May 27, 2024
George Miller - The Witches of Eastwick

Jeff and Amber conjure up a fun conversation about George Miller's wickedly supernatural comedy "The Witches of Eastwick!" Find out about Miller's feud with the studio, Amber's feelings for Jack, and the one absurd idea that producer Jon Peters demanded!
For exclusive episodes and content, check out A Film By... Podcast on our Patreon with a FREE 7-day trial. You can also sign up as a free member!
Check out www.afilmbypodcast.com/ for more information.
Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.
Find us on Instagram, X, and Facebook @afilmbypodcast.
WEBVTT
1
00:00:00.440 --> 00:00:05.280
I really miss Jack. The fact
that he has not been in a film
2
00:00:05.400 --> 00:00:09.880
since twenty ten, it just saddens
me. He wasn't even the star of
3
00:00:09.880 --> 00:00:14.800
that movie. Yeah, I don't
know. I mean it saddens you because
4
00:00:15.400 --> 00:00:21.800
he's so amazing. But I like
that, you know, actors no when
5
00:00:21.879 --> 00:00:25.519
to step off the stage, like
sometimes you just can't keep going to your
6
00:00:25.519 --> 00:00:29.760
one hundred and ten. He's only
eighty seven years young. He's got that
7
00:00:31.559 --> 00:00:33.840
you know, if you were gonna, if you were gonna retire, retire
8
00:00:34.479 --> 00:00:38.520
in two thousand and six after The
Departed, that was a phenomenal movie,
9
00:00:38.560 --> 00:00:44.079
a phenomenal role. I'm hoping.
I'm hoping that he's got one more and
10
00:00:44.679 --> 00:00:49.799
before he rides off in to the
sunset in his awesome shades. But I
11
00:00:49.840 --> 00:00:56.439
asked you a question, and it's
a lot more difficult than I imagined as
12
00:00:56.479 --> 00:01:00.920
I was thinking about my answer,
So I want to ask you. I
13
00:01:00.960 --> 00:01:07.280
basically said, hey, top three
favorite Jack Nicholson roles? Did you Was
14
00:01:07.319 --> 00:01:14.079
this difficult for you? Not?
Not as difficult, I think as it
15
00:01:14.120 --> 00:01:21.680
was for you, because I immediately
eliminated movies that, while they are brilliant
16
00:01:21.719 --> 00:01:26.439
and his performance is brilliant, they're
not movies that I prefer to watch.
17
00:01:26.040 --> 00:01:30.519
Okay, but again we're talking favorite, favorite role, so I'm going with
18
00:01:30.840 --> 00:01:34.959
like what do you Got? The
ones that I like to watch over and
19
00:01:34.000 --> 00:01:38.959
over and over again. All Right, favorite three, top top three favorite?
20
00:01:38.000 --> 00:01:42.319
Jack Nicholson rolls What do You Got
for Me? Okay? So my
21
00:01:44.560 --> 00:01:52.359
third favorite is a little movie that
maybe not a lot of people have seen,
22
00:01:53.359 --> 00:02:00.640
called Heartburn. It's based on Nora
Efron's autobiography about her marriage to Carl
23
00:02:00.640 --> 00:02:05.319
Bernstein. Okay, I surprised that
you would go with that one. That's
24
00:02:05.519 --> 00:02:09.159
nineteen eighty six. It didn't make
the list for our limited series nineteen eighty
25
00:02:09.199 --> 00:02:15.000
six. I might have to look
into adding that to the lost episodes on
26
00:02:15.039 --> 00:02:23.479
Patreona. Favorite performance. Well,
you know what's awesome is that undefinable thing
27
00:02:23.639 --> 00:02:29.800
called chemistry, and some actors have
it, and you don't know why some
28
00:02:30.000 --> 00:02:35.159
actors don't and you think they should. Like some married actors are terrible in
29
00:02:35.280 --> 00:02:39.759
movies together, but Jack Nicholson and
Meryl Street together in this movie are amazing.
30
00:02:40.000 --> 00:02:43.520
They are pretty electric. All Right, what do you Got? What
31
00:02:43.560 --> 00:02:47.719
do you Got? Number two?
Number two? Roll number two. It's
32
00:02:47.759 --> 00:02:55.319
not the best adaptation, but the
Shining Jet Torrance. Yes, like he
33
00:02:55.599 --> 00:03:00.319
is literally what is on the page
now the rest of the movies a hot
34
00:03:00.360 --> 00:03:05.479
mess, but what was in that
book? He completely took that and that
35
00:03:05.680 --> 00:03:12.639
was his performance. And I mean
nobody plays frustration Jack Nicol before before you
36
00:03:12.680 --> 00:03:15.680
take Kubrick's name in vain, we're
gonna move on. What's your number one?
37
00:03:15.919 --> 00:03:22.840
My number one is the Joker?
Okay? I I was Batman is
38
00:03:23.000 --> 00:03:29.000
like all the things, all right, and it's again Jack playing a character
39
00:03:29.039 --> 00:03:31.280
named Jack until he becomes the Joker. Yeah, it's hard, hard,
40
00:03:31.520 --> 00:03:36.759
hard to beat that. It may
surprise you. The Joker is not one
41
00:03:36.800 --> 00:03:44.080
of my top three picks. No
again, I said this is difficult.
42
00:03:44.840 --> 00:03:47.719
I broke it. I broke it. No, not not necessarily, but
43
00:03:49.039 --> 00:03:52.840
uh, I will tell you I
kind of broke when I when I looked
44
00:03:52.840 --> 00:03:55.400
at this, its like, give
me the best of the decade. So
45
00:03:55.439 --> 00:04:01.080
I got I got a seventies pick
for you. Okay. I absolutely love
46
00:04:01.439 --> 00:04:06.000
RP. McMurphy one flew over the
Cooper's Nest. I just I can't watch
47
00:04:06.039 --> 00:04:12.039
that movie like he's a mania.
It's amazing. Kin of rips my heart
48
00:04:12.080 --> 00:04:15.519
out, like it's heartbreaking, but
it's he is, He's, he is
49
00:04:15.759 --> 00:04:20.759
just he's at times, he's repulsive
at times, he is brilliant at times,
50
00:04:20.759 --> 00:04:24.639
he is heartbreaking, at times,
he is hilarious. Love. I
51
00:04:24.680 --> 00:04:28.079
love r P. McMurphy. So
that's my number, that's my no,
52
00:04:28.240 --> 00:04:30.839
no particular order, but I'll give
you r P. McMurphy. I will
53
00:04:30.879 --> 00:04:35.839
echo your thoughts on Jack Torrance in
The Shining that was nineteen eighty And then
54
00:04:35.920 --> 00:04:43.399
lastly, I might quote this character
more than any other Jack Nicholson character nineteen
55
00:04:43.439 --> 00:04:49.000
ninety four, Nathan R. Yeah, I love, I love Jessup and
56
00:04:49.040 --> 00:04:53.160
a few good men. So yeah, it's not easy, you know when
57
00:04:53.160 --> 00:04:56.639
you look at his filmography, seventy
like, seventy nine movies, seventy eight
58
00:04:56.639 --> 00:05:00.560
movies. Yes, it's a memorable, memorable role. But Amber, I
59
00:05:00.639 --> 00:05:05.480
want to talk about another one of
his roles that I think definitely fell by
60
00:05:05.480 --> 00:05:11.800
the wayside. It's critically underrated.
Let's talk about what he does in a
61
00:05:11.879 --> 00:05:18.079
film by George Miller, Miller's nineteen
eighty seven underrated classic, The Witches of
62
00:05:18.160 --> 00:05:50.600
Eastwick. Hello, everybody, I'm
Jeff Johnson, I'm Amber Lewis, and
63
00:05:50.639 --> 00:05:58.360
this is a film by podcast.
Yeah, imperator. Amber Lewis returns.
64
00:05:59.160 --> 00:06:00.879
You were just you were here just
a few days ago. We were talking
65
00:06:00.920 --> 00:06:06.000
Romeo and Juliet. Yes, Amber, party parting is always such sweet sorrow
66
00:06:06.079 --> 00:06:09.319
with you. So that's why we
got to keep bringing you back all the
67
00:06:09.360 --> 00:06:15.240
time. You're a regular now,
right, Yes, George with my name
68
00:06:15.279 --> 00:06:18.639
on the door. Yeah, we're
working on it. We're working on it,
69
00:06:19.199 --> 00:06:25.319
George Miller. This past weekend he's
got his newest furiosa, A mad
70
00:06:25.399 --> 00:06:30.439
maxtail hit hit the big screen.
I did not get to see it yet.
71
00:06:30.560 --> 00:06:33.000
I'm hoping to see it tomorrow,
though, hoping to How about you.
72
00:06:34.240 --> 00:06:38.600
I haven't seen it yet, and
I don't know that I can handle
73
00:06:39.439 --> 00:06:45.560
seeing it in the theater. I
saw Fury Road when I came out on
74
00:06:45.680 --> 00:06:53.160
TVD and the opening like ten minutes, like when we got to the end
75
00:06:53.160 --> 00:06:57.360
of that chase, my brother paused
the movie because he knew I was like
76
00:06:57.519 --> 00:07:01.920
hyperventilated. Oh, like I was
falling off the couch, like I was
77
00:07:02.040 --> 00:07:05.879
an absolute wreck, and like I
needed to take a break. I catch
78
00:07:05.959 --> 00:07:12.279
that movie on a on an Imax
screen, on a big screen with Dolby
79
00:07:12.319 --> 00:07:15.720
at most sound. Oh my gosh, I think you oh, you were,
80
00:07:15.759 --> 00:07:18.120
you were in, you were in, you were on Furry Road that
81
00:07:18.160 --> 00:07:21.319
whole time. It's just like yeah. And Sam told me, he was
82
00:07:21.360 --> 00:07:25.360
like, take a break, go
get a drink, because this whole movie
83
00:07:25.439 --> 00:07:28.399
is just a chase scene. That's
all it is. So you gotta buckle
84
00:07:28.519 --> 00:07:31.759
up, you know. It's it's
difficult, like you know, we I've
85
00:07:31.759 --> 00:07:35.839
been I've been circling George Miller for
a few years, you know, for
86
00:07:35.920 --> 00:07:42.680
this, for this podcast. The
problem is that when you talk George Miller,
87
00:07:43.079 --> 00:07:47.920
you immediately connect him to the mad
Max saga, you know. And
88
00:07:47.959 --> 00:07:54.720
we're all about trying to find those
those underrated films that directors do, and
89
00:07:54.800 --> 00:08:01.560
Miller arguably doesn't have many underrated films. So I come at you a few
90
00:08:01.560 --> 00:08:05.639
weeks back and I said, hey, let's you know, Furiosi is coming
91
00:08:05.639 --> 00:08:09.519
out. Let's talk Miller. I'm
finally ready. Let's let's uh, let's
92
00:08:09.560 --> 00:08:15.360
do this this little movie called Lorenzo's
Oil and it's a wonderful film, right
93
00:08:15.759 --> 00:08:18.800
yeah. But surprisingly your response was
we're not gonna talk about which is of
94
00:08:18.800 --> 00:08:22.600
East Week? And I was like, well we are now, okay,
95
00:08:22.879 --> 00:08:28.519
So I mean it's right there,
and I love so much. Oh,
96
00:08:30.079 --> 00:08:33.559
I'm glad we're going to talk about
it. So George Miller describes the shoot
97
00:08:33.639 --> 00:08:39.879
on this one as difficult due to
the studio's assumption that he was weak.
98
00:08:39.480 --> 00:08:45.279
Did you hear about this? Yeah, just because I mean he wasn't like
99
00:08:46.279 --> 00:08:50.519
a diva. He wasn't high maintenance. He was focused on what was important.
100
00:08:50.559 --> 00:08:52.799
And they were like, oh,
well, he's a pushover. He
101
00:08:54.039 --> 00:08:58.000
doesn't want a big trailer. And
he comes into a budget meeting with ideas
102
00:08:58.039 --> 00:09:03.039
how to reduce the budget. Hey, studio execs in nineteen eighty seven,
103
00:09:03.159 --> 00:09:07.399
who are high on cocaine. I'm
here to save you some money. You
104
00:09:07.440 --> 00:09:09.519
know what, i don't need a
big, fancy trailer. I'll be on
105
00:09:09.600 --> 00:09:13.480
set, so don't worry about that. And they look at that. They
106
00:09:13.519 --> 00:09:16.799
look at that as like, oh, well, he doesn't need things,
107
00:09:16.840 --> 00:09:20.799
so we'll just we'll keep that in
mind. Go's a pushover. And so
108
00:09:20.840 --> 00:09:26.360
everything he asked for during production was
either denied outright or they approved it with
109
00:09:26.399 --> 00:09:30.840
minimal support. You know, he
asked for for two cameras, they give
110
00:09:30.919 --> 00:09:33.799
him one. He asked for one
hundred extras, they give him a dozen.
111
00:09:33.879 --> 00:09:39.600
It's it's insulting honestly, you know, yeah, if you care about
112
00:09:39.639 --> 00:09:41.440
the budget at all, you're not
gonna cut it on stuff like that.
113
00:09:43.240 --> 00:09:45.480
Yeah. Well, I mean the
guy comes in saying, hey, here's
114
00:09:45.519 --> 00:09:46.519
how I can save you some money, and then they just start saying,
115
00:09:46.519 --> 00:09:50.559
well, you know, we'll we'll
dominate this set now. I mean,
116
00:09:50.000 --> 00:09:54.960
and I don't know if that's because
this is his American film debut, but
117
00:09:56.200 --> 00:09:58.919
I think there was a communication breakdown. You know, he didn't know the
118
00:09:58.919 --> 00:10:03.720
Hollywood system. They didn't really know
this guy, and it's kind of surprising
119
00:10:03.759 --> 00:10:07.200
the movie turns out as good as
it does, knowing that there's a lot
120
00:10:07.200 --> 00:10:11.399
of there's a lot of tension behind
the scenes. I know we're going to
121
00:10:11.399 --> 00:10:15.080
talk about some of those things.
But before we get into that, for
122
00:10:15.679 --> 00:10:18.200
the folks that haven't seen this one, Amber, can you give us a
123
00:10:18.200 --> 00:10:26.080
little little synopsis about the Witches of
Eastwick. Absolutely, we have three small
124
00:10:26.120 --> 00:10:35.039
town friends, Alexandra, Jane,
and Suki who each find themselves single in
125
00:10:35.080 --> 00:10:41.799
the middle of their lives and this
opens up powers that they don't really realize
126
00:10:41.799 --> 00:10:48.600
that they have. And into the
town comes Darryl van Horn and he starts
127
00:10:50.200 --> 00:10:54.480
working his magic on each of them
and As they spend more time with him,
128
00:10:54.559 --> 00:11:00.279
their powers begin to grow, and
it's all fun and games until things
129
00:11:00.360 --> 00:11:03.240
kind of take a sour turn and
they start to get concerned about what Darryl's
130
00:11:03.279 --> 00:11:07.679
ultimate intentions really are. This cast, I want to let's talk about this
131
00:11:07.720 --> 00:11:13.120
cast, because that's a I think
you paint a very good picture there,
132
00:11:13.840 --> 00:11:18.559
because this is this movie is is
dark, but it's funny, but there's
133
00:11:18.600 --> 00:11:22.720
some some stuff going on you're not
sure about. There's a mystery, you
134
00:11:22.759 --> 00:11:26.279
know, is this a supernatural movie? Is it not. We're gonna find
135
00:11:26.320 --> 00:11:31.279
out. But uh, you mentioned
these three friends Amber. I want to
136
00:11:31.279 --> 00:11:35.399
I'm gonna actually rack and stack this
in order of who I think was the
137
00:11:35.399 --> 00:11:41.120
big draw for these three friends,
because when you hear these names. Nowadays
138
00:11:41.159 --> 00:11:46.000
we say these names and they're all
three legendary actresses. But in nineteen eighty
139
00:11:46.039 --> 00:11:50.440
seven, you gotta wonder who was
Who was the draw? Right, So
140
00:11:50.480 --> 00:11:54.159
let's talk about don't wonder, Okay, okay, I think was the draw.
141
00:11:54.559 --> 00:12:00.440
The draw's gotta be share Share Share. Is she's playing the role of
142
00:12:00.480 --> 00:12:05.120
Alexandra. She is coming off of
Silkwood that she was as you know,
143
00:12:05.200 --> 00:12:11.600
she was nominated for a Cameo Award
for She was in Mask, one of
144
00:12:11.679 --> 00:12:13.720
my favorite movies growing up. I
love that movie with Eric Stultz. Yes,
145
00:12:15.559 --> 00:12:20.320
and obviously she's Share Sonny and Cher
you know amazing, uh, you
146
00:12:20.360 --> 00:12:26.440
know singer. So I think Shar's
got to be the the heavy And I
147
00:12:26.440 --> 00:12:30.360
don't mean that in the physical sense. I mean that in the box office
148
00:12:30.399 --> 00:12:35.000
draw. She's got to be the
go to for this this trio, right,
149
00:12:35.919 --> 00:12:41.360
Yes, I one hundred percent agree
with that. Nobody was bigger than
150
00:12:41.399 --> 00:12:48.080
her in the eighties, Like she
just created this whole She's had so many
151
00:12:48.120 --> 00:12:50.960
careers. This was like her second
career where she was an amazing actress and
152
00:12:52.000 --> 00:12:54.519
then you know she went back to
music later on, like she just there's
153
00:12:54.559 --> 00:12:58.200
just stopping her. No, no
stopping her. Think about No, there's
154
00:12:58.240 --> 00:13:03.320
definitely no stopping Share. In nineteen
eighty seven, she's in the Witches of
155
00:13:03.320 --> 00:13:07.240
Eastwick. She's in a film called
Suspect with Dennis Quaid. Oh that movie
156
00:13:07.279 --> 00:13:11.080
is so good, you see.
Okay, I'm glad you've seen it because
157
00:13:11.120 --> 00:13:16.120
it is it's premier of Liam Neeson. Yes, and then let's not forget
158
00:13:16.200 --> 00:13:20.639
she's in She's also in Moonstruck,
which she wins the Oscar for Best Actress
159
00:13:20.639 --> 00:13:24.879
for Yes, Shares Happened to a
Hell of a Year nineteen eighty seven.
160
00:13:24.639 --> 00:13:31.600
Absolutely, she looks at this,
she looks at this script. She's offered
161
00:13:31.639 --> 00:13:35.240
the role of Jane, and she
says, Yeah, I think I'll go
162
00:13:35.240 --> 00:13:39.159
ahead and do this. I'll take
the role of Alexandra. At that time,
163
00:13:39.200 --> 00:13:41.840
it was already given to Susan Sarandon, though, and what I would
164
00:13:41.840 --> 00:13:48.039
think is a bit of a faux
pas in Hollywood. John Peter is the
165
00:13:48.039 --> 00:13:50.519
producer. He goes ahead and says, Okay, well we'll swap you guys,
166
00:13:52.279 --> 00:13:54.559
But no one tells the actresses about
the role swap until they arrive on
167
00:13:54.600 --> 00:14:01.320
set. And this leads Susan Sarandon
to not speak to Share for several weeks.
168
00:14:01.879 --> 00:14:05.440
Could you imagine your Susan Sarandon,
You're you're coming in, You're you're
169
00:14:05.480 --> 00:14:09.480
prepping for this role, You're ready
for this role, and then Hi,
170
00:14:09.600 --> 00:14:13.200
Share, Oh Hi, I'm ready
to play Alexander. Oh me too.
171
00:14:13.279 --> 00:14:18.240
Wait what you know? I know
We're gonna talk a little bit about more
172
00:14:18.240 --> 00:14:22.720
about John Peters later, but dude, that's so like he was such a
173
00:14:22.799 --> 00:14:26.399
lunatic, Like just that's underhanded,
you know, well, but it also
174
00:14:26.679 --> 00:14:31.960
I think it is of the time, and you know, I think he's
175
00:14:33.080 --> 00:14:35.720
probably one of those men that thinks, you know, oh, we have
176
00:14:35.759 --> 00:14:39.240
to pit these two against each other, so they really crackle on screen,
177
00:14:39.399 --> 00:14:43.759
and she he probably was stuff like
that, I'm gonna throw a name at
178
00:14:43.799 --> 00:14:46.080
you. I'm gonna throw a couple
of names at you. When we're talking
179
00:14:46.080 --> 00:14:54.080
about this trio. Angelica Houston auditioned
for the role of Alexandra. She didn't
180
00:14:54.080 --> 00:14:56.639
get it. Obviously, she didn't
get it, but they she knew I
181
00:14:56.639 --> 00:15:00.600
had it, like like before they
were even looking at Susan s Randon.
182
00:15:00.639 --> 00:15:03.279
They you know, she's not getting
it. But I was like, think
183
00:15:03.320 --> 00:15:05.519
about that, Like, isn't it. Like a year later, she she
184
00:15:05.639 --> 00:15:09.000
does end up playing a witch and
that that creepy kids movie The Witches,
185
00:15:09.279 --> 00:15:11.840
was that I think, Yeah,
she was so good in that too.
