Aug. 8, 2024

A Film at 45: Life of Brian

A Film at 45: Life of Brian

"He's not the Messiah. He's a very naughty boy! Now, piss off!" Our limited series, "A Film at 45" is back to celebrate the 45th anniversary of the films of 1979. We're dusting off the end of a decade that changed cinema forever, with a fresh look at...

"He's not the Messiah. He's a very naughty boy! Now, piss off!"

Our limited series, "A Film at 45" is back to celebrate the 45th anniversary of the films of 1979. We're dusting off the end of a decade that changed cinema forever, with a fresh look at modern classics and hidden gems that we can't stop watching! On this episode, David and Scott head just south of the B.C. era to talk about the Jesus adjacent comedy, Monty Python's "Life of Brian!"

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Hello everyone, and welcome back to nineteen seventy nine. In

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a Film Buys limited series, A Film at forty five.

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I am David Burns.

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And I'm Scott Hoffman, And as usual, we're dusting off

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the end of a decade that changed cinema forever with

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a fresh look at monarch classics, at hidden gems that

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we can't stop watching. In this episode, we're growing further

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back in time than ever with one of the most

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iconic and controversial comedies of all time, Money Python's Life

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for Bride.

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You've got it all wrong.

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You don't need to follow me, You don't need to

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follow anybody, got it?

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Think yourself, you're all indistinual. Yeah, unlea, the true Messiahs,

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the nicest divinity. What just goes agive me more right?

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I am far up, a motion picture destined to offend

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nearly two thirds of the civilized world and severely annoy

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the other third. Brian, the babe they called Brian. He

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had arms and legs, and hands and feet. This boy

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whose name was Brian, he grew and grew. Oh you

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get the idea. If these lyrics ring a bell, then

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you certainly know we are talking about Muney. Python's Life

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of Brian voted by many in the fifty Greatest Comedy

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Films of All Time and included in the one thousand

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and one Movies You Must See Before You Die Money.

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Python Scott has brought us many treats, the Holy Grail

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being one of them. But I am sure there are

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many authors who have never seen this film, So how

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would you describe this to them?

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So the year is what zero? Ad? Yeah, just south

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of the BC era, this Jesus adjacent movie begins next

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door to the Birth of Christ, pronicling the life of

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a reluctant messiah Bordon next door Brian Cohen? Is that

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a play on BC? Anyway? Was Brian born just minutes

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before h Anyway? After an animated retelling of Brian's plummet

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through adolescence to adulthood, we catch up with Brian in

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first century Judea. He lives with his mother, making a

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meager living selling stadium snacks as he falls in love

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with a rebellious woman and soon gets swept up in

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a tale of mistaken identity as people follow him around

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believing that he's the Messiah. But he's really just Brian.

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He's just Brian.

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So the BC thing didn't even occur to you before?

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Was he born like seconds before? Jesus? I guess.

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I didn't think about that until you mentioned it. Wait

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a minute, they had to have tended that, because come on,

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it's Monty Python.

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While the Wiseman show up and they're kind of like,

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here are all these gifts. Then it's like, wait a second,

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give those back, we need to go next door.

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You know that whole opening with a three wise man,

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because I mean this movie starts off very serious, right, yes,

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and you know, with the powerful music. He was like, okay,

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here we go, and then it really falls off the

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rail and becomes Monty Python quickly.

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Yes, yes, absolutely, you know.

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Just giving the gifts and then then when they leave

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and then they realize, oh, wait a minute, we've gave

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that to the wrong person and come back.

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Just yeah, a bit of unfortunate makeup in that scene,

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and if you've seen it you'll know what I mean.

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But it launches us right into uh Terry Jones as

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the mother. It's just classic fashion. Every line that Terry

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says in that role is just makes me laugh.

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Yeah, me too, What is murr?

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Anyway, It's all all right, come back, but maybe without

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the ball.

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It's classic lines throughout this entire film. I mean you

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would just laugh almost from beginning to end in this thing.

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And then we go to this those wonderful animations that

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Monty Python does so well where we get the Brian song,

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you know, over the credits and stuff like that. I

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love watching those animations they did with Python Holy Grail too, Yeah,

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and I think they was a flying circus obviously, the

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TV series that they did. I just love those animations and.

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It was was it wasn't it Terry Gilliam that did

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all those animations, I believe, So, yeah, that is crazy.

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But yeah, it's a very iconic. Uh, I don't know

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what to call it. It's basically ahousing kind of cutouts, yeah, right,

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but in a very clever way.

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Yeah. Absolutely, And it's always it's always unique to watch.

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You know, once you've seen this movie many times, you

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go back and watch it again, you still sit there

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and watch those credits because they're done so well.

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Yeah, you have to all with the falling Brian kind

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of going through, right.

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Yeah, this movie was very unique in itself. And I

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believe Money, the the the actors who are behind Money

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Python They even said that this was when they were

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in their prime. They feel Life of Brian was the

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definitive movie where they felt like they were hitting on

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all cylinders here, and they were in my opinion, because

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I mean, I love the Holy Grail, don't get me wrong,

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but the Life of Brian is just something else to behold.

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Yeah. It's interesting how, you know, when I was growing

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up with my python, it was all about Holy Grail.

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Right now, Maybe it's because the only one that I

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had really seen on rotation, but like you know, pop

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culture references and all this other kind of stuff always

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has Holy Grail coming up rarely. Life of Brian, even

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though it's lauded as a more iconic comedy movie like

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a masterpiece, right, but doesn't seem to get as much

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attention as Holy Grail. Maybe Holy Grail is safer. I

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don't know.

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Maybe I think because the religious overtones and stuff they

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were in this and what they're trying to do. I

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know this caused some friction with religious groups and stuff

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like that when this first came out, But I think

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maybe that might be a part of it. And you're right,

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the Holy Girl is safer in that aspect, But still

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I Love the Life of Brian. Yeah, I haven't seen

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this in a long time, so watching this again, I

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found myself just buzzed out laughing this film. But these

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lines that they have, I forgot the biggest dickis was

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in this movie. Oh and God, I won't get to that,

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but that's that whole seed. I just I just cry

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every time because I'm laughing so hard. Well, let's let's

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back up little bit, let's talk a little bit. But

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I guess that's the sermon on the mount with Jesus

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is having and when you're the way in the back

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and they can't really hear what he's saying.

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Uh, that's that of the cheesemakers, right, Well, that's one

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of the things, like I think that's a good example

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of how and I think it was Michael Palin that

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made this kind of defense of the movie when they

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were being confronted.

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I forgot the name of the talk show was, but

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very kind of famous British talk show where they're kind

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of almost attacked by I think it's a prominent author

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and a a pretty prominent religious figure that are talking

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about how they're they're mocking things like the Shiven on

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the Mountain which they're not. They're treating everything with complete reference.

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They did nothing to kind of poke at it. It's

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just imagine you're there and you're way out in the

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back and you can't hear what they're saying, so yeah,

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speak up. That's innocent enough, right, it was.

