Jan. 26, 2025
Paul Schrader - Blue Collar

Jeff and Amber are taking aim at tense relationships, the struggles that come with a union job, and one of Richard Pryor's greatest performances in Paul Schrader's directorial debut, Blue Collar!
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I think the great thing about a lot of movies
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is that blues riff.
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Do you know what I'm talking about? Yes, It's in
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so many movies, and it dawns.
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I mean, we we've never covered a movie that has
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that blues riff.
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You know, the Adventures in Babysitting.
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We have not covered Adventures in babysitting. That's that's not
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exactly an underrated film. I don't know that we will,
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but I'm glad that we're finally getting, you know, a
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chance to maybe talk about one of those movies that
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has that that blues riff. You know what I'll you
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know the blues riff I'm talking about now. And it's
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so easy because you can make a song out of
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virtually anything, right, Yes, all right, hold on, I'm gonna
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send you something.
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We're gonna let's let's put this to the test. Okay,
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all right, I just I just I just sent you
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four four lines.
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All right, all right, all right, all right, I'm gonna
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give it a beat.
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Are are you ready for this?
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Wait?
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Already?
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I just go one at a time, don't just go
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one time? Are you ready for this? All right? Yeah?
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Single mother on a film? Buy no hell ain't freezing,
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just keeping these boys in line.
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D I think we just got our new theme song.
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Oh god, how great was that? Amber Lewis is the voice.
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Hell Ember, I got my own theme song. Now, jeez,
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you just see how easy that. I got a hashtag
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that that riff is so good. You can make a
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song out of anything. Amber.
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Let's talk about a film by Paul Schrader, his nineteen
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seventy eight underrated directorial debut, Blue Collar.
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Hello, everybody, I'm Jeff Johnson, I'm Amber Lewis, the voice
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of Reason, the Reason, and this is a.
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Film by podcast Amber. Thank you for being such a
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good sport about that.
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That was that was fun?
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Oh my god, that was amazing.
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Yeah, listen this we we have someone to think. Uh,
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not only for that, for giving us that opportunity, but
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but for this, for this movie. We are talking about
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Paul Schrader's Blue Collar because one of our listeners as
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made I'd say he's made a passionate plea for this one,
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not once, but twice talking about Josh Avery from Detroit, Michigan.
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So Amber last season is when he first reached out
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to us. He wrote, I absolutely love your podcast and
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give it a five star rating.
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Thank you, Josh for that. We always appreciate our five
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star ratings.
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With recent episodes about Union movies, Norma Ray Amber.
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That's that that should date it for you. Yeah, because
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you did Norma Ray forty five. Yeah, he says.
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He says, with recent episodes about Union movies and coming
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of age movies, I would recommend Blue Collar by Paul
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Schrader and Heaven Help Us from nineteen eighty four as
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a coming of age movie. Keep the great episodes coming
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fan for life and a follow up message, He also said,
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Paul Schrader is from my hometown and Blue Collar, in
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my opinion, is Richard Pryor's best acting work.
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I gotta tell you, this was the first time watch for.
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Me and I may I never I might have heard
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of this.
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I might have to agree with Josh Avery about prior.
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Maybe maybe this is his best his best acting.
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I mean it was sure amazing.
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Yeah. Well, and you know he mentioned the he talked
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talking about coming of age movies.
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He mentioned Heaven Help Us, so I looked into that one.
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It's actually it was actually released in the US and
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February of nineteen eighty five, which means it's fortieth anniversary
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is a few weeks away. It's streaming on Max right now,
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So I don't know, remember what what do you say?
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How about we cover that one on our Patreon next month?
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I think that Donald, Donald Sutherland, I know you're Donald Southan.
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I've ever heard of that one either.
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It'd be a first time watch for the both of us.
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Another first time watch.
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We've been doing that and after this one, like I
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trust Josh.
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Yeah, we trust Josh and Josh we trust.
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Oh no, I do know this one. Okay, I haven't seen.
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It, but I know it Sutherland Andrew McCarthy. Yeah, yeah,
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I was looking into this. I was like, how did
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this is eighty five? How did I not ever see it?
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So?
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I think we should do it.
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Actually, I think we should just we should add that
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into the Yep, the next month's Patreon.
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Lineup sounds like a plan, all right.
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Well, back to Paul Schrader, little little uh three facts
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and in a quote for you, Amber, we love our
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we love our facts. Right absolutely, Here's what I'll tell
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you about Paul Schrader. He's known for writing and directing
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stories about men who fall into desperation as their situations escalate.
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And if you are familiar with Paul Schrader's work before
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we even get into it.
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That is that's that's right on the money for this guy.
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Yeah for real.
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Yeah, And when we get into like you know, I'm
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gonna I do want to kind of blitz through his
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his written work here.
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In a minute, so we'll But does that ring true? Absolutely?
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Yes, for sure. I mean I didn't know him as
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a director, but then when I clicked on him as
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a writer, I was like, oh, I get it.
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You get it right.
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Fun fact he shares a birthday with actor Danny Glover.
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I don't think they've ever worked together. I can't think
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of Danny Glover film where it's been written or directed
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by Paul Schrader. Looking at his at his fomograph.
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I think, yeah, I don't think.
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So let's get these birthday boys together, right, yeah. Amber.