186
00:15:13.360 --> 00:15:18.080
Yeah, I think that worked out
well for everybody. Susan Sarandon we just
187
00:15:18.120 --> 00:15:24.919
mentioned. So again we're talking about
box office draw up until this, she's
188
00:15:24.080 --> 00:15:30.559
her big hits Rocky Horror Picture Show. Obviously, Uh, she does a
189
00:15:30.600 --> 00:15:33.480
small movie called Pretty Baby that's that
a lot of people know about, and
190
00:15:33.519 --> 00:15:37.840
then uh. The Hunger, which
might be the weirdest, oddest vampire film
191
00:15:37.840 --> 00:15:45.320
I've ever watched. Amongst the general
consensus among anybody that's seen that movie.
192
00:15:45.919 --> 00:15:52.480
Yeah, uh, she beats out
Kim Cattrall, which I could see Kim
193
00:15:52.519 --> 00:15:56.600
control playing this role, playing Je
playing Je. Maybe you think a little
194
00:15:56.600 --> 00:16:02.200
repress, little repressed and then let's
out her wild side. I mean maybe
195
00:16:02.399 --> 00:16:06.879
eighties era Kim Katral maybe. And
this is think about this, this is
196
00:16:07.480 --> 00:16:12.840
this is one year before Sarandon,
I think really finds her stardom. Bull
197
00:16:12.919 --> 00:16:18.440
Durham is just so and I think
maybe she got that movie because of this
198
00:16:18.519 --> 00:16:22.759
movie. I'm certain she got that
movie because of this movie. I think
199
00:16:22.759 --> 00:16:26.639
about this. You know, without
this movie, there's no Bull Durham.
200
00:16:26.639 --> 00:16:30.639
Without Bull Durham, there's no thumb
on Luise. So yeah, you know,
201
00:16:30.559 --> 00:16:37.080
yeah, I think, yeah,
it all worked out rounding out the
202
00:16:37.240 --> 00:16:41.840
role that this trio of friends.
For the role of Suki, they look
203
00:16:41.879 --> 00:16:47.919
at Daryl Hannah. Daryl Hannah refuses, she doesn't an audition, she doesn't
204
00:16:47.919 --> 00:16:52.440
want to read for it. She
turns down the role due to quote ethical
205
00:16:52.000 --> 00:16:56.759
reasons. So yeah, okay,
you don't you don't want to be at
206
00:16:56.919 --> 00:17:02.039
like a foursome with two others stars
and Jack Nicholson. We get it.
207
00:17:02.360 --> 00:17:07.160
Sure, Okay, that's okay,
because got a line she was being a
208
00:17:07.200 --> 00:17:11.880
fish and you know, cave woman. But yeah, this is where her
209
00:17:11.880 --> 00:17:17.279
line was. Mermaids and cave women
are acceptable. They are ethical characters,
210
00:17:18.440 --> 00:17:25.400
which Sleepy with Jack Nicholson is is
not that. But Michelle Pfeiffer did not
211
00:17:25.480 --> 00:17:30.160
have a problem with it. Probably
has the least heat, certainly not the
212
00:17:30.240 --> 00:17:33.480
least, the least talent, but
her claim to fame at this point before
213
00:17:33.680 --> 00:17:38.559
the Witches of East week, you
know Grease too, which I will not
214
00:17:38.720 --> 00:17:45.359
say a bad word about because und
well, okay now, and I definitely
215
00:17:45.359 --> 00:17:48.039
won't, but I was. I
just I didn't want to get in trouble
216
00:17:48.039 --> 00:17:52.160
with Amanda Janic, who happens to
love Grease too, so I'm just we'll
217
00:17:52.240 --> 00:17:56.519
leave that one alone. But Kevin's
sister from our Craft episode, oh yeah,
218
00:17:56.680 --> 00:18:00.799
yeah, before You, we have
in common before You and Amanda fashion
219
00:18:02.000 --> 00:18:07.000
a voodoo doll out of wax and
my my dirty laundry and a photo like
220
00:18:08.160 --> 00:18:11.160
I'll just say, hey, no
issues with Grease too at this time,
221
00:18:11.279 --> 00:18:17.279
so good job. But uh,
you know, she memorable role and Scarface
222
00:18:17.559 --> 00:18:21.599
and then Amber. How do you
not fall in love with Michelle Pfeiffer in
223
00:18:21.680 --> 00:18:26.119
Lady Hawk? Oh my god,
I'm still to this day. She is
224
00:18:26.160 --> 00:18:30.920
the most beautiful woman in the world. I mean in Lady Hawk, especially
225
00:18:30.400 --> 00:18:34.920
breathtaking and so talented, Like I
just adore her. You know, it's
226
00:18:34.920 --> 00:18:37.319
been a while. I mean,
I know we've done a Richard Donner episode.
227
00:18:37.480 --> 00:18:41.400
We know we did Scrooge for Christmas, but I think you and I
228
00:18:41.400 --> 00:18:45.400
should do Lady Hawk. Can we
do that this summer with Lady Hawk?
229
00:18:45.599 --> 00:18:49.480
Okay? Absolutely? You heard it
here first Richard Donner. Another Richard Donner
230
00:18:49.480 --> 00:18:52.839
episode coming up. We're gonna do
Lady Hawk because I love that film.
231
00:18:53.039 --> 00:18:56.680
But uh, all right, so
we got our trio right. Another name
232
00:18:56.720 --> 00:19:00.200
mentioned, not for any role in
particular, but a lot of There was
233
00:19:00.200 --> 00:19:03.640
a lot of buzz that this film
needs Pam Greer. Pam Grier should be
234
00:19:03.680 --> 00:19:07.119
one of the one of the witches. I saw that and I just cannot,
235
00:19:07.119 --> 00:19:11.839
for the life of me figure out
who she should have played. I
236
00:19:11.000 --> 00:19:14.880
don't know, because like when you
look at these I mean, the three
237
00:19:15.000 --> 00:19:18.359
characters are they're very distinct. It's
not like, you know, you have
238
00:19:18.400 --> 00:19:25.680
trouble telling their personalities apart. So
you know, maybe she's maybe she's Alexandra,
239
00:19:26.200 --> 00:19:27.759
you know, very very That's kind
of what I was thinking, because
240
00:19:27.799 --> 00:19:32.960
she's such a strong woman. Yeah, that I would see Pam Griers in
241
00:19:33.039 --> 00:19:36.599
Alpha, you know, she leads
the coven. I would think. I'm
242
00:19:37.200 --> 00:19:38.640
you know, I love Pam Greer. So don't take this the wrong way
243
00:19:38.640 --> 00:19:42.400
when I say this. I'm kind
of glad that this didn't happen because I
244
00:19:42.440 --> 00:19:48.559
feel like Pam Grier's renaissance, her
comeback happens in Jackie Brown, Yes,
245
00:19:48.640 --> 00:19:52.119
for sure, and that is such
an exceptional performance that she gives. So
246
00:19:53.279 --> 00:19:57.440
I'm glad that we kind of waited
on Pam Greer for for the exact right
247
00:19:57.519 --> 00:20:00.640
role because I would love to.
I would have love to have seen her
248
00:20:00.680 --> 00:20:03.480
in this, but I don't think
it would have been absolutely right for Yeah,
249
00:20:03.480 --> 00:20:07.680
I mean, and I like the
Kevin that we got, so absolutely.
250
00:20:08.559 --> 00:20:15.319
Let's talk about the Let's talk about
the male lead here. So originally
251
00:20:15.000 --> 00:20:22.920
this this film has Bill Murray playing
Darryl van Horn and let's just let's let's
252
00:20:22.680 --> 00:20:27.839
let's let that marinate for just a
moment, because Bill Murray in this this
253
00:20:27.920 --> 00:20:34.440
specific role works. This definitely could
have been a Bill Murray movie. Come
254
00:20:34.480 --> 00:20:38.359
on, no, no, it
would have been a completely different movie.
255
00:20:38.839 --> 00:20:44.480
It would have been. But nobody
wants to go to bed with Bill Murray
256
00:20:45.200 --> 00:20:47.920
and they do? You want to
go to bed with Jack Nicholson in this?
257
00:20:48.519 --> 00:20:53.440
Heck? Yeah? What? Okay? I did not see that coming,
258
00:20:55.759 --> 00:20:59.640
not even one hundred miles away.
I will say this. In doing
259
00:20:59.680 --> 00:21:04.680
research on this, I saw that
it was you know, they tried to
260
00:21:04.680 --> 00:21:11.400
make it into a television show later
on, and then a Broadway musical,
261
00:21:11.519 --> 00:21:15.599
and it had several different iterations of
them trying to get this musical off the
262
00:21:15.599 --> 00:21:22.720
ground, and the London production had
Ian McShane. Oh now there is a
263
00:21:22.799 --> 00:21:29.640
perfect and oh my god, that's
that's perfect casting right there. Ian McShane
264
00:21:29.680 --> 00:21:36.799
definitely could have played Darryl van Hold
like would have been such a good well
265
00:21:36.839 --> 00:21:41.279
listen, so Bill Murray drops out, changes his mind and you remember this
266
00:21:41.319 --> 00:21:47.960
is like you know, Bill did
like a stretch where after after Ghostbusters he
267
00:21:48.039 --> 00:21:49.640
kind of, you know, he
kind of goes off the grid for a
268
00:21:49.640 --> 00:21:52.640
bit. You know, he's not
he's not showing up, And I think
269
00:21:52.680 --> 00:21:56.240
that's kind of what happened here maybe
I think I think this role was like
270
00:21:56.720 --> 00:21:57.359
he was like, all right,
I'm ready to come back, and then
271
00:21:57.359 --> 00:22:02.079
he doesn't, and then thankfully he
does end up coming back a year later
272
00:22:02.119 --> 00:22:06.759
for Scrooge. But so he drops
out. Rutger Hower, we're talking abou
273
00:22:06.799 --> 00:22:11.039
Lady Hawk. Rutger Hower meets with
George Miller three times about the role.
274
00:22:11.079 --> 00:22:14.680
He's pretty he's pretty solid. He's
thinking, all right, I got this,
275
00:22:14.799 --> 00:22:18.759
you know, and he's got that
Hitcher heat on him where Yeah,
276
00:22:18.799 --> 00:22:23.839
this guy is psychotic, he's scary, but he also is charming and he's
277
00:22:23.960 --> 00:22:27.480
you know, and Lady Hawk.
You know, I mean well, and
278
00:22:27.559 --> 00:22:32.000
I think Lady Hawk, I mean, we'll get into it later on excitedly.
279
00:22:32.160 --> 00:22:36.359
But he shows that he has a
sense of humor in that movie.
280
00:22:36.799 --> 00:22:41.079
Yeah, it's very subtle, but
it's there. It's there. But Miller's
281
00:22:41.079 --> 00:22:44.960
said, you know, Miller's not
feeling him. And meanwhile, Angelica Houston
282
00:22:45.119 --> 00:22:48.559
goes home to tell her boyfriend at
the time, Hey, I tried out
283
00:22:48.559 --> 00:22:52.480
for this part. I'm not gonna
get it. Oh, what's the part?
284
00:22:52.079 --> 00:22:57.599
Which is a Beastwick. Boyfriend is
Jack Nicholson, who likes the idea
285
00:22:57.640 --> 00:23:03.519
of playing the devil or a devil, and you know the connection between him
286
00:23:03.519 --> 00:23:10.039
and Miller is immediate. Oh so
so share and yeah, okay, yeah,
287
00:23:10.200 --> 00:23:14.559
I'll call George. We're gonna do
this. And Miller's just pleased his
288
00:23:14.680 --> 00:23:18.680
pie that you know he's got Jack
Nicholson. So I like the fact that
289
00:23:18.799 --> 00:23:23.319
Nicholson protects George Miller here because we
talked about Miller and the studio, right
290
00:23:23.759 --> 00:23:29.079
think your power for good. Yeah, So the studio like they're fighting back
291
00:23:29.119 --> 00:23:32.519
and forth with Miller. Miller is
like, well, you guys don't know
292
00:23:32.519 --> 00:23:36.160
who I am. I'm I'm from
the Wasteland. You know, I made
293
00:23:36.200 --> 00:23:41.279
mad Max. So he starts refusing
to shoot anything until they give him what
294
00:23:41.319 --> 00:23:45.440
he asked for. So now we're
wasting all kinds of money. They threatened
295
00:23:45.480 --> 00:23:49.000
to fire him. Jack Nicholson says, if you fire him, I'm off
296
00:23:49.039 --> 00:23:55.720
the project. So absolutely love the
Yeah, the chemistry between between those two
297
00:23:55.759 --> 00:23:59.920
guys is fantastic in this I think
can we talk Can we talk about the
298
00:24:00.000 --> 00:24:03.240
I know we gotta get I know, I know we're we're going long here
299
00:24:03.279 --> 00:24:08.000
already, but uh, can we
talk real quick about the show stealing performance
300
00:24:08.920 --> 00:24:12.759
in this film? Because I know
you love her. We gotta talk about
301
00:24:12.799 --> 00:24:15.920
Veronica Kart right, I mean,
do we have to? I like,
302
00:24:17.039 --> 00:24:22.440
fast forward through all of that.
Shame on you, fast fast forward Verroca
303
00:24:22.519 --> 00:24:26.759
krt right. She is off the
rails. She's stealing every scene she's in.
304
00:24:26.359 --> 00:24:30.240
Yeah, but it's so gross,
Like I just, well, okay,
305
00:24:30.839 --> 00:24:36.359
I cannot It is gross, but
but in a in a a twisted
306
00:24:37.240 --> 00:24:40.839
humorous way, what do you Okay, let me ask you this. You
307
00:24:40.839 --> 00:24:44.039
know what, We'll move We'll move
away from Veronica Kart right here. But
308
00:24:44.079 --> 00:24:48.920
I gotta I gotta know better use
of Cherry's and vomiting in a film?
309
00:24:48.960 --> 00:24:52.480
Is it? Is it Nicholson and
Veronica Krart right in the Witches of Eastwick?
310
00:24:53.119 --> 00:24:57.319
Or is it pretty much everybody in
town? And stand by me?
311
00:24:59.559 --> 00:25:03.279
You gotta do you got a favorite? I'm like, is there another movie
312
00:25:03.319 --> 00:25:07.440
that's this gross? I'm gonna have
to go stand by me projectile vomiting.
313
00:25:10.359 --> 00:25:18.240
Yeah, the scene Isley you're your
Your love of alien is well documented.
314
00:25:18.720 --> 00:25:22.000
So I just I thought, Veronica
Cartwright, you're And I do love her
315
00:25:22.079 --> 00:25:29.519
in that movie for sure. She's
a great actress and everything. I don't
316
00:25:29.559 --> 00:25:38.200
know how much she gives to the
story other than you do need a sort
317
00:25:38.200 --> 00:25:44.640
of climax to their powers. They
need to know how dangerous what they're playing
318
00:25:44.720 --> 00:25:48.480
with it well, and we need
to know how dangerous he is, because
319
00:25:48.519 --> 00:25:52.119
she's kind of like his his amusement, because she starts off she's this pious
320
00:25:52.160 --> 00:25:59.279
woman, she's singing at the school
function. She's like the epitome of of
321
00:25:59.279 --> 00:26:04.880
of wholesomeness. And then she starts
doing like a a Reagan McNeil in The
322
00:26:04.920 --> 00:26:11.359
Exorcist, Like she starts saying some
really crass dialogue and she starts getting a
323
00:26:11.400 --> 00:26:15.599
little nasty looking, and yeah,
only like unfortunately for good, but she
324
00:26:15.680 --> 00:26:19.880
looks so crazy that nobody's listening to
what she's saying. And she's telling the
325
00:26:19.920 --> 00:26:25.880
truth, like she's they are playing
with the devil in that house. Her
326
00:26:25.960 --> 00:26:30.279
character is important because she I feel
like she's like the prophet right She's she's
327
00:26:30.440 --> 00:26:36.319
she's telling she's trying to warn the
town about the devil, and because of
328
00:26:36.359 --> 00:26:40.720
his machinations, like she doesn't have
a chance to be held, like no
329
00:26:40.759 --> 00:26:45.839
one's could taking her seriously because she's
disgusting and losing her mind. And yeah,
330
00:26:47.440 --> 00:26:49.480
you mentioned, uh, you mentioned
that they had done a spin off.
331
00:26:51.359 --> 00:26:53.599
Uh, she's the only one that
reprised her role that the spin offs
332
00:26:53.640 --> 00:26:57.200
called Eastwick, and she actually reprises
her role which I never saw it.
333
00:26:57.279 --> 00:27:00.960
I don't know if it's any good. Probably not, because it didn't last
334
00:27:00.640 --> 00:27:03.319
more than a couple episodes. I
don't think. Yeah, I think they
335
00:27:03.359 --> 00:27:08.000
didn't even get a whole season.
Yeah. Well, unfortunately, like it's
336
00:27:08.039 --> 00:27:11.000
a great story, it would be, it would be. I don't know
337
00:27:11.000 --> 00:27:14.880
why they can't get it off the
ground. Maybe because the movie is so
338
00:27:14.960 --> 00:27:18.440
good. Maybe I'll tell you what
we'll we'll talk about that and more when
339
00:27:18.440 --> 00:27:29.079
we return from these messages. We
were back Amber Lewis talking about the Witches
340
00:27:29.079 --> 00:27:33.400
of east Wick. Amber. This
is based off of the nineteen eighty four
341
00:27:33.480 --> 00:27:38.160
novel by John Updike, the same
name. I hadn't seen this in a
342
00:27:38.160 --> 00:27:44.319
long time. I was surprised when
I saw the name John Williams for score,
343
00:27:45.039 --> 00:27:48.680
because this is you know, you
don't think Witches of Eastwick when you
344
00:27:48.680 --> 00:27:52.359
think John Williams, but you should, because that man never took a day
345
00:27:52.359 --> 00:27:59.079
off in his life. Never,
He's still working. This gets nominated for
346
00:27:59.160 --> 00:28:03.400
Best Score, Best Sound as well, but William's getting a nomination for Best
347
00:28:03.640 --> 00:28:10.039
best score. Your thoughts on his
work in the Witches of Eastwick. Oh
348
00:28:10.079 --> 00:28:15.400
my gosh, I love the theme
for this movie. We were the house
349
00:28:15.440 --> 00:28:19.200
on the corner growing up that like
blared music and Halloween and like went all
350
00:28:19.200 --> 00:28:26.039
out with decorations and stuff. So
this piece of music was one of the
351
00:28:26.079 --> 00:28:30.680
things we played every year. I
watched this recently. I'm going through the
352
00:28:30.680 --> 00:28:36.480
credits, the credit, the sequet, the music playing of the credits might
353
00:28:36.519 --> 00:28:41.319
be my favorite music of the of
the of the movie. And I send
354
00:28:41.319 --> 00:28:47.039
you this message. William's score has
a bit of Harry Potter vibe, especially
355
00:28:47.119 --> 00:28:52.839
the end credits. It feels related
your your immediate response, I really disagree
356
00:28:52.880 --> 00:28:56.880
with this take. Well, I
did say a bit. I mean it's
357
00:28:56.880 --> 00:28:59.839
whimsical, like, okay, am
I am I way off on this.
358
00:29:00.599 --> 00:29:07.319
I mean I feel like he really
dialed Intoto the witchiness of it, and
359
00:29:07.799 --> 00:29:11.960
I think Harry Potter is more about, Hey, Harry Potter has fun of
360
00:29:11.640 --> 00:29:18.240
Yeah, magic and magic is not
dangerous. Magic is just fun and candy
361
00:29:18.319 --> 00:29:23.640
and you know, stuff like that. So this to me is much darker
362
00:29:23.720 --> 00:29:30.160
and and creepier and be careful what
you wish for kind of a vibe.
363
00:29:30.279 --> 00:29:36.279
So this is women dancing naked around
a bonfire. You know this is not
364
00:29:36.759 --> 00:29:41.359
little kids playing with sticks? All
right, well, I'll I told you
365
00:29:41.559 --> 00:29:47.240
I think well kids playing with hey, people are dying at Hogwarts. I'll
366
00:29:47.319 --> 00:29:49.119
remind you, like it was,
there was some darkness going on there.
