Oct. 11, 2024

1996: Scream

1996: Scream
Apple Podcasts podcast player badge
Spotify podcast player badge
Goodpods podcast player badge
Pandora podcast player badge
Amazon Music podcast player badge
iHeartRadio podcast player badge
Castbox podcast player badge
Deezer podcast player badge
TuneIn podcast player badge
Podcast Addict podcast player badge
Podchaser podcast player badge
Spreaker podcast player badge
JioSaavn podcast player badge
Castro podcast player badge
RSS Feed podcast player badge
Apple Podcasts podcast player iconSpotify podcast player iconGoodpods podcast player iconPandora podcast player iconAmazon Music podcast player iconiHeartRadio podcast player iconCastbox podcast player iconDeezer podcast player iconTuneIn podcast player iconPodcast Addict podcast player iconPodchaser podcast player iconSpreaker podcast player iconJioSaavn podcast player iconCastro podcast player iconRSS Feed podcast player icon

Join us for a nostalgic trip back to the year 1996! We're exploring the culture, the music, and the message that films in 1996 offered, to determine whether they're classics, cult classics, or a product of their time! Jeff welcomes David to 1996 with a conversation about the biggest slasher film of the 1990s that revived the genre. Wes Craven's Scream.

For exclusive episodes and content, check out A Film By... on Patreon! with a FREE 7-day trial!

Check out www.afilmbypodcast.com/ for more information.
Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.
Find us on X Twitter, Instagram, and Facebook @afilmbypodcast.

WEBVTT

1
00:00:01.280 --> 00:00:17.760
These are the movies of nineteen ninety six. What's up, everybody.

2
00:00:18.399 --> 00:00:21.320
I'm Jeff Johnson from a Film By podcast and I'm

3
00:00:21.359 --> 00:00:24.960
hoping you're down for this dope series. We've broken down

4
00:00:25.000 --> 00:00:28.239
the fresh films of nineteen eighty six. We examined the

5
00:00:28.239 --> 00:00:32.359
gritty cinemascape of nineteen seventy six. Now it's time to

6
00:00:32.439 --> 00:00:36.079
check out the Hella good flicks of nineteen ninety six.

7
00:00:36.560 --> 00:00:39.960
Due to provisions made in his contract that he appear

8
00:00:40.359 --> 00:00:44.920
in all a film by limited series, David Burns is

9
00:00:44.960 --> 00:00:49.399
with me today. Hello, Hey, we're gonna argue. We're gonna

10
00:00:49.439 --> 00:00:54.439
discuss what is arguably the most important horror film of

11
00:00:54.479 --> 00:00:56.159
the nineties. Dave, is that there to say?

12
00:00:57.520 --> 00:00:59.240
Yes, that'd be right, Yes, it is.

13
00:00:59.439 --> 00:01:02.479
It is. Well, we have a great one to discuss,

14
00:01:03.079 --> 00:01:06.719
So pull the jiffy pop off the stove and get ready. Yeah,

15
00:01:06.879 --> 00:01:12.560
you love this one. It's a scream Baby began with

16
00:01:12.599 --> 00:01:14.239
the scream over nine one one.

17
00:01:14.480 --> 00:01:16.400
In a town would by fear.

18
00:01:16.640 --> 00:01:16.879
Wow.

19
00:01:17.959 --> 00:01:22.920
You have to know theos to survive. Don't answer the phone,

20
00:01:24.239 --> 00:01:30.200
don't open the door, don't try to hide. Are you The.

21
00:01:30.319 --> 00:01:33.840
Question is where am I scream?

22
00:01:34.359 --> 00:01:36.599
The us for a Leer from West Crayton read it

23
00:01:36.760 --> 00:01:38.599
ar now playing at a theater near you.

24
00:01:39.040 --> 00:01:42.719
Teenager Sidney Prescott, a high school student at Woodsboro High,

25
00:01:42.959 --> 00:01:45.159
lost her mother a year ago, and just when things

26
00:01:45.159 --> 00:01:48.480
can't get worse, she starts receiving frightening phone calls from

27
00:01:48.480 --> 00:01:52.519
a killer terrorizing her and her friends. The math killer

28
00:01:52.680 --> 00:01:56.519
likes playing games with deadly results. Sidney is in the

29
00:01:56.560 --> 00:01:58.879
fight for her life as she struggles to stay alive

30
00:01:59.000 --> 00:02:02.359
but also uncover just who it is that is trying

31
00:02:02.400 --> 00:02:02.959
to kill her.

32
00:02:03.519 --> 00:02:07.519
I want to talk about the opening segment of this film.

33
00:02:08.080 --> 00:02:10.599
You mean it is the best opening of a horror

34
00:02:10.599 --> 00:02:11.280
movie of all.

35
00:02:11.280 --> 00:02:14.199
Okay, I'm glad we agree because I have my notes here.

36
00:02:14.280 --> 00:02:16.960
It's a and I wrote, greatest thirteen minutes of a

37
00:02:17.000 --> 00:02:18.439
horror film opening ever.

38
00:02:18.800 --> 00:02:21.199
Yeah, again, without question, Jeff.

39
00:02:21.599 --> 00:02:27.280
It blows my mind how just amazing this segment is.

40
00:02:27.520 --> 00:02:30.039
I mean, it's almost like a little mini movie within

41
00:02:30.080 --> 00:02:32.719
a movie. Yeah, damn is it good?

42
00:02:33.240 --> 00:02:35.800
I know, and you know, as many times if both

43
00:02:35.800 --> 00:02:38.680
of us have seen this film, Like when I watched

44
00:02:38.759 --> 00:02:41.039
this again this week to prep myself for this podcast,

45
00:02:41.280 --> 00:02:43.319
I was still on the edge of my seat, and

46
00:02:43.360 --> 00:02:44.639
I know what's going to happen.

47
00:02:45.400 --> 00:02:47.919
Let me take you back to the theater in nineteen eighty six.

48
00:02:48.599 --> 00:02:52.080
You know, it's like mid December. We're watching this and

49
00:02:52.439 --> 00:02:55.599
think about this all summer long. We are just the

50
00:02:55.680 --> 00:02:58.919
trailers are making us believe. Well, Drew Barrymore is the

51
00:02:58.960 --> 00:03:03.520
star of this movie, obviously, yep. And ten minutes in

52
00:03:04.560 --> 00:03:08.120
you're like, wait, what, Well, she's fine, she that was

53
00:03:08.360 --> 00:03:10.599
that was a stab on the shoulder. She's okay. And

54
00:03:10.639 --> 00:03:13.919
then two minutes later she's hanging from the swing sets

55
00:03:13.919 --> 00:03:16.400
with her guts spilling out of her and it's like

56
00:03:16.520 --> 00:03:19.759
jawl's hitting the floor of every movie theater.

57
00:03:19.599 --> 00:03:23.039
Right, Yeah, absolutely, Yeah, I can't believe.

58
00:03:23.039 --> 00:03:24.240
I can't believe they pulled this off.

59
00:03:24.800 --> 00:03:28.159
I can't either, And it's yeah, I've non seen a

60
00:03:28.199 --> 00:03:30.719
horror film has equaled this opening. And I would like

61
00:03:30.759 --> 00:03:33.360
to say one day we could, but so far nope.

62
00:03:34.000 --> 00:03:38.039
No. Well, let's talk about openings. Scream opens in fourth place,

63
00:03:39.439 --> 00:03:43.080
fourth place, Dave. Now, you're not gonna believe the titles

64
00:03:43.080 --> 00:03:47.199
I'm gonna give you, but it opens behind one hundred

65
00:03:47.199 --> 00:03:52.360
and one Dalmatians, Jerry Maguire and Beavis and butt Head

66
00:03:52.360 --> 00:03:56.400
do America. Oh okay, there we go, what's going on

67
00:03:56.400 --> 00:03:57.960
in that weekend at the theater?

68
00:03:58.159 --> 00:04:00.879
And well, this was December too, is it not? It

69
00:04:00.919 --> 00:04:04.360
was December and a horror film in December? Come on,

70
00:04:04.599 --> 00:04:04.879
come on?

71
00:04:05.120 --> 00:04:07.800
Well, yeah, taking a chance, You're taking a big chance.

72
00:04:07.840 --> 00:04:11.599
I get that. A week later, it drops to fifth place,

73
00:04:13.120 --> 00:04:20.199
and Variety is calling the film quote unquote dead on arrival. However, wrong, wrong, wrong,

74
00:04:20.680 --> 00:04:24.839
that's right. Audiences are giving this film strong word of mouth,

75
00:04:25.920 --> 00:04:28.560
and like a killer in a slasher film, it rises

76
00:04:29.399 --> 00:04:32.199
and moves up to third place, and it's third week, yep,

77
00:04:32.680 --> 00:04:33.959
and then it stays in the top ten for the

78
00:04:33.959 --> 00:04:37.639
next nine weeks, as it should have, as it should have. Yeah.

79
00:04:37.839 --> 00:04:40.680
It goes on to become the thirteenth highest grossing film

80
00:04:40.720 --> 00:04:44.600
of nineteen ninety six. It is the second Mirramax film

81
00:04:44.639 --> 00:04:47.879
to gross over one hundred million dollars after Pulp Fiction

82
00:04:48.000 --> 00:04:52.160
Did It and David's the highest grossing slasher of all

83
00:04:52.240 --> 00:04:57.079
time until twenty eighteen's Halloween Legacy sequel comes out.

84
00:04:57.160 --> 00:04:57.800
Yep, yep.

85
00:04:58.319 --> 00:05:00.519
Yeah, And you know you want to talk about awards

86
00:05:00.839 --> 00:05:03.120
to know what's surprised? Screen wins Best Movie at the

87
00:05:03.240 --> 00:05:09.639
MTV Movie Awards. Of course, of course, right, Yes, let's

88
00:05:09.680 --> 00:05:11.519
talk a little bit about what's going on behind the

89
00:05:11.560 --> 00:05:13.839
scenes here, how this movie comes to be, how this

90
00:05:13.879 --> 00:05:14.519
movie came to.

91
00:05:14.480 --> 00:05:16.399
Be interesting story, is it not?

92
00:05:17.240 --> 00:05:20.639
I think so? So it's inspired. You know. You got

93
00:05:20.720 --> 00:05:25.240
Kevin Williamson, who is still a struggling screenwriter. He sees

94
00:05:26.079 --> 00:05:29.800
some news reports about a real life series of murders

95
00:05:29.800 --> 00:05:34.160
committed by someone called the Gainesville Ripper. Yep. He takes

96
00:05:34.199 --> 00:05:38.319
three days he writes a very slick screenplay, calling out

97
00:05:38.360 --> 00:05:42.120
all the popular cliches found in horror movies. He's listening

98
00:05:42.600 --> 00:05:46.439
to the film score for Halloween while he writes. Good choice,

99
00:05:47.079 --> 00:05:49.519
and he calls the project scary movie.

100
00:05:50.079 --> 00:05:51.120
Glad he changed the name.

101
00:05:51.680 --> 00:05:53.720
Are you? I say you're among the you know you're

102
00:05:53.720 --> 00:05:56.480
among the I mean that that thought this was a

103
00:05:56.639 --> 00:05:58.519
not maybe not the best title for the film. I don't.

104
00:05:58.639 --> 00:06:00.560
I don't think so. And then the fact that, well

105
00:06:00.720 --> 00:06:03.560
with what comes with scream, I think that is a

106
00:06:03.680 --> 00:06:05.720
much better title. Jeff, I think they made the smart

107
00:06:05.720 --> 00:06:06.360
decision here.

108
00:06:07.079 --> 00:06:10.519
I think you're right, and I hate to call out

109
00:06:10.639 --> 00:06:16.439
this guy for doing something right, but I Harvey Weinstein decide, yeah,

110
00:06:16.439 --> 00:06:20.720
I know. But but in ninety six he decides this

111
00:06:20.800 --> 00:06:23.680
title needs to change because he's sending it out to

112
00:06:23.720 --> 00:06:26.959
directors and they're all passing on it because they assume

113
00:06:26.959 --> 00:06:31.639
it's a spoof film, right, And so he's scrambling and

114
00:06:31.680 --> 00:06:34.920
then this this Michael Jackson Janet Jackson duet comes out

115
00:06:34.959 --> 00:06:36.560
called cold Scream. Do you remember that song?

116
00:06:36.920 --> 00:06:37.279
I do?

117
00:06:38.560 --> 00:06:41.759
He thinks it's a cool sounding title, and then he

118
00:06:41.839 --> 00:06:44.879
Weinstein's all over the project and says, this is the

119
00:06:44.959 --> 00:06:47.600
name of the movie. Now, keep in mind, they've got hats,

120
00:06:47.639 --> 00:06:50.120
t shirts, they've you know, they've got everything that says

121
00:06:50.160 --> 00:06:54.160
scary movie. And late in the game they change it

122
00:06:54.240 --> 00:06:54.600
to scream.

