Oct. 11, 2024
1996: Scream

Join us for a nostalgic trip back to the year 1996! We're exploring the culture, the music, and the message that films in 1996 offered, to determine whether they're classics, cult classics, or a product of their time! Jeff welcomes David to 1996 with a conversation about the biggest slasher film of the 1990s that revived the genre. Wes Craven's Scream.
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These are the movies of nineteen ninety six. What's up, everybody.
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I'm Jeff Johnson from a Film By podcast and I'm
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hoping you're down for this dope series. We've broken down
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the fresh films of nineteen eighty six. We examined the
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gritty cinemascape of nineteen seventy six. Now it's time to
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check out the Hella good flicks of nineteen ninety six.
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Due to provisions made in his contract that he appear
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in all a film by limited series, David Burns is
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with me today. Hello, Hey, we're gonna argue. We're gonna
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discuss what is arguably the most important horror film of
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the nineties. Dave, is that there to say?
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Yes, that'd be right, Yes, it is.
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It is. Well, we have a great one to discuss,
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So pull the jiffy pop off the stove and get ready. Yeah,
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you love this one. It's a scream Baby began with
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the scream over nine one one.
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In a town would by fear.
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Wow.
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You have to know theos to survive. Don't answer the phone,
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don't open the door, don't try to hide. Are you The.
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Question is where am I scream?
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The us for a Leer from West Crayton read it
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ar now playing at a theater near you.
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Teenager Sidney Prescott, a high school student at Woodsboro High,
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lost her mother a year ago, and just when things
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can't get worse, she starts receiving frightening phone calls from
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a killer terrorizing her and her friends. The math killer
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likes playing games with deadly results. Sidney is in the
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fight for her life as she struggles to stay alive
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but also uncover just who it is that is trying
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to kill her.
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I want to talk about the opening segment of this film.
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You mean it is the best opening of a horror
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movie of all.
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Okay, I'm glad we agree because I have my notes here.
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It's a and I wrote, greatest thirteen minutes of a
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horror film opening ever.
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Yeah, again, without question, Jeff.
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It blows my mind how just amazing this segment is.
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I mean, it's almost like a little mini movie within
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a movie. Yeah, damn is it good?
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I know, and you know, as many times if both
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of us have seen this film, Like when I watched
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this again this week to prep myself for this podcast,
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I was still on the edge of my seat, and
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I know what's going to happen.
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Let me take you back to the theater in nineteen eighty six.
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You know, it's like mid December. We're watching this and
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think about this all summer long. We are just the
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trailers are making us believe. Well, Drew Barrymore is the
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star of this movie, obviously, yep. And ten minutes in
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you're like, wait, what, Well, she's fine, she that was
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that was a stab on the shoulder. She's okay. And
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then two minutes later she's hanging from the swing sets
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with her guts spilling out of her and it's like
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jawl's hitting the floor of every movie theater.
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Right, Yeah, absolutely, Yeah, I can't believe.
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I can't believe they pulled this off.
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I can't either, And it's yeah, I've non seen a
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horror film has equaled this opening. And I would like
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to say one day we could, but so far nope.
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No. Well, let's talk about openings. Scream opens in fourth place,
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fourth place, Dave. Now, you're not gonna believe the titles
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I'm gonna give you, but it opens behind one hundred
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and one Dalmatians, Jerry Maguire and Beavis and butt Head
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do America. Oh okay, there we go, what's going on
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in that weekend at the theater?
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And well, this was December too, is it not? It
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was December and a horror film in December? Come on,
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come on?
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Well, yeah, taking a chance, You're taking a big chance.
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I get that. A week later, it drops to fifth place,
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and Variety is calling the film quote unquote dead on arrival. However, wrong, wrong, wrong,
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that's right. Audiences are giving this film strong word of mouth,
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and like a killer in a slasher film, it rises
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and moves up to third place, and it's third week, yep,
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and then it stays in the top ten for the
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next nine weeks, as it should have, as it should have. Yeah.
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It goes on to become the thirteenth highest grossing film
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of nineteen ninety six. It is the second Mirramax film
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to gross over one hundred million dollars after Pulp Fiction
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Did It and David's the highest grossing slasher of all
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time until twenty eighteen's Halloween Legacy sequel comes out.
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Yep, yep.
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Yeah, And you know you want to talk about awards
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to know what's surprised? Screen wins Best Movie at the
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MTV Movie Awards. Of course, of course, right, Yes, let's
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talk a little bit about what's going on behind the
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scenes here, how this movie comes to be, how this
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movie came to.
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Be interesting story, is it not?
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I think so? So it's inspired. You know. You got
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Kevin Williamson, who is still a struggling screenwriter. He sees
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some news reports about a real life series of murders
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committed by someone called the Gainesville Ripper. Yep. He takes
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three days he writes a very slick screenplay, calling out
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all the popular cliches found in horror movies. He's listening
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to the film score for Halloween while he writes. Good choice,
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and he calls the project scary movie.
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Glad he changed the name.
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Are you? I say you're among the you know you're
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among the I mean that that thought this was a
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not maybe not the best title for the film. I don't.
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I don't think so. And then the fact that, well
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with what comes with scream, I think that is a
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much better title. Jeff, I think they made the smart
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decision here.
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I think you're right, and I hate to call out
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this guy for doing something right, but I Harvey Weinstein decide, yeah,
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I know. But but in ninety six he decides this
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title needs to change because he's sending it out to
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directors and they're all passing on it because they assume
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it's a spoof film, right, And so he's scrambling and
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then this this Michael Jackson Janet Jackson duet comes out
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called cold Scream. Do you remember that song?