367
00:29:49.160 --> 00:29:55.000
But you know, naked women dancing
at bonfires, kids playing with sticks,
368
00:29:55.039 --> 00:30:00.279
well, you know that's that's the
talk for another time. So there's there's
369
00:30:00.279 --> 00:30:02.920
two interesting things going on behind the
scenes. I want to talk about real
370
00:30:02.960 --> 00:30:08.200
quick. Can we First let's let's
discuss the madness of John Peters. He's
371
00:30:08.240 --> 00:30:15.480
he's producing this movie. Now,
Anyone that is a fan of Kevin Smith
372
00:30:15.440 --> 00:30:23.839
or the Tim Burton Superman knows that
John Peters loves to like insert himself into
373
00:30:23.880 --> 00:30:29.480
the story making process and for reasons
no one ever understands. He just wants,
374
00:30:29.519 --> 00:30:33.640
hey, let's have a giant spider. Why, you know, he
375
00:30:33.880 --> 00:30:36.599
tries to put a giant spider that
you know, as the stories go,
376
00:30:37.119 --> 00:30:41.359
tries to put like a giant you
know spider in the Superman movie That never
377
00:30:41.359 --> 00:30:44.000
happens, but guess what it does
end up in the wild, wild West
378
00:30:44.279 --> 00:30:48.240
with Will Smith. He's always thrown
up these goofy ideas, and he has
379
00:30:48.279 --> 00:30:52.160
a really goofy one, well not
goofy, it's just it's just downright stupid.
380
00:30:52.559 --> 00:30:56.720
And this have you do? You
know? Okay, yeah, like
381
00:30:56.920 --> 00:30:59.920
what does he want? What does
he want? The Witches of beast Wick?
382
00:31:00.119 --> 00:31:06.720
He wants Aliens to arrive, which
has nothing to do with anything anything,
383
00:31:06.960 --> 00:31:11.680
right, He goes so far.
He brings a man dressed up like
384
00:31:11.720 --> 00:31:17.640
an alien on set, demanding George
Miller put him in any scene, not
385
00:31:17.799 --> 00:31:19.599
just write as you know, he
doesn't say, hey, write a scene
386
00:31:19.599 --> 00:31:22.079
that makes sense. He just says, put this guy in any scene.
387
00:31:22.880 --> 00:31:30.119
Rumor has it he was a huge
fan of Aliens James Jim Cameron's Aliens from
388
00:31:30.160 --> 00:31:32.640
nineteen eighty six, which, hey, who is it you? And I
389
00:31:32.680 --> 00:31:37.119
love that movie. Everyone loves that
movie. Doesn't mean you just throw a
390
00:31:37.200 --> 00:31:41.119
Xeno morph into a New England town. I mean, right, hire Sigourney
391
00:31:41.160 --> 00:31:47.440
Weavers then, like show your love
that way. That would make that would
392
00:31:47.440 --> 00:31:52.240
have made a lot of sense.
I could see Sigourney Weaver ver Attica Cartwright
393
00:31:52.160 --> 00:31:56.680
together again, together again. Sigourney
could have played the Jane role. You
394
00:31:56.720 --> 00:32:01.559
know, Jane's a musician. Sigourney
was Dana Barrett and Ghostbusters that Nope.
395
00:32:01.640 --> 00:32:06.119
He he just says, put an
alien in here somehow so. But that's
396
00:32:06.200 --> 00:32:12.880
that like a cocaine fueled Hubris,
Like this started out at fourteen as a
397
00:32:12.920 --> 00:32:16.359
hairdresser. Like he's not afraid of
anything. He bullied his way. It's
398
00:32:16.720 --> 00:32:22.279
Hollywood in a way that's just legendary. So I'll never understand how he got
399
00:32:22.319 --> 00:32:25.920
to where he is, you know. Aside from this, like we said,
400
00:32:27.759 --> 00:32:29.720
Share shows up, says I want
this role, not that one.
401
00:32:29.759 --> 00:32:31.240
He says, Okay, he doesn't
even bother to call Susan's Rand and he
402
00:32:31.319 --> 00:32:36.559
just says, I guarantee you the
day Susan's Randon shows up on set and
403
00:32:36.599 --> 00:32:39.640
finds that out, it's it's him
telling like a PA, like, hey,
404
00:32:39.640 --> 00:32:43.920
I need you to go tell the
Susans Rand and this I'm not available
405
00:32:43.960 --> 00:32:45.880
for comment. He probably leaves,
you know, he's yep, he's probably
406
00:32:45.880 --> 00:32:49.880
in the theater watching Aliens for like
the fifth time, which I don't blame
407
00:32:49.960 --> 00:32:53.079
him for that, but yeah,
John Peter's just just being weird man.
408
00:32:53.200 --> 00:32:59.319
Yeah, I don't get it.
Another thing I really don't understand. George
409
00:32:59.319 --> 00:33:06.359
Miller has a real disdain for Share
and it's one thing to not be happy
410
00:33:06.519 --> 00:33:12.680
about working with someone, but George
Miller is incredibly transparent and open the entire
411
00:33:12.720 --> 00:33:16.720
time they're filming. Did you were
you aware of this? No? Okay,
412
00:33:16.759 --> 00:33:22.200
So he is on set and anytime
he wants to complain about something,
413
00:33:22.319 --> 00:33:28.880
he's complaining about Share allegedly he when
he says her name, he says it
414
00:33:29.000 --> 00:33:35.480
like using air quotes and openly and
not just complaining like on set, complaining
415
00:33:35.519 --> 00:33:42.640
on set in front of her Shares
autobiography, she even talks about how difficult
416
00:33:42.680 --> 00:33:49.039
their relationship was working together. She
claims that he called her on her like
417
00:33:49.079 --> 00:33:52.720
to wish her happy her fortieth birthday, calls her and what she thinks is
418
00:33:52.799 --> 00:33:57.759
at first is like a roast because
he's just saying everything he doesn't like about
419
00:33:57.759 --> 00:34:04.039
her physically and profession He just keeps
keeps ripping and like she hung up the
420
00:34:04.039 --> 00:34:06.799
phone in tears, like I don't
want you on this movie. You're not
421
00:34:06.880 --> 00:34:08.840
right for this role, you're too
old. Me and Jack both don't want
422
00:34:08.840 --> 00:34:12.880
you on here, like you know, and kind of throwing Jack Nicholson's name
423
00:34:12.920 --> 00:34:15.800
around. I was like, that's
if there's true, if that's true,
424
00:34:15.840 --> 00:34:21.559
like that is that is just terrible. I don't know. I wonder if
425
00:34:21.599 --> 00:34:23.519
it has something I mean, I
have no idea, but I wonder if
426
00:34:23.519 --> 00:34:27.400
it has something to do with like, like we said, she was so
427
00:34:27.519 --> 00:34:31.239
huge, yeah, and she's I
don't think she's anybody to be pushed around,
428
00:34:31.280 --> 00:34:36.159
and maybe he was like intimidated.
If I don't kind of bully her,
429
00:34:36.760 --> 00:34:39.000
she's not gonna do what I say. You think there's Well, that
430
00:34:39.199 --> 00:34:43.199
doesn't make it right the control things. Oh no, absolutely not. I'm
431
00:34:43.239 --> 00:34:45.480
just saying, like, I just
don't understand like that kind of behavior.
432
00:34:45.559 --> 00:34:49.679
So m hm. That's the only
reason why I can think you would do
433
00:34:49.719 --> 00:34:53.320
something like that is if you're intimidated
by this person, you're going to try
434
00:34:53.320 --> 00:34:57.719
to bully them first, you know, when you think that's the way you
435
00:34:57.760 --> 00:35:00.920
have to relate to them. I
am set a fan of share in this
436
00:35:00.960 --> 00:35:07.559
film, especially when she replies to
Jack Nicholson after like their lunch date and
437
00:35:07.599 --> 00:35:13.119
he he like strips in front of
her with his manservant and SLINKs into his
438
00:35:13.119 --> 00:35:14.639
bed. She's like, what do
you what do you think you're doing?
439
00:35:15.119 --> 00:35:21.800
And he's I'm not gonna repeat what
he says, you know, But her
440
00:35:21.920 --> 00:35:27.320
reply is it's a Hall of Fame. Apply reply, It's like Chevy Chase
441
00:35:27.320 --> 00:35:34.639
and Christmas Vacation on that that that
that rant listeners. If you have not
442
00:35:34.679 --> 00:35:37.480
seen this movie, I don't.
I haven't checked in, but I'm hoping
443
00:35:37.519 --> 00:35:39.880
that's on YouTube at least so you
could you could at least see that scene
444
00:35:40.320 --> 00:35:45.639
because Chaer is just crushing it in
her response and like what she thinks of
445
00:35:46.559 --> 00:35:51.880
Jack Nicholson's character in that in that
moment. I love that moment for share.
446
00:35:52.320 --> 00:35:54.920
Let's any scene come to mind for
you, any anything that you want
447
00:35:54.920 --> 00:35:58.960
to talk about, anything that,
like, you know, you absolutely loved
448
00:35:59.039 --> 00:36:06.719
or we My absolute I have two
My absolute two favorite scenes are when they
449
00:36:06.800 --> 00:36:12.599
are working their magic together. The
first scene is in the very beginning.
450
00:36:13.440 --> 00:36:15.719
They get together for a girl's night
and they don't even know that they're conjuring,
451
00:36:16.599 --> 00:36:22.159
and they're just talking about, you
know, okay, if we're gonna
452
00:36:22.159 --> 00:36:24.960
go out there and we're going to
try to find somebody, you know who,
453
00:36:25.000 --> 00:36:30.920
who do we want? Who's the
ideal man? And this is how
454
00:36:30.920 --> 00:36:36.760
they conjure Jack Nicholson and pull him
to the town. And that whole scene
455
00:36:36.960 --> 00:36:43.119
is just every I mean without the
conjuring but it's every girl's night I've ever
456
00:36:43.239 --> 00:36:47.719
had. You know, you're eating
junk and drinking martinis and bitching about you
457
00:36:47.760 --> 00:36:53.159
know, the guy in town that's
a slub, and you know it's just
458
00:36:53.639 --> 00:36:59.960
perfect. Like the chemistry between the
women is just it's delightful. It's fantastic.
459
00:37:00.239 --> 00:37:04.800
Now I'm gonna I'm gonna bring back
something that you said at the start
460
00:37:04.800 --> 00:37:08.119
of this. So they're talking about
the ideal guy, right, and they're
461
00:37:07.760 --> 00:37:15.920
the traits, the characteristics, yes, and they more or less do describe
462
00:37:15.000 --> 00:37:21.719
like what we get in Darryl Van
Horn Jack or Jack Jack Nicholson's character.
463
00:37:22.719 --> 00:37:24.920
He basically fits the bill because like
when he shows up, you know,
464
00:37:24.960 --> 00:37:30.480
I'm like this, Jack Nicholson is
what they're what what the ideal guy is,
465
00:37:31.079 --> 00:37:34.760
because like they're talking about like he's
gotta be good looking, and then
466
00:37:34.960 --> 00:37:37.440
one of them is like, no, not too good, just you know,
467
00:37:37.800 --> 00:37:42.800
good looking, and I'm thinking,
so, so Nicholson with a with
468
00:37:42.880 --> 00:37:45.159
a ponytail, That's that's what you're
going and and I'm just thinking he's repulsive.
469
00:37:46.119 --> 00:37:51.199
He's he's he's one step away from
Danny DeVito and twins with the ponytail.
470
00:37:51.239 --> 00:37:59.039
I'm just looking at but you said
you said yes to Jack Nicholson earlier,
471
00:37:59.400 --> 00:38:04.639
like Jack Nicholson is is he's bringing
the heat in this amber. It's
472
00:38:05.039 --> 00:38:08.400
less about his looks, although I
think he is very handsome. He's unusual
473
00:38:08.480 --> 00:38:14.320
looking. But yeah, with Jack
Nicholson though, for me, it's the
474
00:38:14.440 --> 00:38:20.719
charisma, like it's the way he
says what he says. And I mean
475
00:38:20.760 --> 00:38:24.519
he's just a smooth operator, I
think, especially in this movie. I
476
00:38:24.519 --> 00:38:28.280
mean, he can be disgusting.
You know, it depends on the movie
477
00:38:28.320 --> 00:38:35.800
you're watching. We on our limited
series nineteen ninety six, we did We
478
00:38:35.840 --> 00:38:38.639
did that Jackyl and Hyde movie.
What was it? Mary Riley? Yes?
479
00:38:39.480 --> 00:38:43.280
And I put you if I remember
right, I put you at the
480
00:38:43.280 --> 00:38:46.719
bar and I said, hey,
John Malkovich, Jekyl is at one end,
481
00:38:47.239 --> 00:38:51.480
John Malcovich Hide is at the other
end where your head. And you
482
00:38:51.679 --> 00:38:54.679
want to let it say you went
with John Malcovich Hide, which surprised me.
483
00:38:57.000 --> 00:39:00.000
So I'm gonna put you. I'm
sending you back to the bar and
484
00:39:00.320 --> 00:39:07.440
here comes a drink from nineteen eighty
seven Jack Nicholson, or at the other
485
00:39:07.559 --> 00:39:12.800
end, here's nineteen eighty seven Bill
Murray, and you're telling the bartender to
486
00:39:12.880 --> 00:39:16.639
send Bill Murray's drink back. Well, I'll tell you what like when Jack
487
00:39:16.719 --> 00:39:22.880
Nicholson, when Darryl Van Horn first
propositions Alexandra, it's very crude, it's
488
00:39:22.920 --> 00:39:28.840
extremely crude, and she just rubs
him apart. Yeah, and she starts
489
00:39:28.840 --> 00:39:31.760
to walk away and he turns over
on the bed and he looks at her
490
00:39:31.800 --> 00:39:35.039
and goes, well, if that's
the way you feel about it, that's
491
00:39:35.119 --> 00:39:38.119
you feel about it? Is that
the way you feel about it? And
492
00:39:38.199 --> 00:39:44.800
I'm telling you Panny's off. I'd
be like, okay, I can't believe
493
00:39:44.840 --> 00:39:52.239
you just used that expression. That's
I mean, it's a right, No,
494
00:39:52.280 --> 00:39:54.079
this is not this is a worst
dream. Oh no, I'm sorry
495
00:39:54.239 --> 00:39:59.519
for everything. Oh no, don't
apologize. Well edit that out. We
496
00:39:59.639 --> 00:40:04.079
will not hit that out. You
know your your creed behavior stands your your
497
00:40:04.119 --> 00:40:09.840
your your Van Horne stands. Darren
can get it saying okay that that that
498
00:40:10.000 --> 00:40:16.559
surprises me. I would I would
love to hear you know almost half of
499
00:40:16.599 --> 00:40:22.199
our audience is female. I would
love if they would just email us,
500
00:40:22.239 --> 00:40:29.280
hit us up to tell me.
You wouldn't be like, all right,
501
00:40:29.719 --> 00:40:31.960
I want to know where I want
to know where our listeners lie. On
502
00:40:31.960 --> 00:40:35.559
this one, you know, is
it is it Nicholson or is it Murray
503
00:40:35.559 --> 00:40:40.559
in nineteen seven? Who's who is
dropping your panties? Remember that's fantastic?
504
00:40:42.679 --> 00:40:46.840
All right? So I'll tell you
what. Let's take one more break so
505
00:40:46.880 --> 00:40:50.679
we can compose ourselves, and then
when we get back we got we're gonna
506
00:40:50.679 --> 00:40:55.960
talk a little bit about George Miller
and his his filmography. We are back
507
00:40:57.119 --> 00:41:00.480
and we are ready to discuss George
Miller. So so Amber, I'm gonna
508
00:41:00.519 --> 00:41:07.079
give you two fun facts that you
may or may not know, our listeners
509
00:41:07.079 --> 00:41:09.599
may or may not know. And
I and a pretty nice quote from the
510
00:41:09.639 --> 00:41:15.719
man who doesn't get along with share. First off, and if you have
511
00:41:15.840 --> 00:41:20.119
listened to our limited series of film
at forty five, I know last month
512
00:41:20.280 --> 00:41:25.320
Scott and David did an awesome episode
on Mad Max. This is where and
513
00:41:25.320 --> 00:41:29.679
this is where I learned it.
So I'm cheating. I'm kind of stealing
514
00:41:29.719 --> 00:41:35.719
their homework. But George Miller was
a medical doctor before he was a film
515
00:41:35.760 --> 00:41:43.239
director. No, no go,
I did the fact check. They're right,
516
00:41:44.119 --> 00:41:47.320
that's actually that's how he made money. He made money for the budget
517
00:41:47.320 --> 00:41:52.320
for Mad Max. He was a
medical doctor. He went to some Film
518
00:41:52.360 --> 00:41:54.920
Festival, fell in love with movies
and decided I want to make one myself.
519
00:41:55.000 --> 00:41:59.719
So you know, wow, yeah, medical Doctor. He's like the
520
00:42:00.400 --> 00:42:05.559
Australia and Michael Creighton. Yeah.
Another fun fact and I you know,
521
00:42:05.599 --> 00:42:10.480
I don't mean to make this a
mad Max faq, But in nineteen ninety
522
00:42:10.519 --> 00:42:15.320
seven he was supposed to be directing
a film for Warner Brothers called Contact.
523
00:42:15.599 --> 00:42:20.199
Did you ever see that one with
Matthew McConaughey and Jodie Foster. It's only
524
00:42:20.280 --> 00:42:23.320
like one of my favorite books and
one of my favorite mecas. Yes,
525
00:42:23.880 --> 00:42:30.239
it almost was. He was,
and there was a there was some serious,
526
00:42:30.480 --> 00:42:36.840
uh creative differences happening. The only
way Warner Brothers could figure out a
527
00:42:36.880 --> 00:42:37.760
way to get rid of him because
they, you know, they I think
528
00:42:37.760 --> 00:42:40.159
of what is who is? It's
a mechas that directs that one. Yes,
529
00:42:40.679 --> 00:42:45.039
yeah, so they they've got some
mechas waiting in the wings, and
530
00:42:45.079 --> 00:42:47.159
they're like, we got to get
rid of George. They give him the
531
00:42:47.280 --> 00:42:53.440
rights to Mad Max too, The
Road Warrior and Mad Max Beyond Thunderdome.
532
00:42:54.199 --> 00:43:00.960
They give him the rights to make
him go away. And had they not
533
00:43:00.039 --> 00:43:05.320
done that, we wouldn't have mad
Max Fury Road. We wouldn't have Furiosa,
534
00:43:05.519 --> 00:43:09.599
a Mad Max tale in theaters this
this past weekend. So someone at
535
00:43:09.599 --> 00:43:15.079
Warner Broth, thank you Warner Brothers
exactly right in the late nineties because they
536
00:43:15.159 --> 00:43:17.760
just you know, there wasn't there
wasn't gonna be any more mad Max and
537
00:43:17.800 --> 00:43:21.639
now that. And then once he
gets complete control over it, he's like,
538
00:43:21.639 --> 00:43:23.840
oh, I'll do whatever I want
now, so right, take my
539
00:43:23.960 --> 00:43:31.079
gazillion dollars now. On the process
of filmmaking, this is what George Miller
540
00:43:31.119 --> 00:43:36.239
has to say. He says,
and I quote, I see filmmaking as
541
00:43:36.239 --> 00:43:40.679
a strange journey. In mythology,
the trickster leads you into the forest.
542
00:43:42.079 --> 00:43:46.000
Film is to me the trickster.
I think I can be around one thousand
543
00:43:46.119 --> 00:43:51.880
years and never understand the process.
Kind of poetic, wouldn't you say,
544
00:43:52.400 --> 00:43:55.320
Yes, I love it. Let's
uh, we're gonna, we're gonna,
545
00:43:55.960 --> 00:44:04.519
We're gonna cruise through his filmography as
if we were on Fury Road. Listen,
546
00:44:04.559 --> 00:44:07.800
we talked about he does his directory. W If We're being Fair is
547
00:44:07.840 --> 00:44:13.920
an Australian film called The Devil in
Evening Dress from nineteen seventy five. There's
548
00:44:13.920 --> 00:44:17.280
no information. You can't you can't
stream it. I wonder why I even
549
00:44:17.360 --> 00:44:22.599
bring it up. But nineteen seventy
nine he blows the doors off of the
550
00:44:22.760 --> 00:44:28.960
entire world with Mad Max and a
young Mel Gibson. I'm not gonna say
551
00:44:29.000 --> 00:44:32.719
another word about it. Go check
out our episode a film at forty five
552
00:44:34.039 --> 00:44:38.719
Mad Max because Scott and Dave are
just dropping all kinds of amazing information.
553
00:44:39.400 --> 00:44:44.519
Amber, I know you're a Mad
Max fan. Where's the original life for
554
00:44:44.559 --> 00:44:50.119
you? Are you a fan?
Uh? Sue? I have never seen
555
00:44:50.760 --> 00:45:00.599
a single frame of the first three
that I know from Mad Max before Fury
556
00:45:00.679 --> 00:45:06.280
Road is the Tina Turner. We
don't need another hero music video. I
557
00:45:06.360 --> 00:45:14.360
can't stand that kind of future.
And everybody is gross and just rotting things
558
00:45:14.440 --> 00:45:21.039
and skulls and yeah, it's post
apocalyptic nop. I have never killed each
559
00:45:21.039 --> 00:45:25.159
other for gasoline yep, never once
watched any of them. And then until
560
00:45:25.159 --> 00:45:32.719
Fury you are missing out on some
awesome, awesome movies. I'm so sad.
