Hello everybody, I'm Jeff Johnson for a Film By Podcast
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welcoming you back to the box office. Denny Houston's lackluster
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villain warns us that we have no idea what hell
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awaits us, and I'm here to tell you, having seen
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this recent attempt at reviving the Crow franchise, I do
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know what hell awaits us, so let's get to it.
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Spoiler free. Of course, it's fair to say that the
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story we all know is here, albeit with plenty of
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unnecessary and unwanted modifications. One thing I will say, whether
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we're running from the villains or evading the police or
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putting the wrong things right, Nobody, and I mean nobody,
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is in a hurry to do any of that. Lots
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of time wasted sitting on couches smoking cigarettes, and the
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love story that is hinted at ever so briefly yet
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so impactful in the nineteen ninety four film. It's kind
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of dragged out here, but does very little to make
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you care about Eric or Shelley or their love story.
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Bill Scarsgard, who has proven himself to be a very
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talented actor, definitely put a lot of time and effort
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into his gym routine, and I wish he would have
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put even a fraction of that time into developing this character,
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because he is clearly phoning it in. I don't know
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who he's playing, but it's sure as hell isn't Eric Draven.
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He's not alone, though faring worse in the role of
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Shelley is Fka Twig. Not sure if this is her
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first film, Definitely sure it should be her last film.
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If you thought she was vacant and annoying in the trailer,
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I'm here to tell you only saw a brief glimpse
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of just how bad she is. And then, of course
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there's Danny Houston, who is arguably hit or missed depending
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on the film that he's in. His supernatural villain is
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never really fleshed out in this story. The motives aren't
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really explained to us on why he's doing what he does.
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I'm pretty sure no one bothered to tell Danny Euston
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that either, because despite what might be on the page,
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I'm pretty sure Danny Houston is saying, the hell with this,
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I'm just gonna play Danny Houston because I'm Danny Houston.
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I think the story is an absolute mess, littered with
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side characters that you absolutely will not care about, and
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that's only going to frustrate you more because the pacing
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is so abysmally slow, trying to develop a love story
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between Eric and Shelley, and this iteration that when it fails,
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you'll find yourself just look at your watch wondering how
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much more time you have to spend in the theater
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watching this. And I think director Rupert Sanders knows this,
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because once he realizes he's got about twenty five minutes
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to wrap this whole thing up and give us some
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kind of conclusion that'll satisfy us. It's safe to say
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that he went on a John Wick binge and go
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as hyper violent as possible, with the added bonus of
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making it as gory as possible. Now, if you're asking
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yourself who is Rupert Sanders and why was he chosen
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to ruin the Crow, I'll remind you that he was
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the director that ruined snow White in twenty twelve and
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then went ahead and ruined Ghost in the Show in
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twenty seventeen. Is he in his willhouse? I would say yes.
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If you're standing in the lobby with a ticket to
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the Crow in your hand, then my hope is that
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the Crow takes that ticket stub and carries it back
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to the box office to put the wrong things right.
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And by right I mean a ticket to Trap, a
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ticket to Alien Romulus, a ticket to anything else that's playing.
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I'm Jeff Johnson reminding you that I'll buy the tickets
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if you buy the popcorn.