WEBVTT
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Space, the final frontier. Join us for a bold conversation.
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Our prime directive, to recap our favorite Star Trek shows,
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both new and old. To engage in debate about all
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things Trek. Prepare to energize. With phasers set to stun.
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Hello, everyone, and welcome back to Phasers Set to Stun,
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where we continue to show our love for everything Star
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Trek in this ongoing series from a film by a
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podcast that explores the expanding Trek universe by covering television, animation, movies, directors, merchandise,
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and so much more. Plotting your course, as always, is
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your core Trek crew. I'm Scott Hoffman.
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I'm David Burns.
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And I'm Wayne Whited.
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And I'm really excited to talk with you two about
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the latest episode, Orders of Magnitude, directed by Sherrod Lewis
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and written by Ellen B. McElroy and Onitra Johnson. Since
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this is fresh Trek with Strange New Worlds, we're calling
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for a red alert on spoilers. So if you haven't
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seen the latest episodes, just pause us for a little
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bit while you get caught up. Wayne, why don't you
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tell us what this episode is all about?
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The Enterprise is commandeered by Admiral Simon Rieger, a decorated
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Starfleet war hero, to pursue a mysterious cloaked alien vessel
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responsible for a devastating attack on a Federation colony. With
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Captain Pike and several senior officers away on a distress mission,
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Lieutenant Commander James Kirk is unexpectedly placed in the position
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of acting first officer, only to discover that Rieger's pursuit
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is becoming increasingly personal and extreme. When the alien ship
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disappears into the atmosphere of a populated planet, Rieger invokes
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General Order 24, ordering the destruction of every living thing
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on the planet to ensure the enemy is eliminated. Kirk
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refuses to stand by, uncovering the truth behind Rieger's obsession
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and the Admiral's connection to Kirk's father, while Pike and
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his away team face their own dangerous encounter with Andorian smugglers.
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I feel like this is a Trek episode that absolutely
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stands out in this season, um, I think it's another
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episode that obviously goes, Trek Admiral's a bad name.
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Yeah.
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But overall, I think this could be considered one of
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the best of the franchise. Dave, I hope you agree,
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but what are your thoughts on this?
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No, I completely agree with you, Scott. To me, this
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is the best episode of the season. This is Star
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Trek at its finest right here. When I go back
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to look at other Star Trek shows and look at
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those episodes, I remember so many episodes that just stand out.
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So when I look at this season of Stranger Worlds,
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this one's going to be the one that stands out.
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I feel like even though we've seen a lot of Kirk,
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and Wayne, I know you made that note this year
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that you hoped we were going to see him, a
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lot of him, but this one needed Kirk for obvious
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reasons because of his dad and those kind of things.
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But I feel like that this is the birth of
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the Kirk that we know. This is where it's launching
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him to become that captain because the decisions he makes
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in this And, you know, Paul Wesley, we've always said
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he's done a phenomenal job as Kirk. He would be
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on that level in this episode as Kirk. And I
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would love to see more of him. And I'm talking
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after Stranger Worlds, but I don't think we're going to
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get that, unfortunately. But I just think he was brilliant
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in this. I thought the whole episode was brilliant. I
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thought Joe Morton, even though the whole bad Admiral thing
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in Star Trek just keeps creeping back in, I swear.
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Yeah.
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But Joe Morton was fantastic as Admiral Raker. The scene
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where you find out that he got drugged, and he
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just blows up on the bridge and gets removed from command.
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I just thought that whole sequence right there was phenomenal.
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How he kept punching Kirk, and I was like, holy crap, man,
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this is getting seriously intense. But that whole sequence was phenomenal. Overall,
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absolutely loved this episode, Scott.
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I feel like it had a lot of Crimson Tide.
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vibes in that particular scene. Wayne, what are your thoughts
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on it?
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Well, yeah, I agree with everything that David said. This
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was a really tense but incredibly well done episode. It
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had me entertained all the way from beginning to end, really.
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And I think a lot of it, because you're right,
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I did say that I was hoping that we didn't
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see very much of Kirk, but this episode needed to
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be made. A lot of what this episode came down
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to Paul Wesley and Jim Worden, which they're both fantastic
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in this episode. I love it. The bad Admiral can
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tend to be overdone in Star Trek, but he did
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such a great job at it. It really didn't feel
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like the usual trope that you get with most of
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Star Trek. I think it's probably the best part of
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the episode, but I really liked the stuff that happened
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on the planet with Ike and his group. because of
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Yohura's story. I mean, I'm glad that she got such
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a strong part, strong thing here in this episode, and
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I loved every minute of that. You know, she'd step up.
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She rescued the landing party, and that was really impressive
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what she did. That's the Yohura we always wanted to see,
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and as usual, Celia Rose Gooding is just doing a
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fantastic job playing Yohura. I cannot praise her enough. of
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what she's done on this. But this is, I love
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the episode. It felt like classic Star Trek to me.
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Put a pin in that part. I want to go
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back to that. I love the planet.
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Okay. I feel like this is kind of a thesis
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statement for why we should continue with this crew in
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kind of the original series. And I know that it's,
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I don't know if it's absolute that it won't happen.
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I'm sure it's probably likely it won't happen. It is
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a crime that it won't. happen because they have such
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a strong template here for the franchise to continue.
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I agree.
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Um, yeah, but I mean, it makes a great case
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for it because I, I think they're all gelling together
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really well. Um, I have a question that might be
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a dumb question. It might be obvious, but the, the
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alien cloaked ship that they're talking about, is it Romulan? Yes.