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And the whole, the whole, big nose. My goodness, he

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just kept going on. My gosh, they are just so

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much experts at comedy. I really wish they would have

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hung together a little bit longer to give us more

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than what we've got. But it's just going back to

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this gold that you have with this comedy just reminds

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you of just how incredibly good they were at what

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they did.

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Well and the dedication they had to it. So yeah.

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To say nothing of Graham Chapman in the title role

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of Brian was I didn't know he was struggling with alcoholism.

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I didn't either, Yeah, and had gone through a very

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intentional process to dry stuff out, so to speak, and

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even when so far as to use some of his

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medical skills as a doctor to help with some people

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on set and the medical attention. So there. I know,

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we'll get into this a little bit later in the production,

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but the links that they had to go to to

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get this made is absolutely reflected in their performances. You

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can see the passion they had for this.

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Oh yeah, absolutely. One of the scenes, Well, there's so

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many scenes in this movie that I just absolutely love.

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It's really hard for me to pick my lights because

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they're all just so good. The stoning scene, Scott, when

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you have all these females that are there and obviously

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you find out that you know, females are not supposed

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to be at the stonings, right, and you have so

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many of the wives apparently are there. But then you

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have John Please, who is I guess it was he

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a priest? I guess, I guess like the officiator, the

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officiator or whatever he was of stoning and stuff like that.

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And uh as, yes, he's egging on the crowd, and

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the crowd is getting all excited because they want to

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stone this guy, and you know, you're the rockets thrown

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out of no right? Who did that? Who through that?

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Who did? And they're all like female voices, are there

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any women here?

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Well? And then they kind of leap on that whole like,

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you know, just saying the word say name Jehovah. And

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then everybody ends up getting stoned, and then at the

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end of what the four of the spectators come up

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with a giant bowlder and just squished jug This character.

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To me, John Cleese is absolutely a standout in this crowd,

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any any scene that he's in, uh with Finn fantastic.

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The one of the ones that stands to me the

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most is the grammatical graffiti lesson.

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Yes, so the.

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Fact that John Cleace used to be a Latin instructor,

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so when he's giving Brian his lesson in Latin, it's

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grammatically perfect, and he's just like, no, no, no, this

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is how you have to say it. If you want

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to write it, now write it one hundred times. And

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then he's done, and he climbs down and he sees

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two new soldiers that are like, what's all this? Then yeah, so.

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Good, yep, me too. And of course you have the

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wonderful the GDA People's Front or the People's Front. It's just.

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What have the Romans ever given us? Besides the aqueduct, sanitation, roads, irrigation, medicine, education.

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And besides all of that, what are they giving us?

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Yeah?

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So many, so many good scenes. And I know the

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scene towards the end where Brian goes free from the well.

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They want to put him free from the crucifixion, and

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everyone begins shedding I am Brian. Apparently that was a

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parody of Spartacus.

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Yeah, I am Spartacus, I am as, I'm Brian, and

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so is my wife.

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So good. But that's the ending, of course, but you know,

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we'll obviously get to that a little bit later. That

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brings us to the scene with Pilot, the Biggest Dickas scene.

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So apparently they rehearsed this scene, but then they removed

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all the background people who were in it and putting

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people who were not. I didn't know what was going

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to happen. Yeah, so when they were in there it

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they got genuine reactions from people as they were doing

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that scene. I think that was brilliant.

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Scott absolutely, yeah. I mean, you know, you would think

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like the actual joke in my opinion, like Biggest Dickas.

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Obviously you know there's a you know, initial reaction, but

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it's not quite as funny as watching the scene unfold, right,

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Like you can see Michael Palin's face starts to kind

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of contort and his timing of how he's trying to

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get them to laugh. That's just genius design, it is.

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And yeah, the fact that they went through so many

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takes and then, like you said, changing the extras to

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make sure you got that genuine reaction. I watched it

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a second time to see if I could see a

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genuine reaction from them. And the there's the one guy

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where he gets right up into his face like almost

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like he's ready to give him a kiss. The contortions

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that actor goes through to try to avoid laughing is

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is fantastic.

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And you can tell it's genuine. I mean, what's going

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on you to see the muscle, the muscles in his

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face and how he's reacting to that. So yeah, it's

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it was brilliant. It was a good move on their

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part to actually pull it off that way in my opinion. Yeah, so, okay.

233
00:12:53.559 --> 00:12:56.159
There's one that kind of struck me as odd, the

234
00:12:56.720 --> 00:13:01.080
impromptu salvation by the extraterrestrials. Oh the kind of Hitchhiker's

235
00:13:01.080 --> 00:13:05.840
guide scene. Yeah, that like enough for something completely different,

236
00:13:06.039 --> 00:13:08.600
like that totally came out of left field.

237
00:13:09.240 --> 00:13:11.919
Yeah, I actually have forgotten about that scene when it

238
00:13:11.960 --> 00:13:14.279
happens like oh yeah, this this just happened to this

239
00:13:14.360 --> 00:13:15.159
movie didn't.

240
00:13:14.879 --> 00:13:18.399
It right, that's your concessions, did.

241
00:13:19.799 --> 00:13:22.840
Exactly, Yeah, which which leads us to the the the

242
00:13:22.879 --> 00:13:26.840
haggle scene. Where is it you're doing it, You're doing

243
00:13:26.879 --> 00:13:28.279
it wrong. You're doing it wrong.

244
00:13:30.200 --> 00:13:36.360
At least ten insulted. This is good goat's hair, whatever it.

245
00:13:36.240 --> 00:13:38.879
Was, and it's That's another thing that I love about

246
00:13:38.879 --> 00:13:41.679
Monty Python is how they just carry on a scene

247
00:13:41.840 --> 00:13:45.759
so far, but it doesn't get old, you know, you

248
00:13:46.120 --> 00:13:48.399
just continue to laugh and see where they're going with it,

249
00:13:48.440 --> 00:13:50.039
and it just goes on and on and on. But

250
00:13:50.120 --> 00:13:53.919
yet it still is hysterical at watching how they how

251
00:13:53.960 --> 00:13:54.399
they do it.

252
00:13:54.879 --> 00:13:57.360
Yeah. Well, I mean it's it seems like that that

253
00:13:57.399 --> 00:14:01.240
are so far from the story of Christ. Mm hmm

254
00:14:01.559 --> 00:14:04.879
is why to me? I agree with Michael Palin. I

255
00:14:04.879 --> 00:14:09.080
don't necessarily see any thing sacrilegious about it. No, If anything,

256
00:14:09.159 --> 00:14:12.679
it's something that you know, people that pay attention to

257
00:14:12.720 --> 00:14:17.639
the stories can see the angle that they're taking, you know,

258
00:14:17.840 --> 00:14:21.960
the the shots that they're taking over people haggling over beards,

259
00:14:22.080 --> 00:14:24.639
not necessarily having anything to do with Jesus whatsoever.