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On several occasions, he has shared his belief that the
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human race will be extinct by the year twenty fifty.
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I don't I try to dig deeper, it's just something
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he believes.
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I don't know.
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Wow, maybe because twenty fifty sounds like a made up year.
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Well that's not a rail year. Let's be let's be fair.
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He's in his seventies. We're not. You know, we're going
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to see twenty fifties. So let's hope that we're still around.
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The things they are looking right now.
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We'll find out, we'll find out.
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A quote from mister Schrader, he says, if you write
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interesting roles, you get interesting people to play them. If
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you write roles that are full of nuance and contradiction
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and have interesting dialogue, actors are drawn to that. You
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have to have a role where an actor says, Okay,
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I'm not going to get as much money as I want.
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I'm going to have to work on a shorter shooting
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schedule then i'd like. But the role is really interesting,
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so let's do it.
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That's a that's a that's an artist.
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Yeah. Well, and to have the talent to write those
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things like, yeah, this guy's amazing.
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I'm gonna I'm gonna chet here. I'm gonna give you
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a bonus quote because I read this one. I was like,
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that is so Amber Lewis. We we we've talked about
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how we feel about studio execs over the past five seasons.
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Sometimes they help a lot of times they don't. I
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think Paul Schrader is Uh, it's like he's on he's
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on our wavelength. He said. Quote.
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Every time you think the studios have fucked you every way,
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they can they come up with a new way.
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How about that? Boy?
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Isn't it the truth? Though?
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This guy does not pull punches at all?
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Wow?
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Can we can we add a little a little moment here,
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a little written by Paul Schrader because I know, I
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know this is where we're It's directors, But let's let's
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talk about what he's written. Nineteen seventy four, he writes
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the Yakuza Amber. We covered Brad and I did an
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episode on the Yakuza, So go back and check that
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out if you didn't listen.
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That's that was early.
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I was like season two maybe nineteen seventy six. Taxi Driver,
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which we covered on our nineteen seventy six limited series.
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Did that one with Andy tom So shout out to Andy,
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who who is a taxi driver fan.
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We had a good time on that one.
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Nineteen seventy seven, Rolling Thunder, nineteen seventy eight, Blue Collar,
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which we're talking about today, nineteen seventy nine Hardcore Amber.
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Does that ring a bell to you? Have you seen
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that one?
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Oh?
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I can't. Okay, all right, we'll put a pin in that.
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I can't wait to talk about that one nineteen eighty
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American Jigglow and Raging Bowl nineteen eighty two.
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Cat People nineteen eighty six.
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One you are definitely familiar with because we covered it
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on our Patreon. It was one of our lost nineteen
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eighty six episodes. I'm talking about the Mosquito Coast.
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Yes, nineteen eighty eight.
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He's back with Scorsese, The Last Temptation of Christ in
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nineteen ninety seven.
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He does affliction.
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All of this, and not only has he never won
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an Oscar, he's only been nominated once.
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Can you believe that?
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No? But I mean it's a competitive world, but it Yeah,
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but still some of these are amazing.
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I mean Hollywood classics.
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Speaking of classics, let's talk about Blue Collar Amber this one.
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I didn't know anything about this one until Josh Avery
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introduced us to it. And I know this was the
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first time watch for you. This might be a first
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time watch for other people. Maybe they haven't seen it.
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Can you tell us what Blue Collar is about? Give
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us a little synopsis, if you will.
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It's about three guys that work in an automotive factory
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and they're all, you know, struggling financially, and they decide
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to rob the union headquarters. They think there's like the
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motherload to be found in their safe, but they also
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find corruption and dirty dealing and and a lot of
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nefarious things going on in the union, so they decide, hey,
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we could go in for some more money and blackmail them.
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Yeah.
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So, despite its critical acclaim and success, Schrader has publicly
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disowned this film.
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Does that surprise you now that we've seen this.
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I mean, unless it has to do with what went
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on behind the scenes, because this movie is amazing.
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It's an incredible film, and I think it has everything
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to do with what went on behind the scenes, because
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this film famously had a very troubled production, full of fights,
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verbal abuse, walk offs, standoffs between the cast. Schrader even
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claimed that a drug fueled prior punched Harvey Kitel in
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the face, hit yaff at Coto with a chair during filming,
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and pulled a gun on him, insisting that he wouldn't
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do more than three takes for a scene.
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Whoa I mean, Richard Pryor was struggling, So I can
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kind of believe all of these things.
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This is Richard Pryor the seventies cocaine at the height
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of his at the height of his popularity, in his power.
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Yeah yeah.
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Schreder even gave an interview in which he said, quote,
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I hired three bulls and asked them to come into
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a china shop, and I promised each of those bulls
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that they would be the lead actor.
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He kind of met himself up.
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You kind of brought this on yourself, Paul. Let's let's
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think about this, because you've got three incredible actors right here,
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right You've got three name actors, and you tell each
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of them, Hey, this is your movie, and then when
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we get to set, they all figure out that they're
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not the lead.
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What did you think was going to happen?
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Egos even just the way that they the different ways
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that the three of them work, Yeah, where Harvey Kaitel
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takes him like three or four takes to kind of
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get his groove on and then he's ready to give you,
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like the good one. Richard Pryor wants to do the
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first three because that's when he's all hyped up, and
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then he's done. Yeah, and then you off that codo
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