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Brad, it is once again Asian American and Pacific Islander
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Heritage Month.
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That's right. Last year we did Justin Lynn finishing the game,
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and we did John wu Hard Tard did.
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Yeah, this is our second you're doing this. You want
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to keep it going.
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Yeah, but let's go back a little old school and
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do a film by Akira Kirasawa is nineteen fifty seven
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samurai war drama Throne of Blood.
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Hello everybody, and welcome back to the Film By podcast.
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I'm Jeff Johnson and I am Brad Kozo, and today
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we are arguably discussing I would say Japan's greatest.
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Director, Brad, I'd say most celebrated, definitely celebrated.
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Okay, Yeah, most celebrated Akira Kirasawa. Okay. So I'm gonna
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I'm gonna go ahead ask you the question then, because
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you know we talked about Kirasawa, you chose throwing a
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blood And my question, my first question to you before
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we even get into this, Uh, how did you first
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find out about throwing a blood? And why why was
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this your choice?
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Well, all the filmmakers that I admire always talk about
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the filmmakers Ammier and the one that always popped up
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was Kirasawa, and I had always heard about his influence
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on all the films that we loved, so I just
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I think it was during pandemic time. I needed stuff
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to watch, so some of those I believe there was
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a Kirosawa fest on TCM. I had the TCM app
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and I watched a couple of them, and out of
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all of them, I say, this one was my favorite.
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I loved it, and I'm dying to find out what
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you thought about it.
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Well, let's cut the suspense because I'm gonna go ahead
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and say thank you for choosing this movie because I
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freaking loved it. I mean, I did not expect it
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to be so good. And the real shock for me,
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the real big surprise, this is Macbeth. Yeah, I mean,
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this is Shakespeare's Macbeth with a few liberties taken on
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Karrosawa's party made it. He made some minor changes, but
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I'm like maybe, I'm like fifteen twenty minutes into it,
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I'm like, why is this feel familiar? Why I've seen it?
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Have I seen this? And I'm like, no, I definitely
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have not seen this, but I know I know it.
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And then it hit me and then it hit me
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a second time because you and I were talking about
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that new Denzel movie he just did, and you knew
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we were talking about Throwing a Blood and I told you.
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I said, yeah, I got checked this movie out, and
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you said, why don't you wait till after you watched
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them in Blood. I did not know that you were
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setting me up like that. So now I'm real excited
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to see that movie because I'm just full on, you know.
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I mean, I'm in a Shakespeare move. I'm wanting to
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see more Macbeth. But this movie, I'm gonna go ahead
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and say it. I think this is the best adaptation
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I've ever seen of Shakespeare's Macbeth. Would you agree to
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that or have you seen something better?
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No, I'm actually gonna agree with you. I was going
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to bring that up because as I was watching it
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last night, there's just certain parts about it. I was like,
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there's no possible way that Jeff cannot like this movie.
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I was like, it was like no, I was like,
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there's just too many things in it that I know
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that he would enjoy. I was like that he he
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must like this film. But yeah, I agree with you,
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this is the best adaptation of Macbeth. The Coen Brothers
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version is very good, and I know that there's a
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lot of versions that I would like to see. I know,
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Roman Polatinski did a version. Obviously, Orson Wells had done one,
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so and that's one of the reasons that he kind
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of stirred away from it and changing it to Thrown
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of Blood because Orson Wells's version was coming out around
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the early fifties.
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I believe, Yeah, well, I know he This is just
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doing a little bit of background on the on the production.
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Kirosawa was a big fan of Shakespeare. He loves Macbeth,
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and then finds out that Orson Wells is doing it
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and it's coming out in nineteen forty eight, so he
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kind of postpones his Yeah, that's several years, and that's
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you know, we'll get into that a little bit here later.
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But for those for those people that haven't seen Thrown
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a Blood, for those people that haven't read Macbeth or
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seen one of its adaptations, what we're talking about, you know,
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the brief synopsis for Throwing a Blood. A warhard in general,
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egged on by his ambitious wife, works to fulfill a
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prophecy that he would become Lord of Spider's Web Castle.
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I'm taking that right off of the IMDb website there, Brad,
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but pretty accurate nonetheless, right.
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Yeah, I mean the general and I believe that you
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said it's pronounced.
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Washaizu, Washaizu Washaizu played by Kirosawa's go to man, to
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Shira Mafune, And basically, yeah, like you said before, he's
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on his way back to the castle.
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He's confronted, you know, by a witch who prophesizes that
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he will become king in the North Castle and then
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will eventually send to the King of the Lord Spider Web.
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And when the beginning of that starts unfold, they start
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to you know, he starts to believe in that prophecy,
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and then of course power is something that people just
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can't refuse. And of course it just gets very bloody
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after that.
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Absolutely it does. It's real bloody. You mentioned Uh Mufune
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is uh Kirasawa's go to guy. This is his sixth film,
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there's sixth collaboration out of like eleven total. He is
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absolutely you know what de Niro was for Scorsese, Yeah,
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is to Kirosawa, right.
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Yeah, I mean, he's a he's a pretty intense actor.
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You know, he's got a great face, a great you know,
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kind of somebody going mad, you know, someone a little
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bit crazy in some way, you know. I mean, he's
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got he's got a great face, and he's he looks
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very just, you know, fearless. You know, he seems like
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he because he everybody in this movie really goes for.