260
00:14:25.200 --> 00:14:28.720
But yeah, the whole when they when they think that

261
00:14:28.759 --> 00:14:31.279
he's the Messiah, you know, the argument of the shoe.

262
00:14:32.039 --> 00:14:33.360
Are they going to follow the gourd?

263
00:14:34.159 --> 00:14:34.320
Right?

264
00:14:34.679 --> 00:14:37.519
You know that all that stuff was hysterical man.

265
00:14:37.759 --> 00:14:40.519
Right, Well, you know it's that kind of half baked

266
00:14:40.600 --> 00:14:43.080
sermon where he's kind of watching the guards go away

267
00:14:43.080 --> 00:14:50.559
and he's like and then it's uh, it's uh nothing, okay,

268
00:14:50.679 --> 00:14:53.279
I'll see it later. And that's what captures everybody's attention.

269
00:14:53.320 --> 00:14:55.440
They're like, wait, what else was he going to say? Well,

270
00:14:55.440 --> 00:14:57.879
it must be big and meaningful. What what about this gord?

271
00:14:57.919 --> 00:14:59.639
Oh we have to follow him with the gourd and

272
00:14:59.679 --> 00:15:03.480
the shoe. Here's his shoe, and you know, oh yeah,

273
00:15:03.559 --> 00:15:07.679
I think that's what John Cleese's big points is that

274
00:15:07.759 --> 00:15:12.799
it's lampooting people who aren't necessarily thinking for themselves. Yeah,

275
00:15:12.879 --> 00:15:16.840
just kind of follow me into a big crowd, because

276
00:15:16.879 --> 00:15:19.799
at one point they're you know, yeah, they're they're worshiping

277
00:15:19.799 --> 00:15:22.600
a shoe. They're worshiping a gord and has nothing else

278
00:15:22.639 --> 00:15:25.440
to do with it whatsoever in it, but you know,

279
00:15:25.879 --> 00:15:27.240
not making fun of Christ himself.

280
00:15:27.440 --> 00:15:29.080
No, And this is one of those scenes that just

281
00:15:29.120 --> 00:15:31.240
builds and builds and builds. You know, the comedy starts

282
00:15:31.279 --> 00:15:33.519
building on itself more and more and more until you

283
00:15:33.559 --> 00:15:36.519
get to that final point when they eventually follow him

284
00:15:36.720 --> 00:15:39.440
and he falls into that pit and you know, makes

285
00:15:39.440 --> 00:15:41.600
the guy talk who hasn't talked to like forever.

286
00:15:42.120 --> 00:15:48.600
Oh god, oh god. Yeah, Terry Jones with the giant beard.

287
00:15:48.519 --> 00:15:51.519
Yeah, really long beard covering some things that please I'm

288
00:15:51.559 --> 00:15:52.320
glad it was covering.

289
00:15:52.759 --> 00:15:54.799
Yeah, it doesn't. It doesn't seem to take much to

290
00:15:54.799 --> 00:15:57.519
get Terry Jones to you know, run around in the altogether,

291
00:15:57.759 --> 00:16:00.159
you know, chasing people away from his junior proplushes in

292
00:16:00.200 --> 00:16:05.039
the nude. No hats off to the costume department for

293
00:16:05.159 --> 00:16:06.960
wrapping that beard in right.

294
00:16:06.879 --> 00:16:11.519
Away, right, And then the whole thing is that, oh

295
00:16:11.519 --> 00:16:14.759
would you just go away? How should we go away? Oh?

296
00:16:15.000 --> 00:16:18.360
Just well, you know f off so exactly.

297
00:16:19.840 --> 00:16:23.679
Well even before that, I think before that, when the

298
00:16:24.240 --> 00:16:29.399
multitude appears outside Brian's door or outside his window, I

299
00:16:29.440 --> 00:16:35.720
guess after he's just had an amorous night, and uh

300
00:16:35.840 --> 00:16:40.799
Terry Jones, uh yeah, Terry j just is the mom yeah,

301
00:16:41.039 --> 00:16:43.799
yelling at him. He's a very naughty boy. He's not

302
00:16:43.799 --> 00:16:47.960
a messiah. He's a very nutty boy. Now go away.

303
00:16:48.360 --> 00:16:52.000
They're like no, yeah, no, we're all here, and they're

304
00:16:52.039 --> 00:16:54.960
shouting the lines in unison. I think that's genius design.

305
00:16:55.120 --> 00:16:58.240
It was, and how they all just kept responding to

306
00:16:58.279 --> 00:17:00.120
the questions and stuff like that, especially when bar And

307
00:17:00.200 --> 00:17:03.399
came out and you know, was addressing the crowd. Yeah,

308
00:17:03.480 --> 00:17:04.720
it was perfect where.

309
00:17:04.519 --> 00:17:09.880
They're reluctantly saying like, oh, okay, we will like all

310
00:17:09.920 --> 00:17:10.920
together like a choir.

311
00:17:11.799 --> 00:17:12.599
Yeah, it was.

312
00:17:12.640 --> 00:17:12.880
It was.

313
00:17:13.119 --> 00:17:17.480
The whole movie was brilliant. So the whole Crucifixion scene,

314
00:17:18.160 --> 00:17:21.160
you know, before that though, when they're they're they're being

315
00:17:21.200 --> 00:17:23.920
taken out and he's like, crucifixion, good out the door

316
00:17:24.160 --> 00:17:25.799
line left one a cross each.

317
00:17:27.880 --> 00:17:30.519
Yeah, like an airline attendant.

318
00:17:30.920 --> 00:17:34.480
Yeah, because crucial fixion. No, they said set me free.

319
00:17:34.599 --> 00:17:39.400
What I think I'm allowed to go? Okay, I'm just kidding. Crucifixion.

320
00:17:40.720 --> 00:17:45.119
It's like you almost had them if they're letting me go.

321
00:17:45.599 --> 00:17:48.640
And then he ends up being taken down from the Crucifixion.

322
00:17:48.759 --> 00:17:50.839
He's the one that gets allowed to go. Yeah, and

323
00:17:50.920 --> 00:17:52.920
he's like wait a second, I'm just kidding. It's gonna

324
00:17:52.960 --> 00:17:58.559
like don't you understand what they're doing, like get out? Uh?

325
00:17:58.640 --> 00:18:01.839
But yeah, that the whole crucifix is where we get

326
00:18:01.839 --> 00:18:05.039
that main earworm. Oh we always look at the bright

327
00:18:05.039 --> 00:18:08.519
side of life, Like, it's very hard not to whistle

328
00:18:08.559 --> 00:18:09.839
along to that. It is.

