March 16, 2025
Catherine Hardwicke - Lords of Dogtown

To celebrate it's 20th anniversary, we're pulling a classic from our vault! Jeff and Brad talk about the film's groundbreaking visual style, as well as the rising skateboard culture of 1970s California, as real-life skate legends Tony Alva, Stacy Peralta, and Jay Adams come to life in Catherine Hardwicke's 2005 film, Lords of Dogtown!
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Brad. I was curious. You and I met in high school.
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So before we met, were you a bmxer, were you
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a skater or were you both?
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I guess I was more of a bmxer type of guy.
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So did you But did you skate? Like, did you
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have a skateboard? Did you do any skateboarding?
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Briefly after saying Back to the Future.
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That is quite a coincidence about it, really, I'll be honest.
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I remember my mom and dad taking us, me and
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my brother to see Back to the Future nineteen eighty five,
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and immediately following the movie theater the Showcase Cinemas, they
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took a straight to Toys r Us where we got
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our very first Madrid Volterra skateboards, which is what Martin McFly. Yeah,
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that's the skateboard that Martin McFly was on. I'll be honest,
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thinking back to the tricks I could do and the
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skills that I had, I was not a skateboarder for
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very long. I wasn't that I wasn't that good. Yeah,
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but the movie that we're talking about today definitely has
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some good skaters. Uh, one would say they have we
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it's it's about the pioneer of of the skateboarding scene,
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wouldn't you agree? I do agree, Brad. Let's talk about
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a film by Catherine Hardwick, her her two thousand and
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five drama Lords of Dogtown. Yeah, hello everybody, and welcome
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back to the Film By podcast. I am Jeff Johnson.
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And I am Brad Kozer, and today.
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We are continuing on with Women's History Month. Right, Yeah,
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we're talking about Catherine Hardwick. M Brad. Not a lot
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of not a big filmography Forwick, not yet, right mh.
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Well you say not yet, but I'm wondering when because
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she's done some good stuff, but but we want.
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More, right yeah, I mean's just waiting for the right
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kind of project.
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All right, So we you know, we talked about projects
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on this on this podcast. I know last year, Uh,
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you definitely threw several uh films that me that you said, hey,
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let's talk about this director and this is the movie
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that I want to talk about and I had never
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seen them, which is always fun when you go into
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a to get ready for one of these episodes when
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you haven't seen the film. And this time though, you
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know we're talking about Katherine Hardwick. I said, Brad, we
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have got we absolutely have got to talk about Lords
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of Dogtown and you kind of were like, what, who
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this was your first time seeing it? Right?
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Yeah, my first time seeing it? YEA.
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All right, I'm gonna go ahead and now let's get
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it out of the way. Right now. Tell me what
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you thought of it.
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What I thought of the film. I love the way
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she shoots, the way she films sings. But I have
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to say, all in all, I was not a big
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fan of this film.
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That surprises me, you know.
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And another thing too, is because we talked about it earlier.
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I'm not a big skateboarding person, so I think the
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enthusiasm for wanting to enjoy it more or really really
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enjoying those kind of elements, you know, take somebody like
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me out of it. But I still was able to
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follow a movie. I just I feel that the movie
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had some some issues that could have been resolved to
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make it a little bit more entertaining.
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Okay, I got I'm gonna have to ask you about
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them a little bit more as we go on. But
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you know, there was some great stuff that came out
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in two thousand and five, and two thousand and five
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is a great year for movie. It was a great
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year for movies. And I'm gonna tell you right now
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because this is gonna be one of those ones. This
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is gonna be an episode where we butt heads a
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little bit. I think. I think this is one of
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the better films of two thousand and five. I absolutely
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love it. To your point, her visual style, and it's
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not just in Lord's Dogtown, but the color palette that
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she uses. Yes, almost she almost does her films. She
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almost gives him a documentary look. Yeah, and this is
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you know, this movie, this is a period piece because
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it it opens up in Venice, California, nineteen seventy five,
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where they're at Pacific Ocean Park Pier, you know, the
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z Boys of a Dogtown. So I love the fact
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that it has that nostalgic look to it. Yeah, you know.
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I mean when you see something that takes place, you know,
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in another time period, something like the sixties or the seventies,
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and you have this, you know, great beautiful four K
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you know type of picture that's beautiful, but to maybe
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feel the grittier, dirtier look, to really feel like just
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somebody is carrying around, you know, a sixteen millimeter camera
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and filming these guys makes it a little bit more
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you're a little bit more involved.
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Yeah. Now there's a there's a very popular documentary, Z
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Boys in Dogtown, and I know this film is kind
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of like a companion piece to that, and that's why
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she gave it that that documentary.
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Look, the documentary came out first, right.
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It did. Okay, Yeah, but I think you know the
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movie it has that grainy, gritty seventies look to it,
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but it's also gorgeous to see, which is ironic because
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at this time, you know, Venice, California, it was you know,
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Dogtown was because you know, it was nicknamed Dogtown because
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it was kind of like a ghetto, like a slum.
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Yeah.
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Now, I mean this is this is your backyard now.
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So my question to you, you know, you talk about
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you know, period pieces and seeing what they look like.
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Watching it, you know, did you least see like hey,
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you know, because you someone like you probably sees every
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location in the film and knows right where.
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They're at, right some of them. Yeah, But if you
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notice that she keeps she keeps the camera very tight,
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and she keeps it very moving, I think to just
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kind of keep the pace of the skateboarders. You're never
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really stopped in this movie, you don't stop moving. Even
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when a scene when there's no skateboarding going on, I
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really feel like the camera is moving. So you don't
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have a lot of time to focus on this round.
