WEBVTT
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Space the Final Frontier. Join us for a bold conversation
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our prime directive to recap our favorite Star Trek shows,
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both new and old, to engage and debate about all
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things Trek. Prepare to energize with phasers set to stunt.
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Welcome back to a new episode a Phaser set to stem,
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where we continue to show our love for Everything's Star
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Trek in this ongoing series from a film by podcast
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which focuses on every system of the expanding Star Trek
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universe by covering television, movies, animation, directors, merchandise, and much
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much more. Flotting your course on this voyage is your
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Core Trek crew. I'm Wayne Whited, I'm David Burns.
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And I'm Sky Hoffman.
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And today we're discussing an all new episode of Star
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Trek Starfleet Academy Episode eight, titled The Life of the Stars,
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which was written by Jiea Fiolo and Jane Maggs and
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directed by Andy Armaganian. So from this point forward, it's
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red alert. There are spoilers ahead. If you haven't seen
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this episode yet, please stop and beam yourself to the
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nearest viewscreen to catch it on Paramount Plus. Then come
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back and rejoin us for this discussion. So, David, why
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don't you give us the short summary of the episode.
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The effects of PTSD are very real and continue to
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surface among the cadets following the fallout from the Miyazaki.
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All of them are struggling and it takes a toll
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on their academic performance, their personal lives, and their friendships.
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Most notably, Tarama and Sam Killtley arrived at Starfleet Academy
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not only to teach theater, but to use it as
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a tool to help the cadets work through their pain
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and trauma. The class this task was selected a play,
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and is Sam who chooses our Town. As they begin
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to disfect the play, the cadets slowly realize it's deeper
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meaning and how closely it mirrors their own lives. At
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the same time, Sam's condition worsens as she begins to
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glitch more frequently. Eventually, she is forced to leave both
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the class and the Academy, returning to her homeworld accompanied
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by Nahla and the Doctor. It is there that the
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Doctor must find the confront what he has been emotionally
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holding back and make a decision he has struggle with
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for many years, one that.
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Will ultimately save Sam.
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Now, before we get into the discussion, let me let
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me say these two quick points. As we predicted correctly
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last episode, Sylvia Tilly is back and she's a really
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nice addition to the cast of this episode. And we've
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also got the Doctor returning after being missing from the
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last episode. This is an unexpected sequel to one of
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the better Star Trek Voyager episodes, which was titled Real
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Life from the show's third season. So if you're unfamiliar
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with that episode, I suggest you to take the time
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and to watch it because it'll help you better appreciate
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this episode and the character of the Doctor himself. All Right, guys,
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what do you think about this episode?
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So I'd like to cap on that as the guy
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who has not really watched Voyager. Okay, It's an interesting
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perspective in that as I was watching this episode, I
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really wanted to dig into Real Life, which I've never seen.
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At the same time, I need some time to recover
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from this episode before I try to see that episode.
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This was without that context, without that kind of background.
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This was emotionally just devastating for me. Like I'm not
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afraid to admit, I sobbed after this which speaks to
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the performance in this episode, especially Robert Ricardo. It's one
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that makes me want to dig into Voyager more, which
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is always one of the great aspects of these shows.
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It makes you want to sample from other parts of
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the buffet, right, But yeah, I had limited exposure to
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his character of the doctor from Voyager, A little bit
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of sampling from some DS nine, a few episodes that
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I've caught just kind of you know, essential watches for Voyager.
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But my god, if Robert Riccardo has been this goes
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the doctor throughout Voyager, I can't use.
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Yeah, David, what'd you think?
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So?
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I mean, I mean, Scott pretty much everything I needed
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to say, because I mean, this episode was extremely powerful.
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My thing is this episode literally makes the last episode irrelevant.
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You literally can skip over last week's episode and not
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miss anything because the doctor's personal log gives you everything
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you need the very beginning of this episode of what's
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happening and the fact that the crew is dealing with
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all that PTSD And you know, Wayne, we kind of
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talked about these yesterday when we were hanging out. Star
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Trek does a phenomenal job with episodes about PTSD. We
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actually done a recent episode on Deep Space nine that
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we talked about where you know, they showed that and
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we're you know, getting through seeing people dealing with that,
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and here's just another episode of Star Trek dealing with
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the same thing with just a younger crew having to
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deal with it for the first time, you know. I mean,
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clearly there's a lot more of this's coming in the
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future for them, unfortunately, but the fact that you know,
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this is the first time they've actually seen something like
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this and dealt with something like this is very emotional.
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But I did not see the Voyager stuff coming at all.
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Like that was kind of hit. And then when you know,
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Sam reached out to ask the doctor to hold her
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hand and he refused.
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I mean, I got angry. I'm like, what the hell
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is your problem? Doctor? Really? I mean I was pissed
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off at him when that happened.
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I mean, tears that's coming down her cheeks and like
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she really needed him and he flat.
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Out refused her.
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But then when Nadla approached him and then he explained himself,
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and I didn't I completely forgot about the Wager episode
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until he started going in that and they gave you
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a little bit of that tidbit of the the you
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know the scenes from that episode. I'm like, oh man,
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then that really hit home at that point.
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And then the.
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Most incredible thing they did in this episode was when
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the Cadets were playing out our town and the montage
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was going back and forth between them to the doctor
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raising Sam.