329
00:18:10.079 --> 00:18:12.759
Yeah, And my understanding too is Eric Idol, who did

330
00:18:12.759 --> 00:18:15.920
that on scene, wasn't happy with it, so he redid

331
00:18:16.279 --> 00:18:20.039
the actual you know, singing to it somewhere else. I

332
00:18:20.079 --> 00:18:22.079
guess they just dubbed it over because he just wasn't

333
00:18:22.079 --> 00:18:26.319
happy with it. Yeah, I mean it's it's so You're right,

334
00:18:26.319 --> 00:18:29.000
it is an earworm that just doesn't go away. I

335
00:18:29.039 --> 00:18:33.160
found myself even singing that song well after watching this movie.

336
00:18:33.680 --> 00:18:36.319
Yeah, yeah, there's definitely certain situations in life where you're

337
00:18:37.279 --> 00:18:39.880
singing that song is kind of an anthem.

338
00:18:40.160 --> 00:18:44.000
Yeah, yeah, absolutely. All right, Well, let's look through the lens, Scott,

339
00:18:44.039 --> 00:18:46.279
let's talk about some behind the scenes, anything interesting that

340
00:18:46.319 --> 00:18:46.920
you might have found.

341
00:18:48.599 --> 00:18:51.480
Well, the the big one that jumped out to me,

342
00:18:52.480 --> 00:18:56.759
and I hadn't made this association, which is surprising considering

343
00:18:56.759 --> 00:19:00.680
how much I'm a fan of handmade films, and for

344
00:19:00.759 --> 00:19:03.960
me specifically, it's Time Bandits that sticks out among all

345
00:19:04.079 --> 00:19:09.559
those productions. But knowing that one of the Beatles, George Harrison,

346
00:19:10.759 --> 00:19:16.160
helped to make this possible because their original production company EMI,

347
00:19:16.400 --> 00:19:20.759
or an original financier of this saw the script after

348
00:19:20.799 --> 00:19:24.119
they had already started funding of it and bothered to

349
00:19:24.160 --> 00:19:26.079
read it, which is, I guess probably a good idea

350
00:19:26.119 --> 00:19:31.079
to read the script that you're supporting, because they considered

351
00:19:31.079 --> 00:19:38.079
it blasphemous. And it was George Harrison who pawned his

352
00:19:38.240 --> 00:19:41.799
home in London and his office building to raise the

353
00:19:41.960 --> 00:19:46.279
four million pounds they needed to finish making the movie.

354
00:19:46.559 --> 00:19:49.200
So when somebody asked him why, he said, because I

355
00:19:49.240 --> 00:19:52.440
wanted to go see it. So Eric Idol had joked later,

356
00:19:52.519 --> 00:19:55.559
that's the highest price anybody's ever paid for a cinema ticket.

357
00:19:57.440 --> 00:19:59.359
Well, it would have been made without him, So thank

358
00:19:59.359 --> 00:20:00.960
you George for that exactly.

359
00:20:01.039 --> 00:20:03.559
And from that we get a lot of classics. I mean,

360
00:20:03.640 --> 00:20:10.079
there's Time Bandits, Ohna, Lisa Lockstock in Two Smoking Barrels.

361
00:20:09.200 --> 00:20:13.480
The interesting discussion that Jeff and I had around nineteen

362
00:20:13.519 --> 00:20:17.839
eighty six is Shanghai Surprise one of George Harrison's regrets.

363
00:20:19.640 --> 00:20:23.359
But a lot of greatness came out of this. And

364
00:20:23.400 --> 00:20:26.720
to know that it started with such a big classics,

365
00:20:26.720 --> 00:20:30.519
such a big success, I think is a great story

366
00:20:30.519 --> 00:20:31.440
for Hyden mad Films.

367
00:20:31.640 --> 00:20:34.240
Oh yeah, absolutely, I mean this is a huge follow

368
00:20:34.319 --> 00:20:37.359
up to The Holy grail Hu. Yes, you know so,

369
00:20:37.640 --> 00:20:39.400
and they knocked it out of the park again with

370
00:20:39.440 --> 00:20:44.559
this I believe what six cast members played forty characters.

371
00:20:44.839 --> 00:20:45.960
Yeah in this film.

372
00:20:46.279 --> 00:20:49.880
Yeah. They didn't even bother to give them credits, right,

373
00:20:49.880 --> 00:20:51.960
It's just they were in it because why bother.

374
00:20:52.039 --> 00:20:54.279
You'll be here for days, Yeah, you would be. And

375
00:20:54.559 --> 00:20:57.160
you realize what's going on here. It's money. Python They're

376
00:20:57.200 --> 00:20:59.960
going to be playing tons of different characters throughout the film,

377
00:21:00.079 --> 00:21:01.200
so it makes perfect sense.

378
00:21:01.440 --> 00:21:04.200
Yeah. So I mean this, this film, you know, despite

379
00:21:04.240 --> 00:21:06.519
the controversy, which we can talk about a little bit more,

380
00:21:07.640 --> 00:21:12.079
it played continuously for seventy five weeks in London's West

381
00:21:12.160 --> 00:21:19.240
End from November seventy nine to March of eighty one.

382
00:21:19.720 --> 00:21:25.759
I think it was it in the North. In the US,

383
00:21:25.880 --> 00:21:30.799
it grossed one hundred and forty thousand opening weekend total

384
00:21:30.799 --> 00:21:34.680
gross is more than nineteen million, the highest grossing British

385
00:21:34.680 --> 00:21:40.559
film that year, and the fourth highest grossing film in

386
00:21:41.000 --> 00:21:45.200
nineteen seventy nine in the UK. So considering, I mean,

387
00:21:45.359 --> 00:21:47.599
you know, I was going to say, considering how controversial

388
00:21:47.759 --> 00:21:50.880
it was, that's kind of a surprise. But maybe not,

389
00:21:51.440 --> 00:21:55.519
because everybody who recognizes it's a comedy. Word of mouth

390
00:21:55.599 --> 00:21:58.160
is going to get people into the seat, into the seats,

391
00:21:58.160 --> 00:22:03.400
into the theater. Likewise, was a controversial, right, they're gonna say, oh,

392
00:22:03.559 --> 00:22:05.759
we've got to see what we're so outraged about, and

393
00:22:05.960 --> 00:22:07.160
rendo the theaters to see it.

394
00:22:07.480 --> 00:22:11.920
Exactly. It's that that easy free publicity is what you're doing,

395
00:22:12.400 --> 00:22:15.759
you know, exactly exactly. It makes sense. It works to

396
00:22:15.920 --> 00:22:20.200
this day, it still works, you know. I know this

397
00:22:20.240 --> 00:22:24.119
film was shot on location in Tunisia, and I believe

398
00:22:24.160 --> 00:22:26.400
it re used a lot of the old sets from

399
00:22:26.440 --> 00:22:30.640
Jesus of Nazareth from nineteen seventy seven, So I mean,

400
00:22:31.279 --> 00:22:34.839
good use of putting all that back into your play

401
00:22:34.960 --> 00:22:37.920
again for my python anyway, So we didn't have to

402
00:22:37.920 --> 00:22:39.799
build those sets, so that helped with the budget.