561
00:45:34.199 --> 00:45:38.239
I told you I player oh man, Yeah, at the commercial break,
562
00:45:38.239 --> 00:45:40.039
You're like, I'm gonna blow your
mind. When we talked about from
563
00:45:40.320 --> 00:45:43.320
like, oh what'd you learn what
you bought? Yeah? I didn't.
564
00:45:43.320 --> 00:45:47.920
I didn't see that coming. No
man, nineteen eighty one, Mad Max
565
00:45:47.960 --> 00:45:52.360
two, The Road Warrior, and
I talked to Dave about this. That
566
00:45:52.519 --> 00:45:57.000
was my introduction to Mad Max.
I saw it on HBO with my older
567
00:45:57.039 --> 00:46:01.519
cousins supposed to like thought the Road
Warrior was. It loved it well because
568
00:46:01.519 --> 00:46:05.360
it was built as the Road Warrior
Wasn't you know? It was only selected
569
00:46:05.360 --> 00:46:07.519
markets that called it Mad Max two. And when my older cousins were like,
570
00:46:07.599 --> 00:46:10.760
oh, you don't even know,
and then we went to the video
571
00:46:10.800 --> 00:46:15.880
store and got Mad Max, I
was, oh, I was in post
572
00:46:15.880 --> 00:46:20.599
apocalyptic Kevin. Okay, let's let's
jump to nineteen eighty three. I know
573
00:46:20.639 --> 00:46:22.559
you've seen this film. Well no, I shouldn't say I no. I
574
00:46:22.559 --> 00:46:28.880
hope you show the film twilight Zone
the movie. He directs what I think
575
00:46:29.000 --> 00:46:32.280
is probably my favorite segment of the
of the film. He does the segment
576
00:46:32.360 --> 00:46:36.760
Nightmare at twenty thousand feet with John. At least it's the segment where no
577
00:46:36.800 --> 00:46:38.679
one was murdered, so you know, well, yeah, I's got that
578
00:46:38.760 --> 00:46:43.840
going before it. It's got a
lot more than that going for it.
579
00:46:43.840 --> 00:46:46.800
It's there are this is Yes,
it's a really good segment because you're remaking
580
00:46:47.159 --> 00:46:52.719
one of the most famous Twilight Zone
episodes. Yeah, William Shatner, but
581
00:46:52.800 --> 00:46:57.840
John Lithgow does a great job.
I think. I think Shatner's Tilet's Own
582
00:46:57.880 --> 00:47:00.599
episode is one of my all time
favorite Twilights episodes. But but let Go
583
00:47:01.559 --> 00:47:07.280
really dials it up. He makes
that character's own. It's scary. Well,
584
00:47:07.280 --> 00:47:10.880
and they came up with such a
better gremlin too. Oh goshya that
585
00:47:10.920 --> 00:47:15.760
grip. That thing scared me.
That thing is terrifying. So nineteen three,
586
00:47:15.880 --> 00:47:19.280
I was terrified of seeing that thing
outside, Like we're taking a trip
587
00:47:19.320 --> 00:47:22.639
and it's dark and rainy. I'm
terrified that thing's you know, it's gonna
588
00:47:22.639 --> 00:47:28.039
be be out there. Begrudgingly,
I will skip past nineteen eighty five when
589
00:47:28.280 --> 00:47:32.239
it's Mad Max Beyond Thunderdoom, which
is awesome, but you haven't seen it,
590
00:47:32.280 --> 00:47:37.559
so I just know that the glorious
Tina Turner did a bang song for
591
00:47:37.679 --> 00:47:43.599
it. Well, she does a
She has a glorious performance too. You're
592
00:47:43.639 --> 00:47:49.119
missing out. She is fantastic in
the role. I digress. You want
593
00:47:49.159 --> 00:47:52.039
to talk briefly nineteen ninety two,
you want to talk about Lorenzo's Oil.
594
00:47:52.920 --> 00:47:55.079
Yeah, I mean, it's it's
too bad we couldn't have done both.
595
00:47:55.119 --> 00:48:00.559
But they're so completely different. But
Lorenzo's Oil is a beautiful story. It's
596
00:48:00.599 --> 00:48:07.480
based on a true story about a
little boy with a degenerative disease and his
597
00:48:07.679 --> 00:48:13.920
parents, you know, working to
find any kind of treatment that will,
598
00:48:14.559 --> 00:48:16.559
you know, alleviate his symptoms,
that give him a better quality of life.
599
00:48:17.320 --> 00:48:22.119
This is a this is just a
few years after The Witches of Eastwick.
600
00:48:23.000 --> 00:48:28.480
He's uh, he reconnects with Susan
Sarandon. Clearly, Share is not
601
00:48:28.480 --> 00:48:30.800
going to be the one, right, No one called for Lorenz's Oil.
602
00:48:30.840 --> 00:48:37.719
But Sarandon just incredible in this film, right, She's she's nominated for the
603
00:48:37.119 --> 00:48:42.760
Best Actress oscar Yeah, I can't
remember who she lost out to, but
604
00:48:45.639 --> 00:48:49.880
ninety two might have been Jeddi Foster. Well it was ninety this was ninety
605
00:48:49.880 --> 00:48:52.079
three, So all you're all you're
saying, maybe she lost out to Jeddy
606
00:48:52.079 --> 00:48:57.599
Foster. Bad maybe at any rate, I mean, she really plays a
607
00:48:57.719 --> 00:49:04.679
very you know, forceful, loving, fierce mother. You know, kind
608
00:49:04.679 --> 00:49:07.760
of sets her up to play more
moms in the future. Yeah, George
609
00:49:07.800 --> 00:49:15.199
Miller, he gets the uh,
the nomination the Best Screenplay just it's it's
610
00:49:15.199 --> 00:49:19.000
a it's a fantastic film. Yeah, it really is beautiful, and I
611
00:49:19.400 --> 00:49:22.280
mean from the guy that made that
next you get there, yeah, like
612
00:49:23.360 --> 00:49:30.960
yeah, yeah that the idea that
that the wasteland can give birth to something
613
00:49:31.000 --> 00:49:36.280
like Lorenzo's Oil is truly spectacular.
And that's something that a lot of people
614
00:49:36.280 --> 00:49:40.559
have always said about George Miller.
He has one of the most eclectic catalogs.
615
00:49:40.880 --> 00:49:45.400
I mean, he is all over
the map and nothing could be further
616
00:49:45.440 --> 00:49:50.440
from the truth. Because in nineteen
ninety eight he does Babe, Pig in
617
00:49:50.480 --> 00:49:57.639
the City. I'll do Pig George
Miller, Babe, come on, get
618
00:49:57.679 --> 00:50:01.119
me serious, and then follows it
with the Happy Feet, with that Happy
619
00:50:01.159 --> 00:50:05.320
Fee in two thousand and six he
does Happy Feet. Now, now it's
620
00:50:05.360 --> 00:50:10.760
like, hey, this this amazing
animated film that's got all this critical claim
621
00:50:10.840 --> 00:50:13.960
is out. Oh who did it? Oh you know the guy that did
622
00:50:14.000 --> 00:50:17.559
Mad Max. Yeah yeah it's him. No, no, it's not no,
623
00:50:17.559 --> 00:50:22.679
no really, And anyone could say
maybe he's lost his edge, and
624
00:50:22.719 --> 00:50:25.719
then well, well yeah, because
two thousand and six he does Happy Feet.
625
00:50:25.760 --> 00:50:30.559
Twenty eleven, it's Happy Feet two. Now we're starting to think we're
626
00:50:30.599 --> 00:50:34.800
the the Warner Brothers exects right,
and is he soft? Is he a
627
00:50:34.880 --> 00:50:37.639
weak? Is he weak? Well, he answers everybody, because twenty fifteen
628
00:50:38.039 --> 00:50:40.639
he's back with mad Max Fury Road. He took all that Warner Brothers,
629
00:50:42.199 --> 00:50:50.199
all those rights, gives us this
high octane, explosive chase sequence that takes
630
00:50:50.239 --> 00:50:53.559
two hours to get to get finished. I love Fury Road. It is
631
00:50:53.599 --> 00:50:59.079
fantastic, so good and not I
mean we already said not remotely my movie
632
00:50:59.159 --> 00:51:01.920
at all, but boy, did
I enjoy it. I'll tell you it's
633
00:51:01.920 --> 00:51:05.840
something I might have to I might
have to load you my copy. But
634
00:51:06.280 --> 00:51:08.480
you might not know this. There
there is on the Collector's edition, the
635
00:51:08.519 --> 00:51:14.159
Blu Ray. There is a black
and white version of Matt Max Ferry Road
636
00:51:15.000 --> 00:51:17.679
called It's the Black and Chrome Edition. And you would think, like,
637
00:51:17.760 --> 00:51:22.039
because this movie had it's so the
colors are so vivid, and the cinematography
638
00:51:22.119 --> 00:51:25.440
is gorgeous and the action is just
intense, you think I can't watch this
639
00:51:25.480 --> 00:51:30.599
in black and white, And you
would be wrong, because it's awesome.
640
00:51:30.400 --> 00:51:34.679
It sounds really interesting. All right, I'll tell you what I'm gonna get.
641
00:51:34.679 --> 00:51:36.559
I'm gonna get you. I'm gonna
get you. I'm gonna loan you
642
00:51:36.599 --> 00:51:38.199
my copy because you gotta see it. I think I think you're gonna like
643
00:51:38.239 --> 00:51:43.079
it. Okay, so something,
I'll be fair. I haven't seen it,
644
00:51:43.119 --> 00:51:45.239
so I don't know if I'm liking
it, but I remember sitting in
645
00:51:45.239 --> 00:51:47.480
a theater. I was sitting in
a theater. I don't even remember what
646
00:51:47.519 --> 00:51:52.360
the movie was, but I remember
the preview. Me and Dave are about
647
00:51:52.360 --> 00:51:57.079
to watch something, and then from
visionary director George Miller, and I got
648
00:51:57.119 --> 00:52:00.559
excited in a hurry because Furry Road
had just had happened, and it's this
649
00:52:00.599 --> 00:52:05.559
movie called Three Thousand Years of Longing. Have you seen one yet? I
650
00:52:05.679 --> 00:52:10.800
have not, but I was definitely
on my list. Uh, just because
651
00:52:10.840 --> 00:52:15.679
of Idris Elba. Is this one
of the weirdest trailers you've ever seen?
652
00:52:16.639 --> 00:52:21.440
I mean, I honestly couldn't tell
you what's gonna be about, but I'm
653
00:52:21.840 --> 00:52:24.440
I mean, it looks there I'm
in well, okay, so it looks
654
00:52:24.480 --> 00:52:29.880
like it almost looks like like,
uh, this woman has taken like some
655
00:52:29.960 --> 00:52:36.039
kind of eat prey, love tour
or pilgrimage. She buys this little lamp
656
00:52:36.079 --> 00:52:39.280
and then she she's cleaning it and
oh guess what it's a magic lamp,
657
00:52:39.480 --> 00:52:45.599
a genie appears, and in the
genies a ginormous Idris Elba. It's got
658
00:52:45.639 --> 00:52:51.280
this weird music and like I never
have Well, the last time I saw
659
00:52:51.360 --> 00:52:58.719
a trailer that was was this confusing
and and yet intriguing was probably pulp fictions
660
00:52:59.280 --> 00:53:04.719
back in the nineties. I was
thinking everything everywhere all at once. Okay,
661
00:53:04.800 --> 00:53:07.039
yeah, you know what, I
will thank you for clarifying that.
662
00:53:07.119 --> 00:53:10.960
Yeah, that's I watched that trailer
and I was like, what's going on?
663
00:53:12.159 --> 00:53:15.199
What the hell is going on?
And I had that feeling with three
664
00:53:15.199 --> 00:53:19.960
thousand years of longing, but it
wasn't enough for me to go I want
665
00:53:20.000 --> 00:53:22.920
to know what's going on. And
it's streaming right now. I you know,
666
00:53:23.000 --> 00:53:27.599
it's out there, and I still
have. I brought myself to watch
667
00:53:27.639 --> 00:53:30.360
it because and I'm like, wait, what's what? Want? You love
668
00:53:30.360 --> 00:53:34.599
eat Yourselba? You love George Miller. Well, it's kind of like you
669
00:53:34.639 --> 00:53:36.800
don't know what mood you need to
be in to watch it. Like I
670
00:53:37.039 --> 00:53:42.039
don't want to be a romance or
an adventure or a fantasy from the trailer.
671
00:53:42.079 --> 00:53:44.920
I just assume I need to be
high as a kite, you know,
672
00:53:45.039 --> 00:53:49.159
because because I don't know what the
hell is going on that one that's
673
00:53:49.199 --> 00:53:52.280
a holiday weekend. Maybe this is
the weekend. Uh, not for me,
674
00:53:52.519 --> 00:53:57.920
not for me. Uh. So
we got to talk about what's next
675
00:53:58.199 --> 00:54:04.559
for mister Miller because I'm excited.
He is in production on Mad Max The
676
00:54:04.599 --> 00:54:09.559
Wasteland. Now. I am hoping
and praying that Furiosa. It's so far
677
00:54:09.559 --> 00:54:15.679
it hasn't blown the box office up
just yet, but you know, it's
678
00:54:15.719 --> 00:54:17.840
only had one weekend, so I
think we're gonna get there. But it
679
00:54:17.920 --> 00:54:22.039
did. It is up against a
big budget, so you know, the
680
00:54:22.119 --> 00:54:28.360
word has it. Tom Hardy is
back as Max, and The Wasteland is
681
00:54:28.400 --> 00:54:36.119
supposed to take place after Furiosa and
before Fury Road. So why Miller is
682
00:54:36.159 --> 00:54:38.320
doing this? I've got a trilogy, and I'm gonna give you three.
683
00:54:38.360 --> 00:54:40.440
Then I'm gonna give you one.
The I'm gonna give you two. He's
684
00:54:40.480 --> 00:54:45.480
all over the place with it.
But sign me up. If the words
685
00:54:45.519 --> 00:54:49.719
mad Max are the title, I
don't care who's starring. As long as
686
00:54:49.719 --> 00:54:54.000
George Miller's directing. I'm there for
it. You're there, yeah, Amber,
687
00:54:54.119 --> 00:54:59.199
I know you recommend seeing this film. Any final thoughts about the Witches
688
00:54:59.199 --> 00:55:02.719
of Eastwick. You know, it
really holds up. It's an eighty six
689
00:55:02.840 --> 00:55:08.239
movie that you know, I feel
or excuse me, eighty seven that does
690
00:55:08.320 --> 00:55:14.360
not feel like you know, you're
watching some dated thing. It's got,
691
00:55:14.559 --> 00:55:20.000
you know, great performances, great
chemistry. You know, do a double
692
00:55:20.039 --> 00:55:22.559
feature with The Craft for Halloween.
You know I was gonna offer you,
693
00:55:22.639 --> 00:55:25.239
I was, I got a different
double feature. I'll offer you because that
694
00:55:25.239 --> 00:55:30.280
one is pretty fantastic. I think
that. I think the Witches of Eastwick.
695
00:55:30.119 --> 00:55:34.760
Without that, you might not get
something like The Craft maybe, or
696
00:55:34.840 --> 00:55:37.760
practical magic or hocus Pocus. I
think I think this one kind of put
697
00:55:37.760 --> 00:55:39.840
Witches on the map, made him
cool again in Hollywood. Yeah, for
698
00:55:39.880 --> 00:55:42.719
sure, I like that. I
like that double feature. I was going
699
00:55:42.800 --> 00:55:45.880
to give you a different double feature. I say, you pair this with
700
00:55:45.440 --> 00:55:52.840
Needful Things. Oh yes, mysterious
Stranger comes to a New England town and
701
00:55:52.000 --> 00:55:57.480
turns it upside down. And because
I love that one, and Meanful Things
702
00:55:57.559 --> 00:56:02.199
is so good, great book rate
film adaptation, the great Max Fon.
703
00:56:04.079 --> 00:56:09.119
Yeah, Max ed Harris and he's
playing the Devil. So this is this
704
00:56:09.199 --> 00:56:13.920
is your if you want your for
me, it's the Devil comes to New
705
00:56:13.960 --> 00:56:20.119
England double feature Max Foncido, Jack
Nicholson, Yeah, it's these two movies.
706
00:56:21.360 --> 00:56:23.800
Absolutely love this one. It's it's
not streaming, but you can't rent
707
00:56:23.800 --> 00:56:27.559
it. I rented this one on
Prime. What about you? Yeah,
708
00:56:27.679 --> 00:56:30.280
I went ahead and bought it on
Prime. Oh you went and bought it?
709
00:56:30.280 --> 00:56:34.000
Okay, I should have. I
regret that now, listeners, what
710
00:56:34.079 --> 00:56:37.679
do you think of the Witches of
Eastwick? You can let us know on
711
00:56:37.719 --> 00:56:42.280
social media. We are on Facebook, Instagram x. You can check out
712
00:56:42.280 --> 00:56:45.960
a Film by Podcast dot com for
all of our episodes. They are streaming
713
00:56:45.960 --> 00:56:49.400
free on the platform of your choice. You can write to us at a
714
00:56:49.400 --> 00:56:52.119
Film by Podcast at gmail dot com
with your questions, comments and concerns.
715
00:56:52.719 --> 00:56:57.320
We may just read your response on
the show and send you some a Film
716
00:56:57.360 --> 00:57:01.119
by swag. You can join us
tomorrow for our Star Trek theme series Phasers
717
00:57:01.119 --> 00:57:06.880
Set to Stun. Wayne, David
and Scott are continuing the recap of the
718
00:57:06.880 --> 00:57:08.639
final season of Discovery. I think
they only got a couple episodes left and
719
00:57:08.679 --> 00:57:13.559
then I'm not sure what those guys
got for us next, but it'll it'll.
720
00:57:13.760 --> 00:57:15.880
I can't wait. They're knocking out
of the park so far. I
721
00:57:15.920 --> 00:57:20.199
don't know, but I'm sure it
will be stellar. Speaking of Stellar,
722
00:57:21.199 --> 00:57:24.760
On Friday, our limited series A
Film at forty five will celebrate the forty
723
00:57:24.760 --> 00:57:31.320
fifth anniversary of Ridley Scott's Alien,
and next time on a film by Amber,
724
00:57:31.360 --> 00:57:37.960
our friend Dayton Johnson will be here. He is going to discuss a
725
00:57:37.000 --> 00:57:44.119
film by Stephen Herrick talking about Rockstar
with Mark Wahlberg. Ah, Okay,
726
00:57:45.280 --> 00:57:47.360
I have to believe he's gonna love
it. You know, I thought Rockstar
727
00:57:47.800 --> 00:57:53.360
eighties metal. That's Dayton Johnson.
Right, it's as well. I think
728
00:57:53.360 --> 00:57:55.840
he's gonna love it. I could
be wrong, though, we'll find out.
729
00:57:57.639 --> 00:58:00.000
But as always, I definitely want
to thank you, uh, you
730
00:58:00.039 --> 00:58:04.239
know for hanging out this week.
You know you just did. We just
731
00:58:04.280 --> 00:58:06.800
talked about Romeo and Juliet a couple
days ago, and now we're talking about
732
00:58:07.559 --> 00:58:10.559
uh George Miller. Sounds like we're
gonna be talking about Lady Hawk in the
733
00:58:10.559 --> 00:58:15.159
New York future. So I'm definitely
excited for that. But uh yeah,
734
00:58:15.159 --> 00:58:17.519
it was a good time. Absolutely, it was uh yeah. We got
735
00:58:17.559 --> 00:58:22.960
to and then we got on Patreon, you know you and I got we
736
00:58:22.960 --> 00:58:25.840
got another lost episode from nineteen eighty
six coming up. We're doing Armed in
737
00:58:25.920 --> 00:58:30.239
Dangerous. Yeah, Armed and Dangerous. I'm looking forward to that one.
738
00:58:30.639 --> 00:58:37.039
That's that one was a favorite of
mine in childhood. As a reminder you,
739
00:58:37.519 --> 00:58:42.320
if you're not ready to sign up
and get all the exclusive episodes and
740
00:58:42.360 --> 00:58:45.000
the bonus content that we're dropping on
Patreon, go ahead and go over there
741
00:58:45.159 --> 00:58:50.360
sign up for free because Amber we're
doing free episodes here and there right.