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Right, those scenes, that was just.
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Phenomenal, Like it took the episode over the top when
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it did that, Like Scott, I'm gonna make I'm with you.
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I mean, I had, I had tears. I I was
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so emotional by the time this episode was done. I'm like, Okay,
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you just completely rebounded from that last episode. Now I
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can put that other episode completely out of my mind
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because this one was phenomenon.
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It's a it's a meta it's a very meta masterclass
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in theatrical drama, Like you don't expect for them to
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kind of layer in the theatrical narrative storytelling that you
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see on the stage play out more and more as
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the episode goes on. That was a stroke of brilliance
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that I didn't even know was happening to me until
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I was three quarters of the way.
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I'm an India, right, it was always hidden.
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And then go on exactly exactly.
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Now.
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What I think is interesting is and a question that
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keeps coming back to me, what I does it help
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to have the space between the Miyazaki disaster and this
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episode of one episode?
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Good question, right.
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Not necessarily the episode we got last episode, which does
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help to dig into one or two of the characters
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a little bit more, but it the one advantage I
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can see is that this seems to have so much
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more emotional heft because we the viewers spend more time
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away from it to help get that, at least for
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Tarima's story arc, if nothing else, to know how long
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she has been through and kind of feel that passage
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of time.
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Yeah, I'm glad you brought that up too, because I
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was thinking that exact same thing. You know, if we
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would have had what was come Let's Away and then
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this episode, I think that would have been really, really
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emotionally heavy. We needed that that episode in between. It
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too bad it was that episode. I mean, it's a
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pity that could come up something else, but I mean
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there did need to be a space between these two episodes.
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I'm glad we were on the same mine because I
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was thinking the same thing.
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See, I disagree with you guys, on this really a
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Night of the Seven Kingdom had two episodes back to
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back that were emotionally heavy, and they were they were perfect.
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It was like a continuing story.
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So I feel like if they had done the same
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thing here, it would have just been the continuing story
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of it, and I think it would have hit just
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as hard as it did now and you would be
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okay with it.
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I feel the last best to Steel.
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Garbage, I agree we should never have had that.
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You know, I'm not trying to save it, Dave, don't go, I.
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Know, I know, but no, I think this should have
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been the next episode after the azaki. I really do,
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because you are emotionally cut off at the end of
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that episode as an audience, and you want to know
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exactly how your audience is feeling without that fluff that
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you get in another one hour episode that you have
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to wait for the following episode to get that. So
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I feel like, no, they should have done that immediately
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so we could have got the exact same thing. Those
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characters got some kind of damn relief from what was happening,
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So yeah, I disagree with you, guys.
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Okay, Well, speaking of relief and a little bit of joy,
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even though it's wrapped around tragedy.
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Is seeing Tilly.
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Again, Oh yeah.
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She was one of my favorite parts of Discovery from
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the jump, and I think to see a more mature,
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more seasoned Tilly come back to help provide therapy, to
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kind of hidden therapy to the entire Starfleet Academy crew
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while also being kind of a parallel to Sam. And
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like I was seeing a lot of parallels to how
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Tilly used to be or used to come across in Discovery.
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I think she sees a lot of herself in Sam.
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Is that fair?
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Yeah?
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Yeah, I think so too, especially in their early years.
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Again, there were so many good scenes in this episode,
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but you bring up a good point about Tilly.
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That scene where her and Tarama are.
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Like kind of going at it, like she's refusing to
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go on with this because she realized that what Tilly
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is doing and Killy's.
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Just not back and off.
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I mean, she actually comes up towards her and starts
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getting almost face to face with her in that conversation.
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And I just thought that was an incredible scene, And
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with what you said, it shows you the maturity that
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Tilly has gotten over the years, because she wasn't like
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that in Discovery for a while, you know, we got
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we got to see her grow with Discovery, but in
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this thene Man, Yeah, she a mature individual who really
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stands her a ground and understands where she's at in
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life and what she's trying to do to help these cadets.
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Very theatrically too right. It takes a very measured, like
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one step at a time kind of approach to something
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we've been talking about. I don't know how many times
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of the Ship's councilor having one of the most daunting
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duties in these series, but you know how many times
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has Miles O'Brien probably been like, all right, go ahead
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and buy yourself about because I've got a lot of
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sessions coming up. To dig into this much depth to
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kind of dedicate to something like this. I think it's
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a it's a brave direction for them to go in,
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and I'm glad they're doing it.
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I yeah, I mean, we've had we've had some phenomenal
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episodes this season and and one miss. But my opinion
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of this is that this is probably the strongest episode
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to date so far, and we still got two more,
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So you know, I'm gonna hold that. I'm not gonna
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quite say it is, but you know, this is this
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is the episode I was expecting to get after Come
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Let's Away. I mean, we had that little gap, I
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kind of you know, the little breather. I know, we
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disagree with that, but this is what I was expecting.
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But because I wanted an episode that was that was
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full of character and emotional growth for for the cadets.
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But this is a sweet plus because it's full of
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of that growth for the doctor and that's the character
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that we're most familiar with. I'm really surprised at that.
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You know, just there's a lot of stand up performances
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in this, both Carrie's Brooks and Mary Wiseman. But I