123
00:06:55.279 --> 00:06:57.319
It's like it's like a Revenge of the Jedi all

124
00:06:57.360 --> 00:06:58.240
over again, is it not?

125
00:06:58.800 --> 00:07:00.639
It is? It is? Yep.

126
00:07:02.720 --> 00:07:05.600
But one of the things that I found interesting, Jeff,

127
00:07:05.639 --> 00:07:08.839
you know about the I survived scene one eighteen?

128
00:07:09.879 --> 00:07:12.600
No what Okay, this is gonna be a good story,

129
00:07:12.639 --> 00:07:13.079
I guess.

130
00:07:13.240 --> 00:07:16.759
So, as you know, the end of this film at

131
00:07:16.800 --> 00:07:19.199
that the party at the house, which you know closes

132
00:07:19.240 --> 00:07:22.000
out the film, was like act forty. Yeah, but it's

133
00:07:22.040 --> 00:07:24.879
like the entire third act, it's like forty some minutes

134
00:07:25.360 --> 00:07:26.120
of this film.

135
00:07:26.519 --> 00:07:29.240
Okay, that's forty forty three something like that.

136
00:07:29.600 --> 00:07:34.680
Yeah, it took them twenty one days to shoot just

137
00:07:35.000 --> 00:07:40.000
that scene because it was so massive, and you know

138
00:07:40.240 --> 00:07:43.000
just how long they sat on that one scene went

139
00:07:43.079 --> 00:07:45.560
on and on and on, and the cast and crew

140
00:07:45.639 --> 00:07:47.839
just got so exhausted and tired. But they knew they

141
00:07:47.839 --> 00:07:50.600
had to get it because the whole movie hinged on

142
00:07:50.639 --> 00:07:55.199
that scene. So apparently that scene became known as from

143
00:07:55.240 --> 00:07:57.600
all the cast and crew as I Survived, See One Team.

144
00:07:57.600 --> 00:08:00.480
Because it took so long to make it, that's what

145
00:08:00.519 --> 00:08:03.040
they called it, the longest night in horror history.

146
00:08:04.439 --> 00:08:07.240
I can't believe I've never heard that before. That's awesome. Yeah,

147
00:08:07.399 --> 00:08:08.920
but I mean, come on, okay, you and I have

148
00:08:08.920 --> 00:08:12.360
both been on film sets, yep, twenty one days to

149
00:08:12.439 --> 00:08:15.959
shoot what a third of the movie. That doesn't seem

150
00:08:16.000 --> 00:08:19.439
like it's out of it doesn't character really it doesn't.

151
00:08:19.480 --> 00:08:22.639
But when you're sitting on one set practically for that

152
00:08:22.680 --> 00:08:23.879
many days, that's a lot.

153
00:08:24.480 --> 00:08:27.399
I mean, you're wearing the exact same clothing, You're in

154
00:08:27.399 --> 00:08:31.240
the exact same scene. Okay, I get that. That had

155
00:08:31.240 --> 00:08:35.919
to be tough. And man, hats off to whoever's uh

156
00:08:36.639 --> 00:08:38.519
doing the continuity on this film.

157
00:08:39.039 --> 00:08:40.120
Oh god, yeah, for.

158
00:08:40.080 --> 00:08:42.679
Sure, could you imagine trying to you know, like where

159
00:08:42.679 --> 00:08:45.360
all the blood is and wherevery you know, the bruises

160
00:08:45.399 --> 00:08:49.480
and the scrapes and everyone's no chance.

161
00:08:49.279 --> 00:08:51.879
Man, not at all. And one more tidbit though that

162
00:08:51.919 --> 00:08:55.000
I want to add to this. Yeah, that house they used.

163
00:08:55.559 --> 00:08:59.000
Do you know the history of that house? No, I mean,

164
00:08:59.240 --> 00:09:01.159
I'm assuming they'd built it. It's a set, is what

165
00:09:01.159 --> 00:09:04.720
I wouldn't. That's a real house. Now, some of the

166
00:09:04.720 --> 00:09:06.679
interiors and stuff that they probably had to do, some

167
00:09:06.720 --> 00:09:08.559
of the you know, inside of a studio, but the

168
00:09:08.840 --> 00:09:11.559
exterior of the house at times that they were using

169
00:09:11.600 --> 00:09:16.120
a genuine house. Apparently a husband and a wife died

170
00:09:16.159 --> 00:09:18.960
in that house. Oh they didn't. They couldn't sell the

171
00:09:18.960 --> 00:09:22.399
house or the family kept it, so they actually rendered

172
00:09:22.440 --> 00:09:26.360
it out to the studio to make this movie. I

173
00:09:26.399 --> 00:09:27.799
wonder that house even creepier.

174
00:09:27.960 --> 00:09:30.039
That house is definitely creepier. You gotta wonder if that

175
00:09:30.120 --> 00:09:33.120
story is circulating on set, then oh, hey, you know,

176
00:09:33.159 --> 00:09:35.840
people died in this house. And because on this on

177
00:09:35.879 --> 00:09:38.120
a horror movie set, you know that we always get

178
00:09:38.159 --> 00:09:40.919
these great behind the scenes stories about you know, this

179
00:09:41.000 --> 00:09:43.720
film was cursed and here's why you got You gotta

180
00:09:43.720 --> 00:09:45.639
wonder what kind of stories were going on? Uh in

181
00:09:45.720 --> 00:09:48.120
this house is I wonder is the house still there?

182
00:09:48.159 --> 00:09:48.960
Then that?

183
00:09:49.120 --> 00:09:49.639
I don't know.

184
00:09:50.320 --> 00:09:52.440
Oh man, that'd be great to go check that house out.

185
00:09:52.759 --> 00:09:54.600
Yeah, it's a really cool look at house. Come on,

186
00:09:54.679 --> 00:09:56.480
it really is. I wouldn't love to own that house.

187
00:09:56.799 --> 00:10:02.759
I'll buy it, yeah, right, Dave. One thing I want

188
00:10:02.840 --> 00:10:07.759
to talk about is the film's soundtrack and score. So

189
00:10:08.840 --> 00:10:15.240
let's be honest. Pretty decent soundtrack with several standout tracks personally. Personally,

190
00:10:15.320 --> 00:10:17.879
I love the track Youth of America by Bird Brain.

191
00:10:19.200 --> 00:10:21.639
I think there's a perfectly timed use of Alice Cooper

192
00:10:21.720 --> 00:10:26.159
schools out. Yeah, and and of course one of the

193
00:10:26.200 --> 00:10:29.720
most recognizable nineties songs. The second someone plays this song,

194
00:10:29.759 --> 00:10:32.840
you know you're in a nineties movie. I'm talking about

195
00:10:32.879 --> 00:10:36.919
Red Right Hand by Nick tabrethan Bad Seeds, Yep, it's anywhere.

196
00:10:37.600 --> 00:10:39.799
You can't go wrong with Don't Feel the Raaper either, man.

197
00:10:40.600 --> 00:10:43.960
You know what, that is a great remake. It is

198
00:10:44.000 --> 00:10:48.320
I'm not remembering who did the remake, but it is

199
00:10:48.360 --> 00:10:50.559
a good remake. And I kind of dig the fact that,

200
00:10:51.120 --> 00:10:54.759
you know, I mean, I don't think we're we're we're

201
00:10:54.759 --> 00:10:59.519
blowing anyone's minds by saying that there are little tributes

202
00:10:59.600 --> 00:11:02.320
in my just to Halloween sprinkled throughout this whole movie.

203
00:11:02.320 --> 00:11:04.799
But again Halloween. You know, dol Phil the Reaper was

204
00:11:04.840 --> 00:11:07.679
used in Halloween. Yep, And now I'm thinking, yeah, they

205
00:11:07.759 --> 00:11:11.919
used in this too, so another another another not to Halloween.

206
00:11:11.919 --> 00:11:12.799
I think that's cool.

207
00:11:13.240 --> 00:11:17.200
And even even Marco Beltrami, who did the score for

208
00:11:17.279 --> 00:11:20.480
this film, this is his first feature film. He didn't

209
00:11:20.519 --> 00:11:24.840
do anything. He did like little things for like web episodes,

210
00:11:24.879 --> 00:11:27.000
TV series and stuff like that, he had not done

211
00:11:27.039 --> 00:11:32.120
anything like this. And apparently the one of the producers

212
00:11:32.120 --> 00:11:34.840
went on looking for hey, we need a composer, so

213
00:11:34.879 --> 00:11:37.159
many different and he put it on the internet and

214
00:11:37.440 --> 00:11:39.799
everyone was pointing to Marco Buttrami, and that's how he

215
00:11:39.840 --> 00:11:42.759
got this job on screen. And now he's done, like

216
00:11:43.039 --> 00:11:45.200
most of the screens now right, I think he's.

217
00:11:45.120 --> 00:11:48.200
On most of them. He's done. He's went on to

218
00:11:48.240 --> 00:11:55.720
do several horror films now. Oh yeah, So and listen,

219
00:11:55.720 --> 00:11:59.600
you're the composer guy. I wanted to confirm this with you,

220
00:12:00.000 --> 00:12:01.639
and it sounds like what I'm what I'm going to

221
00:12:01.720 --> 00:12:04.399
ask you. It sounded it's clicking now based on what

222
00:12:04.440 --> 00:12:09.240
you just said, Apparently he doesn't even like horror films. No,

223
00:12:10.080 --> 00:12:13.720
and that's why you get this, uh, this this amazing

224
00:12:13.799 --> 00:12:17.480
score that he does, because it's unlike any other we've

225
00:12:17.519 --> 00:12:20.000
heard in a horror film. It's it's operatic at times,

226
00:12:20.200 --> 00:12:21.759
it's got some Western motifs.

227
00:12:22.039 --> 00:12:24.080
Yeah, that's exactly it. You hit the nail and head

228
00:12:24.120 --> 00:12:28.080
right there. He did not want a typical horror score

229
00:12:28.279 --> 00:12:31.200
in this movie, which is why he leaned on a

230
00:12:31.240 --> 00:12:36.799
Western approach. Apparently he was influenced by eno Mark Morris.

231
00:12:39.320 --> 00:12:42.000
He was influenced by him, and that's why you get

232
00:12:42.039 --> 00:12:44.879
a little bit of that Western style throughout the film.

233
00:12:45.039 --> 00:12:47.240
I thought it was fantastic and very fitting.

234
00:12:47.919 --> 00:12:50.039
Well, it absolutely is. You know, this is one of

235
00:12:50.080 --> 00:12:52.840
those It's one of those scores from a horror film

236
00:12:53.120 --> 00:12:55.080
that you remember.

237
00:12:55.399 --> 00:12:56.600
Right, yes, yep.

238
00:12:57.080 --> 00:12:59.360
I mean if you you can name some of the

239
00:12:59.440 --> 00:13:02.480
some of the great you know, Friday thirteenth nightmround Alm Street.

240
00:13:03.480 --> 00:13:05.320
I'm going to immediately hear the theme in my mind,

241
00:13:05.759 --> 00:13:09.679
you know, Poltergeist. I hear, I can hear scream And

242
00:13:09.720 --> 00:13:13.720
it's interesting because he avoids the music cue for ghost Face.

243
00:13:14.120 --> 00:13:15.960
Did you pick up on that, like I did. And

244
00:13:16.000 --> 00:13:19.440
it's it's purpose It's purposely done because this is it's

245
00:13:19.440 --> 00:13:21.200
a slasher film, but it's also a mystere We're trying

246
00:13:21.200 --> 00:13:24.080
to figure out who is under the mask, and he

247
00:13:24.120 --> 00:13:27.279
doesn't want to give it, give give you any kind

248
00:13:27.320 --> 00:13:29.639
of hint when you back on the scream. I love

249
00:13:29.679 --> 00:13:30.080
that about it.

250
00:13:30.399 --> 00:13:32.480
Oh yeah, absolutely. And you know, and I've talked about

251
00:13:32.480 --> 00:13:34.600
this quite a few times on podcasts and to you

252
00:13:34.679 --> 00:13:37.679
guys when we're not doing podcasts, but I love any

253
00:13:37.720 --> 00:13:41.039
time a composer can fit in a choir or a chorus,

254
00:13:41.759 --> 00:13:45.600
and you get hints of that in this movie, you know,

255
00:13:45.679 --> 00:13:47.919
when the camera slowly moving around, especially when we're on

256
00:13:47.960 --> 00:13:50.960
Sydney later on as things are happening, and you get

257
00:13:50.960 --> 00:13:54.120
that little choir going on within the score, which just

258
00:13:54.200 --> 00:13:57.879
adds so much more dramatic power to what's going on

259
00:13:57.919 --> 00:14:00.399
in her life at that very moment. Absolutely loved it.