742
00:58:51.119 --> 00:58:52.800
Yes, it's such a great way
to kind of dip in and say what
743
00:58:52.800 --> 00:58:58.000
we're all about. Yeah, I'll
tell you you check out a free episode
744
00:58:58.039 --> 00:59:00.400
and then maybe sign up for a
free seven day trial and if you like
745
00:59:00.480 --> 00:59:06.679
what you like what you hear,
just keep subscribing and listeners. As always,
746
00:59:07.119 --> 00:59:10.159
for those of you subscribing, sharing
and following the film by podcast,
747
00:59:10.960 --> 00:59:38.519
we thank you. I think about
this. You know, without this movie,
748
00:59:38.559 --> 00:59:40.639
there's no Bull Durham. Without Bull
Durham, there's no lead of their
749
00:59:40.679 --> 00:59:44.760
own. She's not in the lead
of their own. So I'll scratch all
750
00:59:45.119 --> 00:59:45.079
edit that out later
1
00:00:00.440 --> 00:00:05.280
I really miss Jack. The fact
that he has not been in a film
2
00:00:05.400 --> 00:00:09.880
since twenty ten, it just saddens
me. He wasn't even the star of
3
00:00:09.880 --> 00:00:14.800
that movie. Yeah, I don't
know. I mean it saddens you because
4
00:00:15.400 --> 00:00:21.800
he's so amazing. But I like
that, you know, actors no when
5
00:00:21.879 --> 00:00:25.519
to step off the stage, like
sometimes you just can't keep going to your
6
00:00:25.519 --> 00:00:29.760
one hundred and ten. He's only
eighty seven years young. He's got that
7
00:00:31.559 --> 00:00:33.840
you know, if you were gonna, if you were gonna retire, retire
8
00:00:34.479 --> 00:00:38.520
in two thousand and six after The
Departed, that was a phenomenal movie,
9
00:00:38.560 --> 00:00:44.079
a phenomenal role. I'm hoping.
I'm hoping that he's got one more and
10
00:00:44.679 --> 00:00:49.799
before he rides off in to the
sunset in his awesome shades. But I
11
00:00:49.840 --> 00:00:56.439
asked you a question, and it's
a lot more difficult than I imagined as
12
00:00:56.479 --> 00:01:00.920
I was thinking about my answer,
So I want to ask you. I
13
00:01:00.960 --> 00:01:07.280
basically said, hey, top three
favorite Jack Nicholson roles? Did you Was
14
00:01:07.319 --> 00:01:14.079
this difficult for you? Not?
Not as difficult, I think as it
15
00:01:14.120 --> 00:01:21.680
was for you, because I immediately
eliminated movies that, while they are brilliant
16
00:01:21.719 --> 00:01:26.439
and his performance is brilliant, they're
not movies that I prefer to watch.
17
00:01:26.040 --> 00:01:30.519
Okay, but again we're talking favorite, favorite role, so I'm going with
18
00:01:30.840 --> 00:01:34.959
like what do you Got? The
ones that I like to watch over and
19
00:01:34.000 --> 00:01:38.959
over and over again. All Right, favorite three, top top three favorite?
20
00:01:38.000 --> 00:01:42.319
Jack Nicholson rolls What do You Got
for Me? Okay? So my
21
00:01:44.560 --> 00:01:52.359
third favorite is a little movie that
maybe not a lot of people have seen,
22
00:01:53.359 --> 00:02:00.640
called Heartburn. It's based on Nora
Efron's autobiography about her marriage to Carl
23
00:02:00.640 --> 00:02:05.319
Bernstein. Okay, I surprised that
you would go with that one. That's
24
00:02:05.519 --> 00:02:09.159
nineteen eighty six. It didn't make
the list for our limited series nineteen eighty
25
00:02:09.199 --> 00:02:15.000
six. I might have to look
into adding that to the lost episodes on
26
00:02:15.039 --> 00:02:23.479
Patreona. Favorite performance. Well,
you know what's awesome is that undefinable thing
27
00:02:23.639 --> 00:02:29.800
called chemistry, and some actors have
it, and you don't know why some
28
00:02:30.000 --> 00:02:35.159
actors don't and you think they should. Like some married actors are terrible in
29
00:02:35.280 --> 00:02:39.759
movies together, but Jack Nicholson and
Meryl Street together in this movie are amazing.
30
00:02:40.000 --> 00:02:43.520
They are pretty electric. All Right, what do you Got? What
31
00:02:43.560 --> 00:02:47.719
do you Got? Number two?
Number two? Roll number two. It's
32
00:02:47.759 --> 00:02:55.319
not the best adaptation, but the
Shining Jet Torrance. Yes, like he
33
00:02:55.599 --> 00:03:00.319
is literally what is on the page
now the rest of the movies a hot
34
00:03:00.360 --> 00:03:05.479
mess, but what was in that
book? He completely took that and that
35
00:03:05.680 --> 00:03:12.639
was his performance. And I mean
nobody plays frustration Jack Nicol before before you
36
00:03:12.680 --> 00:03:15.680
take Kubrick's name in vain, we're
gonna move on. What's your number one?
37
00:03:15.919 --> 00:03:22.840
My number one is the Joker?
Okay? I I was Batman is
38
00:03:23.000 --> 00:03:29.000
like all the things, all right, and it's again Jack playing a character
39
00:03:29.039 --> 00:03:31.280
named Jack until he becomes the Joker. Yeah, it's hard, hard,
40
00:03:31.520 --> 00:03:36.759
hard to beat that. It may
surprise you. The Joker is not one
41
00:03:36.800 --> 00:03:44.080
of my top three picks. No
again, I said this is difficult.
42
00:03:44.840 --> 00:03:47.719
I broke it. I broke it. No, not not necessarily, but
43
00:03:49.039 --> 00:03:52.840
uh, I will tell you I
kind of broke when I when I looked
44
00:03:52.840 --> 00:03:55.400
at this, its like, give
me the best of the decade. So
45
00:03:55.439 --> 00:04:01.080
I got I got a seventies pick
for you. Okay. I absolutely love
46
00:04:01.439 --> 00:04:06.000
RP. McMurphy one flew over the
Cooper's Nest. I just I can't watch
47
00:04:06.039 --> 00:04:12.039
that movie like he's a mania.
It's amazing. Kin of rips my heart
48
00:04:12.080 --> 00:04:15.519
out, like it's heartbreaking, but
it's he is, He's, he is
49
00:04:15.759 --> 00:04:20.759
just he's at times, he's repulsive
at times, he is brilliant at times,
50
00:04:20.759 --> 00:04:24.639
he is heartbreaking, at times,
he is hilarious. Love. I
51
00:04:24.680 --> 00:04:28.079
love r P. McMurphy. So
that's my number, that's my no,
52
00:04:28.240 --> 00:04:30.839
no particular order, but I'll give
you r P. McMurphy. I will
53
00:04:30.879 --> 00:04:35.839
echo your thoughts on Jack Torrance in
The Shining that was nineteen eighty And then
54
00:04:35.920 --> 00:04:43.399
lastly, I might quote this character
more than any other Jack Nicholson character nineteen
55
00:04:43.439 --> 00:04:49.000
ninety four, Nathan R. Yeah, I love, I love Jessup and
56
00:04:49.040 --> 00:04:53.160
a few good men. So yeah, it's not easy, you know when
57
00:04:53.160 --> 00:04:56.639
you look at his filmography, seventy
like, seventy nine movies, seventy eight
58
00:04:56.639 --> 00:05:00.560
movies. Yes, it's a memorable, memorable role. But Amber, I
59
00:05:00.639 --> 00:05:05.480
want to talk about another one of
his roles that I think definitely fell by
60
00:05:05.480 --> 00:05:11.800
the wayside. It's critically underrated.
Let's talk about what he does in a
61
00:05:11.879 --> 00:05:18.079
film by George Miller, Miller's nineteen
eighty seven underrated classic, The Witches of
62
00:05:18.160 --> 00:05:50.600
Eastwick. Hello, everybody, I'm
Jeff Johnson, I'm Amber Lewis, and
63
00:05:50.639 --> 00:05:58.360
this is a film by podcast.
Yeah, imperator. Amber Lewis returns.
64
00:05:59.160 --> 00:06:00.879
You were just you were here just
a few days ago. We were talking
65
00:06:00.920 --> 00:06:06.000
Romeo and Juliet. Yes, Amber, party parting is always such sweet sorrow
66
00:06:06.079 --> 00:06:09.319
with you. So that's why we
got to keep bringing you back all the
67
00:06:09.360 --> 00:06:15.240
time. You're a regular now,
right, Yes, George with my name
68
00:06:15.279 --> 00:06:18.639
on the door. Yeah, we're
working on it. We're working on it,
69
00:06:19.199 --> 00:06:25.319
George Miller. This past weekend he's
got his newest furiosa, A mad
70
00:06:25.399 --> 00:06:30.439
maxtail hit hit the big screen.
I did not get to see it yet.
71
00:06:30.560 --> 00:06:33.000
I'm hoping to see it tomorrow,
though, hoping to How about you.
72
00:06:34.240 --> 00:06:38.600
I haven't seen it yet, and
I don't know that I can handle
73
00:06:39.439 --> 00:06:45.560
seeing it in the theater. I
saw Fury Road when I came out on
74
00:06:45.680 --> 00:06:53.160
TVD and the opening like ten minutes, like when we got to the end
75
00:06:53.160 --> 00:06:57.360
of that chase, my brother paused
the movie because he knew I was like
76
00:06:57.519 --> 00:07:01.920
hyperventilated. Oh, like I was
falling off the couch, like I was
77
00:07:02.040 --> 00:07:05.879
an absolute wreck, and like I
needed to take a break. I catch
78
00:07:05.959 --> 00:07:12.279
that movie on a on an Imax
screen, on a big screen with Dolby
79
00:07:12.319 --> 00:07:15.720
at most sound. Oh my gosh, I think you oh, you were,
80
00:07:15.759 --> 00:07:18.120
you were in, you were in, you were on Furry Road that
81
00:07:18.160 --> 00:07:21.319
whole time. It's just like yeah. And Sam told me, he was
82
00:07:21.360 --> 00:07:25.360
like, take a break, go
get a drink, because this whole movie
83
00:07:25.439 --> 00:07:28.399
is just a chase scene. That's
all it is. So you gotta buckle
84
00:07:28.519 --> 00:07:31.759
up, you know. It's it's
difficult, like you know, we I've
85
00:07:31.759 --> 00:07:35.839
been I've been circling George Miller for
a few years, you know, for
86
00:07:35.920 --> 00:07:42.680
this, for this podcast. The
problem is that when you talk George Miller,
87
00:07:43.079 --> 00:07:47.920
you immediately connect him to the mad
Max saga, you know. And
88
00:07:47.959 --> 00:07:54.720
we're all about trying to find those
those underrated films that directors do, and
89
00:07:54.800 --> 00:08:01.560
Miller arguably doesn't have many underrated films. So I come at you a few
90
00:08:01.560 --> 00:08:05.639
weeks back and I said, hey, let's you know, Furiosi is coming
91
00:08:05.639 --> 00:08:09.519
out. Let's talk Miller. I'm
finally ready. Let's let's uh, let's
92
00:08:09.560 --> 00:08:15.360
do this this little movie called Lorenzo's
Oil and it's a wonderful film, right
93
00:08:15.759 --> 00:08:18.800
yeah. But surprisingly your response was
we're not gonna talk about which is of
94
00:08:18.800 --> 00:08:22.600
East Week? And I was like, well we are now, okay,
95
00:08:22.879 --> 00:08:28.519
So I mean it's right there,
and I love so much. Oh,
96
00:08:30.079 --> 00:08:33.559
I'm glad we're going to talk about
it. So George Miller describes the shoot
97
00:08:33.639 --> 00:08:39.879
on this one as difficult due to
the studio's assumption that he was weak.
98
00:08:39.480 --> 00:08:45.279
Did you hear about this? Yeah, just because I mean he wasn't like
99
00:08:46.279 --> 00:08:50.519
a diva. He wasn't high maintenance. He was focused on what was important.
100
00:08:50.559 --> 00:08:52.799
And they were like, oh,
well, he's a pushover. He
101
00:08:54.039 --> 00:08:58.000
doesn't want a big trailer. And
he comes into a budget meeting with ideas
102
00:08:58.039 --> 00:09:03.039
how to reduce the budget. Hey, studio execs in nineteen eighty seven,
103
00:09:03.159 --> 00:09:07.399
who are high on cocaine. I'm
here to save you some money. You
104
00:09:07.440 --> 00:09:09.519
know what, i don't need a
big, fancy trailer. I'll be on
105
00:09:09.600 --> 00:09:13.480
set, so don't worry about that. And they look at that. They
106
00:09:13.519 --> 00:09:16.799
look at that as like, oh, well, he doesn't need things,
107
00:09:16.840 --> 00:09:20.799
so we'll just we'll keep that in
mind. Go's a pushover. And so
108
00:09:20.840 --> 00:09:26.360
everything he asked for during production was
either denied outright or they approved it with
109
00:09:26.399 --> 00:09:30.840
minimal support. You know, he
asked for for two cameras, they give
110
00:09:30.919 --> 00:09:33.799
him one. He asked for one
hundred extras, they give him a dozen.
111
00:09:33.879 --> 00:09:39.600
It's it's insulting honestly, you know, yeah, if you care about
112
00:09:39.639 --> 00:09:41.440
the budget at all, you're not
gonna cut it on stuff like that.
113
00:09:43.240 --> 00:09:45.480
Yeah. Well, I mean the
guy comes in saying, hey, here's
114
00:09:45.519 --> 00:09:46.519
how I can save you some money, and then they just start saying,
115
00:09:46.519 --> 00:09:50.559
well, you know, we'll we'll
dominate this set now. I mean,
116
00:09:50.000 --> 00:09:54.960
and I don't know if that's because
this is his American film debut, but
117
00:09:56.200 --> 00:09:58.919
I think there was a communication breakdown. You know, he didn't know the
118
00:09:58.919 --> 00:10:03.720
Hollywood system. They didn't really know
this guy, and it's kind of surprising
119
00:10:03.759 --> 00:10:07.200
the movie turns out as good as
it does, knowing that there's a lot
120
00:10:07.200 --> 00:10:11.399
of there's a lot of tension behind
the scenes. I know we're going to
121
00:10:11.399 --> 00:10:15.080
talk about some of those things.
But before we get into that, for
122
00:10:15.679 --> 00:10:18.200
the folks that haven't seen this one, Amber, can you give us a
123
00:10:18.200 --> 00:10:26.080
little little synopsis about the Witches of
Eastwick. Absolutely, we have three small
124
00:10:26.120 --> 00:10:35.039
town friends, Alexandra, Jane,
and Suki who each find themselves single in
125
00:10:35.080 --> 00:10:41.799
the middle of their lives and this
opens up powers that they don't really realize
126
00:10:41.799 --> 00:10:48.600
that they have. And into the
town comes Darryl van Horn and he starts
127
00:10:50.200 --> 00:10:54.480
working his magic on each of them
and As they spend more time with him,
128
00:10:54.559 --> 00:11:00.279
their powers begin to grow, and
it's all fun and games until things
129
00:11:00.360 --> 00:11:03.240
kind of take a sour turn and
they start to get concerned about what Darryl's
130
00:11:03.279 --> 00:11:07.679
ultimate intentions really are. This cast, I want to let's talk about this
131
00:11:07.720 --> 00:11:13.120
cast, because that's a I think
you paint a very good picture there,
132
00:11:13.840 --> 00:11:18.559
because this is this movie is is
dark, but it's funny, but there's
133
00:11:18.600 --> 00:11:22.720
some some stuff going on you're not
sure about. There's a mystery, you
134
00:11:22.759 --> 00:11:26.279
know, is this a supernatural movie? Is it not. We're gonna find
135
00:11:26.320 --> 00:11:31.279
out. But uh, you mentioned
these three friends Amber. I want to
136
00:11:31.279 --> 00:11:35.399
I'm gonna actually rack and stack this
in order of who I think was the
137
00:11:35.399 --> 00:11:41.120
big draw for these three friends,
because when you hear these names. Nowadays
138
00:11:41.159 --> 00:11:46.000
we say these names and they're all
three legendary actresses. But in nineteen eighty
139
00:11:46.039 --> 00:11:50.440
seven, you gotta wonder who was
Who was the draw? Right, So
140
00:11:50.480 --> 00:11:54.159
let's talk about don't wonder, Okay, okay, I think was the draw.
141
00:11:54.559 --> 00:12:00.440
The draw's gotta be share Share Share. Is she's playing the role of
142
00:12:00.480 --> 00:12:05.120
Alexandra. She is coming off of
Silkwood that she was as you know,
143
00:12:05.200 --> 00:12:11.600
she was nominated for a Cameo Award
for She was in Mask, one of
144
00:12:11.679 --> 00:12:13.720
my favorite movies growing up. I
love that movie with Eric Stultz. Yes,
145
00:12:15.559 --> 00:12:20.320
and obviously she's Share Sonny and Cher
you know amazing, uh, you
146
00:12:20.360 --> 00:12:26.440
know singer. So I think Shar's
got to be the the heavy And I
147
00:12:26.440 --> 00:12:30.360
don't mean that in the physical sense. I mean that in the box office
148
00:12:30.399 --> 00:12:35.000
draw. She's got to be the
go to for this this trio, right,
149
00:12:35.919 --> 00:12:41.360
Yes, I one hundred percent agree
with that. Nobody was bigger than
150
00:12:41.399 --> 00:12:48.080
her in the eighties, Like she
just created this whole She's had so many
151
00:12:48.120 --> 00:12:50.960
careers. This was like her second
career where she was an amazing actress and
152
00:12:52.000 --> 00:12:54.519
then you know she went back to
music later on, like she just there's
153
00:12:54.559 --> 00:12:58.200
just stopping her. No, no
stopping her. Think about No, there's
154
00:12:58.240 --> 00:13:03.320
definitely no stopping Share. In nineteen
eighty seven, she's in the Witches of
155
00:13:03.320 --> 00:13:07.240
Eastwick. She's in a film called
Suspect with Dennis Quaid. Oh that movie
156
00:13:07.279 --> 00:13:11.080
is so good, you see.
Okay, I'm glad you've seen it because
157
00:13:11.120 --> 00:13:16.120
it is it's premier of Liam Neeson. Yes, and then let's not forget
158
00:13:16.200 --> 00:13:20.639
she's in She's also in Moonstruck,
which she wins the Oscar for Best Actress
159
00:13:20.639 --> 00:13:24.879
for Yes, Shares Happened to a
Hell of a Year nineteen eighty seven.
160
00:13:24.639 --> 00:13:31.600
Absolutely, she looks at this,
she looks at this script. She's offered
161
00:13:31.639 --> 00:13:35.240
the role of Jane, and she
says, Yeah, I think I'll go
162
00:13:35.240 --> 00:13:39.159
ahead and do this. I'll take
the role of Alexandra. At that time,
163
00:13:39.200 --> 00:13:41.840
it was already given to Susan Sarandon, though, and what I would
164
00:13:41.840 --> 00:13:48.039
think is a bit of a faux
pas in Hollywood. John Peter is the
165
00:13:48.039 --> 00:13:50.519
producer. He goes ahead and says, Okay, well we'll swap you guys,
166
00:13:52.279 --> 00:13:54.559
But no one tells the actresses about
the role swap until they arrive on
167
00:13:54.600 --> 00:14:01.320
set. And this leads Susan Sarandon
to not speak to Share for several weeks.
168
00:14:01.879 --> 00:14:05.440
Could you imagine your Susan Sarandon,
You're you're coming in, You're you're
169
00:14:05.480 --> 00:14:09.480
prepping for this role, You're ready
for this role, and then Hi,
170
00:14:09.600 --> 00:14:13.200
Share, Oh Hi, I'm ready
to play Alexander. Oh me too.
171
00:14:13.279 --> 00:14:18.240
Wait what you know? I know
We're gonna talk a little bit about more
172
00:14:18.240 --> 00:14:22.720
about John Peters later, but dude, that's so like he was such a
173
00:14:22.799 --> 00:14:26.399
lunatic, Like just that's underhanded,
you know, well, but it also
174
00:14:26.679 --> 00:14:31.960
I think it is of the time, and you know, I think he's
175
00:14:33.080 --> 00:14:35.720
probably one of those men that thinks, you know, oh, we have
176
00:14:35.759 --> 00:14:39.240
to pit these two against each other, so they really crackle on screen,
177
00:14:39.399 --> 00:14:43.759
and she he probably was stuff like
that, I'm gonna throw a name at
178
00:14:43.799 --> 00:14:46.080
you. I'm gonna throw a couple
of names at you. When we're talking
179
00:14:46.080 --> 00:14:54.080
about this trio. Angelica Houston auditioned
for the role of Alexandra. She didn't
180
00:14:54.080 --> 00:14:56.639
get it. Obviously, she didn't
get it, but they she knew I
181
00:14:56.639 --> 00:15:00.600
had it, like like before they
were even looking at Susan s Randon.
182
00:15:00.639 --> 00:15:03.279
They you know, she's not getting
it. But I was like, think
183
00:15:03.320 --> 00:15:05.519
about that, Like, isn't it. Like a year later, she she
184
00:15:05.639 --> 00:15:09.000
does end up playing a witch and
that that creepy kids movie The Witches,
185
00:15:09.279 --> 00:15:11.840
was that I think, Yeah,
she was so good in that too.