403
00:22:39.559 --> 00:22:41.400
Right exactly exactly.

404
00:22:44.920 --> 00:22:51.759
I the what I find humors too is Brian's selling

405
00:22:51.960 --> 00:22:56.400
what were those snacks he was selling? Oh, like wolf

406
00:22:56.519 --> 00:23:01.759
nipple chips? Here, what are they?

407
00:23:02.480 --> 00:23:07.559
Wolf nipple chips? Drama, Daria pretzels, jaguar ear lobes, tuscan

408
00:23:07.640 --> 00:23:13.359
me fried batt badger splingings and out. Yeah, yeah, I

409
00:23:13.480 --> 00:23:15.920
love that. John Cleese is like, uh, I don't know, Fine,

410
00:23:16.000 --> 00:23:19.119
give me a bat bag of outter nooses whatever, whatever.

411
00:23:20.319 --> 00:23:21.759
Jeez, I swear, but no, I.

412
00:23:21.680 --> 00:23:23.759
Don't know who you. It sounded kind of tasty. For

413
00:23:23.799 --> 00:23:25.319
a second. I was like, well, I wonder what auto

414
00:23:25.359 --> 00:23:28.279
nooses auld like, and they're like, you know, peanuts.

415
00:23:28.799 --> 00:23:33.000
Hmm, yeah, could be. I guess didn't. Didn't George Harrison

416
00:23:33.079 --> 00:23:34.759
make an appearance in this movie?

417
00:23:35.480 --> 00:23:37.400
Uh? He did? I forget where.

418
00:23:38.440 --> 00:23:40.480
He's it's the storm around the mount I believe.

419
00:23:40.240 --> 00:23:42.359
In he Yeah, I think it's a blinking you miss

420
00:23:42.359 --> 00:23:43.079
it it is?

421
00:23:43.200 --> 00:23:46.640
It is enough you can find him, yeah, which I mean,

422
00:23:46.680 --> 00:23:48.319
if he's going to help you fund the movies, I

423
00:23:48.319 --> 00:23:50.759
guess you probably should kind of insert him into the

424
00:23:50.759 --> 00:23:54.920
movies somewhere, right, Yeah, yeah, yeah, no kidding. All right,

425
00:23:55.279 --> 00:23:57.000
well Scott, let's take a little break and then we'll

426
00:23:57.000 --> 00:23:59.960
come back. We'll talk briefly about the score.

427
00:24:00.400 --> 00:24:02.319
All right, sounds you good?

428
00:24:03.519 --> 00:24:06.240
All right, everybody, welcome back. We are talking here a

429
00:24:06.279 --> 00:24:09.200
film at forty five. We're talking about Monty Python's Life

430
00:24:09.240 --> 00:24:12.920
of Brian. Let's score it so I know. The music

431
00:24:12.960 --> 00:24:17.240
was done by Jeffrey Bergen. Again, I kind of mentioned earlier.

432
00:24:17.839 --> 00:24:21.640
When this movie first starts, the film felt very serious

433
00:24:21.680 --> 00:24:25.839
at first, even the music I felt felt like epic,

434
00:24:25.920 --> 00:24:28.680
like you were going to get this amazing score that

435
00:24:28.720 --> 00:24:31.000
would be very fitting to again, I'm going to say

436
00:24:31.000 --> 00:24:33.519
it Jesus of Nazareth that was done in nineteen seventy seven.

437
00:24:34.480 --> 00:24:38.240
Maybe it felt like they matched that theme beautifully with

438
00:24:38.359 --> 00:24:41.640
the score. Jeffrey Bergen's score throughout the movie was really

439
00:24:41.640 --> 00:24:44.480
well done. But I think most of the focus was on,

440
00:24:44.720 --> 00:24:47.680
you know, the songs that were in this Brian's song

441
00:24:47.799 --> 00:24:50.200
obviously at the beginning, Yeah, the end we get Eric

442
00:24:50.240 --> 00:24:52.839
Heidel singing the always on the Bright Side of Life,

443
00:24:53.440 --> 00:24:55.640
which are two. Obviously the last one is more of

444
00:24:55.640 --> 00:24:57.839
the year worm that you're going to get than the

445
00:24:57.880 --> 00:25:00.000
Brian song. But still both of them I thought were fantastic,

446
00:25:00.000 --> 00:25:00.680
think well done.

447
00:25:01.200 --> 00:25:03.720
Yeah, well, and that first time kind of sticks with me,

448
00:25:03.839 --> 00:25:05.880
like even as we're talking about it, that's the song

449
00:25:05.920 --> 00:25:09.880
that's spinning around him ahead. And it might be because

450
00:25:11.000 --> 00:25:17.440
we were recently talking about James Bond and Sonya Jones

451
00:25:17.599 --> 00:25:19.759
is the one who sang the opening song, but a

452
00:25:19.839 --> 00:25:22.799
lot of people believe that Shirley Bassy, who sung the

453
00:25:23.599 --> 00:25:29.880
sang the Goldfinger theme song John Help but mixed the two.

454
00:25:30.400 --> 00:25:31.519
Wait, I could see that.

455
00:25:31.720 --> 00:25:35.119
Yeah, it definitely has that kind of style. But you know,

456
00:25:35.279 --> 00:25:37.160
it does a great job of just kind of going

457
00:25:37.279 --> 00:25:40.920
through basically just chronically normal life, right like he had

458
00:25:41.119 --> 00:25:43.160
arms and legs of the head, and he grew and

459
00:25:43.279 --> 00:25:48.440
grew and grew. It's kind of interesting that as though,

460
00:25:49.759 --> 00:25:52.160
although it seems sounds like, you know, it's about a

461
00:25:52.200 --> 00:25:56.359
lot of maturation and growing up and things like that.

462
00:25:57.440 --> 00:26:00.960
Apparently Sonya was only sixteen years old, oh my god

463
00:26:01.039 --> 00:26:04.880
when she recorded the song, which is interesting because it

464
00:26:05.000 --> 00:26:06.319
sounds like it's an older person.

465
00:26:06.480 --> 00:26:08.960
It does. Yeah, that surprises me to hear that, actually,

466
00:26:09.720 --> 00:26:11.599
because it does not sound like a sixteen year old

467
00:26:11.640 --> 00:26:11.960
no way.

468
00:26:12.400 --> 00:26:13.920
Yeah, but it's done very well.

469
00:26:14.440 --> 00:26:14.680
Yeah.

470
00:26:14.960 --> 00:26:17.720
You know, again, I don't think there's anything offensive about

471
00:26:17.759 --> 00:26:21.000
either one of them, but no, yeah, it's just funny

472
00:26:21.000 --> 00:26:21.440
and it works.

473
00:26:21.839 --> 00:26:22.359
It really is.

474
00:26:22.559 --> 00:26:22.759
Yeah.