260
00:14:01.159 --> 00:14:04.200
The Sydney's theme, if you want to call it, that

261
00:14:04.559 --> 00:14:07.600
is one of the best pieces of music in this film,

262
00:14:07.679 --> 00:14:09.519
and I love that that they've kind of kept that

263
00:14:10.120 --> 00:14:15.080
going throughout the entire franchise. Absolutely, yes, talk to me

264
00:14:15.120 --> 00:14:19.519
about nineties culture that you see in this film.

265
00:14:20.120 --> 00:14:24.360
So I think with the film itself, Jeff, we know

266
00:14:24.720 --> 00:14:29.320
horror movies were struggling, right, especially the slasher subgenre of

267
00:14:29.360 --> 00:14:31.480
this was struggling mightily. When we got to the point

268
00:14:31.480 --> 00:14:35.320
of this film and the audience in the nineties had

269
00:14:35.360 --> 00:14:42.039
gotten smarter and somehow, some writer, some director. I'm looking

270
00:14:42.039 --> 00:14:44.720
at Wes Craven because you did this, but needed to

271
00:14:44.759 --> 00:14:47.120
step up to bring this to the culture of the

272
00:14:47.200 --> 00:14:50.159
nineties because that intelligence of horror films had to step

273
00:14:50.240 --> 00:14:53.000
up or it wasn't going to succeed. So what I

274
00:14:53.080 --> 00:14:56.399
feel like is that is exactly what Kevin Williamson did here.

275
00:14:57.039 --> 00:15:00.120
He had to bring some kind of new game to

276
00:15:00.159 --> 00:15:02.360
the theater that was horror that was going to capture

277
00:15:02.639 --> 00:15:06.720
a younger audience who did not technically grow up with

278
00:15:06.759 --> 00:15:09.519
what we grew up with, Jeff. From the seventies and

279
00:15:09.600 --> 00:15:12.200
the eighties. You still had that crowd because we are there,

280
00:15:12.240 --> 00:15:15.360
we are, but yet a younger crowd who were born

281
00:15:15.399 --> 00:15:18.159
in the eighties and were growing up in the nineties

282
00:15:18.759 --> 00:15:21.159
and you're getting all this new music, you're getting all

283
00:15:21.200 --> 00:15:23.399
of these new horror movies and you get but were

284
00:15:23.440 --> 00:15:26.799
not successful until this one came along. But what I

285
00:15:26.840 --> 00:15:31.000
also want to point out is do not forget a

286
00:15:31.039 --> 00:15:34.120
movie that came out in nineteen ninety four that I

287
00:15:34.240 --> 00:15:38.159
feel also influenced this movie, and that is Wes Craven's

288
00:15:38.200 --> 00:15:42.120
New Nightmare, because if you think about it, that was

289
00:15:42.159 --> 00:15:46.399
a meta horror film, just like The Scream is a

290
00:15:46.440 --> 00:15:51.039
meta slasher film. So I feel it has a heavy

291
00:15:51.039 --> 00:15:52.399
influence on this movie.

292
00:15:53.120 --> 00:15:55.720
I think you're right. I'll tell you some other fun

293
00:15:55.759 --> 00:15:58.440
things when you watch this movie and you and things

294
00:15:58.480 --> 00:16:04.639
are that nineties culture imprinted on this film? Making Jiffy

295
00:16:04.639 --> 00:16:08.200
pop on the stove? Yeah? Yeah, you know? How about

296
00:16:08.279 --> 00:16:12.080
how about cellular telephones and cordless phones. Every house had

297
00:16:12.080 --> 00:16:16.399
a cordless phone and the cellular phone. And I'm saying

298
00:16:16.440 --> 00:16:20.000
cellular because in this film they're called cellular telephones. I

299
00:16:20.840 --> 00:16:24.000
love I love the moment when Billy is with the

300
00:16:24.000 --> 00:16:26.120
sheriff at the police station. He's like, what are you

301
00:16:26.120 --> 00:16:29.519
doing with a cellular telephone? Son? And he's like, everyone's

302
00:16:29.519 --> 00:16:32.000
got one nowadays. Share that was a brand, that was

303
00:16:32.000 --> 00:16:33.639
a brain, that was brand new technology.

304
00:16:33.840 --> 00:16:38.159
It was yea, even even Jeff became a big thing

305
00:16:38.639 --> 00:16:39.480
this you know.

306
00:16:39.519 --> 00:16:42.720
Yeah, yeah caller I d yeah, yeah, everyone. Well, let's

307
00:16:42.799 --> 00:16:44.799
Let's be honest. Everyone wants Caller I D after this

308
00:16:44.840 --> 00:16:49.399
movie comes out. Absolutely, you'll pay you'll you'll gladly pay

309
00:16:49.679 --> 00:16:51.240
uh for Caller ID.

310
00:16:51.360 --> 00:16:54.080
Because nobody wants to pick up that phone here, Hello Sydney.

311
00:16:54.279 --> 00:16:57.759
Yeah, yeah, oh I'm you know, even even when he's

312
00:16:58.120 --> 00:17:01.480
starting out nice and chill, you know, yeah, oh hi,

313
00:17:01.559 --> 00:17:04.079
I must have dialed the wrong number, you know. He

314
00:17:04.200 --> 00:17:06.759
quickly turns from that to like, hang up on me.

315
00:17:06.799 --> 00:17:10.359
I've cut you like a fish. Whoa, whoa. We went

316
00:17:10.400 --> 00:17:15.119
to an real quick buddy, he does. I'll tell you what, Dave.

317
00:17:15.200 --> 00:17:17.400
Let's let's take a quick break and when we get back,

318
00:17:17.400 --> 00:17:22.400
we got to talk about this cast. Welcome back. We

319
00:17:22.440 --> 00:17:27.680
are talking about Wes Craven's scream. Dave. Let's talk principal

320
00:17:27.759 --> 00:17:29.000
roles first.

321
00:17:29.279 --> 00:17:32.400
Well, I want to start off, obviously with the main one,

322
00:17:32.400 --> 00:17:34.960
and that's Nev Campbell, who plays Sidney Press Scott Jeff.

323
00:17:35.480 --> 00:17:41.079
You know, you want this young, innocent looking female, which

324
00:17:41.119 --> 00:17:43.839
is sometimes hard to capture, but when you go casting

325
00:17:43.880 --> 00:17:46.240
for somebody, that's exactly what they were looking for here

326
00:17:46.279 --> 00:17:50.039
in Stream, and I think they absolutely nailed it with her.

327
00:17:50.119 --> 00:17:50.880
Man.

328
00:17:52.160 --> 00:17:54.000
She came from what part was a party of five.

329
00:17:54.079 --> 00:17:56.880
She was, she was a she was a hit on

330
00:17:56.920 --> 00:17:58.680
a Fox with a party of five.

331
00:17:58.960 --> 00:18:01.960
Yeah, yeah, that's it. That's where she got her start, right.

332
00:18:02.160 --> 00:18:04.720
Yeah, that's that's where she's getting her start. So yeah, uh,

333
00:18:04.799 --> 00:18:06.279
let's talk about you know, you said you got to

334
00:18:06.279 --> 00:18:08.759
get the right girl for this role. Let's talk about

335
00:18:08.799 --> 00:18:13.799
who wasn't right. So Reese Witherspoon is turned down because

336
00:18:13.799 --> 00:18:17.799
she looks too young. Kevin Williamson, I'm sure he's crushing

337
00:18:17.799 --> 00:18:20.279
on this lady, just like we were back in the day.

338
00:18:20.319 --> 00:18:24.519
But he wants Molly Ringwold to play Sidney Prescott, and

339
00:18:24.559 --> 00:18:26.640
Molly says, look, I'm a little too old. I'm twenty

340
00:18:26.680 --> 00:18:28.279
seven years old. I can't play a high school student.

341
00:18:29.759 --> 00:18:32.279
And ultimately it comes down I think she could. She

342
00:18:32.279 --> 00:18:32.759
could have pulled it.

343
00:18:33.359 --> 00:18:33.759
She could have.

344
00:18:33.839 --> 00:18:38.680
Absolutely, Yeah, Ultimately it comes down to nev Campbell, Alicia

345
00:18:38.759 --> 00:18:44.880
Witt and Brittany Murphy was never the right choice.

346
00:18:43.920 --> 00:18:46.720
Alicia Witt. I could see Campbell.

347
00:18:47.279 --> 00:18:49.359
Yeah, I think I think Campbell's the right choice. Alicia.

348
00:18:49.480 --> 00:18:51.079
It would have been a good, a good fit for

349
00:18:51.160 --> 00:18:53.480
it as well. You know, we we will see her later.

350
00:18:53.759 --> 00:18:55.000
What was it Urban legend?

351
00:18:55.119 --> 00:18:55.759
Urban legend?

352
00:18:55.799 --> 00:18:56.440
Yeah, yeah.

353
00:18:56.480 --> 00:18:59.559
So I just I just think Campbell has that next

354
00:18:59.559 --> 00:19:02.799
door neighbor girl look that they absolutely needed in this movie,

355
00:19:02.839 --> 00:19:03.599
and she nailed it.

356
00:19:04.119 --> 00:19:06.960
She I'm gonna call out the Jamie factor. She has

357
00:19:07.000 --> 00:19:09.720
the Jamie factor where she like Jamie you know, obviously

358
00:19:09.759 --> 00:19:13.039
the scream queen of all Stream queens, Jamie Lee Curtis.

359
00:19:13.720 --> 00:19:17.359
She looks like the girl next door. She's unassuming, she's

360
00:19:17.839 --> 00:19:20.680
a little a little broken, but she's also tough. She

361
00:19:20.720 --> 00:19:23.759
can handle it. Exactly, yes, exactly, And I love that

362
00:19:23.839 --> 00:19:27.400
nev you know, is playing the role not as a victim,

363
00:19:27.440 --> 00:19:31.480
but as someone that's you know, doesn't necessarily need the help, right,

364
00:19:31.480 --> 00:19:33.400
he doesn't need her boyfriend to show up, right yep?

365
00:19:33.599 --> 00:19:33.880
Yep.

366
00:19:34.640 --> 00:19:37.480
Courtney Cox as Gail Weathers.

367
00:19:38.000 --> 00:19:41.400
So my understanding is she was tired of the I mean,

368
00:19:41.480 --> 00:19:44.200
she wasn't tired of it. She was doing friends, and

369
00:19:44.400 --> 00:19:47.920
she wanted that I need to get rid of the

370
00:19:48.200 --> 00:19:51.799
I'm I'm you know, happy and everybody loves me. I

371
00:19:51.880 --> 00:19:56.079
need a a bitch look or a character kind of thing,

372
00:19:56.119 --> 00:19:59.240
and that's why she wanted This is my understanding, right.

373
00:19:59.359 --> 00:20:01.400
Yeah, I think about it. She is one of the most

374
00:20:01.480 --> 00:20:05.880
likable women in Hollywood. At this point, you know, because

375
00:20:05.880 --> 00:20:09.200
we grew up with her on family ties. We watched

376
00:20:09.279 --> 00:20:11.799
Bruce Springsteen pull her out of the crowd on a

377
00:20:11.880 --> 00:20:14.960
music video and dance with her. Yep, and she's she's

378
00:20:15.000 --> 00:20:17.599
Monica on you know, on friends like and Friends is

379
00:20:17.640 --> 00:20:21.920
a huge success right now. And Wes Craven's like, no,

380
00:20:22.279 --> 00:20:26.319
we're not using Courtney Cox. She's just too likable. Yeah,

381
00:20:26.519 --> 00:20:27.960
but do you do you do you know what Courtney

382
00:20:28.000 --> 00:20:29.400
Cox did about this? No?

383
00:20:29.480 --> 00:20:30.079
What did she do?

384
00:20:31.599 --> 00:20:35.440
So she hears that Craven's really not interested, she writes

385
00:20:35.519 --> 00:20:39.359
him a letter telling him that being a bitch was

386
00:20:39.359 --> 00:20:40.880
was not going to be a stretch for her at all,

387
00:20:41.559 --> 00:20:43.960
like quote unquote, and so he's like, all right, let's

388
00:20:44.039 --> 00:20:47.079
let's talk to her. Well, she pulled it off, she did.

389
00:20:47.400 --> 00:20:50.160
I mean think about that, like the first time you

390
00:20:50.200 --> 00:20:53.519
see her and she's telling Kenny the cameramando, you know

391
00:20:54.839 --> 00:20:57.440
that that that she is a bitch.

392
00:20:57.519 --> 00:20:58.759
You know, I.

393
00:20:58.839 --> 00:21:01.720
Understand you're fifty pounds over wait, but when I say move,

394
00:21:02.200 --> 00:21:06.960
move your fat ass, like, I'm like, damn, this is

395
00:21:06.960 --> 00:21:07.599
not Monica.

