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Hello, and welcome back. I'm Jeff Johnson.
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And I'm Gary Gibson, and this is.
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A film by podcast where we're going to talk about
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a film by Sam raimie his underrated supernatural thriller from
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the year two thousand, The Gift, and Garrett, I'm coming
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right out swinging. I love this movie. It's one of
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my favorite Sam Raimi films. I don't know how you
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feel about it, but I'm excited to talk about this one.
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I'm terribly excited to talk about it as well. Got
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a lot of powerhouse performance in this one. Is one
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of my actually favorite Gary Cole films because of his
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courtroom scenes.
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I'm glad you mentioned Gary Cole aka Lumberg because I
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mean this movie it's celebrating its twenty fifth anniversary this year,
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and I'm telling you right now, I mean, I think,
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would they spend ten million on this on this budget,
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No chance, no chance, you make this movie with this
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specific cast today for anything less than fifty seventy million,
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maybe maybe more one hundred million, would.
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Say so, I mean, just with Kate Blanchet, Geofani, Risbee
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Rabisi and everyone, I mean, you cannot make this film
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for under I would say probably forty five million dollars.
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There's no way.
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I mean, there's probably four. There's probably about five people
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that I definitely want to talk about, but we'd beat
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This would be like a two parter if we if
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we actually talked about the entire I will shout him
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out when we get to that. But I mean, this
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is a just a stellar cast of talent, and it
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blows my mind. Like when you're watching this and it's
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been a couple couple of years, or it's been ten years,
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or maybe it's been twenty five years. If you saw it, yeah,
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back in two thousand, you're you're kind of surprised at
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how many big names are in this film. But we'll
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get to that. Before we do, we got to talk
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about the man, Sam Raimi. So a little bit trivia
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about the man and a very fun quote that I
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found Garrett sam Raimi usually wears a jacket and tie
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on the set of his films, and this is a
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tribute to one of his favorite directors, Alfred Hitchcock. Okay,
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now I will share this with you. I met him
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a few years ago and he happened to be wearing
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a very DApp pursuit one of the kindest, most well
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mannered people you'll ever meet.
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Uh.
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You know, I walk up to him, he just put
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out his hand. He's like, Hi, I'm Sam. As if
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I didn't know, you know, I said Hi, I'm Jeff.
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We know. He shook hands. He kind of floored me
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because he asked us. He asked me about the about
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our show. Uh, and then he was pleasantly surprised to
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discover that we had done an episode on his film
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A Simple Plan. So it's just just an amazing guy.
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Though.
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If you ever get a chance to talk with him,
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to meet him, HiT's you're better for it.
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He is definitely an amazing person. Actually met him a
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couple of years back. Him and his brother Ted are
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both just absolutely delightful. I've got Ted.
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Ted is a good time had by all he is. Yeah.
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If Sam is the quiet, mild mannered one, Ted is
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the rock star, I think he's he's the crazy one,
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and he's a lot of fun too. Uh. Sam Raimi
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shares a birthday with one weird Al Yankovic.
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Okay, okay, a little bit a strange, little bit weird
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going on there. I'm okay with that.
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You know what. It's Sam Rami. When you think about
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the kind of movies he's done it, I kind of
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dig the fact that it'd be weird how that shares
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his birthday. Speaking of sharing, back in the mid nineteen eighties,
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Sam Raimi shared an apartment with several friends whose names
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would be Joel and Ethan Cohen, Bruce Campbell, Scott Spiegel,
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Holly Hunter, Francis McDorman, and Kathy Bates.
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So this guy literally shared apartments with absolute legends in
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the industry, Like, how do you live with Joel and
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Ethan Cohen and you both gone to wild success? How
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do you share a living space with Kathy Bates, the
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Queen of Misery and everything else? It's just that's amazing.
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I want to hear, Like, is Kathy Baits yelling at
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you because you didn't do the was your turn to
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do the dishes and you didn't do the dishes? You know?
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Yea? Is she going four on misery? Or are we
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getting a water Boys mom treatment right now? I don't
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care which one.
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Holly Hunter without accent, just telling them it's it's you know,
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you know, I'm a little short this week on the
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Electric Bill. You know, Garrett, this is the season of
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MTVS the real world that we missed out on.
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See, now that is something I would have paid to
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see because simply just how many great ideas are coming
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out of those living rooh my god, Like just the
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pitches that you would get the hey, I'm thinking about
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going out for this, or hey, I'm thinking about writing this,
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and just years before the absolute genius word to take off,
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that would be simple amazing.
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What a time, what a time saving. Private Ryan, the
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nineteen twenty two version of Nosferatu and The Treasure of
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the Sierra Madre are among Sam Raimi's all time favorite films.
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I like that's it's like an eclectic mixer too.
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See, I think you do have to have that because
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me myself, I mean, I'm a huge fan of the
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original Bores kar Lov Frankenstein absolutely amazing. And then of
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course we flash forward to the seventies, nineteen seventy eight
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to be exec with a little bit John Carpenter's Halloween
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because it's something that brings a little bit of practical
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effects and something that can actually happen, so it's really terrifying.
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And then we just come into this new age of
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horror where you get your final destinations or whatever it
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may be. And I've got to say it's a good
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blend to have that mixed in with where it started,
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where it was, and where it ended up. And I
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think that's the best way to run them.
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Absolutely. Now another one of his favorites that he I'm
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I'm gonna try and will this into reality for you,
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because back in two thousand and six, it was reported
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that Ramie and Batman producer Michael Uslin would be co
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producing a new film version of The Shadow, and then
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a year later, Ramy stated quote, I don't have any
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news on The Shadow at this time, except that the
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company that I have with Josh Donan, my producing partner,
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we've got the rights to the Shadow. I love the
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character very much and we're trying to work on a
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story that'll do justice to the character. And I'll tell
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you this, there was a time when Rami was trying
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to buy the film rights to Batman in the early eighties.