475
00:26:22.960 --> 00:26:25.319
All right, well let's quote this, scott Any. Did you

476
00:26:25.519 --> 00:26:26.640
find interesting quotes?

477
00:26:27.240 --> 00:26:30.039
Yeah, I mean, I come back to handmade films and

478
00:26:30.079 --> 00:26:32.160
I'm saying that there's a lot of different things I'd

479
00:26:32.200 --> 00:26:35.200
like to kind of look into about this. So in

480
00:26:35.319 --> 00:26:38.440
Robert Seller's Very Naughty Boys, The Amazing True Story of

481
00:26:38.480 --> 00:26:41.279
Handmade Films, Eric Idol says if you looked at the

482
00:26:41.319 --> 00:26:44.200
British film industry of the nineteen eighties and took handmade

483
00:26:44.240 --> 00:26:49.039
films out, there would be almost nothing left. They were

484
00:26:49.079 --> 00:26:55.160
basically ignored. Ben Timlett, co director of An Accidental Studio,

485
00:26:55.160 --> 00:26:59.680
which is another documentary about handmaide tales or handmade films.

486
00:27:01.240 --> 00:27:04.279
The British film industry was much more interested in merchant ivory,

487
00:27:04.400 --> 00:27:07.440
whereas handmade was down and dirty and different and doing

488
00:27:07.519 --> 00:27:11.039
things the establishment couldn't get its head around. To me,

489
00:27:11.640 --> 00:27:14.400
that perfectly encapsulates what we're seeing in Life of Brian

490
00:27:14.640 --> 00:27:15.720
and Bandits.

491
00:27:15.920 --> 00:27:17.119
Oh yeah, absolutely.

492
00:27:17.519 --> 00:27:21.799
Mind bending kind of movies that I think anybody who

493
00:27:21.880 --> 00:27:23.720
grew up in the eighties and had access to them

494
00:27:24.319 --> 00:27:28.480
definitely benefit. It inspired a lot of greatness after that. Yeah,

495
00:27:28.480 --> 00:27:28.920
what about you?

496
00:27:29.160 --> 00:27:31.240
I agree with that. So I actually found a couple

497
00:27:31.400 --> 00:27:33.039
that I want to talk about. So I'm going to

498
00:27:33.079 --> 00:27:36.039
pull a Hoffman on this one. The first one is

499
00:27:36.359 --> 00:27:40.279
in an interview of section of the Monty Python's Flying

500
00:27:40.400 --> 00:27:43.079
Circus Live at Aspen that John Flee State in nineteen

501
00:27:43.119 --> 00:27:46.880
ninety eight said that because of the massive protest against

502
00:27:46.960 --> 00:27:50.319
this movie from all denominations of Christianity, he would joke

503
00:27:50.359 --> 00:27:52.920
with Michael Palin, and he would say, we've brought them

504
00:27:52.960 --> 00:27:55.400
all together for the first time in two thousand years,

505
00:27:56.680 --> 00:28:00.440
which is hysterical in itself. That they He's right, He's right.

506
00:28:01.240 --> 00:28:03.759
I got another quote from John Cleese that I found

507
00:28:03.880 --> 00:28:06.759
was absolutely perfect. He says, if I can get you

508
00:28:06.880 --> 00:28:09.720
to laugh with me, you like me better, which makes

509
00:28:09.759 --> 00:28:12.240
you more open to my ideas. If I can, if

510
00:28:12.319 --> 00:28:15.160
I can persuade you to laugh at the particular point

511
00:28:15.279 --> 00:28:20.839
I make, by laughing at you acknowledge its truth. You know,

512
00:28:21.720 --> 00:28:24.079
John Cleese is brilliant. All these guys are brilliant. That

513
00:28:24.200 --> 00:28:27.359
are that that that make up Monty Python, all of them. Yeah,

514
00:28:27.599 --> 00:28:29.400
And like I said, I wish we had gotten more

515
00:28:29.480 --> 00:28:33.160
from them later on, you know. I know some of

516
00:28:33.200 --> 00:28:35.039
them have passed away over the you know, over the

517
00:28:35.160 --> 00:28:37.599
years and stuff like that, and they're a little bit

518
00:28:37.640 --> 00:28:40.200
of falling out too. I believe later on in life.

519
00:28:40.400 --> 00:28:42.759
I wish we'd gotten more from these guys because every

520
00:28:42.799 --> 00:28:45.759
one of them. Scott was a comedic genius, every one

521
00:28:45.799 --> 00:28:46.000
of them.

522
00:28:46.119 --> 00:28:48.119
I mean, it's like the Beatles of comedy. It is.

523
00:28:48.240 --> 00:28:50.519
I feel like that's a really easy comparison to make.

524
00:28:50.720 --> 00:28:53.839
But they're they're massive. They're absolutely iconic.

525
00:28:54.200 --> 00:28:57.880
Yeah, they absolutely are. So you know, it's it's it's

526
00:28:58.000 --> 00:29:00.519
nice to see quotes like that because it's shows you

527
00:29:00.759 --> 00:29:04.240
how in tune they are with their comedy. You know,

528
00:29:04.759 --> 00:29:07.720
they take it so seriously, and they when they're writing

529
00:29:08.599 --> 00:29:11.559
the script, they're writing those words, they know how important

530
00:29:11.720 --> 00:29:14.680
every single word is that they're putting on paper because

531
00:29:14.720 --> 00:29:17.480
they have to lead the audience. Just like John Clee said.

532
00:29:18.240 --> 00:29:22.440
Hearing John defend it in that interview that I mentioned before,

533
00:29:23.920 --> 00:29:27.240
he has that moment where he's kind of imploring the

534
00:29:27.799 --> 00:29:30.759
you know, kind of the antagonist and antagonists in the

535
00:29:30.880 --> 00:29:35.799
debate that there's nothing that they're trying to do that's

536
00:29:36.200 --> 00:29:41.440
meant to be specifically controversial. There's nothing that's meant to

537
00:29:41.480 --> 00:29:45.640
be blasphemous. It's getting you know. I remember him saying,

538
00:29:45.759 --> 00:29:49.160
if people think nothing else from this, it's to think

539
00:29:49.240 --> 00:29:52.319
for themselves. And I don't think there's anything wrong with that.

540
00:29:52.680 --> 00:29:54.920
Like when you're talking about religion, when you're talking about

541
00:29:54.920 --> 00:29:57.960
things like that, it seems like if somebody is thinking

542
00:29:58.039 --> 00:30:01.119
for themselves and working it out for themselve elves, it

543
00:30:01.319 --> 00:30:05.000
just makes it that much they're believe that much stronger, right,

544
00:30:05.240 --> 00:30:07.160
And I think it was just trying to take a

545
00:30:07.240 --> 00:30:10.079
moment and say, can we look at this kind of

546
00:30:10.119 --> 00:30:13.799
time period from a from a humorous perspective without belittling

547
00:30:14.920 --> 00:30:18.200
Jesus at all. I think they succeeded in that, And

548
00:30:18.279 --> 00:30:19.960
I think people that come to this with an open

549
00:30:20.039 --> 00:30:23.960
mind completely understand that. And if nothing else, it you know,

550
00:30:24.640 --> 00:30:27.839
buses them to take a moment to think about those events.