396
00:21:08.160 --> 00:21:10.599
No. And even for us, Jeff, when we were watching

397
00:21:10.599 --> 00:21:12.079
the theater for their first time, we were kind of

398
00:21:12.079 --> 00:21:14.039
like taken aback by that because you're not used to

399
00:21:14.079 --> 00:21:15.319
that coming from Courtney Cox.

400
00:21:15.720 --> 00:21:19.079
No, no, you're not at all. It's uh. I'll tell

401
00:21:19.079 --> 00:21:21.799
you one thing. I'm I'm so happy that they never

402
00:21:21.880 --> 00:21:26.960
killed her character off because seeing her throughout this franchise

403
00:21:27.000 --> 00:21:27.799
has been a lot of fun.

404
00:21:28.039 --> 00:21:29.599
Oh yeah, I would agree.

405
00:21:30.079 --> 00:21:32.240
Yeah. I want to talk about one of your buddies.

406
00:21:32.920 --> 00:21:38.799
Oh I know, can can we talk about Matthew Lillard Leans, Yes, Dave.

407
00:21:38.880 --> 00:21:43.720
This guy just happens to walk into an audition by chance.

408
00:21:44.319 --> 00:21:48.400
He's taking his girlfriend on some audition in the same building,

409
00:21:49.279 --> 00:21:50.599
and they look at him and go, hey, you want

410
00:21:50.599 --> 00:21:51.920
to come in here and read for this real quick?

411
00:21:51.960 --> 00:21:54.720
Because think about this at this point, like we saw

412
00:21:54.799 --> 00:22:00.599
him in uh that movie Hackers. Yep, he hadn't really

413
00:22:00.599 --> 00:22:04.559
done much else. But I gotta tell you, you know, by

414
00:22:04.640 --> 00:22:10.400
Kevin Williamson's own recount recounting, this character is brought to

415
00:22:10.440 --> 00:22:13.240
life because of Matthew Lillard. Like it was under it

416
00:22:13.279 --> 00:22:15.680
was underdeveloped. Let's let's talk about Matthew Lillard.

417
00:22:16.119 --> 00:22:20.559
This, in my opinion, he made this film what it

418
00:22:20.599 --> 00:22:26.839
is because his joking comedy that you get from him.

419
00:22:27.240 --> 00:22:30.200
But when you realize who he actually is. When you

420
00:22:30.200 --> 00:22:31.440
get to the end of this film and you look

421
00:22:31.480 --> 00:22:33.519
back at some of the comments that he made, You're like,

422
00:22:34.039 --> 00:22:38.599
this guy is seriously unbalanced, and but he's not only scary,

423
00:22:39.000 --> 00:22:41.960
but he brings a funny level to that scary.

424
00:22:42.079 --> 00:22:45.519
Jeff, I gotta be honest, man, throughout the movie until

425
00:22:45.599 --> 00:22:48.359
until the big reveal at the end, like you want

426
00:22:48.359 --> 00:22:52.160
to hang out with Stu. He's he's I mean, obviously

427
00:22:52.559 --> 00:22:55.200
he is. He goes over he goes over the line

428
00:22:55.240 --> 00:22:56.759
a couple of times. So some of his his poor

429
00:22:56.799 --> 00:23:00.880
tasted humor, like liver alone. You know, I just love

430
00:23:01.079 --> 00:23:03.279
the ad libit that that Matthew Lillard's doing in this

431
00:23:04.440 --> 00:23:07.119
like when when Tatum hits him in the head near

432
00:23:07.160 --> 00:23:10.279
the locker because he's again he says something that's that's

433
00:23:10.319 --> 00:23:12.400
not that that's sensitive. He's like, what this place is

434
00:23:12.400 --> 00:23:15.400
like Christmas? Like he is, he's loving, he's loving all

435
00:23:15.440 --> 00:23:18.480
the attention that the high school is getting because of murders,

436
00:23:18.519 --> 00:23:21.079
because right because two classmates got murdered.

437
00:23:21.480 --> 00:23:23.559
And the whole the whole thing. When Skeet Alter throws

438
00:23:23.599 --> 00:23:25.640
the phone at him, there if there at the end,

439
00:23:26.119 --> 00:23:28.440
he comes up with that with that you hit me

440
00:23:28.519 --> 00:23:30.079
with the phone.

441
00:23:30.759 --> 00:23:34.519
Yeah, well man, yeah, even you know, we talked about

442
00:23:34.559 --> 00:23:38.200
how nineties culture is influencing this movie. I think one

443
00:23:38.240 --> 00:23:40.519
of the better scenes in the movie is him and

444
00:23:40.599 --> 00:23:43.240
Randy at the video store. And let's let's not forget

445
00:23:43.359 --> 00:23:47.640
video stores were huge at this point. I love the

446
00:23:47.640 --> 00:23:49.680
fact that Randy's working. I will get to Randy here

447
00:23:49.720 --> 00:23:51.240
in a second, but I love the fact that he's

448
00:23:51.559 --> 00:23:54.359
throughing a video store and you know, Randy's giving him

449
00:23:54.359 --> 00:23:56.200
his theories. He's like, oh really, you know, he's just

450
00:23:56.240 --> 00:23:59.680
he's playing into it, right right. Yeah. Lillard's awesome. Man.

451
00:23:59.799 --> 00:24:04.480
I love the fact that he made this character such

452
00:24:04.519 --> 00:24:08.240
a huge part of this movie. He's definitely stealing most,

453
00:24:08.319 --> 00:24:10.000
if not all, the scenes that he's in.

454
00:24:10.039 --> 00:24:11.440
Without that, yeah, yeah he is.

455
00:24:11.480 --> 00:24:14.400
And Dave, he's such an amazing guy, Like we you know,

456
00:24:14.440 --> 00:24:17.519
we've talked to him, we've met him. He does the

457
00:24:17.559 --> 00:24:20.559
cons and dude, you you pray that you can get

458
00:24:20.559 --> 00:24:22.960
a chance to get in his line and get to

459
00:24:22.960 --> 00:24:25.519
see him or get to talk to him, because it

460
00:24:25.640 --> 00:24:27.440
sells out every single time. Right.

461
00:24:27.519 --> 00:24:30.319
Yeah. He's very friendly to everybody. I mean, he takes

462
00:24:30.319 --> 00:24:32.559
his time with each person. And Jeff you and I

463
00:24:32.640 --> 00:24:35.359
were there at Horhow when we saw this that line

464
00:24:35.720 --> 00:24:38.240
never went away. It had at least what one hundred

465
00:24:38.240 --> 00:24:41.160
and fifty two hundred people deep and it never went down.

466
00:24:41.680 --> 00:24:45.240
Well that's the line to get into the line. Yeah, right,

467
00:24:45.480 --> 00:24:47.319
I mean that's how That's how huge he is at

468
00:24:47.359 --> 00:24:50.759
these things. Yep. And he embraces the fandom. He embraces

469
00:24:51.079 --> 00:24:53.960
he does. You know, if you're not putting something screen

470
00:24:53.960 --> 00:24:55.720
related in front of him, you're probably putting something Scooby

471
00:24:55.759 --> 00:24:59.480
Doo in front of him. Yep. But he loves it, right, Yeah, absolutely,

472
00:24:59.559 --> 00:24:59.839
he does.

473
00:25:00.000 --> 00:25:03.799
He's always a pleasure to meet when he goes to conventions,

474
00:25:03.799 --> 00:25:04.160
for sure.

475
00:25:04.680 --> 00:25:08.079
I'll tell you he's not alone. Skeet Ulrich is usually

476
00:25:08.119 --> 00:25:11.880
there too. Skeate's playing Billy Loomis, Yep. I want to

477
00:25:11.960 --> 00:25:13.880
I want to give you a what if. Here the

478
00:25:13.960 --> 00:25:19.240
studio is looking at a rising star named Vince Vaughn

479
00:25:19.960 --> 00:25:22.920
to play the role of Billy. Vince Vaughn is sick

480
00:25:23.440 --> 00:25:26.519
during the audition process, never gets the audition, and Yett

481
00:25:26.519 --> 00:25:28.400
to think he's kind of he's kind of he's jumping

482
00:25:28.440 --> 00:25:31.319
on the scene because he's got swingers. Yeah, that comes

483
00:25:31.319 --> 00:25:32.839
out this year and kind of puts him on the map,

484
00:25:33.680 --> 00:25:36.680
is Vince Vaughn. Yeah, you're shaking your head. So I

485
00:25:36.720 --> 00:25:38.519
can't even sell it like he just he would not

486
00:25:38.519 --> 00:25:39.839
have been right for this, right, not.

487
00:25:40.119 --> 00:25:42.799
At all, man, especially after seeing what sket did. I mean,

488
00:25:42.799 --> 00:25:46.319
come on, yeah, there's no way Skeet had that that

489
00:25:46.319 --> 00:25:49.000
that young Johnny Depp going for him here. He really

490
00:25:49.039 --> 00:25:52.319
did with the hair and all that kind of the

491
00:25:52.359 --> 00:25:55.279
way he presents himself. He really did. And I don't

492
00:25:55.279 --> 00:25:57.279
see Vince Vaughn being able to pull that off at all.

493
00:25:57.680 --> 00:25:59.039
I don't think so. I think I think it gets

494
00:25:59.039 --> 00:26:01.680
a little more comical if if Vaughan's got the role.

495
00:26:02.440 --> 00:26:06.039
And I love how serious al Rich is to get

496
00:26:06.039 --> 00:26:09.519
into the role, because to get into the mindset of

497
00:26:09.559 --> 00:26:14.079
Billy Loomis, he's listening to punk music and he's watching

498
00:26:14.119 --> 00:26:17.400
Faces of Death in his hotel room. Nice to kind

499
00:26:17.400 --> 00:26:19.039
of get himself in the in the in the headspace

500
00:26:19.039 --> 00:26:22.920
of Billy Loomis. I'll tell you one thing that Skee

501
00:26:23.079 --> 00:26:26.480
does though he almost single handily sinks this movie before

502
00:26:26.480 --> 00:26:28.559
it comes out. Are you aware of this? No?

503
00:26:29.279 --> 00:26:30.160
What what happened?

504
00:26:30.880 --> 00:26:34.680
He's doing an interview? Oh no, ske what has he done,

505
00:26:35.160 --> 00:26:38.759
mistakenly gives it away that he's he's one of the

506
00:26:38.880 --> 00:26:42.559
killers in this interview. Oh no, you know, this is

507
00:26:42.680 --> 00:26:44.279
this is I mean, we've seen Tom Holland doing this

508
00:26:44.400 --> 00:26:46.799
kind of stuff with Spider Man, you know, you know,

509
00:26:46.839 --> 00:26:49.480
in recent times. But as soon as he realizes it,

510
00:26:49.720 --> 00:26:51.920
cut the interview. He gets on the phone with his agent,

511
00:26:52.839 --> 00:26:55.799
has his agent work over time to kill the story.

512
00:26:56.599 --> 00:26:57.519
Thanks god man.

513
00:26:57.640 --> 00:27:01.720
Yeah, could you imagine, Let's be honest, I can't imagine

514
00:27:01.759 --> 00:27:05.079
any media outlet getting something like that and wanting to

515
00:27:05.160 --> 00:27:07.559
run with it and and ruining something like that.

516
00:27:07.640 --> 00:27:09.960
You know, that is one movie you did not want

517
00:27:10.039 --> 00:27:13.359
ruined for you, Jeff, because what a shock that was

518
00:27:13.440 --> 00:27:16.519
to you when it when when the reveal happened, well.

519
00:27:16.480 --> 00:27:19.279
Yeah, especially you know after after Ghostays pops out and

520
00:27:19.960 --> 00:27:23.039
guts him, you know, he, you know, does the fade

521
00:27:23.039 --> 00:27:26.440
away die you know you said, you know, collapses on

522
00:27:26.480 --> 00:27:29.279
the bed in a pull of blood. It was such

523
00:27:29.279 --> 00:27:33.160
an amazing moment, right yep. Speaking of amazing, we we

524
00:27:33.240 --> 00:27:35.759
got to talk about David Arquette playing Dewey.

525
00:27:36.559 --> 00:27:36.720
Uh.

526
00:27:36.960 --> 00:27:39.200
You know, we're a couple, couple of supporting players. I

527
00:27:39.200 --> 00:27:42.400
want to start with David Arkett of course, Dave, he

528
00:27:42.799 --> 00:27:46.960
had the role of Billy, turns it down because he

529
00:27:47.000 --> 00:27:50.640
wants to play Dewey because then the original script Dewey

530
00:27:50.759 --> 00:27:53.480
was the hunky leading man he was supposed to be,

531
00:27:53.799 --> 00:27:58.000
wasn't supposed to be the bungling Don Knott's type of charactery.

532
00:27:58.000 --> 00:28:01.039
He turned he became. But Arquett's like, I'm gonna be

533
00:28:01.039 --> 00:28:03.839
I'm gonna be the deputy. He's got to save the day.