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Yeah.
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And it's basically setting up the balance of terror kind
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of episode.
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Yeah, exactly.
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Yep. Because he has that very pointed thing when he
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says the blood, the terror that's coming around is on
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your hands. So it's interesting that we have this Kirk
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facing that kind of decision. And now we have a
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little bit more background as to what he must have
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been struggling with on the bridge when he went through that.
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Assuming that the canon we see here is actual canon.
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Right.
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Which would be really smart to see continue. And yeah,
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I think the side mission, another cave adventure.
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We love our cave adventures.
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We do.
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I love that we get a little bit of bar
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table banter between Ortegas and Lon talking about that. But
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I think that mission itself could have been a standalone episode.
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I think it works really, really well as a plot
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device here, and it seems like it helps to contain
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separate stories in one, which gets at it efficiently. But yeah,
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I thought that that particular side mission was done really,
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really well because we got a villain with, uh, tour
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the Andorian and his army, um, who was, was very
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laser focused and was seeing through all the negotiations. Um,
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I thought that was really cleverly written, um, and did
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its own amazing job at keeping that tension going on
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both sides of the, um, both on the ship and
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in the cave.
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So I'm gonna go back to my pen. On the
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cave thing. Yeah. So as much as I love this episode,
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I have a few problems with it. One is it
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felt too easy that they were writing Pike and the
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crew off so that Kirk could get on that ship and,
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you know, make sure that he was part of that story.
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That was just a very convenient way of doing it.
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The other part that I really struggle with is Pike
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is smarter than falling into that trap. Yeah. I struggle
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with him falling into that. It's just, come on, Pike
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is too smart for something like that. And on top
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of that, so they can't communicate to the Enterprise, but
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they can do an SOS. They can send a signal
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out that the Andorians wanted to do. Okay, that doesn't
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make a lot of sense. My other problem with this episode,
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I hate to feel like I'm tearing this episode apart.
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I didn't think of that.
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Although they did say it was a faint SOS.
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They did, but still. Why oh why did you give
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us the Asha character just to write her off like this?
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Oh, there.
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I'm glad you brought that up. I forgot all about that.
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That was so dumb. The only thing, the only thing
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that I can see it is it was part of
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a device to push Ohora to get her promotion that
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she gets at the end of this episode. Because it
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was kind of like Even though she didn't get Asha
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to do what she was supposed to because she was
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training under her, I still felt like that was the
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waste of all of our time.
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Yeah, if that was their intention and it didn't come
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across like that, it was too vague. The character hardly
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really appeared and didn't hardly do anything. It seemed like
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it was a waste. It was a waste of a character.
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I was expecting a lot more to come off of
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that than just what we got. It just seems like
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so pointless to have that character exist in the first place.
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And really, I mean... What was the purpose? What did
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she do? Nothing, really. Nothing at all. That it could
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have at least, you know, did something with her in
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one episode that more, you know, made a storyline about
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her or something. But, yeah, I forgot. She was so unmemorable,
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I completely forgot about her.
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In this episode. I know. She really is. I feel
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like I'm picking the episode apart, but I'm not. You know,
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these are just minor things. They really, really are. This
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episode is phenomenal. Maybe they've got something that she's still
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going to do in Episode 9 and 10 of this season.
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We haven't seen it yet. I don't know. But I
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feel like the way this ended, she's like, oh, see
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you later.
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Yeah, it did sound like an ending.
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I feel like it's entirely possible that if there had
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been more seasons, they may have kind of drawn it out.
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As we're talking about it, it feels like she's less
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of a character and more of a plot device for
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Ohura's growth. That she was kind of a Kobayashi Maru
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management To be like, this is something that Uhura is
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going to struggle with. It's someone who you're going to
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try to connect with. You're not going to be able to.
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You're going to try to give her guidance. She's not
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going to take it. You're going to see potential in her,
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but it's not going to go anywhere. So kind of
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an intentionally frustrating no-win situation for Uhura. And her having
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to kind of wrestle with that at the end. I
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think she... Uhura comes out with flying colors, obviously, to
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save her life for the rest of the crew, to
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take some big risks. But also just to go above
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and beyond to try to connect, to try to reach her,
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and for Asha to basically say, like, well, you just won't.
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And it's not a failing. It's not something that, like,
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it was Uhura's failing that she didn't stay with Starfleet.
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It's just that she didn't want to, and that's okay. So... Yeah,
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I mean, it feels odd that we had all this
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set up just to have it go nowhere. I feel
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like it was also to try to get us to
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empathize with Ahura, to say, like, really? After all that,
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it goes nowhere?
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Let me add this to what you said, too. From
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what I understand from the interviews and stuff, that, you know, about,
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you know, possibly maybe they were going to do something
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more with her character if the series had continued. At
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this point in filming, they did not know they'd been
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canceled yet. They did not know until after they finished
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filming the end of this season before they knew that.
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So this must have been their intention for that character.
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You're right. Unless David, she returns in the next couple
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of episodes. I don't know. Yeah.
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I don't know.
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Sorry, I didn't mean to get on a tangent, but
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it's just... Sorry. I just started liking her character a
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tiny bit, if I remember correctly, in the last episode.
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They do this, and I'm like, really? Come on!
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We know what we'll do. We'll get Dave angry.
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If they would have killed her off, I think it
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would have been better for her character. If she would
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have died from that injury, at least that would have
242
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been a more respectable ending for that character than her
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surviving and then just walking off.