551
00:30:28.359 --> 00:30:31.119
I would think that would only serve to strengthen it,

552
00:30:31.359 --> 00:30:31.599
not to.

553
00:30:31.640 --> 00:30:34.240
We get it. Yeah, absolutely, I could agree more with that.

554
00:30:34.720 --> 00:30:38.119
All right, let's move on to the rewind scott favorite scenes.

555
00:30:40.160 --> 00:30:45.400
We've talked about a lot of them already. There's, you know,

556
00:30:45.480 --> 00:30:47.880
like you had mentioned selling the snacks in the colosseum

557
00:30:49.640 --> 00:30:53.319
anytime when the what is the name of that the

558
00:30:53.400 --> 00:31:01.160
alliance that they can't get their own name right, that

559
00:31:01.279 --> 00:31:05.359
there's all that deliberating and even when you know she

560
00:31:05.519 --> 00:31:08.039
comes in and says like he's Brian's being taken out

561
00:31:08.079 --> 00:31:09.960
to be crucified right now. You have to save him.

562
00:31:10.000 --> 00:31:12.359
You have to go right now. And they deliberate for

563
00:31:12.599 --> 00:31:16.039
several scenes, asking all these questions by committee, trying to

564
00:31:16.039 --> 00:31:18.319
figure out if they would save him or not was

565
00:31:18.400 --> 00:31:23.359
just fun. Yeah, it was. And then the prisoner in

566
00:31:23.519 --> 00:31:27.359
chains who's kind of lamenting, like, oh, clearly you're their

567
00:31:27.440 --> 00:31:29.839
favorite boy. I wish I could spit on in the

568
00:31:29.920 --> 00:31:32.799
face I just had. I'd love to have shackles, you know.

569
00:31:34.200 --> 00:31:35.640
Later on he would show him upside down in the

570
00:31:35.680 --> 00:31:39.079
window right as they're moving along with the crucifixions.

571
00:31:39.680 --> 00:31:42.880
Yep. So those are some of the stands out for me.

572
00:31:43.000 --> 00:31:45.559
What about you, anything that you find visible?

573
00:31:45.880 --> 00:31:49.279
So I've mentioned a couple of them. Obviously, the biggest

574
00:31:49.279 --> 00:31:52.799
stick a scene was absolutely hysterical to me, and I'm

575
00:31:52.880 --> 00:31:55.079
kind of like chuckling about it right now because just

576
00:31:55.440 --> 00:31:58.000
thinking about some of them lines. But one of the

577
00:31:58.039 --> 00:32:00.319
things that we really didn't talk about is when Pilot

578
00:32:00.400 --> 00:32:05.720
was addressing the crowd and they're they're getting him to talk,

579
00:32:05.839 --> 00:32:07.640
you know, to say our words and stuff like that.

580
00:32:07.960 --> 00:32:10.359
Roger is there a Roger.

581
00:32:10.839 --> 00:32:14.920
With biggest thickets? Yes, as Graham Chapman exactly.

582
00:32:15.480 --> 00:32:18.079
And just how that the crowd was just rolling with left,

583
00:32:18.119 --> 00:32:20.960
that they were on their backs laughing so hard as

584
00:32:21.000 --> 00:32:25.039
they were egging on. That whole sequence was so good.

585
00:32:25.559 --> 00:32:30.000
There was one subtle bit that John Clice threw in there,

586
00:32:30.359 --> 00:32:33.759
and it's a it's a nonverbal thing, but it just

587
00:32:33.839 --> 00:32:38.000
worked so well. Like he walks in and Punsius is there,

588
00:32:38.200 --> 00:32:40.279
you know, talking to him, and of course they have

589
00:32:40.359 --> 00:32:44.960
that kind of exchange where John's character will kind of

590
00:32:45.039 --> 00:32:48.440
like misrepresent what he's saying or answering the wrong way.

591
00:32:49.279 --> 00:32:52.359
And then when Punches first points over to biggest thickets

592
00:32:52.440 --> 00:32:54.240
and says, oh, here's biggest thickets and he kind of

593
00:32:54.240 --> 00:32:56.160
looks at him and looks down at his crouch area

594
00:32:56.160 --> 00:32:57.759
and then looks back up at him and it strikes

595
00:32:57.799 --> 00:32:59.680
his shoulder like I don't get it. I don't see it.

596
00:32:59.799 --> 00:33:02.240
But oh sure, yeah, yeah, well we'll go with it though,

597
00:33:02.240 --> 00:33:05.519
okay whatever, Yeah exactly, but yeah, no, those those are

598
00:33:05.559 --> 00:33:07.960
some of my favorite things. There's so many. It's hard

599
00:33:08.000 --> 00:33:11.079
to pick because the movies put together so well from

600
00:33:11.119 --> 00:33:15.000
beginning to end. When it comes to comedy that anything

601
00:33:15.000 --> 00:33:16.960
you're gonna pick in this film, it's it's it's gold,

602
00:33:17.240 --> 00:33:18.079
It absolutely is.

603
00:33:19.480 --> 00:33:22.559
And Dave, there's one other cast member that, Yeah, Admiral

604
00:33:22.680 --> 00:33:28.960
Piert from Empire and Jedi can this Colley I think yep,

605
00:33:29.079 --> 00:33:31.079
that's correct played a small role.

606
00:33:31.400 --> 00:33:33.400
Who was he? He played Jesus?

607
00:33:34.000 --> 00:33:38.759
Yeah, one of the smaller roles in the movie, but yeah,

608
00:33:39.160 --> 00:33:42.799
he's among some greats in this cast. Absolutely.

609
00:33:43.319 --> 00:33:45.240
All right, let's talk about the impact of this film.

610
00:33:45.279 --> 00:33:48.039
I think we've kind of already hit on some of

611
00:33:48.119 --> 00:33:52.519
these elements of the impact many pathon and themselves huge

612
00:33:52.559 --> 00:33:55.720
impact on not just in Britain and England and all that,

613
00:33:55.880 --> 00:33:58.480
but when they came over to us, you know, here

614
00:33:58.480 --> 00:34:00.240
in the United States, and what they did for us

615
00:34:00.319 --> 00:34:03.759
and realizing on how good they were with their comedy.