534
00:28:03.839 --> 00:28:06.720
And Kevin Williamson and Wes Craven had other ideas. But

535
00:28:07.279 --> 00:28:11.000
what do you think again, I can't imagine this franchise

536
00:28:11.039 --> 00:28:12.720
without David Arquette.

537
00:28:12.400 --> 00:28:14.640
Not at all. And he plays you know, even though

538
00:28:14.799 --> 00:28:17.240
it's not what was intended when he got the role,

539
00:28:17.680 --> 00:28:20.519
he did it so well. You know, not only is

540
00:28:20.559 --> 00:28:23.000
he this this guy who's trying to do so good,

541
00:28:23.119 --> 00:28:26.240
but he's like don knots at it. He just tries

542
00:28:26.279 --> 00:28:28.519
too hard that it makes it even worse for himself

543
00:28:29.000 --> 00:28:31.400
that I just he pulls it off so well. I

544
00:28:31.400 --> 00:28:33.279
don't see anybody else in this role no way.

545
00:28:33.799 --> 00:28:36.880
Yeah. I love how he He's believable, Like when he's

546
00:28:36.920 --> 00:28:40.559
being serious and he's being tough, he's believable. And then

547
00:28:40.559 --> 00:28:42.759
when he when he is being a little a little

548
00:28:42.759 --> 00:28:45.160
bit of a goofus, when he's when he's arguing with

549
00:28:45.200 --> 00:28:48.400
his little sister. Yeah, I totally buy it.

550
00:28:48.920 --> 00:28:51.559
It's it's amazing, and you fall in love with his character,

551
00:28:51.680 --> 00:28:53.920
you do. You don't want any anything to happen to

552
00:28:54.000 --> 00:28:56.079
him because he's so innocent, and he pulls it off

553
00:28:56.119 --> 00:28:59.279
so well that you don't want anything to happen to him.

554
00:28:59.279 --> 00:29:01.759
So when it does, are like, oh no, you know.

555
00:29:01.799 --> 00:29:04.880
Yeah, And and Craven gives us this absence of his

556
00:29:05.000 --> 00:29:06.359
character for like the longest time.

557
00:29:06.920 --> 00:29:07.039
Hm.

558
00:29:07.440 --> 00:29:09.200
And then at the very end, Oh, there he is.

559
00:29:09.240 --> 00:29:11.200
He's getting loaded into the back of an ambulance. He's

560
00:29:11.319 --> 00:29:13.680
he's gonna he's gonna be fine, He'll make it, you know,

561
00:29:13.759 --> 00:29:18.319
which becomes like arawling card. Yeah, okay, but a Kyle

562
00:29:18.400 --> 00:29:20.599
becomes his calling card because it happens again at the

563
00:29:20.680 --> 00:29:23.680
end of Scream too. And I you know, he's always like, oh,

564
00:29:23.720 --> 00:29:27.519
I'm gonna make it. I'm gonna make it. Let's talk

565
00:29:27.519 --> 00:29:32.880
about his little sister. Tatum is being played by Rose McGowan. Now,

566
00:29:32.920 --> 00:29:34.599
I know we talked about at the very first episode

567
00:29:34.599 --> 00:29:36.000
of nineteen ninety six, we talked about it. She had

568
00:29:36.039 --> 00:29:39.240
a small role in Biodome. Yeah, no one knows who

569
00:29:39.319 --> 00:29:42.960
she is, and then she's about to explode in popularity

570
00:29:42.960 --> 00:29:46.599
because of Scream. I dig the fact that she takes

571
00:29:46.640 --> 00:29:47.680
ownership of her character.

572
00:29:48.319 --> 00:29:50.279
She does, and she does it well. They even get

573
00:29:50.319 --> 00:29:51.200
with it a blonde wig.

574
00:29:51.240 --> 00:29:53.480
I think they gave her no they she dyed her hair.

575
00:29:53.759 --> 00:29:55.240
She dyed her hair. That's what I knew. There was

576
00:29:55.240 --> 00:29:56.960
something about the hair that they needed to change.

577
00:29:57.319 --> 00:30:00.720
Yeah, well Nev's a brunette and they're like, well, we

578
00:30:00.720 --> 00:30:02.480
can't have to brunette. So she's like, don't worry about it,

579
00:30:02.480 --> 00:30:05.039
I'll dye my hair. Yeah. But I love the fact

580
00:30:05.039 --> 00:30:08.480
that when she shows up for her costume fitting, costume

581
00:30:08.519 --> 00:30:12.559
designer has envisioned her as a tomboy mm hmm, and

582
00:30:12.680 --> 00:30:14.480
Rose McGowan is like, no, I'm going to play the

583
00:30:15.240 --> 00:30:19.640
sexy one. But the costumes, I was like, you know, here,

584
00:30:19.759 --> 00:30:22.519
try these. Gives her a pair of denim overalls and

585
00:30:22.559 --> 00:30:24.960
she says, hey, these are these are very in and

586
00:30:25.039 --> 00:30:29.519
Rose says they are very never he goes to them

587
00:30:29.519 --> 00:30:32.640
all though, and she buys her own wardrobe with her

588
00:30:32.640 --> 00:30:35.400
own money. I mean that's commitment, right, It is commitment.

589
00:30:35.480 --> 00:30:37.799
Yeah, and she pulled it off because she looked fantastic

590
00:30:37.920 --> 00:30:38.599
to this movie.

591
00:30:38.880 --> 00:30:42.240
She's She's awesome in this movie. You know, I love She's.

592
00:30:42.599 --> 00:30:46.039
She is a very believable best friend character.

593
00:30:46.519 --> 00:30:46.720
Yeah.

594
00:30:46.759 --> 00:30:49.039
And again we're talking about Slasher, and you know, these

595
00:30:49.119 --> 00:30:52.039
these these characters, they're not gonna last. But I kind

596
00:30:52.039 --> 00:30:54.559
of feel like I wish she wasn't. I mean, she

597
00:30:54.599 --> 00:30:58.359
had one of the most spectacular death scenes Slasher film, Yeah,

598
00:30:58.599 --> 00:31:00.720
with the garage door. But I wish I wish she

599
00:31:00.759 --> 00:31:02.559
would have survived. Man would have been fun to see

600
00:31:02.559 --> 00:31:04.759
her move on throughout the franchise.

601
00:31:05.079 --> 00:31:07.839
I agree, Yeah, it would have been fun moving on.

602
00:31:08.279 --> 00:31:11.359
H Let's talk about Jamie Kennedy playing Randy.

603
00:31:12.480 --> 00:31:15.000
Who's been fired several times from a video store, but

604
00:31:15.079 --> 00:31:16.039
he's still working there.

605
00:31:16.640 --> 00:31:20.880
Yeah, yeah, no danger getting fired from the film, though

606
00:31:21.039 --> 00:31:23.480
he wins the role over Seth Green, which I totally

607
00:31:23.519 --> 00:31:24.559
can see Seth Green doing this.

608
00:31:24.640 --> 00:31:25.559
I can't see that too.

609
00:31:25.640 --> 00:31:28.400
Yeah. Yeah, but I'm glad we got Jamie Kennedy because,

610
00:31:29.240 --> 00:31:32.240
you know, earlier we see him, he's playing a very

611
00:31:32.279 --> 00:31:36.519
small supported character in bas Lehrman's Romeo and Juliet. You

612
00:31:36.519 --> 00:31:39.480
know earlier, this earlier in nineteen eighty six. He is

613
00:31:39.519 --> 00:31:41.680
a Wes Craven favorite though, because he's doing a lot

614
00:31:41.680 --> 00:31:44.400
of ad libbing and he's got the cast laughing. He's

615
00:31:44.400 --> 00:31:47.480
got Wes Craven laughing like that whole Jerry Lewis bit

616
00:31:47.559 --> 00:31:48.160
that's all him.

617
00:31:48.680 --> 00:31:49.799
Wow, that's impressive.

618
00:31:50.160 --> 00:31:52.480
Yeah. A lot of his a lot of his lines

619
00:31:52.480 --> 00:31:54.319
are like ad lib They're like, go ahead, and Randy,

620
00:31:54.359 --> 00:31:56.000
you know, go ahead, Jamie, do what you want to do.

621
00:31:56.039 --> 00:31:56.440
Just do it.

622
00:31:56.559 --> 00:31:56.839
Yeah.

623
00:31:57.640 --> 00:31:59.319
It's kind of like the Bill Murray thing. Just do

624
00:31:59.400 --> 00:32:01.240
what you want in front of the camera and because

625
00:32:01.240 --> 00:32:02.880
you're sted, you can pull it off.

626
00:32:03.200 --> 00:32:06.160
But for an unknown to do it like he's like, look,

627
00:32:06.200 --> 00:32:07.559
he's looking at Wes Craven like, hey, can I have

628
00:32:07.599 --> 00:32:10.680
one more take and try something different? Wes is like, sure, man,

629
00:32:10.839 --> 00:32:11.279
go for it.

630
00:32:12.079 --> 00:32:14.279
And I think we're connected to him some because he's

631
00:32:14.279 --> 00:32:16.799
such a horror fan like we are, and how much

632
00:32:16.839 --> 00:32:21.640
he loves movies and just obsesses over them, talks about him.

633
00:32:21.839 --> 00:32:23.519
We connect with him, I think a lot easier.

634
00:32:24.000 --> 00:32:27.440
I'll be honest, man, you know, Yeah, he's the nerd

635
00:32:28.599 --> 00:32:31.839
archetype in this movie. I don't care. Like when I'm

636
00:32:31.880 --> 00:32:35.240
watching the movie the first time when I'm watching it yesterday,

637
00:32:35.359 --> 00:32:39.599
He's always like my guide. I'm connected to him, and

638
00:32:39.599 --> 00:32:43.599
it's because of the confidence he has with his movie knowledge. Yep,

639
00:32:44.279 --> 00:32:47.599
and he's He's got maybe one of the most important

640
00:32:47.640 --> 00:32:51.359
scenes in the entire film when he delivers the rules.

641
00:32:51.480 --> 00:32:52.880
You want you want to talk about the rules here?

642
00:32:53.559 --> 00:32:57.559
Oh yeah, let's talk about the rules. Jesus Christ, you

643
00:32:57.559 --> 00:32:59.799
don't know the rules have an aneurism.

644
00:33:00.559 --> 00:33:03.559
There are certain rules that one must abide by in

645
00:33:03.640 --> 00:33:07.960
order to successfully survive a horror movie. For instance, number one,

646
00:33:08.519 --> 00:33:17.880
you can never have sex, big big, number seven saith okay.

647
00:33:18.160 --> 00:33:24.599
Number two you can never drink or do drugs the

648
00:33:24.799 --> 00:33:28.160
sind factor. It says sin. It's an extension of number

649
00:33:28.160 --> 00:33:32.519
one and number three. Never ever, ever, under any circumstances,

650
00:33:32.559 --> 00:33:34.799
say I'll be right back, because you won't be back.

651
00:33:34.839 --> 00:33:35.759
I'm getting another beer.

652
00:33:35.799 --> 00:33:41.079
You want one? Yeah, sure, I'll be right back, all right, Dave,

653
00:33:42.039 --> 00:33:45.359
never have sex, never drink or do drugs, and never

654
00:33:45.440 --> 00:33:46.680
say I'll be right back.

655
00:33:48.480 --> 00:33:52.359
I'll be back. Such a good scene.

656
00:33:53.440 --> 00:33:55.279
Is this some of the most brilliant writing that Kevin

657
00:33:55.279 --> 00:34:00.640
Williamson's gonna do in this script? Because I know, I

658
00:34:00.680 --> 00:34:03.839
know you're a huge fan of horror films like I am.

659
00:34:03.839 --> 00:34:06.599
And when you look at these three rules, I can

660
00:34:07.400 --> 00:34:10.920
instantly I don't care pick the pick the the horror franchise.

661
00:34:11.679 --> 00:34:15.079
Yeah you can. You can say, hey, never have sex.

662
00:34:15.079 --> 00:34:17.480
And whether whether I say Friday thirteenth, whether I say Halloween,

663
00:34:17.480 --> 00:34:20.920
whether I say Nightmare arm Street. Yeah, you can immediately

664
00:34:20.960 --> 00:34:25.119
think of scenes, repeated scenes where this happens time and

665
00:34:25.119 --> 00:34:28.280
time again, and he's like, yeah, well that that person's

666
00:34:28.320 --> 00:34:31.519
gonna die because they you know, they just had sex.

667
00:34:31.559 --> 00:34:33.760
So that person's gonna die because they just went skinny dipping.

668
00:34:33.960 --> 00:34:39.079
That person's gonna die because they just smoke pot. What. Yeah,

669
00:34:39.119 --> 00:34:43.519
this meta commentary though, that that Kevin Williamson creates in

670
00:34:43.559 --> 00:34:46.559
this movie. To your point, you're talking about, we have

671
00:34:46.599 --> 00:34:51.480
a smarter audience. Now, yep, kids aren't gonna run around,

672
00:34:51.480 --> 00:34:54.559
you know, run run back into the house. You know.

