WEBVTT
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Space the Final Frontier. Join us for a bold conversation
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our prime directive to recap our favorite Star Trek shows,
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both new and old, to engage and debate about all
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things Trek. Prepare to energize with Phasers Set to Stunt.
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Hello everyone, and welcome back to phass Set to Stun,
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where we continue to show our love for everything Star
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Trek and its ongoing series from a film by podcast
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which focuses on every quadrant of the expanding universe of
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Trek by covering television, animation, movies, directors, and more. Plotting
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the course, as always, is your core track Crew. I'm
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David Burns, I'm Scott Hoffin, and I'm Wayne Whited. In
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this episode, we are continuing our discussion on what we
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call the Starter Trek. This is going to be Star
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Trek A Deep Space nine Season four. So, gentlemen, I
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absolutely love the new opening theme. I am so glad
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that they finally decided to change it because it is
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much more heroic. But also I love the fact that
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the space station is now busy.
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Yeah that was a big change. That title sequence.
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Yeah yeah, I mean you have a space station floating
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in space that really doesn't have a lot going on
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what one ship. I'm okay, we need to add a
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little bit more depth to the space station to show
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up how busy it is. So you get little people
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working on the ship, on the station, you got different
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ships floating around. I think it's the new opening is
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much much better.
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Well, I understand what they were trying to do with
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the original, and they were trying to show the bleakness
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and how far out it was, and you know, and
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that it's kind of alone in the in the universe.
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But we're past that now. I mean, it's definitely not alone.
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Everybody's visiting it, yes.
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So we're able to see that. It's good to see
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like the evolution of title sequences, Like not that there
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was any kind of growth with Finished Generation, but this
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seems to kind of lay the ground work for things
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like Strange New Worlds and the rid decks to have
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some fun with the title sequences and make them sometimes
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a little bit more meaningful.
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Yeah.
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Oh, there's a big difference now between this one and
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the original one. The original one was shot on with models.
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This is all CGI, which is something that's now making
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its way into the series big time. The title sequence
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was done by Industrial Light and magic. They did a
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fantastic job at it. And plus we got Forget, we
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got Michael Dorn added to the cast, and we got
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Doctor Prisher's actor has changed his name to Alexander Sadig,
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So that's two new things there as well.
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Yep, that's a big spoiler to go. No, I'm kidding, Well,
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we can't get around. We can't get around it.
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Yeah, no way getting around that.
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No, there's no way getting around after this season. So, yes,
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Worf does join the cast, which I think if you
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know anything about Star Trek, you knew that was happening anyway. Yeah,
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so no surprise there.
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They didn't even keep it a secret back then. We
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all knew about it like months before this season started.
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Yeah. And and he fits so well, he really does.
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It's almost like someone coming home and making you feel
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better about the show. And there's nothing wrong with the show,
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don't get me wrong, but just having Wharf there just
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makes it feel more comfortable. Am I wrong in that?
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It was?
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It just it didn't change the dynamic of the series.
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That's one thing I was a little against it back
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then at the end of the day when it first happened,
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because I'm like you know, why is he coming and
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interrupting the cast the station, But that didn't happen. He
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actually worked his way and became I'm actually part of
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the whole chemistry very fast, and it was kind of
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nice seeing him there again.
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Yeah, and see him in Red again, saying that since
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what season one looks good on Deseration? It does? It
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looks really good.
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It's also feels like it would be impossible to have
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such a you know, a Klingon centric arc start without
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having such kind involvement now that they couldn't do it.
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But yeah, I mean my first reaction was, oh, okay.
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Then we get another familiar face in addition to O'Brien,
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and that O'Brien might feel a little bit more kind
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of kinship, which is kind of interesting because you already
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had one established with the rest of his career. Here,
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It's interesting how much that dynamic doesn't always work out well,
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right as we see kind of clay out in this season.
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Yep, you're correct. Well, let's go ahead and get started
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with our top ten episodes. I'm sure our listeners are
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anxiously awaiting for us to dive into this. Scott, I
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believe you are going to start us off. So go ahead.
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Yeah. So, speaking of warf if you haven't seen Star
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Trek Generations, highly it, go ahead and watch that now
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before you start this season, because The Way of the Warrior,
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directed by James L. Conway and written by Robert Hewett Wolfe,
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picks up fresh off the tension of the Dominion infiltration
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last season. If you now that we can finally talk
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about it, it's the ending of the previous The ending
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of the previous season finale was a change link, confiding
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in Odo that we are everywhere. So we pick up
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on DS nine practicing drills to flush out change links
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on the station with Odo as the kind of practice
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bait there, and the threat of the Alpha Quadron is
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becoming more urgent than ever. It seems to have reached
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the Klingon Empire. General Martok appears in the Klingon flagship
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at DS nine, ready to stand at the station with
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the Federation to face the Dominion, but to prove his claim,
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a massive fleet declose outside the station. Soon in DS
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nine is filled with Klingons who take the initiative to
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search relentlessly for changelings at the cost of station privacy
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and freedom. Soon it becomes clear that DS nine could
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use some help, which arrives in the form of a
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Lieutenant Commander Wharf Freshman. The enterprises destruction scene in the
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movie struct Trek Generations.
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Another big spoiler. I'm kidding.
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I mean it gets It's a good point to say,
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like from here on in, it's very hard to avoid
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spoilers in this because there's such an interwoven arc through
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all these episodes. We'll try to dance aroundud as much
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as possible, but it it's starting to get pretty tough.
