Nov. 12, 2024
Phasers Set To Stun: Lower Decks S5.E4 A Farewell to Farms
On "Phasers Set To Stun," we recognize the popularity of all things Star Trek, with a look at the television shows, animation, movies, and more. On this week's episode, our crew welcomes the return of Star Trek: Lower Decks for it's final season. Join us for a recap of episode 4, A Farewell to Farms.
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WEBVTT
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Space the Final Frontier. Join us for a bold conversation
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our prime directive to recap our favorite Star Trek shows,
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both new and old, to engage and debate about all
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things Trek. Prepare to energize with Phasers Set to Stunt.
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Hello everyone, and welcome back to another episode of Phasers
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Set the Stun, where we continue to show our love
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for everything Star Trek and this ongoing series from a
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film by podcast which focuses on every quadrant of the
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expanding universe of Trek by covering television, animation, movies, directors,
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and much more. Plotting the course, as always is your
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Core Trek crew.
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I'm David Burns, oh, I'm Wayne Whitey, and I'm Scott Hoffman.
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Nice, guys, Nice, what a newbies? Good? All right? Red
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alert lower deckers. This episode is full of spoilers, so
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if you haven't seen it, please go do so and
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then come back to join us. We will be waiting.
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I promise this episode is going to be cling on
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as hell. As we are discussing season five episode for
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a Farewell to Farms, written by Diana Tay and directed
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by Megan Lloyd. Guys, we get a very unusual opening
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credit sequence for this series, a much more theatrical one
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in my opinion. That sort of feels like Star Trek
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Insurrections opening in my opinion. Oh yeah, we also get
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some focus on the side of the Klingons we have
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never seen. But before we dig into all of that,
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Wayne tell us what this episode is all about.
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On the planet Kronos, Ma, a Klingon lower Decker who
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was promoted to captain and then demoted back to lower Decker,
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is in disgrace after his crew had mutinied against him.
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Ma works to find a new place in the universe
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and with his family business, with a little help from
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Marner and Boemer. Meanwhile, on the us of Cerritos, doctor
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Miglimou gets a visit from his fellow Kloican food critics,
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a highly regarded position in their society, who seem to
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have it against the doctor and find his cooking to
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be a disgrace.
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Two different stories here, completely opposite, different spectrum. Yes, two
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completely different, I have to say, Ma story, it's it's
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sort of like wolf Wharf, you know, and the fact
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that like he's following his own path, which is really
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not the Klingon way at times. It's his own way,
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which I really really like that about this episode.
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Yeah, I felt the same way exactly that it really
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reminded me a lot of war. But I I really
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liked this episode is I'm sure, And you know that's
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that's saying a lot because I'm not a big fan
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of the Klingons and they're they're episodes. But this this
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is a really good episode and it felt very cinematic,
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you know that, especially with that opener, which I loved.
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I love when shows do that anyways, create a you know,
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different types of title sequences or does does their openers
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different that this was, This was perfect, but it was
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a great story. I actually enjoyed both both storylines this time.
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I did too. And you know, Wane, I think you
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and I kind of mentioned a little bit that score.
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That opening score was amazing.
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Oh yeah, we don't talk enough about the music that
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Chris Westlake. He is phenomenal. He's done such an incredible
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job over these last five years. They need to put
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more out on as a soundtrack for us to get it.
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But this episode is a great example of what he
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can do. Is beautiful.
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Well, and Dave, like you said, like the look of
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this I think Megan Lloyd needs a lot of this.
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One, yes, because it's gorgeous to look at.
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Like I going back for a second viewing, I devoured
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those opening sequences and the fight scene toward the end. Yeah, yeah,
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oh my god, the fight choreography, the movement, it was
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just phenomenal.
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You know, much beautiful animation in this one. Yeah.
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There's one shot that was in an opening sequence that
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just blew me away. And it's that where the sunset
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is going down and MW is like going his chores
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and he throws the communicator because it goes off and
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he's getting pissed off obviously. Yeah, dude, that shot was incredible.
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Yeah.
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I know it's animated, but like the cinematography, you mean,
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the photography of me is like, oh my god, that
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is incredible.
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Yeah, yeah, yeah, it's beautiful.
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Yeah, And the whole episode was like that. And Wayne,
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just like you, I enjoyed both stories going on here.
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I mean I was really unlike you. I don't like
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a lot of cling on episodes. Sometimes I find them
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a little dull, but this one was fan I was
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totally pulled into the story.
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I love klingon episodes. I'll be on the other side
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of it. I think they're I think they're interesting, they're exciting.
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There's a lot of like, I guess I'm right there
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with Boemler, you know, being fascinated by the pr C
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and he loves getting beat up in the bar.
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But I don't know.
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I think they they brought a lot of Klingon callbacks
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that I know we're going to hit into with Easter eggs.
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But we've we've never seen where they make blood wine,
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to say nothing else.
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I'm still not sure where it comes from. I mean,
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that was a Targ farm, and you tell me blood
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wines the blood of the Targs.
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I guess I don't know.
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They only show us how they make the sausage, which
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is good.
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I mean, we've never seen Klingons being farmers. So here
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we go.
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No, you're right, not really, Yeah, no, there.
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Was kind of a unique episode.
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There was an interesting line in the beginning when he
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started to getting the calls from Starfleet and he was like,
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that's just a furrengus gammer.