673
00:34:55.000 --> 00:34:57.079
Beautiful girls aren't gonna hear a noise and then decide

674
00:34:57.119 --> 00:34:58.639
to take their clothes off and get in the shower.

675
00:34:59.760 --> 00:35:04.159
They're smarter now, aar And I love I love a

676
00:35:04.280 --> 00:35:08.280
character like Randy because he is so in tune with

677
00:35:08.280 --> 00:35:10.480
with how you should behave in a horror film.

678
00:35:10.719 --> 00:35:16.360
Right. Absolutely, the whole intertwining two of his character at

679
00:35:16.360 --> 00:35:19.320
the party house with Halloween and all of that on

680
00:35:19.320 --> 00:35:21.519
how the Entertwina into the story of what was going

681
00:35:21.559 --> 00:35:26.239
on in the real world, just with absolutely brilliant Jeff brilliant.

682
00:35:26.840 --> 00:35:30.599
How about he's watching Halloween saying no, don't do that,

683
00:35:30.800 --> 00:35:33.320
don't turn around, turn around.

684
00:35:33.119 --> 00:35:34.760
As it's happening behind him.

685
00:35:34.519 --> 00:35:37.199
As it's happening behind him, and then Gail Weathers and

686
00:35:37.280 --> 00:35:40.679
Kenny are in the van. Yeah, and they're turnaround, kid,

687
00:35:40.679 --> 00:35:43.119
turn around. You know, it's like they're watching him. He's

688
00:35:43.159 --> 00:35:48.199
watching Jamie Lee. It's a It's absolutely brilliant. The fact

689
00:35:48.239 --> 00:35:51.719
that they incorporated the Halloween theme, Carpenter's Halloween theme into

690
00:35:51.760 --> 00:35:56.079
that scene, especially do it when Dewey comes in. I

691
00:35:56.079 --> 00:35:58.760
mean he's hitting the marks perfectly. I mean I don't

692
00:35:58.800 --> 00:36:01.719
I don't know how many takes that too, but Dewey

693
00:36:01.760 --> 00:36:04.800
is reacting and the music, Carpenter's music is in perfect

694
00:36:04.800 --> 00:36:05.599
sync with him.

695
00:36:05.880 --> 00:36:12.119
See one eighteen baby, all.

696
00:36:12.119 --> 00:36:16.039
Right, one more guy, I gotta talk about and I

697
00:36:16.079 --> 00:36:18.880
have a theory I want to share with you, please.

698
00:36:18.920 --> 00:36:19.559
I love theories.

699
00:36:19.880 --> 00:36:23.360
Hear it? All right? Joseph Whip is playing the sheriff.

700
00:36:24.639 --> 00:36:27.320
He's had some fun scenes. I've got a theory, though,

701
00:36:28.079 --> 00:36:30.400
I'm gonna take you back. I got a theory that's

702
00:36:30.400 --> 00:36:34.679
going to connect Scream a Nightmare on Elm Street and

703
00:36:34.840 --> 00:36:40.760
Escape from Alcatraz. Okay, hold on, Okay, So Joseph Whipp

704
00:36:41.559 --> 00:36:47.079
played a prison guard in Escape from Alcatraz, and then

705
00:36:47.079 --> 00:36:49.320
he's playing a couple of years later. You know what

706
00:36:49.360 --> 00:36:50.719
was that that you guys just covered that. So it's

707
00:36:50.760 --> 00:36:55.719
nineteen seventy nine, correct, all right, nineteen eighty four. He's

708
00:36:55.760 --> 00:37:00.840
playing a police sergeant in Nightmare on Elm Street and

709
00:37:00.880 --> 00:37:05.920
now he's the sheriff. Okay. My theory is he's playing

710
00:37:05.960 --> 00:37:06.440
the same guy.

711
00:37:08.400 --> 00:37:09.800
Okay, I can see this.

712
00:37:10.239 --> 00:37:12.960
Okay, So and I you know, and are some of

713
00:37:12.960 --> 00:37:19.480
our horror fans that are listening right right now going whoa, whoa, whoa. Now,

714
00:37:19.480 --> 00:37:21.679
I mean, Arb Street takes place in spring Wood, Ohio.

715
00:37:21.840 --> 00:37:23.599
You guys should know that because you're in Ohio and.

716
00:37:23.559 --> 00:37:24.920
We do, yes, we do.

717
00:37:25.000 --> 00:37:27.400
We know this little liberty with with with this, I'm

718
00:37:27.400 --> 00:37:29.239
gonna I'm gonna give me a little latitude. I'm gonnae

719
00:37:29.239 --> 00:37:33.960
you know, because obviously Alcatraz is in San Francisco right,

720
00:37:34.800 --> 00:37:39.599
and Woodsboro is in It's in California, isn't my understanding?

721
00:37:39.719 --> 00:37:41.840
Yep, Northern California, Northern California.

722
00:37:41.920 --> 00:37:47.360
So my thought is this guy promotes, you know, he's

723
00:37:47.400 --> 00:37:50.159
he's a prison guard, you know, early in his career.

724
00:37:51.000 --> 00:37:55.159
Maybe he moves across across the country, ends up to the

725
00:37:55.159 --> 00:37:59.079
mid Boston, Ohio. I can see that goes through you know,

726
00:37:59.159 --> 00:38:03.079
has has the Springwood Slasher, all these murders happening, can't

727
00:38:03.079 --> 00:38:04.840
handle it. Yeah, you know what, it's time to go

728
00:38:04.880 --> 00:38:08.400
back home, moves back home to California, settles in northern

729
00:38:08.400 --> 00:38:12.719
California and Woodsboro, and rises through the ranks from sergeant

730
00:38:12.719 --> 00:38:13.679
to sheriff.

731
00:38:14.039 --> 00:38:16.639
I truly like this theory, Jeff, I can see this

732
00:38:16.760 --> 00:38:18.039
now that you mentioned it.

733
00:38:18.320 --> 00:38:22.480
Yes, yeah, absolutely, yeah. I mean I don't know, maybe

734
00:38:22.519 --> 00:38:23.920
it's a far stretch, but I dig it.

735
00:38:24.039 --> 00:38:25.119
Yeah, I like it.

736
00:38:26.039 --> 00:38:30.880
Yeah, Clint Eastwood's Alcatraz, knightment elm Street in this. It's

737
00:38:30.880 --> 00:38:32.480
all happening together because of this.

738
00:38:32.599 --> 00:38:34.840
If I was a director right now, I would say

739
00:38:34.880 --> 00:38:36.239
cut Rennett.

740
00:38:38.719 --> 00:38:45.039
All right, cameos and before they were famous extras. Obviously,

741
00:38:45.119 --> 00:38:47.440
the we didn't expect it to be a cameo, But

742
00:38:47.840 --> 00:38:50.639
Drew Barrymore playing Casey Becker did not.

743
00:38:50.639 --> 00:38:52.519
Expect what we got out of that character. You thought,

744
00:38:52.599 --> 00:38:54.320
obviously what you said earlier, that we had a bigger

745
00:38:54.400 --> 00:38:59.000
role from her playing Casey. But then well that ended

746
00:38:59.039 --> 00:38:59.719
pretty quickly.

747
00:39:00.440 --> 00:39:03.199
Yeah, but move to our shock. Yeah.

748
00:39:03.360 --> 00:39:05.199
Yeah, but good move of putting her in there like

749
00:39:05.239 --> 00:39:07.679
that and trying to throw us off. And they did.

750
00:39:07.880 --> 00:39:09.519
They did a really good job of that.

751
00:39:10.119 --> 00:39:12.679
Well they did. And then but think about this, this

752
00:39:12.760 --> 00:39:16.519
becomes the new normal, right, like, hey, let's get a

753
00:39:16.559 --> 00:39:20.280
big star to do a glorified cameo and we'll kill

754
00:39:20.320 --> 00:39:21.840
them off at the beginning of the of the of

755
00:39:21.840 --> 00:39:25.760
the movie exactly, and it and it works, it does.

756
00:39:26.199 --> 00:39:28.800
Yeah, it paid off well for them. I mean again,

757
00:39:28.840 --> 00:39:30.840
this movie is hitting on all cylinders. So just another

758
00:39:30.840 --> 00:39:33.079
thing they knocked it out of the park with I

759
00:39:33.920 --> 00:39:34.519
Wes Craven.

760
00:39:34.599 --> 00:39:37.480
I was listening to the audio commentary, mm hmm. That

761
00:39:37.719 --> 00:39:39.840
you know, there's a great audio commentary out there that

762
00:39:40.039 --> 00:39:43.320
Wes Craven and Kevin Williamson do. It's on the it's

763
00:39:43.360 --> 00:39:47.800
on the original DVD release. Have you have you listened

764
00:39:47.840 --> 00:39:49.559
to that? Have you? Are you aware of what he

765
00:39:49.639 --> 00:39:54.559
did to Drew Barrymore Wes Craven by the way.

766
00:39:54.800 --> 00:39:55.840
I think, yes, I do.

767
00:39:56.000 --> 00:39:58.320
The way he made her cry, Yeah, have you heard

768
00:39:58.320 --> 00:39:59.159
this story? Yeah?

769
00:39:59.159 --> 00:40:01.239
I guess he told her about like, was it pets

770
00:40:01.679 --> 00:40:05.280
getting killed? Well, okay, so pets or something like that.

771
00:40:05.679 --> 00:40:09.760
Drew shared a story with Wes Craven and she said, hey,

772
00:40:10.519 --> 00:40:13.079
I read the most upsetting thing the other night. This

773
00:40:13.119 --> 00:40:17.119
guy was torturing a dog by burning it with a

774
00:40:17.159 --> 00:40:20.079
cigarette lighter and they caught him, and she said it

775
00:40:20.119 --> 00:40:23.280
brought her to tears. And Wes talks on the commentary

776
00:40:23.320 --> 00:40:25.360
about how this is a this is a situation where

777
00:40:25.480 --> 00:40:28.159
an actor puts a lot of trust in you to

778
00:40:28.280 --> 00:40:31.599
get a certain performance out of them. Now, you know,

779
00:40:31.719 --> 00:40:34.840
take after take. I mean she is she is just

780
00:40:35.320 --> 00:40:39.000
beside herself with terror. She's crying her eyes out, and

781
00:40:39.400 --> 00:40:41.239
to ask someone to do that over and over again,

782
00:40:41.280 --> 00:40:44.800
that's not easy, No, it's not Wes. Wes told her

783
00:40:45.360 --> 00:40:47.280
every time they were starting to take to get her

784
00:40:47.480 --> 00:40:50.679
get her ready, he would whisper in her ear, Drew,

785
00:40:51.000 --> 00:40:54.480
I'm lighting the lighter and make her think about that

786
00:40:54.639 --> 00:40:57.480
terrible story. And then the water you know, water works

787
00:40:57.480 --> 00:40:58.119
are on right.

788
00:40:58.599 --> 00:41:01.360
The thing director to du boy out of the actor. Hey, whatever,

789
00:41:01.800 --> 00:41:02.360
I guess.

790
00:41:02.599 --> 00:41:08.159
Poor Drew Barrymore. We got some We've got some other

791
00:41:08.159 --> 00:41:13.159
cameos here. Uh, come on, Wes Craven, Come on, Wes

792
00:41:13.239 --> 00:41:15.840
Craven playing Fred the Janitor. How about how about Linda

793
00:41:15.840 --> 00:41:19.320
Blair as that really obnoxious reporter. How does it feel

794
00:41:19.400 --> 00:41:21.360
to almost get gutted? You know? Or what I came

795
00:41:21.559 --> 00:41:25.079
what she says? But people have a right to know. Yeah.

796
00:41:26.039 --> 00:41:27.639
Do you know this is the second time she's worked

797
00:41:27.639 --> 00:41:28.519
with Wes west Craven.

798
00:41:29.000 --> 00:41:29.920
What was the first one?

799
00:41:30.440 --> 00:41:33.719
She did an NBC Movie of the Week with Wes

800
00:41:33.800 --> 00:41:35.440
Craven called Stranger in the House.

801
00:41:36.039 --> 00:41:36.719
No, I didn't know that.

802
00:41:37.079 --> 00:41:39.599
I'd love to just think. Listen to that title. He

803
00:41:39.760 --> 00:41:42.119
hear that title. You know it's gotta be something good. Yeah.

804
00:41:42.199 --> 00:41:43.280
Absolutely, We'll have.

805
00:41:43.280 --> 00:41:46.719
To look that up. What do you think of Henry

806
00:41:46.719 --> 00:41:48.840
Winkler playing Prince on Henbrey Dude?

807
00:41:48.840 --> 00:41:51.079
Come on, what a what a perfect role for him?