616
00:34:04.440 --> 00:34:08.000
I don't know if you discovered the Life of Brian first,

617
00:34:08.840 --> 00:34:11.840
or if you discovered The Holy Girl first, you're still

618
00:34:12.039 --> 00:34:13.480
what you're gonna do is when you see one of

619
00:34:13.480 --> 00:34:16.400
those films, or if you watch The Flying Circus for

620
00:34:16.480 --> 00:34:19.360
Crying Out Loud first, or was it The Meaning of

621
00:34:19.440 --> 00:34:23.079
Life I believe was another one that they did. Yeah,

622
00:34:23.599 --> 00:34:26.039
I think eighty three or something like that, But which

623
00:34:26.079 --> 00:34:30.039
is I didn't really like that movie. But anyway, whatever

624
00:34:30.159 --> 00:34:32.760
movie you found of theirs, you're going to go explore

625
00:34:33.639 --> 00:34:36.039
them because they are so good at what they do.

626
00:34:36.239 --> 00:34:38.039
Like you said, you know, they are kind of like

627
00:34:38.079 --> 00:34:41.079
the Beatles of comedy. And for me, and I'll use

628
00:34:41.119 --> 00:34:45.039
myself as a perfect example here, I discover them with

629
00:34:45.159 --> 00:34:47.920
the Holy Grail, and then that led me to the

630
00:34:48.000 --> 00:34:50.960
Life of Brian, and then that led me to Meaning

631
00:34:51.000 --> 00:34:52.599
of Life, which I I didn't like. But then I

632
00:34:52.679 --> 00:34:56.800
didn't realize that they had the Flying Circus. So when

633
00:34:56.840 --> 00:34:59.360
I discovered the Flying Circus, it made me so happy

634
00:34:59.400 --> 00:35:02.039
because I had a lot of content that I could

635
00:35:02.039 --> 00:35:06.400
go back through and watch of theirs and I'm going

636
00:35:06.440 --> 00:35:08.800
to use the word again, it was gold. All of

637
00:35:08.880 --> 00:35:12.239
their stuff was so well done that it just shows

638
00:35:12.280 --> 00:35:14.400
you the impact that they had on not just over

639
00:35:14.440 --> 00:35:16.880
in England, but what they had over here too.

640
00:35:17.880 --> 00:35:21.519
Yeah. Well, and they definitely took chances with comedy. I

641
00:35:21.599 --> 00:35:25.480
feel like they definitely inspired people to go and take

642
00:35:25.679 --> 00:35:30.280
chances as long as you stay true to comedy, right,

643
00:35:30.400 --> 00:35:32.079
I'm not just doing it for the sake of shock,

644
00:35:32.360 --> 00:35:37.480
but knowing how to design sketches and films with that

645
00:35:37.679 --> 00:35:40.440
comedic timing and with those comedic instincts, they are things

646
00:35:40.480 --> 00:35:44.599
that they absolutely nailed. I feel like I discovered money

647
00:35:44.639 --> 00:35:47.480
Python on the syndication and I feel like it was

648
00:35:47.519 --> 00:35:51.880
always like a secret syndication kind of thing because I'd

649
00:35:51.920 --> 00:36:01.679
either catch BBC productions on PBS, I guess, or Nickelodeon

650
00:36:01.920 --> 00:36:06.719
for the Tomorrow people. But you know things like Doctor

651
00:36:06.800 --> 00:36:09.519
Who My brother would see that, and every every once

652
00:36:09.559 --> 00:36:12.480
in a while, Money Python would kind of sneak through

653
00:36:12.480 --> 00:36:14.960
the cracks. It wasn't something we ever had, like a

654
00:36:15.159 --> 00:36:17.960
play in time of day or a day of the

655
00:36:18.039 --> 00:36:20.239
week that we watch for it. It just happened to

656
00:36:20.280 --> 00:36:22.840
be something you kind of happened upon. And I think

657
00:36:22.880 --> 00:36:26.519
that's a great way to discover Money Python. A big

658
00:36:26.880 --> 00:36:30.360
feature length film, it might take a little while to

659
00:36:30.480 --> 00:36:35.039
kind of get like their their style of humor, and

660
00:36:35.159 --> 00:36:37.440
they're pacing and things like that, and versus if you

661
00:36:37.480 --> 00:36:41.360
get into it and kind of bite size sketches, it's

662
00:36:41.440 --> 00:36:44.400
kind of similar to Saturday and Alive that way, right,

663
00:36:44.480 --> 00:36:48.599
you know, to digest it in smaller bits. But after

664
00:36:48.760 --> 00:36:51.559
a small sampling of that, I would absolutely recommend anybody

665
00:36:51.559 --> 00:36:56.639
who is getting into Money Python for the first time,

666
00:36:57.920 --> 00:37:00.599
absolutely you know, sampling with the Flying Sars, but very

667
00:37:00.639 --> 00:37:04.480
quickly get into Holy Grail and Life of Brian. I

668
00:37:04.639 --> 00:37:06.400
agree with you about meeting a Life. I don't think

669
00:37:06.400 --> 00:37:09.760
it was as struggle as a follow up. There's the

670
00:37:10.000 --> 00:37:13.199
restaurant scene. I just can't get through because to us

671
00:37:13.679 --> 00:37:15.199
just yes, it is over the edge for you, but

672
00:37:17.119 --> 00:37:21.760
definitely has a major impact on comedy and I think

673
00:37:21.760 --> 00:37:23.039
it's important for anybody to see.

674
00:37:23.440 --> 00:37:26.599
Yeah, absolutely, I agree. Where'd you see this at, Scott?

675
00:37:27.440 --> 00:37:29.199
I caught it on Netflix.

676
00:37:29.559 --> 00:37:29.840
Okay.

677
00:37:30.880 --> 00:37:33.840
I think there's a few other money Python things you

678
00:37:33.880 --> 00:37:37.119
can see there, but pretty defined on Netflix. What about you?

679
00:37:37.679 --> 00:37:38.960
I own a physical copy.

680
00:37:39.119 --> 00:37:39.320
I have.

681
00:37:39.920 --> 00:37:44.159
I own everything Money Python actually flying everything on DVD.

682
00:37:44.400 --> 00:37:46.960
So yeah, I've just pulled out the copy and watched it.

683
00:37:47.960 --> 00:37:51.599
So yeah, all right. As always, I want to thank

684
00:37:51.639 --> 00:37:54.000
our listeners and hope you're excited as we are. We

685
00:37:54.159 --> 00:37:58.320
continue our dive in journey through the year nineteen seventy nine.

686
00:37:58.960 --> 00:38:00.360
If you want to reach us, you can find us

687
00:38:00.400 --> 00:38:03.239
at a film by podcast dot com. You can reach

688
00:38:03.320 --> 00:38:05.079
us at a film by podcasts at gmail dot com.

689
00:38:05.639 --> 00:38:07.440
You can find us on a film by podcast on

690
00:38:07.559 --> 00:38:10.800
all social medias. Until our film reals start rolling again,

691
00:38:11.559 --> 00:38:14.199
go out, watch something new, watch something different, and who

692
00:38:14.280 --> 00:38:18.760
knows what you will discover next. Remember always look on

693
00:38:18.800 --> 00:38:23.079
the bright side of life. Thanks everyone, Thanks