WEBVTT
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Space, the final frontier. Join us for a bold conversation.
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Our prime directive, to recap our favorite Star Trek shows,
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both new and old. To engage in debate about all
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things Trek. Prepare to energize.
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Welcome back to a new episode of Phaser Set to Stun,
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where we continue to show our love for everything Star
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Trek in this ongoing series from a film by podcast,
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which focuses on every system of the expanding Star Trek
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universe by covering television, movies, animation, directors, merchandise, and much,
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much more. plotting your course on this voyage of the
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USS Enterprise as your core Trek crew. I'm Wayne Whited.
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I'm David Burns.
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And I'm Scott Hoffman.
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And today we're talking about the season finale of the
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fourth season of Star Trek Strange New Worlds, titled Tomorrow's Enterprise,
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which was written by Henry Alonzo Myers and Robbie Thompson
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and directed by Chris Fisher. So from this point forward,
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it's red alert. There are spoilers ahead, and by now
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you should have went over to Paramount Plus and watched
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the episode. So sit back, relax, and have a listen
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to what we have to say about the episode itself. David,
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why don't you start with our short summary of the episode?
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The Enterprise encounters a white hole, an extraordinary, rare cosmic phenomenon.
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As the crew studies it, a sudden anomaly lashes out
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and strikes the ship, triggering a strange auditory signal that
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only a whore can perceive. When she decodes it, she
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discovers something impossible. The signal is coming from herself one
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year in the future. In that future, a second Enterprise
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is trapped on the edge of a black hole, the
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opposite end of the same cosmic event. The two Ahuras
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establish communication across time, each experiencing fragments of the other's reality.
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President De Ahuras hears Scotty's death cry even though he
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is alive. Future Ahura remembers Scotty living despite her crew,
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insisting he died a year earlier. The contradiction reveals a
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fractured timeline. A temporal shock then switches the two of
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her placing the younger version aboard Kirk's future Enterprise and
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the older version aboard Pike's present one. This gives each
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woman first insight into what went wrong.
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Yeah, it was quite a season finale. At least I
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thought it was. I really enjoyed it. I got to admit,
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for a season finale, I thought it was great. It
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stood up to many of the other three that they've
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done over the years. But I think I think what
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I like most about this is how straightforward, character-driven Star
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Trek this really was. It works well. The show works
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well when you're doing episodes like this. I think the
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whole idea of Yohura communicating with your future self through
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that white hole, I thought that was a unique twist
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to the whole usual time travel stories that Star Trek's done.
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We've had quite a few of them in the past.
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I want to mention Celia Rose Gooding. She did a
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fantastic job this episode playing two versions. That's got to
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be difficult to be playing two different versions of yourself,
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your character in the same episode. I thought it was
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a very clever episode, very unique twist, and very enjoyable
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season ending. What did you guys think?
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I mean, not only was she playing herself twice, which is,
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you're right, is a very difficult thing. but they were
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noticeable differences in her performance when she was playing her
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a year older self.
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And then her one year younger self, you really could
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see the difference.
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And I'm not talking just the hairstyle, which finally looks
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like a whore is hairstyle, but you could just see
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the difference in her, the way she, her mannerisms, the
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way she was presenting herself, the way she was speaking
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to people. You could definitely see a year was sitting
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on her shoulders compared to her older self.
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So her performance in that stuff was incredible. Um, I
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loved the episode.
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I thought it was really well done as a season finale. No,
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I don't, I don't think this works as a season finale.
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In my opinion, this felt like a, an episode that
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you would find in the middle of the season or,
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you know.
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Three quarters of the way through a season.
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Um, now I did like, we get to see, obviously
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she gets to see, cause she's the only one that remembers, uh,
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by the end of this episode, uh, she knows Kirk's
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going to take over the enterprise, uh, She knows McCoy's
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coming because obviously you heard that conversation going on that
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they're talking about McCoy.
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And then something's happened to Leon. We don't know.
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When she presented asking that question where you're like, Kirk
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wouldn't answer because of, I guess he obviously didn't want
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to tell her what had happened. So obviously we knew
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something bad was coming with.
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One of these characters.
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We've been fearing that. Now we've kind of got a
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little bit of confirmation on it, yeah. We did.
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But overall, I really liked the episode.
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You're right.
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Celia stole the show. Clearly it's going to be all
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of our favorites on this one because she.
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Actually stole the show, no matter which way you look
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at it. But I loved it. Scott, what about you?
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Yeah, I mean, I really enjoyed it. I agree with
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what you're feeling there about it not quite feeling like
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a season finale.
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Mm-hmm.
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Um, although I wonder if that's kind of perfect for
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this season, kind of feeling like an in-between season, like
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it doesn't set up a big cliffhanger. It doesn't set
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up a big dramatic arc or anything else like that.
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It's just helping to kind of move some things forward.
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But there was part of me that kind of felt like,
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I don't know, it doesn't feel like the next to
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last season finale. That being said, I completely agree with
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what both of you are saying this, um, uh, Celia
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Rose Gooding did an amazing job as usual. as Uhura.