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I mean, you can notice little things like, oh, there's
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that restaurant and stuff like that. But obviously some of
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the stuff with the destruction of you know, the pier
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and stuff like that, it doesn't exist. They had to
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recreate that. I can't remember if that was filmed here
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in Los Angeles or not, but I like how she
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keeps it more contained. But you still feel that beach
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open area. You definitely feel that behind the alley way
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of the beach houses of venice boardwalk type of thing
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where you can jump from house to house type of thing.
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You know, those houses still look like that there. Okay, uh,
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but the only problem is now that's prime real estate.
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It's no longer the ghetto, right, No, it is no
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longer the ghetto.
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Yeah. Well, this movie it's all about, you know you're
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talking about like her ability to keep the shots tight
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and especially on her actors when they're when they're in motion.
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The one thing that I love about the cinematography on
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these tight shots because these this is about surfers discovering,
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not discovering, but this is about surfers creating the sport
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of skateboarding as we know it today. Right, So when
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they're on their boards, it's I mean, she it's shot
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like their surfing. Yeah, and that's you know, and I
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get the whole thing with like the the uh, the
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the poly eurotheane wheels and how you know, uh Zephyr
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kind of revolutionized everything. But the shots, like when they're
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when they're down and they're tight and they're coming up
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out of the pools or they're they're jumping, it's gorgeous looking.
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Even if we're like that documentary Grainy, it feels it
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almost feels like it is a documentary, you know when I.
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Watch it and then going through like the uh you know,
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the pier and stuff like that, going underneath that servce,
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that's dangerous stuff.
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I'll just say, because yeah, again, this is this is you.
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This is this is right in your wheelhouse. So that's
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that's a real shoppy area. Yeah right, that's that's a
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dangerous spout to be I thought.
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Yeah, I mean, and the key to it once they
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discover these wheels, these new wheels, that are going to
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allow all these things that they wish they could do,
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the kind of things that they do on their surfboard
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that they want to be able to do on their
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skateboard are now going to be possible. And knowing that that, okay,
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we're now onto something that's be careful, it's gonna it's
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gonna spread like wildfires, and it really I guess I
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don't know when it started to really really start to
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get big big, but it was. I mean, this definitely
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shows that, hey, this is where it all started. Guy
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walked into a a Zephyr shop and said, check out
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these wheels. This is going to change everything.
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The guy that walks into uh skips before and not
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to get ahead of ourselves, but Skip who's brilliantly portrayed
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by the late Heath Ledger. Dude walks in with the
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new Eurothine wheels and basically is like, these will make
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your skateboards like surfboards, you know, and the guys are
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they all get excited. Did you happen to catch who
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that was?
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That is Mitch Hedgeberg and his last ever performance?
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That is Mitch Hedberg. I it's a blink and you
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miss it cameo, but he has such a unique voice,
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you know, it's him, you know. Yeah, So we're talking
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about and this is obviously it's just the movie is
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inspired by a true story based kind of off the documentary.
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We're talking about Jay Adams, Tony Alva, and Stacy Peralta,
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who these are the three guys that created the sport
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of skateboarding. It just didn't really, it didn't exist until
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they came along in nineteen seventy f and tore up
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these competitions. You know. Uh, I think one of my
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one of the movie, one of the moments in the movie,
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I like that's early on, uh, when when Skip kind
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of creates Zephyr competition. The team and they go to
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what is it the uh the Bond Cadillac Nationals in Delmar, California. Yeah,
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in seventy five, and you got these these guys. He's
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just like these lay mass guys out there doing tricks. Well,
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I'll just say tricks that I could do, tricks really
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Oh yeah, they were doing stuff I could easily do
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on my Voltaire skateboard. And the judges are like, okay,
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eight seven point five.
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Yeah.
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Well then the z boys get out there and they
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start doing these amazing things and I love the uh
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the announcer he's like, uh, that we've never seen that before.
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I don't know what do we call that? Yeah, and
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they you know, like Jay is the first one up
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and they're astounded. But but he gets a low score
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because they don't even know how to The guy's like,
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how do we score this? He didn't do any wheelies,
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he didn't do He names all these stupid ass you know,
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tricks that your little sister could do, and they're like,
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I don't know. And then you know, quickly like within
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that that contest, do z boys have arrived. I think
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that's it's like their moment where you know, they look
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up to the surfers, they want to be surfers. They're
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good on their skateboards. This is the moment in the
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movie early on where they've arrived and they they kind
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of become rock stars every night. Yeah, what did you
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think about the performances for Jay, Tony and Stacey. You
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got you've got one name actor Emil Hirsch who plays
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who plays Jay Adams and plays him really well, I
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gotta say, And then you got Victor Rossuk playing Tony
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and John Robinson playing Stacy, you haven't seen these guys
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anywhere else. So what did you I mean, what did
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you think about their their performances?
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Well, I was gonna ask you, with the exception of
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Emil hersh Victor and John, where they skateboarders or actors? First?
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He was going to ask you, I I'm pretty sure
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they were actors who learned how to skate.
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Okay, because I mean the film was written by Stacy Parlotta.
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Yeah, yeah, so yeah he could. I mean, Paralta is
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one of these people that he did his time in
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the sport and then you know, like any good athlete
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who wants to stay in the game, they find a
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way to you know, stay relevant. You know, he he
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creates his own he created he went on to create
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his own company, right and they even allude to that
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at the end of this movie. You know, he's a
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guy I'm starting my own company. Uh power Peralta as
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the company that he started, the team that he started,
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which a lot of people, a lot of people that
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aren't you know, big into skateboarding. Uh don't know this,
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but one of his earliest proteges was a fourteen year
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old Tony Hawk. Yeah, and we all know who Tony
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Hawk is.
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So you catch a brief still of him in this.
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Movie, Yeah, a little cameo is an astronaut of all things. Yeah,
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