808
00:41:51.519 --> 00:41:53.480
And then his leather jacket was in the closet. Did

809
00:41:53.480 --> 00:41:53.880
you see that?

810
00:41:54.840 --> 00:42:02.199
Wait jacket? Yes, go back and I gotta go back.

811
00:42:02.239 --> 00:42:04.159
I gotta go back and see that. Now. You gotta

812
00:42:04.159 --> 00:42:04.639
be kidding me.

813
00:42:04.880 --> 00:42:07.440
No, And he even brushes his hair like Phonsie did.

814
00:42:09.079 --> 00:42:11.639
Yeah, the hair thing. I caught that if you if

815
00:42:11.639 --> 00:42:14.480
you grew up watching Happy Days reruns, and you know,

816
00:42:14.599 --> 00:42:17.880
he's doing some Fonzie stuff. I love the fact that

817
00:42:17.960 --> 00:42:20.639
his death scene it wasn't even part of the act.

818
00:42:20.719 --> 00:42:23.639
It wasn't it wasn't even part of the movie initially.

819
00:42:24.000 --> 00:42:29.519
But it's Bob Weinstein, not Harvey Bob uh. He says, hey, man,

820
00:42:29.599 --> 00:42:31.639
you you know he's complaining because there's too much time

821
00:42:31.679 --> 00:42:34.719
passing between Drew Barrymore's murder and the third act.

822
00:42:35.320 --> 00:42:37.800
We need somebody, like we need what we got, you know.

823
00:42:37.880 --> 00:42:39.880
And if you think about it, it kind of answers

824
00:42:39.920 --> 00:42:41.400
the question like, you know, we have a house full

825
00:42:41.440 --> 00:42:45.559
of kids at St. Stu's party. Why wouldn't they be

826
00:42:45.599 --> 00:42:49.039
there all night partying? You know, so you know, and

827
00:42:49.079 --> 00:42:51.480
it's it's his murder that they're all like, well, he's

828
00:42:51.519 --> 00:42:54.880
hanging from the football field, let's go see. Yeah. So

829
00:42:55.480 --> 00:42:59.960
I think that worked out pretty good. And I did

830
00:43:00.079 --> 00:43:03.559
the fact that he even tries on the ghost face.

831
00:43:03.880 --> 00:43:07.280
You know, Speaking of that, did you did you catch

832
00:43:07.880 --> 00:43:11.360
when Dewey brings out the costume packaging at the precinct?

833
00:43:11.519 --> 00:43:13.760
Did you catch that what you know what the actual

834
00:43:13.840 --> 00:43:17.639
name of that costume is. No, I didn't Father Death.

835
00:43:19.039 --> 00:43:22.519
Okay, yeah, okay, glad we didn't go with that name.

836
00:43:22.719 --> 00:43:24.559
Yeah. Well, I mean, you know it's it's like a

837
00:43:24.599 --> 00:43:27.599
spirit Halloween costume that Dewey walks out with. But as

838
00:43:27.639 --> 00:43:30.679
I paused it, I was like, wait, oh, it's Father Death. Okay,

839
00:43:32.400 --> 00:43:35.719
another blink and you miss a cameo here. Francis Lee

840
00:43:35.880 --> 00:43:41.840
McCain plays Dewey and Tatum's mom. Yep, famous eighties mom right.

841
00:43:42.360 --> 00:43:45.920
Oh man, I loved her from Gremlins. I loved her mother,

842
00:43:46.360 --> 00:43:47.519
and that's right.

843
00:43:47.679 --> 00:43:52.079
Yeah. I mean, listen, with all all due respect to

844
00:43:52.119 --> 00:43:55.440
Francis Lee McCain, she's she's not the ultimate eighties mom.

845
00:43:55.440 --> 00:43:58.760
We know, we know d Wallace of Beloved d Wallace

846
00:43:58.840 --> 00:44:01.119
is the ultimate eighties mom. But but Francis Lee McCain,

847
00:44:01.199 --> 00:44:03.400
you know, she's she's a she's a worthy contender, right,

848
00:44:03.559 --> 00:44:08.519
she is, absolutely Yeah, nice to see her. And then lastly, uh,

849
00:44:08.679 --> 00:44:13.679
Leev Schreiber plays cotton Weary yep. Now obviously he has

850
00:44:13.719 --> 00:44:16.360
a significant role in the second and third one.

851
00:44:16.639 --> 00:44:17.519
Oh yeah, of course.

852
00:44:18.199 --> 00:44:22.159
But think about this, It was uh what like a

853
00:44:22.159 --> 00:44:25.239
few years prior we see his his big screen debut

854
00:44:25.239 --> 00:44:29.280
in a Christmas movie called Mixed Nuts. We covered it, uh,

855
00:44:29.480 --> 00:44:30.880
Brad and I covered that one a couple of years

856
00:44:30.920 --> 00:44:34.079
ago for Christmas, yep, remember, And he's amazing in that

857
00:44:34.199 --> 00:44:36.840
in that role. If you've I mean, we've seen Lee

858
00:44:36.960 --> 00:44:39.440
Schreiber play the tough guy, We've seen him play an

859
00:44:39.599 --> 00:44:41.760
X Men mutant, we've seen we've seen him do a lot.

860
00:44:42.159 --> 00:44:45.079
Oh yeah, if you haven't seen Mixed Nuts, I don't

861
00:44:45.079 --> 00:44:47.000
want to spoil it. I'll just say if you want

862
00:44:47.000 --> 00:44:49.719
to see Leev like you've never seen him before and

863
00:44:49.960 --> 00:44:53.519
in a pretty amazing performance, check out Mixed Nuts. Uh

864
00:44:54.000 --> 00:44:56.920
this holiday season coming up, when when it's Christmas time,

865
00:44:56.960 --> 00:44:59.480
you know it's a great film. But uh man, he's

866
00:45:00.119 --> 00:45:03.320
he's doing something amazing and that fit but uh kind

867
00:45:03.320 --> 00:45:06.079
of amazing. He gets this role and then it becomes

868
00:45:06.079 --> 00:45:06.519
something so.

869
00:45:06.519 --> 00:45:09.679
Much bigger than the Yeah, the singles they could have

870
00:45:09.679 --> 00:45:12.800
predicted sequel with coming or where we're at now working

871
00:45:12.840 --> 00:45:16.599
on part seven. But yeah, I mean, small little role

872
00:45:16.639 --> 00:45:19.119
on the news footage and then he turned into a

873
00:45:19.119 --> 00:45:20.760
big role. So yeah, you didn't see that coming.

874
00:45:21.119 --> 00:45:23.639
I mean that's like what like an hour is worth

875
00:45:23.679 --> 00:45:26.840
of work that day. Yeah, getting the car walk to

876
00:45:26.880 --> 00:45:32.440
the car. That's it. That's it. No lines, but always

877
00:45:32.440 --> 00:45:34.199
cool to like to go back and look at like,

878
00:45:34.199 --> 00:45:36.440
oh yeah, he wasn't screamed the first screen, but I

879
00:45:36.559 --> 00:45:39.920
love it when they had a very very small role. Yep, Dave,

880
00:45:40.000 --> 00:45:42.880
let's take one last break and when we come back,

881
00:45:43.679 --> 00:45:50.079
it'll be time for keeping it real. Okay, Dave, it's

882
00:45:50.119 --> 00:45:50.960
time to keep it real.

883
00:45:51.880 --> 00:45:52.360
Let's do it.

884
00:45:52.679 --> 00:45:54.760
I got three quite a look, you're new to nineteen

885
00:45:54.800 --> 00:45:58.960
ninety six. We're almost the season, this series is almost done.

886
00:45:59.800 --> 00:46:03.400
You have jumped right in, You're gonna be here for

887
00:46:03.440 --> 00:46:05.480
a limited amount of time, and then you're jumping right

888
00:46:05.519 --> 00:46:09.239
back out of it it out, So let me uh,

889
00:46:09.280 --> 00:46:13.639
I got three questions for you. First, one m one

890
00:46:13.679 --> 00:46:18.800
of our favorite actors, Billy Zopka was dominating Dojo's high

891
00:46:18.800 --> 00:46:23.239
school cafeterias and college swimming pools in some of the

892
00:46:23.280 --> 00:46:27.840
best movies in the eighties. Then he's notably absent from

893
00:46:27.920 --> 00:46:30.920
Hollywood for most of the nineties. So the question is

894
00:46:31.719 --> 00:46:35.559
what about zob Dave, I want you to replace one

895
00:46:35.599 --> 00:46:38.960
actor from this film with William Zopka. What role has

896
00:46:39.000 --> 00:46:42.639
he taken Billy Loomis. Oh, Billy Loomis.

897
00:46:44.000 --> 00:46:50.199
Okay, the hair, yeah, everything about him, his performance, his

898
00:46:50.559 --> 00:46:54.480
absolutely Billy Loomis. When I read that question immediately, that's

899
00:46:54.480 --> 00:46:55.239
who came to mind.

900
00:46:55.960 --> 00:47:00.320
Zopka has played uh, he's played a boyfriend that maybe

901
00:47:00.320 --> 00:47:02.679
could have been a little bit nicer to his girlfriend

902
00:47:02.719 --> 00:47:06.880
in some movies, right, some of his performances. Okay, Billy, Okay,

903
00:47:06.920 --> 00:47:09.400
I didn't have him as Billy Loomis, but now that

904
00:47:09.480 --> 00:47:12.239
I'm seeing it, and I think that'd be that would

905
00:47:12.239 --> 00:47:15.119
have been good chemistry with between him and Matthew Lillard.

906
00:47:15.400 --> 00:47:18.920
Yeah, absolutely, yeah, all right, who did you have?

907
00:47:19.800 --> 00:47:23.960
I got Zobka's Dewey only only he's probably not going

908
00:47:24.039 --> 00:47:27.119
to play it as the aloof you know, Bubbling. He's

909
00:47:27.159 --> 00:47:29.480
going to play it like the original, a little bit

910
00:47:29.519 --> 00:47:32.880
more leading man, a little bit more masculine. Yeah, I

911
00:47:32.920 --> 00:47:35.280
see Zobka putting the moves on Gil Weathers for sure.

912
00:47:36.000 --> 00:47:36.679
Absolutely.

913
00:47:37.559 --> 00:47:42.760
Yeah. All right, Dave a question you have answered many

914
00:47:42.840 --> 00:47:50.360
times on our nineteen eighty six series sequel prequel remake.

915
00:47:51.079 --> 00:47:53.960
If you controlled this ip, what would be your pitch

916
00:47:54.000 --> 00:47:56.119
to the studio to revive it? And I gotta be

917
00:47:56.159 --> 00:47:59.199
honest with you, man, We've had a franchise full of sequels,

918
00:47:59.239 --> 00:48:01.679
We've had a TV series, So what what what do

919
00:48:01.719 --> 00:48:03.599
we do here? We got you said, we got the

920
00:48:03.599 --> 00:48:05.639
seventh one coming out soon? What are you gonna do?

921
00:48:06.480 --> 00:48:09.159
You know? I hate giving that answer that you know,

922
00:48:09.920 --> 00:48:11.880
to be honest with you, the franchise needs to end.

923
00:48:12.559 --> 00:48:14.719
It's it's gone on and on and on and on,

924
00:48:14.800 --> 00:48:16.440
and Part seven is coming out now. I don't know

925
00:48:16.440 --> 00:48:19.800
what the plans are, but one of if if I

926
00:48:19.920 --> 00:48:23.199
needed to make another sequel, that's where I would go

927
00:48:23.280 --> 00:48:26.800
with it. And and I know that this rumor has

928
00:48:26.840 --> 00:48:29.239
been out there, people have talked about it. It's been

929
00:48:29.320 --> 00:48:33.400
on some chat groups and stuff like that. We technically

930
00:48:33.599 --> 00:48:39.159
did not see Stu die. And if you want to

931
00:48:39.199 --> 00:48:43.320
bring the franchise back into a whole new area because

932
00:48:43.440 --> 00:48:46.760
it has been beaten to death, give a Steu again.

933
00:48:47.800 --> 00:48:50.360
Maybe who knows. Maybe it was kept a secret that

934
00:48:50.400 --> 00:48:52.079
he was still alive. He was taken to a hospital

935
00:48:52.119 --> 00:48:57.320
somewhere and he did survive. They hit him somewhere. I

936
00:48:57.360 --> 00:48:58.320
don't know what it could.

937
00:48:58.119 --> 00:49:01.239
Be, well, slasher film, right, you could.

938
00:49:01.280 --> 00:49:02.559
Yeah, anything can happen.

939
00:49:02.519 --> 00:49:03.760
Anything can happen these movies.

940
00:49:04.159 --> 00:49:08.880
Yeah, and he's brought back. I know Laurie Metcalf, which

941
00:49:09.039 --> 00:49:09.280
was that.