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I think I want to believe that the speech that
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she's having to herself at the end is in some
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way hopefully influenced by Nichelle having some feedback to Celia
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before she had passed away. I like to think that
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there's a little bit of any kind of passing the
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torch advice that Nichelle would have given to Celia it
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just felt like it could have been a speech that
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she would have written to her. I also feel like
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maybe it's a little bit of her kind of giving
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confidence to herself to say, like, you have brought this
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character to where it needs to be. You've done it justice.
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And I appreciated that. I think the temporal mechanics of
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this one are fascinating. Because I'm trying to pick apart
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which things we could possibly rely on as truth for
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what it's predicting for the future right because part of
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me is kind of thinking well before they went on
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the shuttle Scotty and Captain Artagus and Uhura that everything
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up to then could still be seen as true timeline
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before anything got disrupted or whatever so for example like
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McCoy being part of the bridge crew next year but
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they don't say anything about La'an before that um And
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I know that there was something mentioned about how some
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of the things were a little messed up with the time,
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like Uhura then calling Pike Admiral Pike.
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Yeah, that confused me.
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As if he hadn't had it. So I kind of
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feel like after the shuttle accident, things had skewed slightly.
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So it's wibbly-wobbly, timey-wimey stuff I'm not going to get into.
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But it is interesting how many kind of pseudo-teasers they had.
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I missed being on the last... episode. But just one
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thing that I was thinking of after watching this episode
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and hearing you two talk about it, Laan's dog I
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think is going to have some kind of emotional tether
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to her. She's come to terms with Laan, she's softened
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a bit, and now she has something that's going to
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miss her regardless if she's gone, if she leaves her behind.
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And I think by exploring this episode, leaning so much
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into time travel and temporal whatchamacallits, it's entirely possible that
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La'an might be, I don't know if it's necessarily lost
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in time, or just heavily involved with that aspect of Starfleet,
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where she basically has to go away, and possibly leaving
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that dog behind. It just seems like there are so
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many little seeds that they're dropping in this, that I
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would be very surprised if there's not something about time
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travel that doesn't come up next season.
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Oh, yeah.
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Most likely Star Trek. Time travel always comes up with
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Star Trek.
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Time travel in a cave.
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It's kind of funny how amusing it was that, like,
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Kirk was able to give her feedback on time travel.
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Pike was able to give her feedback on time travel.
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And Leon was available to give her feedback on time travel.
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Right.
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You know, one of the things that I was laughing
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to myself as I was watching this episode, until she
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finally got to this point in the story.
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As big as, like, just tell the damn truth of
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what's going on. Mm-hmm.
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You would get to the bottom and solve things so
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much faster. They're going to believe you. They will believe you,
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I promise.
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Why are you hiding the fact that.
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You went through the time or whatever it is?
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Just talk about it. Be open and honest.
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You will figure it out.
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Instead of this Three's Company approach. It's almost like they
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need Mr. Roper to be part of the temporal investigations. Yeah.
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Because when she did finally tell the truth, well, it
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was uncovered, it all worked out.
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Kirk worked with her.
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Pipe worked with her.
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It's like, just come on, talk to your family, figure
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this out, quit hiding it.
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It would have made things a lot simpler, wouldn't it?
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Yes. Yeah.
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But, you know, the cinematography in this was incredible for one,
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the editing. It was. When the future of horror and
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the past of horror were like, you saw them on
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split screen and stuff.
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Oh, that was great.
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And they like.
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Dissolved into one another as one person. That was incredible
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editing and cinematography. So hats off to them for that stuff.
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Yeah.
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Yeah.
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I got the impression that, you know, once everything after
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the accident is just a possible future that we, you know,
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we may have been thrown. Given a little bit of
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a side thing, none of this is what we think
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may really be happening because history has been changed or
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the future has been changed, so who knows what's really
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going to happen. I was very confused about some of
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the time travel. I suppose I will admit that. First
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of all, I love the little look of the Enterprise
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and seeing Kirk as the Enterprise, especially now since it's
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pretty obvious we're not going to be getting Star Trek
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Year One. Um, so it's kind of a, kind of
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a glimpse of, of what could have been kind of
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sad actually, because it looks like it might've been a really,
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really good series. Cause it was neat seeing, you know,
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Kirk in that chair and the familiar uniforms and, and
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everything that, you know, the hairstyles and it, it just,
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it was more than just like fan service. It really, it,
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it worked for me and I, I'd love to have
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sold a series with all them, but unfortunately we're not
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going to get it. And we, we, come to to
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understand we're not going to get that but here we
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are at least we got to see a little bit of.
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It's heartbreaking because that show could go so far without
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touching og episodes you know it really could yeah and
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i mean you could even you could even do some
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fan service with it with you know not redoing the
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original episodes but at least touching on some of the
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stories of characters mentioning things that were happening that we
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know from the original thing so I mean, it's almost
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like printing money.
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I don't know why. I mean, I do know why.
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I get it.
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It's under new ownership. They want to go a different route, blah, blah, blah.
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But I mean, this is what a lot of.
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The fans want.
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This thing that they keep driving, that we need to
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change it, that we need to go.
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A different way. I don't believe that. I don't believe that.
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You can still go a different way, yet give the
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fans what they want. It would work. You can still
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do your thing and still give us this series. You know,
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just like Star Trek Legacy is another one that we're
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not going to get. But, you know, we could have that.
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It could be done. But I don't know. None of
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us know exactly what the heads of Paramount are really thinking,
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what's going on right now for the future of Star Trek.