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I do?
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He thinks it's a cool sounding title, and then he
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Weinstein's all over the project and says, this is the
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name of the movie. Now, keep in mind, they've got hats,
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t shirts, they've you know, they've got everything that says
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scary movie. And late in the game they change it
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to scream.
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It's like it's like a Revenge of the Jedi all
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over again, is it not?
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It is? It is? Yep.
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But one of the things that I found interesting, Jeff,
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you know about the I survived scene one eighteen?
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No what Okay, this is gonna be a good story,
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I guess.
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So, as you know, the end of this film at
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that the party at the house, which you know closes
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out the film, was like act forty. Yeah, but it's
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like the entire third act, it's like forty some minutes
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of this film.
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Okay, that's forty forty three something like that.
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Yeah, it took them twenty one days to shoot just
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that scene because it was so massive, and you know
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just how long they sat on that one scene went
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on and on and on, and the cast and crew
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just got so exhausted and tired. But they knew they
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had to get it because the whole movie hinged on
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that scene. So apparently that scene became known as from
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all the cast and crew as I Survived, See One Team.
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Because it took so long to make it, that's what
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they called it, the longest night in horror history.
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I can't believe I've never heard that before. That's awesome. Yeah,
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but I mean, come on, okay, you and I have
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both been on film sets, yep, twenty one days to
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shoot what a third of the movie. That doesn't seem
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like it's out of it doesn't character really it doesn't.
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But when you're sitting on one set practically for that
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many days, that's a lot.
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I mean, you're wearing the exact same clothing, You're in
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the exact same scene. Okay, I get that. That had
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to be tough. And man, hats off to whoever's uh
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doing the continuity on this film.
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Oh god, yeah, for.
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Sure, could you imagine trying to you know, like where
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all the blood is and wherevery you know, the bruises
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and the scrapes and everyone's no chance.
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Man, not at all. And one more tidbit though that
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I want to add to this. Yeah, that house they used.
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Do you know the history of that house? No, I mean,
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I'm assuming they'd built it. It's a set, is what
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I wouldn't. That's a real house. Now, some of the
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interiors and stuff that they probably had to do, some
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of the you know, inside of a studio, but the
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exterior of the house at times that they were using
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a genuine house. Apparently a husband and a wife died
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in that house. Oh they didn't. They couldn't sell the
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house or the family kept it, so they actually rendered
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it out to the studio to make this movie. I
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wonder that house even creepier.
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That house is definitely creepier. You gotta wonder if that
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story is circulating on set, then oh, hey, you know,
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people died in this house. And because on this on
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a horror movie set, you know that we always get
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these great behind the scenes stories about you know, this
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film was cursed and here's why you got You gotta
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wonder what kind of stories were going on? Uh in
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this house is I wonder is the house still there?
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Then that?
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I don't know.
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Oh man, that'd be great to go check that house out.
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Yeah, it's a really cool look at house. Come on,
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it really is. I wouldn't love to own that house.
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I'll buy it, yeah, right, Dave. One thing I want
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to talk about is the film's soundtrack and score. So
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let's be honest. Pretty decent soundtrack with several standout tracks personally. Personally,
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I love the track Youth of America by Bird Brain.
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I think there's a perfectly timed use of Alice Cooper
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schools out. Yeah, and and of course one of the
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most recognizable nineties songs. The second someone plays this song,
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you know you're in a nineties movie. I'm talking about
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Red Right Hand by Nick tabrethan Bad Seeds, Yep, it's anywhere.
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You can't go wrong with Don't Feel the Raaper either, man.
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You know what, that is a great remake. It is
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I'm not remembering who did the remake, but it is
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a good remake. And I kind of dig the fact that,
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you know, I mean, I don't think we're we're we're
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blowing anyone's minds by saying that there are little tributes
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in my just to Halloween sprinkled throughout this whole movie.
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But again Halloween. You know, dol Phil the Reaper was
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used in Halloween. Yep, And now I'm thinking, yeah, they
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used in this too, so another another another not to Halloween.
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I think that's cool.
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And even even Marco Beltrami, who did the score for
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this film, this is his first feature film. He didn't
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do anything. He did like little things for like web episodes,
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TV series and stuff like that, he had not done
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anything like this. And apparently the one of the producers
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went on looking for hey, we need a composer, so
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many different and he put it on the internet and
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everyone was pointing to Marco Buttrami, and that's how he
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got this job on screen. And now he's done, like
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most of the screens now right, I think he's.
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On most of them. He's done. He's went on to
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do several horror films now. Oh yeah, So and listen,
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you're the composer guy. I wanted to confirm this with you,
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and it sounds like what I'm what I'm going to
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ask you. It sounded it's clicking now based on what
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you just said, Apparently he doesn't even like horror films. No,
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and that's why you get this, uh, this this amazing
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score that he does, because it's unlike any other we've
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heard in a horror film. It's it's operatic at times,
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it's got some Western motifs.
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Yeah, that's exactly it. You hit the nail and head
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right there. He did not want a typical horror score
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in this movie, which is why he leaned on a
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Western approach. Apparently he was influenced by eno Mark Morris.
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He was influenced by him, and that's why you get
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a little bit of that Western style throughout the film.
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I thought it was fantastic and very fitting.
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Well, it absolutely is. You know, this is one of
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those It's one of those scores from a horror film
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that you remember.
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Right, yes, yep.
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I mean if you you can name some of the
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some of the great you know, Friday thirteenth nightmround Alm Street.
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