186
00:15:13.360 --> 00:15:18.080
Yeah, I think that worked out
well for everybody. Susan Sarandon we just
187
00:15:18.120 --> 00:15:24.919
mentioned. So again we're talking about
box office draw up until this, she's
188
00:15:24.080 --> 00:15:30.559
her big hits Rocky Horror Picture Show. Obviously, Uh, she does a
189
00:15:30.600 --> 00:15:33.480
small movie called Pretty Baby that's that
a lot of people know about, and
190
00:15:33.519 --> 00:15:37.840
then uh. The Hunger, which
might be the weirdest, oddest vampire film
191
00:15:37.840 --> 00:15:45.320
I've ever watched. Amongst the general
consensus among anybody that's seen that movie.
192
00:15:45.919 --> 00:15:52.480
Yeah, uh, she beats out
Kim Cattrall, which I could see Kim
193
00:15:52.519 --> 00:15:56.600
control playing this role, playing Je
playing Je. Maybe you think a little
194
00:15:56.600 --> 00:16:02.200
repress, little repressed and then let's
out her wild side. I mean maybe
195
00:16:02.399 --> 00:16:06.879
eighties era Kim Katral maybe. And
this is think about this, this is
196
00:16:07.480 --> 00:16:12.840
this is one year before Sarandon,
I think really finds her stardom. Bull
197
00:16:12.919 --> 00:16:18.440
Durham is just so and I think
maybe she got that movie because of this
198
00:16:18.519 --> 00:16:22.759
movie. I'm certain she got that
movie because of this movie. I think
199
00:16:22.759 --> 00:16:26.639
about this. You know, without
this movie, there's no Bull Durham.
200
00:16:26.639 --> 00:16:30.639
Without Bull Durham, there's no thumb
on Luise. So yeah, you know,
201
00:16:30.559 --> 00:16:37.080
yeah, I think, yeah,
it all worked out rounding out the
202
00:16:37.240 --> 00:16:41.840
role that this trio of friends.
For the role of Suki, they look
203
00:16:41.879 --> 00:16:47.919
at Daryl Hannah. Daryl Hannah refuses, she doesn't an audition, she doesn't
204
00:16:47.919 --> 00:16:52.440
want to read for it. She
turns down the role due to quote ethical
205
00:16:52.000 --> 00:16:56.759
reasons. So yeah, okay,
you don't you don't want to be at
206
00:16:56.919 --> 00:17:02.039
like a foursome with two others stars
and Jack Nicholson. We get it.
207
00:17:02.360 --> 00:17:07.160
Sure, Okay, that's okay,
because got a line she was being a
208
00:17:07.200 --> 00:17:11.880
fish and you know, cave woman. But yeah, this is where her
209
00:17:11.880 --> 00:17:17.279
line was. Mermaids and cave women
are acceptable. They are ethical characters,
210
00:17:18.440 --> 00:17:25.400
which Sleepy with Jack Nicholson is is
not that. But Michelle Pfeiffer did not
211
00:17:25.480 --> 00:17:30.160
have a problem with it. Probably
has the least heat, certainly not the
212
00:17:30.240 --> 00:17:33.480
least, the least talent, but
her claim to fame at this point before
213
00:17:33.680 --> 00:17:38.559
the Witches of East week, you
know Grease too, which I will not
214
00:17:38.720 --> 00:17:45.359
say a bad word about because und
well, okay now, and I definitely
215
00:17:45.359 --> 00:17:48.039
won't, but I was. I
just I didn't want to get in trouble
216
00:17:48.039 --> 00:17:52.160
with Amanda Janic, who happens to
love Grease too, so I'm just we'll
217
00:17:52.240 --> 00:17:56.519
leave that one alone. But Kevin's
sister from our Craft episode, oh yeah,
218
00:17:56.680 --> 00:18:00.799
yeah, before You, we have
in common before You and Amanda fashion
219
00:18:02.000 --> 00:18:07.000
a voodoo doll out of wax and
my my dirty laundry and a photo like
220
00:18:08.160 --> 00:18:11.160
I'll just say, hey, no
issues with Grease too at this time,
221
00:18:11.279 --> 00:18:17.279
so good job. But uh,
you know, she memorable role and Scarface
222
00:18:17.559 --> 00:18:21.599
and then Amber. How do you
not fall in love with Michelle Pfeiffer in
223
00:18:21.680 --> 00:18:26.119
Lady Hawk? Oh my god,
I'm still to this day. She is
224
00:18:26.160 --> 00:18:30.920
the most beautiful woman in the world. I mean in Lady Hawk, especially
225
00:18:30.400 --> 00:18:34.920
breathtaking and so talented, Like I
just adore her. You know, it's
226
00:18:34.920 --> 00:18:37.319
been a while. I mean,
I know we've done a Richard Donner episode.
227
00:18:37.480 --> 00:18:41.400
We know we did Scrooge for Christmas, but I think you and I
228
00:18:41.400 --> 00:18:45.400
should do Lady Hawk. Can we
do that this summer with Lady Hawk?
229
00:18:45.599 --> 00:18:49.480
Okay? Absolutely? You heard it
here first Richard Donner. Another Richard Donner
230
00:18:49.480 --> 00:18:52.839
episode coming up. We're gonna do
Lady Hawk because I love that film.
231
00:18:53.039 --> 00:18:56.680
But uh, all right, so
we got our trio right. Another name
232
00:18:56.720 --> 00:19:00.200
mentioned, not for any role in
particular, but a lot of There was
233
00:19:00.200 --> 00:19:03.640
a lot of buzz that this film
needs Pam Greer. Pam Grier should be
234
00:19:03.680 --> 00:19:07.119
one of the one of the witches. I saw that and I just cannot,
235
00:19:07.119 --> 00:19:11.839
for the life of me figure out
who she should have played. I
236
00:19:11.000 --> 00:19:14.880
don't know, because like when you
look at these I mean, the three
237
00:19:15.000 --> 00:19:18.359
characters are they're very distinct. It's
not like, you know, you have
238
00:19:18.400 --> 00:19:25.680
trouble telling their personalities apart. So
you know, maybe she's maybe she's Alexandra,
239
00:19:26.200 --> 00:19:27.759
you know, very very That's kind
of what I was thinking, because
240
00:19:27.799 --> 00:19:32.960
she's such a strong woman. Yeah, that I would see Pam Griers in
241
00:19:33.039 --> 00:19:36.599
Alpha, you know, she leads
the coven. I would think. I'm
242
00:19:37.200 --> 00:19:38.640
you know, I love Pam Greer. So don't take this the wrong way
243
00:19:38.640 --> 00:19:42.400
when I say this. I'm kind
of glad that this didn't happen because I
244
00:19:42.440 --> 00:19:48.559
feel like Pam Grier's renaissance, her
comeback happens in Jackie Brown, Yes,
245
00:19:48.640 --> 00:19:52.119
for sure, and that is such
an exceptional performance that she gives. So
246
00:19:53.279 --> 00:19:57.440
I'm glad that we kind of waited
on Pam Greer for for the exact right
247
00:19:57.519 --> 00:20:00.640
role because I would love to.
I would have love to have seen her
248
00:20:00.680 --> 00:20:03.480
in this, but I don't think
it would have been absolutely right for Yeah,
249
00:20:03.480 --> 00:20:07.680
I mean, and I like the
Kevin that we got, so absolutely.
250
00:20:08.559 --> 00:20:15.319
Let's talk about the Let's talk about
the male lead here. So originally
251
00:20:15.000 --> 00:20:22.920
this this film has Bill Murray playing
Darryl van Horn and let's just let's let's
252
00:20:22.680 --> 00:20:27.839
let's let that marinate for just a
moment, because Bill Murray in this this
253
00:20:27.920 --> 00:20:34.440
specific role works. This definitely could
have been a Bill Murray movie. Come
254
00:20:34.480 --> 00:20:38.359
on, no, no, it
would have been a completely different movie.
255
00:20:38.839 --> 00:20:44.480
It would have been. But nobody
wants to go to bed with Bill Murray
256
00:20:45.200 --> 00:20:47.920
and they do? You want to
go to bed with Jack Nicholson in this?
257
00:20:48.519 --> 00:20:53.440
Heck? Yeah? What? Okay? I did not see that coming,
258
00:20:55.759 --> 00:20:59.640
not even one hundred miles away.
I will say this. In doing
259
00:20:59.680 --> 00:21:04.680
research on this, I saw that
it was you know, they tried to
260
00:21:04.680 --> 00:21:11.400
make it into a television show later
on, and then a Broadway musical,
261
00:21:11.519 --> 00:21:15.599
and it had several different iterations of
them trying to get this musical off the
262
00:21:15.599 --> 00:21:22.720
ground, and the London production had
Ian McShane. Oh now there is a
263
00:21:22.799 --> 00:21:29.640
perfect and oh my god, that's
that's perfect casting right there. Ian McShane
264
00:21:29.680 --> 00:21:36.799
definitely could have played Darryl van Hold
like would have been such a good well
265
00:21:36.839 --> 00:21:41.279
listen, so Bill Murray drops out, changes his mind and you remember this
266
00:21:41.319 --> 00:21:47.960
is like you know, Bill did
like a stretch where after after Ghostbusters he
267
00:21:48.039 --> 00:21:49.640
kind of, you know, he
kind of goes off the grid for a
268
00:21:49.640 --> 00:21:52.640
bit. You know, he's not
he's not showing up, And I think
269
00:21:52.680 --> 00:21:56.240
that's kind of what happened here maybe
I think I think this role was like
270
00:21:56.720 --> 00:21:57.359
he was like, all right,
I'm ready to come back, and then
271
00:21:57.359 --> 00:22:02.079
he doesn't, and then thankfully he
does end up coming back a year later
272
00:22:02.119 --> 00:22:06.759
for Scrooge. But so he drops
out. Rutger Hower, we're talking abou
273
00:22:06.799 --> 00:22:11.039
Lady Hawk. Rutger Hower meets with
George Miller three times about the role.
274
00:22:11.079 --> 00:22:14.680
He's pretty he's pretty solid. He's
thinking, all right, I got this,
275
00:22:14.799 --> 00:22:18.759
you know, and he's got that
Hitcher heat on him where Yeah,
276
00:22:18.799 --> 00:22:23.839
this guy is psychotic, he's scary, but he also is charming and he's
277
00:22:23.960 --> 00:22:27.480
you know, and Lady Hawk.
You know, I mean well, and
278
00:22:27.559 --> 00:22:32.000
I think Lady Hawk, I mean, we'll get into it later on excitedly.
279
00:22:32.160 --> 00:22:36.359
But he shows that he has a
sense of humor in that movie.
280
00:22:36.799 --> 00:22:41.079
Yeah, it's very subtle, but
it's there. It's there. But Miller's
281
00:22:41.079 --> 00:22:44.960
said, you know, Miller's not
feeling him. And meanwhile, Angelica Houston
282
00:22:45.119 --> 00:22:48.559
goes home to tell her boyfriend at
the time, Hey, I tried out
283
00:22:48.559 --> 00:22:52.480
for this part. I'm not gonna
get it. Oh, what's the part?
284
00:22:52.079 --> 00:22:57.599
Which is a Beastwick. Boyfriend is
Jack Nicholson, who likes the idea
285
00:22:57.640 --> 00:23:03.519
of playing the devil or a devil, and you know the connection between him
286
00:23:03.519 --> 00:23:10.039
and Miller is immediate. Oh so
so share and yeah, okay, yeah,
287
00:23:10.200 --> 00:23:14.559
I'll call George. We're gonna do
this. And Miller's just pleased his
288
00:23:14.680 --> 00:23:18.680
pie that you know he's got Jack
Nicholson. So I like the fact that
289
00:23:18.799 --> 00:23:23.319
Nicholson protects George Miller here because we
talked about Miller and the studio, right
290
00:23:23.759 --> 00:23:29.079
think your power for good. Yeah, So the studio like they're fighting back
291
00:23:29.119 --> 00:23:32.519
and forth with Miller. Miller is
like, well, you guys don't know
292
00:23:32.519 --> 00:23:36.160
who I am. I'm I'm from
the Wasteland. You know, I made
293
00:23:36.200 --> 00:23:41.279
mad Max. So he starts refusing
to shoot anything until they give him what
294
00:23:41.319 --> 00:23:45.440
he asked for. So now we're
wasting all kinds of money. They threatened
295
00:23:45.480 --> 00:23:49.000
to fire him. Jack Nicholson says, if you fire him, I'm off
296
00:23:49.039 --> 00:23:55.720
the project. So absolutely love the
Yeah, the chemistry between between those two
297
00:23:55.759 --> 00:23:59.920
guys is fantastic in this I think
can we talk Can we talk about the
298
00:24:00.000 --> 00:24:03.240
I know we gotta get I know, I know we're we're going long here
299
00:24:03.279 --> 00:24:08.000
already, but uh, can we
talk real quick about the show stealing performance
300
00:24:08.920 --> 00:24:12.759
in this film? Because I know
you love her. We gotta talk about
301
00:24:12.799 --> 00:24:15.920
Veronica Kart right, I mean,
do we have to? I like,
302
00:24:17.039 --> 00:24:22.440
fast forward through all of that.
Shame on you, fast fast forward Verroca
303
00:24:22.519 --> 00:24:26.759
krt right. She is off the
rails. She's stealing every scene she's in.
304
00:24:26.359 --> 00:24:30.240
Yeah, but it's so gross,
Like I just, well, okay,
305
00:24:30.839 --> 00:24:36.359
I cannot It is gross, but
but in a in a a twisted
306
00:24:37.240 --> 00:24:40.839
humorous way, what do you Okay, let me ask you this. You
307
00:24:40.839 --> 00:24:44.039
know what, We'll move We'll move
away from Veronica Kart right here. But
308
00:24:44.079 --> 00:24:48.920
I gotta I gotta know better use
of Cherry's and vomiting in a film?
309
00:24:48.960 --> 00:24:52.480
Is it? Is it Nicholson and
Veronica Krart right in the Witches of Eastwick?
310
00:24:53.119 --> 00:24:57.319
Or is it pretty much everybody in
town? And stand by me?
311
00:24:59.559 --> 00:25:03.279
You gotta do you got a favorite? I'm like, is there another movie
312
00:25:03.319 --> 00:25:07.440
that's this gross? I'm gonna have
to go stand by me projectile vomiting.
313
00:25:10.359 --> 00:25:18.240
Yeah, the scene Isley you're your
Your love of alien is well documented.
314
00:25:18.720 --> 00:25:22.000
So I just I thought, Veronica
Cartwright, you're And I do love her
315
00:25:22.079 --> 00:25:29.519
in that movie for sure. She's
a great actress and everything. I don't
316
00:25:29.559 --> 00:25:38.200
know how much she gives to the
story other than you do need a sort
317
00:25:38.200 --> 00:25:44.640
of climax to their powers. They
need to know how dangerous what they're playing
318
00:25:44.720 --> 00:25:48.480
with it well, and we need
to know how dangerous he is, because
319
00:25:48.519 --> 00:25:52.119
she's kind of like his his amusement, because she starts off she's this pious
320
00:25:52.160 --> 00:25:59.279
woman, she's singing at the school
function. She's like the epitome of of
321
00:25:59.279 --> 00:26:04.880
of wholesomeness. And then she starts
doing like a a Reagan McNeil in The
322
00:26:04.920 --> 00:26:11.359
Exorcist, Like she starts saying some
really crass dialogue and she starts getting a
323
00:26:11.400 --> 00:26:15.599
little nasty looking, and yeah,
only like unfortunately for good, but she
324
00:26:15.680 --> 00:26:19.880
looks so crazy that nobody's listening to
what she's saying. And she's telling the
325
00:26:19.920 --> 00:26:25.880
truth, like she's they are playing
with the devil in that house. Her
326
00:26:25.960 --> 00:26:30.279
character is important because she I feel
like she's like the prophet right She's she's
327
00:26:30.440 --> 00:26:36.319
she's telling she's trying to warn the
town about the devil, and because of
328
00:26:36.359 --> 00:26:40.720
his machinations, like she doesn't have
a chance to be held, like no
329
00:26:40.759 --> 00:26:45.839
one's could taking her seriously because she's
disgusting and losing her mind. And yeah,
330
00:26:47.440 --> 00:26:49.480
you mentioned, uh, you mentioned
that they had done a spin off.
331
00:26:51.359 --> 00:26:53.599
Uh, she's the only one that
reprised her role that the spin offs
332
00:26:53.640 --> 00:26:57.200
called Eastwick, and she actually reprises
her role which I never saw it.
333
00:26:57.279 --> 00:27:00.960
I don't know if it's any good. Probably not, because it didn't last
334
00:27:00.640 --> 00:27:03.319
more than a couple episodes. I
don't think. Yeah, I think they
335
00:27:03.359 --> 00:27:08.000
didn't even get a whole season.
Yeah. Well, unfortunately, like it's
336
00:27:08.039 --> 00:27:11.000
a great story, it would be, it would be. I don't know
337
00:27:11.000 --> 00:27:14.880
why they can't get it off the
ground. Maybe because the movie is so
338
00:27:14.960 --> 00:27:18.440
good. Maybe I'll tell you what
we'll we'll talk about that and more when
339
00:27:18.440 --> 00:27:29.079
we return from these messages. We
were back Amber Lewis talking about the Witches
340
00:27:29.079 --> 00:27:33.400
of east Wick. Amber. This
is based off of the nineteen eighty four
341
00:27:33.480 --> 00:27:38.160
novel by John Updike, the same
name. I hadn't seen this in a
342
00:27:38.160 --> 00:27:44.319
long time. I was surprised when
I saw the name John Williams for score,
343
00:27:45.039 --> 00:27:48.680
because this is you know, you
don't think Witches of Eastwick when you
344
00:27:48.680 --> 00:27:52.359
think John Williams, but you should, because that man never took a day
345
00:27:52.359 --> 00:27:59.079
off in his life. Never,
He's still working. This gets nominated for
346
00:27:59.160 --> 00:28:03.400
Best Score, Best Sound as well, but William's getting a nomination for Best
347
00:28:03.640 --> 00:28:10.039
best score. Your thoughts on his
work in the Witches of Eastwick. Oh
348
00:28:10.079 --> 00:28:15.400
my gosh, I love the theme
for this movie. We were the house
349
00:28:15.440 --> 00:28:19.200
on the corner growing up that like
blared music and Halloween and like went all
350
00:28:19.200 --> 00:28:26.039
out with decorations and stuff. So
this piece of music was one of the
351
00:28:26.079 --> 00:28:30.680
things we played every year. I
watched this recently. I'm going through the
352
00:28:30.680 --> 00:28:36.480
credits, the credit, the sequet, the music playing of the credits might
353
00:28:36.519 --> 00:28:41.319
be my favorite music of the of
the of the movie. And I send
354
00:28:41.319 --> 00:28:47.039
you this message. William's score has
a bit of Harry Potter vibe, especially
355
00:28:47.119 --> 00:28:52.839
the end credits. It feels related
your your immediate response, I really disagree
356
00:28:52.880 --> 00:28:56.880
with this take. Well, I
did say a bit. I mean it's
357
00:28:56.880 --> 00:28:59.839
whimsical, like, okay, am
I am I way off on this.
358
00:29:00.599 --> 00:29:07.319
I mean I feel like he really
dialed Intoto the witchiness of it, and
359
00:29:07.799 --> 00:29:11.960
I think Harry Potter is more about, Hey, Harry Potter has fun of
360
00:29:11.640 --> 00:29:18.240
Yeah, magic and magic is not
dangerous. Magic is just fun and candy
361
00:29:18.319 --> 00:29:23.640
and you know, stuff like that. So this to me is much darker
362
00:29:23.720 --> 00:29:30.160
and and creepier and be careful what
you wish for kind of a vibe.
363
00:29:30.279 --> 00:29:36.279
So this is women dancing naked around
a bonfire. You know this is not
364
00:29:36.759 --> 00:29:41.359
little kids playing with sticks? All
right, well, I'll I told you
365
00:29:41.559 --> 00:29:47.240
I think well kids playing with hey, people are dying at Hogwarts. I'll
366
00:29:47.319 --> 00:29:49.119
remind you, like it was,
there was some darkness going on there.
367
00:29:49.160 --> 00:29:55.000
But you know, naked women dancing
at bonfires, kids playing with sticks,
368
00:29:55.039 --> 00:30:00.279
well, you know that's that's the
talk for another time. So there's there's
369
00:30:00.279 --> 00:30:02.920
two interesting things going on behind the
scenes. I want to talk about real
370
00:30:02.960 --> 00:30:08.200
quick. Can we First let's let's
discuss the madness of John Peters. He's
371
00:30:08.240 --> 00:30:15.480
he's producing this movie. Now,
Anyone that is a fan of Kevin Smith
372
00:30:15.440 --> 00:30:23.839
or the Tim Burton Superman knows that
John Peters loves to like insert himself into
373
00:30:23.880 --> 00:30:29.480
the story making process and for reasons
no one ever understands. He just wants,
374
00:30:29.519 --> 00:30:33.640
hey, let's have a giant spider. Why, you know, he
375
00:30:33.880 --> 00:30:36.599
tries to put a giant spider that
you know, as the stories go,
376
00:30:37.119 --> 00:30:41.359
tries to put like a giant you
know spider in the Superman movie That never
377
00:30:41.359 --> 00:30:44.000
happens, but guess what it does
end up in the wild, wild West
378
00:30:44.279 --> 00:30:48.240
with Will Smith. He's always thrown
up these goofy ideas, and he has
379
00:30:48.279 --> 00:30:52.160
a really goofy one, well not
goofy, it's just it's just downright stupid.