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Yeah, there's certain aments will still dance around, but you
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are correct. There are some things that I'm sorry, it's
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just it's so ingrained into the season you can't get
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around it no matter how hard you do, especially for
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the next for the rest of the series. I think
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there's some stuff that's so ingrained that you just can't
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get around it. That's right, So just just hold on.
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People will get there, I promise. So what I love
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about this episode is Gowern because that dude will just
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stare through your soul.
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Oh yeah, those eyes, yes, right, he does.
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He's frightening.
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I've seen a lot of other reviewers and whatnot say, like,
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you know, the first time, reactions will be like, oh,
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that cling on with the eyes, that flais his eyes
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all the time. It's it's hypnotic. Yeah, and Robert o'riidley
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does a great job there.
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He does. We get a bald Cisco, Yeah, Yes, and
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he looks he looks really good. I mean, I feel
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like he's gotten better shape because he just looks. I
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don't know, but he just looks completely different. I know
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he's bald now, but I mean even in uniform and stuff,
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he looks completely different.
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He has a different demeanor for sure. He seems more confident,
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he seems bolder. I feel like Wayne, when we were
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covering the documentary, there was some kind of mention of
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Avery Brooks always wanting to go back to this look
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that he originally had, but there was some hesitation around
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it looking like Hawk from Spencer for higher that's great.
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It almost kind of feels like Avery is kind of
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coming home into this and he's like, Okay, now that
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I've established the Cisco that I want to play, let
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me really lean into what I want Cisco to be.
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So this is the start of one of my favorite
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phases of him, because I feel like it's not just
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his look but his the way he carries himself.
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Yeah. Yeah.
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They were expecting a lot of opposition to get from
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Paramount against him going bald, but this time they didn't
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give any problem at all. They said, okay, and so yeah, yeah.
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He looks very commanding. Now there's no doubt about that.
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The dude needs business. I want to call out Patricia
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Almond in this, who plays the He played lead at
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Alexander on Babylon five. I love the fact that I
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keep coming back to Babylon five. I swear there's really
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startug fans that are going to hate me of this,
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But I'm telling you, there's just a lot. There's a
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lot of comparisons between these two theories.
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There had to be. I mean, they were running concurrently,
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you know. Yeah, there was going to be a lot
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of comparison. There was back then in the nineties.
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Yes, there was. I remember, I absolutely do remember. She
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also played Barbara in the nineteen ninety version of Night
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of Living Dead. Yeah, yep.
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I feel like there's gonna have to be a series
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that you two do, just like we do with Jeff
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to kind of get him started on Star Trek. I
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think you two need to get me on board with
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Babylon five curated list that.
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Yeah.
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I was so into DS nine at the time that
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when I saw like sequest DSV and I was like,
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are they trying to be DS nine? And then I
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saw Babylon five just because of the titles, which I
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know is so shallow, but I was like, Ugh, they're
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not quite this thing that I like. So I never
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give him a chance. Yeah, it's probably a mistake.
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It is, it is, it is, it is. You chose,
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you chose quarterly sir, how about how about a warfa
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ordering the warriors drink? Yeah.
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I love that he's still on the Peru. It's fantastic.
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I feel like somewhere g is just grinning every time
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he every time he yeah.
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Yeah, No, really good. Two partern Waiting a great way
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to open up the theories and the fact that they
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are really starting to dive into some more serious episodes
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and overarching story. It's big beginning here with Deep Space nine.
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Yeah, and we don't want to forget there. Also is
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another very important Klingon that appears, Hennas Martalk.
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JG.
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Hertzler did a fantastic job. We'll see a lot more
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of him. We got a brand new Klingon Cruiser here
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in this episode, we needed it badly. Is it is
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a great two parter, great movie, but if you're going
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to go and watch it, try to find the two
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hour version and not the separate one hour two parter
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because in order to make it the two separate episodes,
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they had to cut a lot of it out, and
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there's a good fifteen minutes of footage that's cut from it.
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So try to find that two hour version.
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And that's why we get on Paramount Plus. Is that right?
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Yes?
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That is okay, Yes, if you watch it, if you
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watch it on two B or any of those other
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ones or like they split it and you're missing those scenes,
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they're important scenes too.
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They are. Yeah. I like it. I like that Paramount
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kept it as one big movie. He's basically what it is.
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I like yeah, And it kind of tricked me because
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when I got to the next episode, I was like, wait,
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did I miss one? Because it doesn't see him to
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track that long.
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But yeah, it didn't know it flowed really well. You're right,
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You're you're even to the point where like where would
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they have ended this episode? And I know where it's at,
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but I'm just saying it's because it was so smooth
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that you just didn't recognize that at all. So no
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very good two parter for sure. All right, well, let's
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move on to the second episode, which is The Visitor,
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written by Michael Taylor and directed by David Livingston. It
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is the future in adult Jake Cisco lives in the
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Bayou by himself. He is visited by a young woman
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named Melanie, an aspiring writer who was looking for him
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and wondering why he stopped writing. Jake goes in to
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finally tell a story that he has wanted to tell.
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He proceeds to tell the story of when he was
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eighteen years old and his father went on the Defiant
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in the Wormhole to witness a subspace inversion that only
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happens once in several decades. An accident occurs on the ship,
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causing Benjamin to disappear and seemed beat to be dead.