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I was like, oh, there, we obviously have to mention
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that Boyer's facial hair is still coming in more.
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Like a little caterpillar.
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I loved doing this. I love it.
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I love that he uh, he got some kind of
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praise from Mariner and he was like, oh, it's the
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beard and she's like, is that what we're calling it?
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Like this, there's a couple more lines drawn on your face,
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but that's about it.
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And his like crazy attitude of like wanting to jump
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in and like fighting violence, and all of a sudden,
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even Mariner makes that comment like you're just scared. You're
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afraid of violence. You scared when you went down the
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ski slope. He's like crazy in this episode.
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When he jumps on the side of the targ and
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he's like, yes.
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That was fantastic. I'm really glad they brought the mob
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back because I love his character. I know he was
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very an important part from Mariner last season and what
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the inner fight in Old Friend's New Planets. I believe
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you know, he was very important to that, and I'm
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glad they revisited that again, that connection. And I love
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the fact that the Mariner's excuse to why they're there, Yeah, sure, okay, fine, whatever.
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You did all this to look for holes?
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Yeah in space, in space, But the whole all three
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trials that they had to go through, I thought were
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so well done and thought out that first one when
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they were getting electrocuted, I thought was so hysterical when
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his brother was like, get over here and colluct me,
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you coward.
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Yeah, that didn't make me want to go back, and
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I know it will come up in these dregs, but
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it once makes me want to go back and revisit
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that episode that where Warf had to go through that.
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Yes, a lot of good stuff, but I thought all
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three trials were awesome, especially the final trials, which you know,
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we kind of touched based on that a little bit already.
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With the choreographing and the fighting and the violence that
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was in this episode, it's like, holy crap. Okay, yes,
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and yeah, yeah, you almost forget you're watching the animation.
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You know, we kind of touched based on this in
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the last episode where you know, anyone who doesn't watch
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Lower Decks because it's animated, you're missing out, you know.
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In this episode, I mean, I literally forgot I watched
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watching animation because I was so pulled into the story,
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pulled into the characters of what was happening, that I
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had to remote this is this is an animation, But
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who cares?
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Because this is a great example of that. You know
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we were talking about don't don't ignore it just because
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it's animation. This episode is a perfect example of why
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you shouldn't, because this is just it's it's beautifully done,
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beautifully animated. It's great Star Trek.
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Yeah, it absolutely And I'm glad we got some more
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doctor meaglely Mo's some more of him. Yea. I really
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like the getting to see some of that, get see
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some of his wraith. And his line is I am
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more of a chef of the mind. Okay, yeah, all right, yeah,
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sure we'll go with that.
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He's got the pincers and he's just tossing him.
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Yeah.
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Yeah, I think the the's not a klookan food critics
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were a very nice touch, a very interesting touch when
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they come out and they just they hate everything. The
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carpet smells, the lights are horrible.
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It's an interesting concept too. You know, we really after
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five years, really hadn't learned too much about him, and
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now we you know, got a name for his race,
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We've got their their beliefs and the ideology and you
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know the how they revere food and cooking and stuff.
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And I love that. I mean that, that's that's interesting.
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It's nothing something that's never been done in Star Trek,
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and and it was hilarious. I mean that that's what
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his That's all that storyline really was for this episode
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is the main story was the kling On one. But
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it was just for humor, but it was it was
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very well done and it was funny. I mean they
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did the job.
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Yeah, you needed that lighthearted story a little bit. What's
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going on with the Klingon, So I guess that's why
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they put.
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It in there.
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Well, I thought the there was a subtle thing, but
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the bird shaped fork pincer that they would use to
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take bites was basically the shape of a little bird head,
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so it would like chew it up for the bird
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first and then they would eat it.
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I thought that was a very little touch.
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Yeah, the whole thing at the end, Tim when they
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how they tricked them, Oh yeah, with it, with it
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with this tastes like shit.
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We replicated manure.
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And then Attend holds up this little I don't know
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what you call it, like a confectionery.
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Kind of thing.
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Yeah. I would have said to Tending, you didn't need
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to bring that with you. It's okay. Everybody can smell it.
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Everybody knows what it is.
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The only thing that I'm really aggravated about on how
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good this episode is the fact that this is our
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last season, guys. Yeah, and it feels it really feels
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like they are just going gangbusters now. I mean, all
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the episodes have been great, all the stories have been fantastic,
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but it really feels like just letting it all out now,
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you know, and they're just finding their own and I
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hate it. I hate it because come on, let's get
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another Let's get a movie. Come on, we can someone's
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got to happen here, Paramount, you got it. You cannot
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let lower Deck have difficult.
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Yeah, because I mean, all these characters are getting such
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great development over this and last season, and I'd hate
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for this to be it because we want to now,
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we want to see where it goes, where these characters go.
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Yep.
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Well, it's definitely a proof of concept that this could
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be cinematic, because that is right. I mean, this is
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just kind of like a sampling of what they could
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do with what we've already talked about with the music,
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the choreography, the direction, the the look and the feel
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of this, like all of it could lend very well
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to a full length movie. And I think one of
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the lucky things about this we had the crossover with
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Strange New Worlds. We've had a lot of character development here.
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I think there's a lot of opportunity for these characters
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to continue elsewhere. Oh yeah, if it's not a continuation
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of Lower which we would love to have, paramount, but
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if it doesn't make it there, at least we know
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these are characters that we can come back to in
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some form. And if they can resurrect this at some
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