380
00:30:52.559 --> 00:30:56.720
And this have you do? You
know? Okay, yeah, like
381
00:30:56.920 --> 00:30:59.920
what does he want? What does
he want? The Witches of beast Wick?
382
00:31:00.119 --> 00:31:06.720
He wants Aliens to arrive, which
has nothing to do with anything anything,
383
00:31:06.960 --> 00:31:11.680
right, He goes so far.
He brings a man dressed up like
384
00:31:11.720 --> 00:31:17.640
an alien on set, demanding George
Miller put him in any scene, not
385
00:31:17.799 --> 00:31:19.599
just write as you know, he
doesn't say, hey, write a scene
386
00:31:19.599 --> 00:31:22.079
that makes sense. He just says, put this guy in any scene.
387
00:31:22.880 --> 00:31:30.119
Rumor has it he was a huge
fan of Aliens James Jim Cameron's Aliens from
388
00:31:30.160 --> 00:31:32.640
nineteen eighty six, which, hey, who is it you? And I
389
00:31:32.680 --> 00:31:37.119
love that movie. Everyone loves that
movie. Doesn't mean you just throw a
390
00:31:37.200 --> 00:31:41.119
Xeno morph into a New England town. I mean, right, hire Sigourney
391
00:31:41.160 --> 00:31:47.440
Weavers then, like show your love
that way. That would make that would
392
00:31:47.440 --> 00:31:52.240
have made a lot of sense.
I could see Sigourney Weaver ver Attica Cartwright
393
00:31:52.160 --> 00:31:56.680
together again, together again. Sigourney
could have played the Jane role. You
394
00:31:56.720 --> 00:32:01.559
know, Jane's a musician. Sigourney
was Dana Barrett and Ghostbusters that Nope.
395
00:32:01.640 --> 00:32:06.119
He he just says, put an
alien in here somehow so. But that's
396
00:32:06.200 --> 00:32:12.880
that like a cocaine fueled Hubris,
Like this started out at fourteen as a
397
00:32:12.920 --> 00:32:16.359
hairdresser. Like he's not afraid of
anything. He bullied his way. It's
398
00:32:16.720 --> 00:32:22.279
Hollywood in a way that's just legendary. So I'll never understand how he got
399
00:32:22.319 --> 00:32:25.920
to where he is, you know. Aside from this, like we said,
400
00:32:27.759 --> 00:32:29.720
Share shows up, says I want
this role, not that one.
401
00:32:29.759 --> 00:32:31.240
He says, Okay, he doesn't
even bother to call Susan's Rand and he
402
00:32:31.319 --> 00:32:36.559
just says, I guarantee you the
day Susan's Randon shows up on set and
403
00:32:36.599 --> 00:32:39.640
finds that out, it's it's him
telling like a PA, like, hey,
404
00:32:39.640 --> 00:32:43.920
I need you to go tell the
Susans Rand and this I'm not available
405
00:32:43.960 --> 00:32:45.880
for comment. He probably leaves,
you know, he's yep, he's probably
406
00:32:45.880 --> 00:32:49.880
in the theater watching Aliens for like
the fifth time, which I don't blame
407
00:32:49.960 --> 00:32:53.079
him for that, but yeah,
John Peter's just just being weird man.
408
00:32:53.200 --> 00:32:59.319
Yeah, I don't get it.
Another thing I really don't understand. George
409
00:32:59.319 --> 00:33:06.359
Miller has a real disdain for Share
and it's one thing to not be happy
410
00:33:06.519 --> 00:33:12.680
about working with someone, but George
Miller is incredibly transparent and open the entire
411
00:33:12.720 --> 00:33:16.720
time they're filming. Did you were
you aware of this? No? Okay,
412
00:33:16.759 --> 00:33:22.200
So he is on set and anytime
he wants to complain about something,
413
00:33:22.319 --> 00:33:28.880
he's complaining about Share allegedly he when
he says her name, he says it
414
00:33:29.000 --> 00:33:35.480
like using air quotes and openly and
not just complaining like on set, complaining
415
00:33:35.519 --> 00:33:42.640
on set in front of her Shares
autobiography, she even talks about how difficult
416
00:33:42.680 --> 00:33:49.039
their relationship was working together. She
claims that he called her on her like
417
00:33:49.079 --> 00:33:52.720
to wish her happy her fortieth birthday, calls her and what she thinks is
418
00:33:52.799 --> 00:33:57.759
at first is like a roast because
he's just saying everything he doesn't like about
419
00:33:57.759 --> 00:34:04.039
her physically and profession He just keeps
keeps ripping and like she hung up the
420
00:34:04.039 --> 00:34:06.799
phone in tears, like I don't
want you on this movie. You're not
421
00:34:06.880 --> 00:34:08.840
right for this role, you're too
old. Me and Jack both don't want
422
00:34:08.840 --> 00:34:12.880
you on here, like you know, and kind of throwing Jack Nicholson's name
423
00:34:12.920 --> 00:34:15.800
around. I was like, that's
if there's true, if that's true,
424
00:34:15.840 --> 00:34:21.559
like that is that is just terrible. I don't know. I wonder if
425
00:34:21.599 --> 00:34:23.519
it has something I mean, I
have no idea, but I wonder if
426
00:34:23.519 --> 00:34:27.400
it has something to do with like, like we said, she was so
427
00:34:27.519 --> 00:34:31.239
huge, yeah, and she's I
don't think she's anybody to be pushed around,
428
00:34:31.280 --> 00:34:36.159
and maybe he was like intimidated.
If I don't kind of bully her,
429
00:34:36.760 --> 00:34:39.000
she's not gonna do what I say. You think there's Well, that
430
00:34:39.199 --> 00:34:43.199
doesn't make it right the control things. Oh no, absolutely not. I'm
431
00:34:43.239 --> 00:34:45.480
just saying, like, I just
don't understand like that kind of behavior.
432
00:34:45.559 --> 00:34:49.679
So m hm. That's the only
reason why I can think you would do
433
00:34:49.719 --> 00:34:53.320
something like that is if you're intimidated
by this person, you're going to try
434
00:34:53.320 --> 00:34:57.719
to bully them first, you know, when you think that's the way you
435
00:34:57.760 --> 00:35:00.920
have to relate to them. I
am set a fan of share in this
436
00:35:00.960 --> 00:35:07.559
film, especially when she replies to
Jack Nicholson after like their lunch date and
437
00:35:07.599 --> 00:35:13.119
he he like strips in front of
her with his manservant and SLINKs into his
438
00:35:13.119 --> 00:35:14.639
bed. She's like, what do
you what do you think you're doing?
439
00:35:15.119 --> 00:35:21.800
And he's I'm not gonna repeat what
he says, you know, But her
440
00:35:21.920 --> 00:35:27.320
reply is it's a Hall of Fame. Apply reply, It's like Chevy Chase
441
00:35:27.320 --> 00:35:34.639
and Christmas Vacation on that that that
that rant listeners. If you have not
442
00:35:34.679 --> 00:35:37.480
seen this movie, I don't.
I haven't checked in, but I'm hoping
443
00:35:37.519 --> 00:35:39.880
that's on YouTube at least so you
could you could at least see that scene
444
00:35:40.320 --> 00:35:45.639
because Chaer is just crushing it in
her response and like what she thinks of
445
00:35:46.559 --> 00:35:51.880
Jack Nicholson's character in that in that
moment. I love that moment for share.
446
00:35:52.320 --> 00:35:54.920
Let's any scene come to mind for
you, any anything that you want
447
00:35:54.920 --> 00:35:58.960
to talk about, anything that,
like, you know, you absolutely loved
448
00:35:59.039 --> 00:36:06.719
or we My absolute I have two
My absolute two favorite scenes are when they
449
00:36:06.800 --> 00:36:12.599
are working their magic together. The
first scene is in the very beginning.
450
00:36:13.440 --> 00:36:15.719
They get together for a girl's night
and they don't even know that they're conjuring,
451
00:36:16.599 --> 00:36:22.159
and they're just talking about, you
know, okay, if we're gonna
452
00:36:22.159 --> 00:36:24.960
go out there and we're going to
try to find somebody, you know who,
453
00:36:25.000 --> 00:36:30.920
who do we want? Who's the
ideal man? And this is how
454
00:36:30.920 --> 00:36:36.760
they conjure Jack Nicholson and pull him
to the town. And that whole scene
455
00:36:36.960 --> 00:36:43.119
is just every I mean without the
conjuring but it's every girl's night I've ever
456
00:36:43.239 --> 00:36:47.719
had. You know, you're eating
junk and drinking martinis and bitching about you
457
00:36:47.760 --> 00:36:53.159
know, the guy in town that's
a slub, and you know it's just
458
00:36:53.639 --> 00:36:59.960
perfect. Like the chemistry between the
women is just it's delightful. It's fantastic.
459
00:37:00.239 --> 00:37:04.800
Now I'm gonna I'm gonna bring back
something that you said at the start
460
00:37:04.800 --> 00:37:08.119
of this. So they're talking about
the ideal guy, right, and they're
461
00:37:07.760 --> 00:37:15.920
the traits, the characteristics, yes, and they more or less do describe
462
00:37:15.000 --> 00:37:21.719
like what we get in Darryl Van
Horn Jack or Jack Jack Nicholson's character.
463
00:37:22.719 --> 00:37:24.920
He basically fits the bill because like
when he shows up, you know,
464
00:37:24.960 --> 00:37:30.480
I'm like this, Jack Nicholson is
what they're what what the ideal guy is,
465
00:37:31.079 --> 00:37:34.760
because like they're talking about like he's
gotta be good looking, and then
466
00:37:34.960 --> 00:37:37.440
one of them is like, no, not too good, just you know,
467
00:37:37.800 --> 00:37:42.800
good looking, and I'm thinking,
so, so Nicholson with a with
468
00:37:42.880 --> 00:37:45.159
a ponytail, That's that's what you're
going and and I'm just thinking he's repulsive.
469
00:37:46.119 --> 00:37:51.199
He's he's he's one step away from
Danny DeVito and twins with the ponytail.
470
00:37:51.239 --> 00:37:59.039
I'm just looking at but you said
you said yes to Jack Nicholson earlier,
471
00:37:59.400 --> 00:38:04.639
like Jack Nicholson is is he's bringing
the heat in this amber. It's
472
00:38:05.039 --> 00:38:08.400
less about his looks, although I
think he is very handsome. He's unusual
473
00:38:08.480 --> 00:38:14.320
looking. But yeah, with Jack
Nicholson though, for me, it's the
474
00:38:14.440 --> 00:38:20.719
charisma, like it's the way he
says what he says. And I mean
475
00:38:20.760 --> 00:38:24.519
he's just a smooth operator, I
think, especially in this movie. I
476
00:38:24.519 --> 00:38:28.280
mean, he can be disgusting.
You know, it depends on the movie
477
00:38:28.320 --> 00:38:35.800
you're watching. We on our limited
series nineteen ninety six, we did We
478
00:38:35.840 --> 00:38:38.639
did that Jackyl and Hyde movie.
What was it? Mary Riley? Yes?
479
00:38:39.480 --> 00:38:43.280
And I put you if I remember
right, I put you at the
480
00:38:43.280 --> 00:38:46.719
bar and I said, hey,
John Malkovich, Jekyl is at one end,
481
00:38:47.239 --> 00:38:51.480
John Malcovich Hide is at the other
end where your head. And you
482
00:38:51.679 --> 00:38:54.679
want to let it say you went
with John Malcovich Hide, which surprised me.
483
00:38:57.000 --> 00:39:00.000
So I'm gonna put you. I'm
sending you back to the bar and
484
00:39:00.320 --> 00:39:07.440
here comes a drink from nineteen eighty
seven Jack Nicholson, or at the other
485
00:39:07.559 --> 00:39:12.800
end, here's nineteen eighty seven Bill
Murray, and you're telling the bartender to
486
00:39:12.880 --> 00:39:16.639
send Bill Murray's drink back. Well, I'll tell you what like when Jack
487
00:39:16.719 --> 00:39:22.880
Nicholson, when Darryl Van Horn first
propositions Alexandra, it's very crude, it's
488
00:39:22.920 --> 00:39:28.840
extremely crude, and she just rubs
him apart. Yeah, and she starts
489
00:39:28.840 --> 00:39:31.760
to walk away and he turns over
on the bed and he looks at her
490
00:39:31.800 --> 00:39:35.039
and goes, well, if that's
the way you feel about it, that's
491
00:39:35.119 --> 00:39:38.119
you feel about it? Is that
the way you feel about it? And
492
00:39:38.199 --> 00:39:44.800
I'm telling you Panny's off. I'd
be like, okay, I can't believe
493
00:39:44.840 --> 00:39:52.239
you just used that expression. That's
I mean, it's a right, No,
494
00:39:52.280 --> 00:39:54.079
this is not this is a worst
dream. Oh no, I'm sorry
495
00:39:54.239 --> 00:39:59.519
for everything. Oh no, don't
apologize. Well edit that out. We
496
00:39:59.639 --> 00:40:04.079
will not hit that out. You
know your your creed behavior stands your your
497
00:40:04.119 --> 00:40:09.840
your your Van Horne stands. Darren
can get it saying okay that that that
498
00:40:10.000 --> 00:40:16.559
surprises me. I would I would
love to hear you know almost half of
499
00:40:16.599 --> 00:40:22.199
our audience is female. I would
love if they would just email us,
500
00:40:22.239 --> 00:40:29.280
hit us up to tell me.
You wouldn't be like, all right,
501
00:40:29.719 --> 00:40:31.960
I want to know where I want
to know where our listeners lie. On
502
00:40:31.960 --> 00:40:35.559
this one, you know, is
it is it Nicholson or is it Murray
503
00:40:35.559 --> 00:40:40.559
in nineteen seven? Who's who is
dropping your panties? Remember that's fantastic?
504
00:40:42.679 --> 00:40:46.840
All right? So I'll tell you
what. Let's take one more break so
505
00:40:46.880 --> 00:40:50.679
we can compose ourselves, and then
when we get back we got we're gonna
506
00:40:50.679 --> 00:40:55.960
talk a little bit about George Miller
and his his filmography. We are back
507
00:40:57.119 --> 00:41:00.480
and we are ready to discuss George
Miller. So so Amber, I'm gonna
508
00:41:00.519 --> 00:41:07.079
give you two fun facts that you
may or may not know, our listeners
509
00:41:07.079 --> 00:41:09.599
may or may not know. And
I and a pretty nice quote from the
510
00:41:09.639 --> 00:41:15.719
man who doesn't get along with share. First off, and if you have
511
00:41:15.840 --> 00:41:20.119
listened to our limited series of film
at forty five, I know last month
512
00:41:20.280 --> 00:41:25.320
Scott and David did an awesome episode
on Mad Max. This is where and
513
00:41:25.320 --> 00:41:29.679
this is where I learned it.
So I'm cheating. I'm kind of stealing
514
00:41:29.719 --> 00:41:35.719
their homework. But George Miller was
a medical doctor before he was a film
515
00:41:35.760 --> 00:41:43.239
director. No, no go,
I did the fact check. They're right,
516
00:41:44.119 --> 00:41:47.320
that's actually that's how he made money. He made money for the budget
517
00:41:47.320 --> 00:41:52.320
for Mad Max. He was a
medical doctor. He went to some Film
518
00:41:52.360 --> 00:41:54.920
Festival, fell in love with movies
and decided I want to make one myself.
519
00:41:55.000 --> 00:41:59.719
So you know, wow, yeah, medical Doctor. He's like the
520
00:42:00.400 --> 00:42:05.559
Australia and Michael Creighton. Yeah.
Another fun fact and I you know,
521
00:42:05.599 --> 00:42:10.480
I don't mean to make this a
mad Max faq, But in nineteen ninety
522
00:42:10.519 --> 00:42:15.320
seven he was supposed to be directing
a film for Warner Brothers called Contact.
523
00:42:15.599 --> 00:42:20.199
Did you ever see that one with
Matthew McConaughey and Jodie Foster. It's only
524
00:42:20.280 --> 00:42:23.320
like one of my favorite books and
one of my favorite mecas. Yes,
525
00:42:23.880 --> 00:42:30.239
it almost was. He was,
and there was a there was some serious,
526
00:42:30.480 --> 00:42:36.840
uh creative differences happening. The only
way Warner Brothers could figure out a
527
00:42:36.880 --> 00:42:37.760
way to get rid of him because
they, you know, they I think
528
00:42:37.760 --> 00:42:40.159
of what is who is? It's
a mechas that directs that one. Yes,
529
00:42:40.679 --> 00:42:45.039
yeah, so they they've got some
mechas waiting in the wings, and
530
00:42:45.079 --> 00:42:47.159
they're like, we got to get
rid of George. They give him the
531
00:42:47.280 --> 00:42:53.440
rights to Mad Max too, The
Road Warrior and Mad Max Beyond Thunderdome.
532
00:42:54.199 --> 00:43:00.960
They give him the rights to make
him go away. And had they not
533
00:43:00.039 --> 00:43:05.320
done that, we wouldn't have mad
Max Fury Road. We wouldn't have Furiosa,
534
00:43:05.519 --> 00:43:09.599
a Mad Max tale in theaters this
this past weekend. So someone at
535
00:43:09.599 --> 00:43:15.079
Warner Broth, thank you Warner Brothers
exactly right in the late nineties because they
536
00:43:15.159 --> 00:43:17.760
just you know, there wasn't there
wasn't gonna be any more mad Max and
537
00:43:17.800 --> 00:43:21.639
now that. And then once he
gets complete control over it, he's like,
538
00:43:21.639 --> 00:43:23.840
oh, I'll do whatever I want
now, so right, take my
539
00:43:23.960 --> 00:43:31.079
gazillion dollars now. On the process
of filmmaking, this is what George Miller
540
00:43:31.119 --> 00:43:36.239
has to say. He says,
and I quote, I see filmmaking as
541
00:43:36.239 --> 00:43:40.679
a strange journey. In mythology,
the trickster leads you into the forest.
542
00:43:42.079 --> 00:43:46.000
Film is to me the trickster.
I think I can be around one thousand
543
00:43:46.119 --> 00:43:51.880
years and never understand the process.
Kind of poetic, wouldn't you say,
544
00:43:52.400 --> 00:43:55.320
Yes, I love it. Let's
uh, we're gonna, we're gonna,
545
00:43:55.960 --> 00:44:04.519
We're gonna cruise through his filmography as
if we were on Fury Road. Listen,
546
00:44:04.559 --> 00:44:07.800
we talked about he does his directory. W If We're being Fair is
547
00:44:07.840 --> 00:44:13.920
an Australian film called The Devil in
Evening Dress from nineteen seventy five. There's
548
00:44:13.920 --> 00:44:17.280
no information. You can't you can't
stream it. I wonder why I even
549
00:44:17.360 --> 00:44:22.599
bring it up. But nineteen seventy
nine he blows the doors off of the
550
00:44:22.760 --> 00:44:28.960
entire world with Mad Max and a
young Mel Gibson. I'm not gonna say
551
00:44:29.000 --> 00:44:32.719
another word about it. Go check
out our episode a film at forty five
552
00:44:34.039 --> 00:44:38.719
Mad Max because Scott and Dave are
just dropping all kinds of amazing information.
553
00:44:39.400 --> 00:44:44.519
Amber, I know you're a Mad
Max fan. Where's the original life for
554
00:44:44.559 --> 00:44:50.119
you? Are you a fan?
Uh? Sue? I have never seen
555
00:44:50.760 --> 00:45:00.599
a single frame of the first three
that I know from Mad Max before Fury
556
00:45:00.679 --> 00:45:06.280
Road is the Tina Turner. We
don't need another hero music video. I
557
00:45:06.360 --> 00:45:14.360
can't stand that kind of future.
And everybody is gross and just rotting things
558
00:45:14.440 --> 00:45:21.039
and skulls and yeah, it's post
apocalyptic nop. I have never killed each
559
00:45:21.039 --> 00:45:25.159
other for gasoline yep, never once
watched any of them. And then until
560
00:45:25.159 --> 00:45:32.719
Fury you are missing out on some
awesome, awesome movies. I'm so sad.
561
00:45:34.199 --> 00:45:38.239
I told you I player oh man, Yeah, at the commercial break,
562
00:45:38.239 --> 00:45:40.039
You're like, I'm gonna blow your
mind. When we talked about from
563
00:45:40.320 --> 00:45:43.320
like, oh what'd you learn what
you bought? Yeah? I didn't.