942
00:49:09.239 --> 00:49:11.320
Part that was the second one when they're at come

943
00:49:11.599 --> 00:49:13.519
the second one. Yes, so I know he's definitely not

944
00:49:13.519 --> 00:49:14.159
coming back.

945
00:49:14.639 --> 00:49:16.360
Right right, But I'm just saying that whole involvement of

946
00:49:16.360 --> 00:49:19.800
her character kind of overshadows a little bit where I'm

947
00:49:19.840 --> 00:49:23.119
going with Stu on this one. But it still could happen.

948
00:49:23.280 --> 00:49:26.079
In my opinion, that's the only thing I really could

949
00:49:26.119 --> 00:49:29.119
see that to really make me go, holy crap, I

950
00:49:29.280 --> 00:49:31.400
want to see that so bad because so much stuff

951
00:49:31.400 --> 00:49:32.519
has been done with this franchise.

952
00:49:32.559 --> 00:49:32.760
Man.

953
00:49:33.320 --> 00:49:36.920
Well, now keep in mind something, if you brought Stu back,

954
00:49:37.320 --> 00:49:42.159
he would have to be in the film as a

955
00:49:42.280 --> 00:49:45.440
suspect or a red herring for the audience. So we

956
00:49:45.440 --> 00:49:47.960
couldn't I mean, we couldn't. We couldn't show the audience

957
00:49:48.000 --> 00:49:51.360
today like here's these seven people and you're trying to

958
00:49:51.360 --> 00:49:52.840
play detective to figure out who it is and then

959
00:49:52.840 --> 00:49:55.480
all of a sudden, wait, holy what the hell, it's

960
00:49:56.440 --> 00:49:59.480
Stu's back. You'd have to happen, so you know, whether

961
00:49:59.519 --> 00:50:04.440
he's like, you know, an asylum, or he's you know,

962
00:50:04.679 --> 00:50:06.920
he's released or something, I don't know.

963
00:50:07.440 --> 00:50:09.079
Yeah, I mean I don't know how you explain, obviously

964
00:50:09.079 --> 00:50:11.400
because of Lord and that CAFF's character in the sequel,

965
00:50:11.440 --> 00:50:14.440
But still I can't see anything else, to be honest

966
00:50:14.440 --> 00:50:16.079
with you, it's just it's just been done.

967
00:50:16.599 --> 00:50:18.360
Hey, if we get if we get Matthew Lillard back,

968
00:50:18.400 --> 00:50:21.000
I'm all for it because we Yeah, we love we

969
00:50:21.039 --> 00:50:21.599
love Lillard.

970
00:50:21.920 --> 00:50:23.199
We do indeed, all.

971
00:50:23.239 --> 00:50:27.440
Right, Dave, one last question for you. DVD extras. Nineteen

972
00:50:27.480 --> 00:50:30.440
eighty six, that's the year DVD format is initially introduced

973
00:50:30.480 --> 00:50:33.639
to US markets. Yep, we got the simplicity of the

974
00:50:33.639 --> 00:50:39.960
compact disc, the high definition. We're throwing our VHS tapes away, unfortunately,

975
00:50:40.119 --> 00:50:45.039
I might add, but for cinephiles like us, the exclusive

976
00:50:45.079 --> 00:50:50.360
special features are usually a no frills package of scene selection,

977
00:50:50.920 --> 00:50:53.800
French or Spanish subtitles. If we were lucky, you got

978
00:50:53.840 --> 00:50:58.079
a trailer. Yeah, you might get some production notes. So

979
00:50:59.000 --> 00:51:01.960
I'm gonna ask you back in ninety six, what DVD

980
00:51:02.079 --> 00:51:05.039
extra would you want on your DVD for this film?

981
00:51:05.239 --> 00:51:07.039
You got three, You got three choices. Here I'm gonna

982
00:51:07.039 --> 00:51:10.559
give you. You can have an in character audio commentary

983
00:51:11.000 --> 00:51:14.719
m hm. You can have a making of documentary, or

984
00:51:15.840 --> 00:51:19.280
you can have the amber Lewis actors round table and

985
00:51:19.320 --> 00:51:21.599
you can pick three people, but you can't have all

986
00:51:21.639 --> 00:51:24.320
all the stars. So if you if you're going round table,

987
00:51:24.360 --> 00:51:28.400
I'll give you let's see, I'll give you Jamie Kennedy,

988
00:51:29.280 --> 00:51:33.719
I'll give you Joseph Whipp and I'll give you the

989
00:51:33.760 --> 00:51:38.400
guy that played Sidney's dad. Do you thinks? What do you?

990
00:51:38.559 --> 00:51:39.440
What do you want on your DVD?

991
00:51:39.880 --> 00:51:43.280
I want an in character audio commentary because I think

992
00:51:43.400 --> 00:51:47.119
that could be so unique and so fun to listen to. That.

993
00:51:47.119 --> 00:51:48.760
That's where I want, would want to go with this.

994
00:51:49.360 --> 00:51:52.519
It's the right answer something that before I give you mine?

995
00:51:53.039 --> 00:51:55.000
Who do you? Who? Do you which in character audio

996
00:51:55.039 --> 00:51:55.960
commentary you're going with?

997
00:51:56.679 --> 00:51:59.199
Well, of course I want Sidney interesting?

998
00:51:59.239 --> 00:52:02.719
Okay, so amble doing playing Sydney? Yeah? Doing doing the

999
00:52:02.719 --> 00:52:06.840
audio commentary interesting? Just based on that that video storm moment,

1000
00:52:06.960 --> 00:52:10.000
I want in character audio commentary with Randy and stew.

1001
00:52:10.440 --> 00:52:14.119
That would be fun. That's what I absolutely that'll be

1002
00:52:14.119 --> 00:52:14.679
a fun time.

1003
00:52:15.559 --> 00:52:18.239
David. The film's legacy is this? Is this a classic,

1004
00:52:18.480 --> 00:52:22.079
a cult classic or just a product of its time? Oh?

1005
00:52:22.159 --> 00:52:25.519
This is, without a doubt a classic. You and I

1006
00:52:25.639 --> 00:52:29.440
have blowed over this film, and so has so many others. Uh,

1007
00:52:29.480 --> 00:52:34.039
this brought back the slasher horror genre. And yeah, it's

1008
00:52:34.119 --> 00:52:35.840
it's a classic for horror films.

1009
00:52:36.360 --> 00:52:38.039
Well, I like what you said there. It brought back

1010
00:52:38.079 --> 00:52:40.719
the slasher genre. Let's let's talk about how the film

1011
00:52:40.840 --> 00:52:46.239
impacted pop culture. It did single handily revive the slasher genre.

1012
00:52:47.360 --> 00:52:53.440
You have talked about the the intelligence of the characters

1013
00:52:53.440 --> 00:52:55.719
having to ratchet up, and you got you gotta keep

1014
00:52:55.760 --> 00:53:00.119
in mind, self aware characters making smart decisions becomes the

1015
00:53:00.519 --> 00:53:02.800
new normal and horror films. You know, a year later

1016
00:53:03.559 --> 00:53:06.119
we see Jennifer Love hewittt and I know what you

1017
00:53:06.119 --> 00:53:09.199
did last summer in nineteen ninety eight, we get disturbing

1018
00:53:09.239 --> 00:53:14.239
behavior the faculty Alicia Witt in Urban Legend, and it's

1019
00:53:14.280 --> 00:53:21.519
all these self aware, smart teenagers that kind of maybe

1020
00:53:21.519 --> 00:53:24.679
there a little too smart for their own good because

1021
00:53:24.679 --> 00:53:25.840
they're still getting hacked to pieces.

1022
00:53:26.519 --> 00:53:28.320
But of course you got to have that.

1023
00:53:28.920 --> 00:53:32.719
And then ghost Face. Ghost Face is everywhere now right,

1024
00:53:32.760 --> 00:53:35.440
there is tons of merchandising how many, I don't care.

1025
00:53:35.679 --> 00:53:37.440
You know, you know, even if it's not a horror

1026
00:53:37.519 --> 00:53:40.679
con you're still seeing ghost Face run around all over

1027
00:53:40.719 --> 00:53:45.239
over the conventions. He's officially everywhere. When Homer Simpson dresses

1028
00:53:45.320 --> 00:53:47.079
up as ghost Face on the Simpsons. Did you ever

1029
00:53:47.280 --> 00:53:50.159
remember that episode where I do is it home away

1030
00:53:50.159 --> 00:53:56.079
from Homer? I think, as well, yeah, what about this one? Yeah?

1031
00:53:56.360 --> 00:53:58.119
No, absolutely yeah, he's everywhere.

1032
00:53:58.480 --> 00:54:01.519
Yeah, I mean you know, he's everywhere. I don't think.

1033
00:54:01.599 --> 00:54:03.760
I don't think that even if they stop making the movies,

1034
00:54:03.760 --> 00:54:06.440
that costume is iconic. Now, it's never gonna go away.

1035
00:54:07.599 --> 00:54:10.440
You can buy the you can buy the voice changer. Yeah.

1036
00:54:10.480 --> 00:54:13.639
Now, so I need one of those.

1037
00:54:14.440 --> 00:54:15.079
I don't think you do.

1038
00:54:15.639 --> 00:54:16.599
They can reach out to you.

1039
00:54:19.480 --> 00:54:24.800
Lose my number, man, lose my number. I'm going nowhere.

1040
00:54:25.000 --> 00:54:28.719
Oh yeah, that's right. Look man, I do uh, I

1041
00:54:28.760 --> 00:54:32.840
do want to thank you. You are so busy doing

1042
00:54:33.719 --> 00:54:37.559
our Phaser set, the Stunned series. You've got the limited

1043
00:54:37.599 --> 00:54:40.000
series where you're doing a film at forty five. I

1044
00:54:40.039 --> 00:54:43.440
know that's about to wrap up here soon. Ye, you're

1045
00:54:43.480 --> 00:54:44.719
showing up on a film. Buy with me.

1046
00:54:45.559 --> 00:54:45.679
Uh.

1047
00:54:46.519 --> 00:54:50.840
I'm happy that I finally got a chance to talk

1048
00:54:50.920 --> 00:54:52.920
ninety six with you. And I knew, I knew you

1049
00:54:52.920 --> 00:54:54.239
couldn't resist something like scream.

1050
00:54:54.480 --> 00:54:56.320
Oh God, no way. As soon as you told me,

1051
00:54:56.360 --> 00:54:57.880
I'm like, I'm in I'm in that one.

1052
00:54:58.480 --> 00:55:03.960
Yeah, well you woulda tell us what's coming up next week?

1053
00:55:04.360 --> 00:55:09.079
I planned, Oh, we do, Jeff. We are jumping in

1054
00:55:09.119 --> 00:55:15.079
the car. We are heading to Lexington for Scarefest and

1055
00:55:15.079 --> 00:55:18.119
it's gonna be a weekend of some horror fun. But

1056
00:55:18.239 --> 00:55:21.000
we're gonna get to meet some people. We're gonna be

1057
00:55:21.079 --> 00:55:24.920
meeting Don coas Corelli. Uh because as next Friday, for

1058
00:55:25.000 --> 00:55:28.440
film forty five, we are gonna be covering Fantasm.

1059
00:55:28.960 --> 00:55:36.559
Fantasm is one of the greatest horror films of all time. Yeah,

1060
00:55:36.719 --> 00:55:39.199
talk about it, talk about a franchise. What they've made

1061
00:55:39.239 --> 00:55:40.800
so many of those movies and they're awesome.

1062
00:55:41.159 --> 00:55:43.239
They are boy boy.

1063
00:55:43.639 --> 00:55:46.840
Yeah, I'm excited. I hope I hope you get some

1064
00:55:46.840 --> 00:55:49.920
time with cos Carelly. I'm hoping to meet Reggie Banister,

1065
00:55:50.280 --> 00:55:53.559
who plays Reggie in the movies. Yeah, yeah, I love

1066
00:55:53.559 --> 00:55:54.000
that dude.

1067
00:55:54.039 --> 00:55:56.239
He's awesome. He too, he is he is awesome.

1068
00:55:59.239 --> 00:56:00.960
Well, we want to think all of you out there

1069
00:56:01.000 --> 00:56:05.079
listening to today's nineteen ninety six episode. We are approaching

1070
00:56:05.159 --> 00:56:07.880
the completion of this limited series and if we haven't

1071
00:56:07.880 --> 00:56:11.079
covered your favorite film from nineteen ninety six, there's still

1072
00:56:11.119 --> 00:56:13.800
time to hit us up on social media or email

1073
00:56:13.880 --> 00:56:18.719
us to share your requests. You can do that at

1074
00:56:18.760 --> 00:56:21.199
a film by podcast dot com or hit us up

1075
00:56:21.199 --> 00:56:24.719
on social media. You'll find us on Facebook, Instagram, and

1076
00:56:25.079 --> 00:56:28.840
X Dave and I Got a bounce. Peace Out,