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He couldn't get them. Then he tried to buy the
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film rights to The Shadow, couldn't get them, which is
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a good thing at the time because that led him
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to create his own superhero, dark superhero, which was dark Man.
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So but man everything I saw it shows that he
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still owns the rights of the Shadow, and I would
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love to see him do the Shadow that be so
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great now, Raimi. In college, he ran a film society,
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but instead of renting films to exhibit, he and his
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buddies created feature length movies on Super eight and then
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showed them to the students on campus. And this is
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kind of where he learned how to be a filmmaker.
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And of that experience, he said, quote, it was great
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making movies in college because if you made the right movie,
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you'd get this cigar box full of five dollars and
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one dollar bills. You'd have like five hundred bucks after
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a weekend, and it was like, oh my god, we're rich.
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We've got to make another pick. Sure, but if it bombed,
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you spend a lot of money on the movie, on
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the ads at the State News, renting the theater, lugging
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these heavy speakers, the projector bulbs, and it was a
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wash out. You realize this movie is not making money.
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I'm broke. I've got to make the movie that they
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want to see. So it was a great learning experience.
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You really do get that from him, whether it's the
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start of his career where he's out making evil dead
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with a bunch of friends and family out there in
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the wood, very low budget, and then you take it
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all the way to of course, the Spider Man trilogy.
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I mean it very much shows to where a film
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that made very little money but became a cult classic
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waiting into absolute blockbusters that everybody loved. So that is
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the will and desire that got up to where he
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is today. So I can see that on him.
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Well, this one's not a blockbuster, but it is definitely
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one that you and I love. Garrett, I gotta say,
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I'm sure there's a couple of people that maybe haven't
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seen The Gift. And again, listeners, we're talking about a
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film from the year two thousand, because Garrett, as you
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already know, there's a twenty fifteen film that's a kind
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of a thriller with Joe Edgerton called also called The Gift,
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which also awesome. It is we're talking about. We're talking
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about Sam raimis The Gift. Garrett, you got a synopsis
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for us?
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I sure do. So. We're in the tiny town of Brixton, Georgia,
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where nothing is private. A woman with supernatural clairvoyants, a young,
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beautiful socialite, who was mysterious, who has mysteriously disappeared, and
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an assortment of colorful character's all collide a haunting, psychological thriller.
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The Gift is ultimately a profound celebration of the human spirit.
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Well, said my friend. I can remember the Christmas that
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I seen this because I had seen Unbreakable in the
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theater in late November and had immediately hailed it as
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the best superhero origin story of all time to anyone
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that would listen to me. And then in December, I mean,
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don't get wrong, there were some amazing movies. I just
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hadn't seen them. I wouldn't I wouldn't play they weren't
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on my radar at the time. I had seen Vertical
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Limit and Castaway this December both slid. Yeah, we we
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covered Vertical Limit a couple of seasons ago, go back
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and check that one out. Castaway obviously awesome. But then
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The Gift came out in a limited release and it
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was at a theater I didn't usually go to, and
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Kim Wood I was like, you know what, I love
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Sam Raimi, he does no wrong. I'm gonna go check
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this movie out. And boy was I glad that I did.
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When the film came out, it was December twenty second,
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two thousand. I gave it rave reviews, and I wasn't
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the only one. Roger Ebert gave it three out of
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four stars, calling the film quote ingenious in its plotting,
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colorful and its characters, taught in its direction, and fortunate
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in possessing Kate Blanchette. And she's just a vision. I
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know we're going to get to her here in a minute,
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but I mean, what a vision in this film.
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She truly is. For it being the year two thousand before,
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we see so much of Kate Blanchett, she really came
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into her own in this And Yeah, I think you're right.
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She's an absolute vision.
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It's a rare It's a rare moment in her career
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where I mean, she had done what she had done
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Elizabeth at this point, but she had not reached megastardom
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with the Lord of the Rings or working with us
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Corsece and the Aviator. Yeah, and she's just adorable.
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I mean, she is the accent, everything just amazing.
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She is amazing. I'll tell you what else is amazing.
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Rami gets hired to direct Spider Man while he's still
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working on this movie.
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Okay, out that I did not know.
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Yeah, now here's the problem. Post production on The Gift,
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which is a Paramount film, is scheduled for pre production
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of Spider Man, which is a Sony film. Thankfully, Paramount
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and Sony compromise their schedules and Raymi is working on
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both films simultaneously. I can't imagine the stress that he
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was under for those handful.
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Of could you imagine directing something like The Gift and
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it's it's one of those like almost kind of cult
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classic films. And they then again the Summer blockbuster, Dude,
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like what the heck? Like that was the first original
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superhero movie that just absolutely exploded at the box office.
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That you're in your head, You're like, I have got
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to get this film wrapped up. This is a I
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just made a movie with with Keanu Reeves and Hillary
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Swank and Kate Blanchette, and it's a big move. It's
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a big budget film. Yeah, and Paramount's counting on me.
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And meanwhile, I've got you know, he's he's one of
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the biggest Spider Man fans on the planet. You know,
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he's got an oh yeah, massive Spider Man collection. You know,
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Comma Book Collection. It's a dream job. And somebody's like, hey,
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we've just given you the director's chair to our biggest
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blockbuster of all time. Yep, and we've never seen the
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Wall Crawler on the big screen. There's a lot riding
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on this.
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And the fact that, if I'm not mistaken, Toby maguire
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got paid ten million dollars for the First Spider Man.
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If I'm not mistaken, So the fact that the entire