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I like that you're talking about his face and his
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his ability to express emotion, because that's something I want
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to get into. I got something here for you, Brad
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h later later when we talk about the production, and
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it's going to tie right into what you just said
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about his face and his ability to express So, look,
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I love the film. You love the film, right, Yeah,
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I loved it. I mean, this is a This is
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one of those like I wish you know, you and
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I are such film buffs. We've always been like that
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since we were kids. I wish I would have had
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access to more Kirosawa when we were younger, because I'm
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gonna go ahead, ADM minute, and I know, I know
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I'm jumping the gun a little earlier talking filmography, but
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I've seen so few of his movies and now I'm
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excited to see more. So you know, I'll ask you
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a little bit about that, but let's talk about this
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cast a little bit. So we talked about Tashiro Mafune
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and not our first time actually talking about him right now.
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We talked about him in nineteen forty one or a
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Spielberg episode.
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Yeah, he had that small cameo in that. But you know,
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I want to see more of his work, and I know,
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you know, obviously I've seen him in a few things
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that Kiasawa did, But you're right, this guy is so expressive.
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I just wish it was a situation where we could
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have got more. I think, correct me if I'm wrong,
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but I think is nineteen forty one his only American film?
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I think the.
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Time, Yes, I believe it was his only American film.
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Okay, I would have loved to have seen more from
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this guy. Yeah, but he's not alone. Akira Kubu, who
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plays his best friend, his commander, well not his commander,
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but his like his sergeant. I guess you'd say, playing
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miky this guy's fantastic too in this movie.
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Yeah. Yeah, but you know, you can see a little
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bit of the weakness in him, you know, not the
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you can see that his inability to take it a
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little bit further the way that you know Mifune would
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it just it definitely fits his character.
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Yeah, Well, the I think the character of Miki is
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he's happy being the the go to guy, right, He's
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happy being He's not ambitious, right, No, not in the
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way that uh is. Yeah, And I mean that's the
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whole thing about Macbeth though, like McBeth, Like you know,
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when you talk about like you know, some of the
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themes of Macbeth, you can't ignore it that it's all
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about when your ambition turns dark. You know, when there's
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a lack of morality, your ambition can can turn evil
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and right, and that's that's exactly what happens to Shaizu,
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but not so much Miky. Right, He's he's a happy,
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go lucky guy.
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He just you know, yeah, but he's missing one thing
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that was Shaizu does have and that's Lady was Shaizu
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Asaji Suzu Yamada. And yeah, what a great Lady Macbeth
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role this woman has. I mean, she was she was
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very present, you know, It's like she was she knew
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how to tug his heartstrings.
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I'm gonna go ahead and say, oh, let's I'm gonna
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jump right in on on her performance. Maybe the creepiest
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performance I've seen in a long time. I mean just
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her her ability to emote or or her lack thereof.
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She is so I mean, she's borderline scary in this film. Yeah.
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I don't like how she's just always like in the background,
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you know, staring off into the distance, just waiting to
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say something to egg him on and to you know,
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kind of.
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Provoke him, but with no emotion on her face, no emotion.
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Yeah, she's like a robot.
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She's saying like the most evil things with no emotion whatsoever.
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Yeah. I just, uh, hats off to a Susu Yamada
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because you think it'd be easy to do what she
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does in this movie, but it's not. And that was
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like one of my takeaways after it was over. I still,
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you know, I'm I'm getting ready for bed, and I'm
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turning out the lights and I'm like I'm looking in
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the corners, like waiting to see if she's like sitting
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there staring blankly you know, when you say something something
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you know haunting. Uh, definitely definitely like the like liked
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what she did with this. I know we got some
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other great actors in here. I know the one guy
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and I'm probably saying the name wrong. Uh played like
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New Year two? Maybe? Uh, big big guy in Toho
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Films does the did Godzilla and some other things.
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Takashi Shimura.
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Yeah, yeah, see I knew, Yes he does. He absolutely does.
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Were you Okay? So we've talked about this being more
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or less it's Macbeth. Yeah, little background on the movie. Okay,
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So if you didn't know this, Brad. Thrown of Blood
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is the first of three movies that Kirasawa agrees to
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produce for Toho Films. Now you know, it's Thrown a Blood,
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it's Hidden Fortress, and it's Revenge. Not the Kevin Costn
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one that we talked about, but you know, probably still
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a pretty awesome, pretty awesome one. Now the cool thing
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here just talking about, you know, referencing Godzilla there. Second ago.
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Thrown of Blood was supposed to be directed by a
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Shiro Honda, who did the nineteen fifty four Godzilla movie.
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Now Toho says this is already getting way too expensive.
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They insist that Karasawa has to direct all three of
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these movies, and that's why they're part of his philmography.
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Do you do you think we would have had you know,
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because you've seen the fifty four Godzilla? Do you think
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I haven't you what you haven't seen the original one? Okay, okay,
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well strike my next line of questioning. I wanted to
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thought what you would have thought of a Honda directed
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uh thron of blood. But we'll just we'll just move
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past that. Uh okay, So back to back to the
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face facial expression stuff. H Are you familiar with the
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the Japanese art form.
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Called no no, the oldest surviving of the Japanese theater,
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which combines music, dance, and acting to communicate Buddhist themes.
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I I thought here, I thought, so, okay, well I
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will not be teaching you because it sounds like you
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are the master. But uh yeah, so this this uh
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no n o h uh as you said, it's this
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this form of dance drama very popular, much like kabuki
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in Japan. But uh yeah, so it's all about minimalist.
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The body movements, the set design, everything's really minimal. When
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you think back to throwing a blood, it definitely captures
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that no style, does it not? Yeah?
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I mean there's a you never see very much like say,
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giant wide shots, except a few times. You know, they
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keep it very you know, simple hut, you know, no
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elaborate things. You know, even though the things they have,
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you know, the clothes, you know, especially for the women,
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are very clean. Impressed. It was like they're you know,
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they're in that one room. They still haven't even cleaned