564
00:45:43.320 --> 00:45:47.920
I didn't see that coming. No
man, nineteen eighty one, Mad Max
565
00:45:47.960 --> 00:45:52.360
two, The Road Warrior, and
I talked to Dave about this. That
566
00:45:52.519 --> 00:45:57.000
was my introduction to Mad Max.
I saw it on HBO with my older
567
00:45:57.039 --> 00:46:01.519
cousins supposed to like thought the Road
Warrior was. It loved it well because
568
00:46:01.519 --> 00:46:05.360
it was built as the Road Warrior
Wasn't you know? It was only selected
569
00:46:05.360 --> 00:46:07.519
markets that called it Mad Max two. And when my older cousins were like,
570
00:46:07.599 --> 00:46:10.760
oh, you don't even know,
and then we went to the video
571
00:46:10.800 --> 00:46:15.880
store and got Mad Max, I
was, oh, I was in post
572
00:46:15.880 --> 00:46:20.599
apocalyptic Kevin. Okay, let's let's
jump to nineteen eighty three. I know
573
00:46:20.639 --> 00:46:22.559
you've seen this film. Well no, I shouldn't say I no. I
574
00:46:22.559 --> 00:46:28.880
hope you show the film twilight Zone
the movie. He directs what I think
575
00:46:29.000 --> 00:46:32.280
is probably my favorite segment of the
of the film. He does the segment
576
00:46:32.360 --> 00:46:36.760
Nightmare at twenty thousand feet with John. At least it's the segment where no
577
00:46:36.800 --> 00:46:38.679
one was murdered, so you know, well, yeah, I's got that
578
00:46:38.760 --> 00:46:43.840
going before it. It's got a
lot more than that going for it.
579
00:46:43.840 --> 00:46:46.800
It's there are this is Yes,
it's a really good segment because you're remaking
580
00:46:47.159 --> 00:46:52.719
one of the most famous Twilight Zone
episodes. Yeah, William Shatner, but
581
00:46:52.800 --> 00:46:57.840
John Lithgow does a great job.
I think. I think Shatner's Tilet's Own
582
00:46:57.880 --> 00:47:00.599
episode is one of my all time
favorite Twilights episodes. But but let Go
583
00:47:01.559 --> 00:47:07.280
really dials it up. He makes
that character's own. It's scary. Well,
584
00:47:07.280 --> 00:47:10.880
and they came up with such a
better gremlin too. Oh goshya that
585
00:47:10.920 --> 00:47:15.760
grip. That thing scared me.
That thing is terrifying. So nineteen three,
586
00:47:15.880 --> 00:47:19.280
I was terrified of seeing that thing
outside, Like we're taking a trip
587
00:47:19.320 --> 00:47:22.639
and it's dark and rainy. I'm
terrified that thing's you know, it's gonna
588
00:47:22.639 --> 00:47:28.039
be be out there. Begrudgingly,
I will skip past nineteen eighty five when
589
00:47:28.280 --> 00:47:32.239
it's Mad Max Beyond Thunderdoom, which
is awesome, but you haven't seen it,
590
00:47:32.280 --> 00:47:37.559
so I just know that the glorious
Tina Turner did a bang song for
591
00:47:37.679 --> 00:47:43.599
it. Well, she does a
She has a glorious performance too. You're
592
00:47:43.639 --> 00:47:49.119
missing out. She is fantastic in
the role. I digress. You want
593
00:47:49.159 --> 00:47:52.039
to talk briefly nineteen ninety two,
you want to talk about Lorenzo's Oil.
594
00:47:52.920 --> 00:47:55.079
Yeah, I mean, it's it's
too bad we couldn't have done both.
595
00:47:55.119 --> 00:48:00.559
But they're so completely different. But
Lorenzo's Oil is a beautiful story. It's
596
00:48:00.599 --> 00:48:07.480
based on a true story about a
little boy with a degenerative disease and his
597
00:48:07.679 --> 00:48:13.920
parents, you know, working to
find any kind of treatment that will,
598
00:48:14.559 --> 00:48:16.559
you know, alleviate his symptoms,
that give him a better quality of life.
599
00:48:17.320 --> 00:48:22.119
This is a this is just a
few years after The Witches of Eastwick.
600
00:48:23.000 --> 00:48:28.480
He's uh, he reconnects with Susan
Sarandon. Clearly, Share is not
601
00:48:28.480 --> 00:48:30.800
going to be the one, right, No one called for Lorenz's Oil.
602
00:48:30.840 --> 00:48:37.719
But Sarandon just incredible in this film, right, She's she's nominated for the
603
00:48:37.119 --> 00:48:42.760
Best Actress oscar Yeah, I can't
remember who she lost out to, but
604
00:48:45.639 --> 00:48:49.880
ninety two might have been Jeddi Foster. Well it was ninety this was ninety
605
00:48:49.880 --> 00:48:52.079
three, So all you're all you're
saying, maybe she lost out to Jeddy
606
00:48:52.079 --> 00:48:57.599
Foster. Bad maybe at any rate, I mean, she really plays a
607
00:48:57.719 --> 00:49:04.679
very you know, forceful, loving, fierce mother. You know, kind
608
00:49:04.679 --> 00:49:07.760
of sets her up to play more
moms in the future. Yeah, George
609
00:49:07.800 --> 00:49:15.199
Miller, he gets the uh,
the nomination the Best Screenplay just it's it's
610
00:49:15.199 --> 00:49:19.000
a it's a fantastic film. Yeah, it really is beautiful, and I
611
00:49:19.400 --> 00:49:22.280
mean from the guy that made that
next you get there, yeah, like
612
00:49:23.360 --> 00:49:30.960
yeah, yeah that the idea that
that the wasteland can give birth to something
613
00:49:31.000 --> 00:49:36.280
like Lorenzo's Oil is truly spectacular.
And that's something that a lot of people
614
00:49:36.280 --> 00:49:40.559
have always said about George Miller.
He has one of the most eclectic catalogs.
615
00:49:40.880 --> 00:49:45.400
I mean, he is all over
the map and nothing could be further
616
00:49:45.440 --> 00:49:50.440
from the truth. Because in nineteen
ninety eight he does Babe, Pig in
617
00:49:50.480 --> 00:49:57.639
the City. I'll do Pig George
Miller, Babe, come on, get
618
00:49:57.679 --> 00:50:01.119
me serious, and then follows it
with the Happy Feet, with that Happy
619
00:50:01.159 --> 00:50:05.320
Fee in two thousand and six he
does Happy Feet. Now, now it's
620
00:50:05.360 --> 00:50:10.760
like, hey, this this amazing
animated film that's got all this critical claim
621
00:50:10.840 --> 00:50:13.960
is out. Oh who did it? Oh you know the guy that did
622
00:50:14.000 --> 00:50:17.559
Mad Max. Yeah yeah it's him. No, no, it's not no,
623
00:50:17.559 --> 00:50:22.679
no really, And anyone could say
maybe he's lost his edge, and
624
00:50:22.719 --> 00:50:25.719
then well, well yeah, because
two thousand and six he does Happy Feet.
625
00:50:25.760 --> 00:50:30.559
Twenty eleven, it's Happy Feet two. Now we're starting to think we're
626
00:50:30.599 --> 00:50:34.800
the the Warner Brothers exects right,
and is he soft? Is he a
627
00:50:34.880 --> 00:50:37.639
weak? Is he weak? Well, he answers everybody, because twenty fifteen
628
00:50:38.039 --> 00:50:40.639
he's back with mad Max Fury Road. He took all that Warner Brothers,
629
00:50:42.199 --> 00:50:50.199
all those rights, gives us this
high octane, explosive chase sequence that takes
630
00:50:50.239 --> 00:50:53.559
two hours to get to get finished. I love Fury Road. It is
631
00:50:53.599 --> 00:50:59.079
fantastic, so good and not I
mean we already said not remotely my movie
632
00:50:59.159 --> 00:51:01.920
at all, but boy, did
I enjoy it. I'll tell you it's
633
00:51:01.920 --> 00:51:05.840
something I might have to I might
have to load you my copy. But
634
00:51:06.280 --> 00:51:08.480
you might not know this. There
there is on the Collector's edition, the
635
00:51:08.519 --> 00:51:14.159
Blu Ray. There is a black
and white version of Matt Max Ferry Road
636
00:51:15.000 --> 00:51:17.679
called It's the Black and Chrome Edition. And you would think, like,
637
00:51:17.760 --> 00:51:22.039
because this movie had it's so the
colors are so vivid, and the cinematography
638
00:51:22.119 --> 00:51:25.440
is gorgeous and the action is just
intense, you think I can't watch this
639
00:51:25.480 --> 00:51:30.599
in black and white, And you
would be wrong, because it's awesome.
640
00:51:30.400 --> 00:51:34.679
It sounds really interesting. All right, I'll tell you what I'm gonna get.
641
00:51:34.679 --> 00:51:36.559
I'm gonna get you. I'm gonna
get you. I'm gonna loan you
642
00:51:36.599 --> 00:51:38.199
my copy because you gotta see it. I think I think you're gonna like
643
00:51:38.239 --> 00:51:43.079
it. Okay, so something,
I'll be fair. I haven't seen it,
644
00:51:43.119 --> 00:51:45.239
so I don't know if I'm liking
it, but I remember sitting in
645
00:51:45.239 --> 00:51:47.480
a theater. I was sitting in
a theater. I don't even remember what
646
00:51:47.519 --> 00:51:52.360
the movie was, but I remember
the preview. Me and Dave are about
647
00:51:52.360 --> 00:51:57.079
to watch something, and then from
visionary director George Miller, and I got
648
00:51:57.119 --> 00:52:00.559
excited in a hurry because Furry Road
had just had happened, and it's this
649
00:52:00.599 --> 00:52:05.559
movie called Three Thousand Years of Longing. Have you seen one yet? I
650
00:52:05.679 --> 00:52:10.800
have not, but I was definitely
on my list. Uh, just because
651
00:52:10.840 --> 00:52:15.679
of Idris Elba. Is this one
of the weirdest trailers you've ever seen?
652
00:52:16.639 --> 00:52:21.440
I mean, I honestly couldn't tell
you what's gonna be about, but I'm
653
00:52:21.840 --> 00:52:24.440
I mean, it looks there I'm
in well, okay, so it looks
654
00:52:24.480 --> 00:52:29.880
like it almost looks like like,
uh, this woman has taken like some
655
00:52:29.960 --> 00:52:36.039
kind of eat prey, love tour
or pilgrimage. She buys this little lamp
656
00:52:36.079 --> 00:52:39.280
and then she she's cleaning it and
oh guess what it's a magic lamp,
657
00:52:39.480 --> 00:52:45.599
a genie appears, and in the
genies a ginormous Idris Elba. It's got
658
00:52:45.639 --> 00:52:51.280
this weird music and like I never
have Well, the last time I saw
659
00:52:51.360 --> 00:52:58.719
a trailer that was was this confusing
and and yet intriguing was probably pulp fictions
660
00:52:59.280 --> 00:53:04.719
back in the nineties. I was
thinking everything everywhere all at once. Okay,
661
00:53:04.800 --> 00:53:07.039
yeah, you know what, I
will thank you for clarifying that.
662
00:53:07.119 --> 00:53:10.960
Yeah, that's I watched that trailer
and I was like, what's going on?
663
00:53:12.159 --> 00:53:15.199
What the hell is going on?
And I had that feeling with three
664
00:53:15.199 --> 00:53:19.960
thousand years of longing, but it
wasn't enough for me to go I want
665
00:53:20.000 --> 00:53:22.920
to know what's going on. And
it's streaming right now. I you know,
666
00:53:23.000 --> 00:53:27.599
it's out there, and I still
have. I brought myself to watch
667
00:53:27.639 --> 00:53:30.360
it because and I'm like, wait, what's what? Want? You love
668
00:53:30.360 --> 00:53:34.599
eat Yourselba? You love George Miller. Well, it's kind of like you
669
00:53:34.639 --> 00:53:36.800
don't know what mood you need to
be in to watch it. Like I
670
00:53:37.039 --> 00:53:42.039
don't want to be a romance or
an adventure or a fantasy from the trailer.
671
00:53:42.079 --> 00:53:44.920
I just assume I need to be
high as a kite, you know,
672
00:53:45.039 --> 00:53:49.159
because because I don't know what the
hell is going on that one that's
673
00:53:49.199 --> 00:53:52.280
a holiday weekend. Maybe this is
the weekend. Uh, not for me,
674
00:53:52.519 --> 00:53:57.920
not for me. Uh. So
we got to talk about what's next
675
00:53:58.199 --> 00:54:04.559
for mister Miller because I'm excited.
He is in production on Mad Max The
676
00:54:04.599 --> 00:54:09.559
Wasteland. Now. I am hoping
and praying that Furiosa. It's so far
677
00:54:09.559 --> 00:54:15.679
it hasn't blown the box office up
just yet, but you know, it's
678
00:54:15.719 --> 00:54:17.840
only had one weekend, so I
think we're gonna get there. But it
679
00:54:17.920 --> 00:54:22.039
did. It is up against a
big budget, so you know, the
680
00:54:22.119 --> 00:54:28.360
word has it. Tom Hardy is
back as Max, and The Wasteland is
681
00:54:28.400 --> 00:54:36.119
supposed to take place after Furiosa and
before Fury Road. So why Miller is
682
00:54:36.159 --> 00:54:38.320
doing this? I've got a trilogy, and I'm gonna give you three.
683
00:54:38.360 --> 00:54:40.440
Then I'm gonna give you one.
The I'm gonna give you two. He's
684
00:54:40.480 --> 00:54:45.480
all over the place with it.
But sign me up. If the words
685
00:54:45.519 --> 00:54:49.719
mad Max are the title, I
don't care who's starring. As long as
686
00:54:49.719 --> 00:54:54.000
George Miller's directing. I'm there for
it. You're there, yeah, Amber,
687
00:54:54.119 --> 00:54:59.199
I know you recommend seeing this film. Any final thoughts about the Witches
688
00:54:59.199 --> 00:55:02.719
of Eastwick. You know, it
really holds up. It's an eighty six
689
00:55:02.840 --> 00:55:08.239
movie that you know, I feel
or excuse me, eighty seven that does
690
00:55:08.320 --> 00:55:14.360
not feel like you know, you're
watching some dated thing. It's got,
691
00:55:14.559 --> 00:55:20.000
you know, great performances, great
chemistry. You know, do a double
692
00:55:20.039 --> 00:55:22.559
feature with The Craft for Halloween.
You know I was gonna offer you,
693
00:55:22.639 --> 00:55:25.239
I was, I got a different
double feature. I'll offer you because that
694
00:55:25.239 --> 00:55:30.280
one is pretty fantastic. I think
that. I think the Witches of Eastwick.
695
00:55:30.119 --> 00:55:34.760
Without that, you might not get
something like The Craft maybe, or
696
00:55:34.840 --> 00:55:37.760
practical magic or hocus Pocus. I
think I think this one kind of put
697
00:55:37.760 --> 00:55:39.840
Witches on the map, made him
cool again in Hollywood. Yeah, for
698
00:55:39.880 --> 00:55:42.719
sure, I like that. I
like that double feature. I was going
699
00:55:42.800 --> 00:55:45.880
to give you a different double feature. I say, you pair this with
700
00:55:45.440 --> 00:55:52.840
Needful Things. Oh yes, mysterious
Stranger comes to a New England town and
701
00:55:52.000 --> 00:55:57.480
turns it upside down. And because
I love that one, and Meanful Things
702
00:55:57.559 --> 00:56:02.199
is so good, great book rate
film adaptation, the great Max Fon.
703
00:56:04.079 --> 00:56:09.119
Yeah, Max ed Harris and he's
playing the Devil. So this is this
704
00:56:09.199 --> 00:56:13.920
is your if you want your for
me, it's the Devil comes to New
705
00:56:13.960 --> 00:56:20.119
England double feature Max Foncido, Jack
Nicholson, Yeah, it's these two movies.
706
00:56:21.360 --> 00:56:23.800
Absolutely love this one. It's it's
not streaming, but you can't rent
707
00:56:23.800 --> 00:56:27.559
it. I rented this one on
Prime. What about you? Yeah,
708
00:56:27.679 --> 00:56:30.280
I went ahead and bought it on
Prime. Oh you went and bought it?
709
00:56:30.280 --> 00:56:34.000
Okay, I should have. I
regret that now, listeners, what
710
00:56:34.079 --> 00:56:37.679
do you think of the Witches of
Eastwick? You can let us know on
711
00:56:37.719 --> 00:56:42.280
social media. We are on Facebook, Instagram x. You can check out
712
00:56:42.280 --> 00:56:45.960
a Film by Podcast dot com for
all of our episodes. They are streaming
713
00:56:45.960 --> 00:56:49.400
free on the platform of your choice. You can write to us at a
714
00:56:49.400 --> 00:56:52.119
Film by Podcast at gmail dot com
with your questions, comments and concerns.
715
00:56:52.719 --> 00:56:57.320
We may just read your response on
the show and send you some a Film
716
00:56:57.360 --> 00:57:01.119
by swag. You can join us
tomorrow for our Star Trek theme series Phasers
717
00:57:01.119 --> 00:57:06.880
Set to Stun. Wayne, David
and Scott are continuing the recap of the
718
00:57:06.880 --> 00:57:08.639
final season of Discovery. I think
they only got a couple episodes left and
719
00:57:08.679 --> 00:57:13.559
then I'm not sure what those guys
got for us next, but it'll it'll.
720
00:57:13.760 --> 00:57:15.880
I can't wait. They're knocking out
of the park so far. I
721
00:57:15.920 --> 00:57:20.199
don't know, but I'm sure it
will be stellar. Speaking of Stellar,
722
00:57:21.199 --> 00:57:24.760
On Friday, our limited series A
Film at forty five will celebrate the forty
723
00:57:24.760 --> 00:57:31.320
fifth anniversary of Ridley Scott's Alien,
and next time on a film by Amber,
724
00:57:31.360 --> 00:57:37.960
our friend Dayton Johnson will be here. He is going to discuss a
725
00:57:37.000 --> 00:57:44.119
film by Stephen Herrick talking about Rockstar
with Mark Wahlberg. Ah, Okay,
726
00:57:45.280 --> 00:57:47.360
I have to believe he's gonna love
it. You know, I thought Rockstar
727
00:57:47.800 --> 00:57:53.360
eighties metal. That's Dayton Johnson.
Right, it's as well. I think
728
00:57:53.360 --> 00:57:55.840
he's gonna love it. I could
be wrong, though, we'll find out.
729
00:57:57.639 --> 00:58:00.000
But as always, I definitely want
to thank you, uh, you
730
00:58:00.039 --> 00:58:04.239
know for hanging out this week.
You know you just did. We just
731
00:58:04.280 --> 00:58:06.800
talked about Romeo and Juliet a couple
days ago, and now we're talking about
732
00:58:07.559 --> 00:58:10.559
uh George Miller. Sounds like we're
gonna be talking about Lady Hawk in the
733
00:58:10.559 --> 00:58:15.159
New York future. So I'm definitely
excited for that. But uh yeah,
734
00:58:15.159 --> 00:58:17.519
it was a good time. Absolutely, it was uh yeah. We got
735
00:58:17.559 --> 00:58:22.960
to and then we got on Patreon, you know you and I got we
736
00:58:22.960 --> 00:58:25.840
got another lost episode from nineteen eighty
six coming up. We're doing Armed in
737
00:58:25.920 --> 00:58:30.239
Dangerous. Yeah, Armed and Dangerous. I'm looking forward to that one.
738
00:58:30.639 --> 00:58:37.039
That's that one was a favorite of
mine in childhood. As a reminder you,
739
00:58:37.519 --> 00:58:42.320
if you're not ready to sign up
and get all the exclusive episodes and
740
00:58:42.360 --> 00:58:45.000
the bonus content that we're dropping on
Patreon, go ahead and go over there
741
00:58:45.159 --> 00:58:50.360
sign up for free because Amber we're
doing free episodes here and there right.
742
00:58:51.119 --> 00:58:52.800
Yes, it's such a great way
to kind of dip in and say what
743
00:58:52.800 --> 00:58:58.000
we're all about. Yeah, I'll
tell you you check out a free episode
744
00:58:58.039 --> 00:59:00.400
and then maybe sign up for a
free seven day trial and if you like
745
00:59:00.480 --> 00:59:06.679
what you like what you hear,
just keep subscribing and listeners. As always,
746
00:59:07.119 --> 00:59:10.159
for those of you subscribing, sharing
and following the film by podcast,
747
00:59:10.960 --> 00:59:38.519
we thank you. I think about
this. You know, without this movie,
748
00:59:38.559 --> 00:59:40.639
there's no Bull Durham. Without Bull
Durham, there's no lead of their
749
00:59:40.679 --> 00:59:44.760
own. She's not in the lead
of their own. So I'll scratch all
750
00:59:45.119 --> 00:59:45.079
edit that out later
















